Music

Halle Bailey Delivers Angelic Rendition of Sabrina Carpenter’s ‘Please Please Please’ on Guitar

It’s no secret that Halle Bailey can sing anything flawlessly, and she proved it once again when she took to social media to put her spin on Sabrina Carpenter’s “Please Please Please.”

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In the 45-second clip, the 24-year-old star is seen effortlessly belting the chorus while playing the guitar, adding her own vocal runs to some of the lyrics. “woke up with this song in my headdd i love itt,” she captioned the post.

Carpenter scored her first Hot 100 chart topping song with “Please Please Please,” which made its way to the top of the tally on the chart dated June 29, 2024. The pop star celebrated the news of the accomplishment on Instagram, posting a three-item carousel to her feed. The first photo is the graphic of the Hot 100, followed by a video of Carpenter performing the signature claps in “Please Please Please” with co-writer/producer Jack Antonoff and co-writer Amy Allen, plus engineer Laura Sisk off camera.

“MY FIRST #1 on the @billboard HOT 100!!!!!!!” reads Carpenter’s caption. “And espresso at #4.. I’m very immensely grateful so i will surely always remember this day for the rest of my life! @jackantonoff @amyallen i deeply love this song and i love you both!!!!! I love our pitchy claps!!!!! I love @sharp_stick [Sisk] !!!! good things come in three’s. thank you everyone who’s listened and made it so much fun to have these songs out in the world. more to come soon.”

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Bailey, meanwhile, has also had an exciting year. In January, she announced the birth of her first child, a son named Halo whom she shares with rapper DDG. She shared a photo of his tiny hand on Instagram, writing, “Even though we’re a few days into the new year, the greatest thing that 2023 could have done for me, was bring me my son.”

Karol G Wraps Historic Mañana Será Bonito Tour With Emotional Last Show: ‘This Tour Changed My Life’

Colombian superstar Karol G officially wrapped her Mañana Será Bonito World Tour – a yearlong tour de force stint that touched base in the U.S., Latin America and Europe, with her last show in Madrid’s Santiago Bernabéu Stadium, where she became the first artist to sell out four sold-out shows at that venue.

“Hey familia, after almost seventy nights, I’m going to say for real that tonight is going to be the coolest night of my life,” said Karol, who, for this special occasion, ditched her pink-hued locks and appeared in her iconic, teal-dyed hair at the beginning of the show. The blue hair stayed for the first 30 minutes of the show, a nod to her KG0516 era, and with it she performed hits like the fiery “TQG,” the cheeky reggaeton anthem “Mi Cama” and her breakthrough song “Tusa.”

Billed as Mañana Será Bonito Forever, the show also streamed on Karol’s official YouTube page, kicking off at 6pm ET (after the show ended in Madrid) and at one point the stream surpassed 1 million people tuning in, with hearts flooding the comments section. Meanwhile, at the Bernabéu, thousands of fans danced and sang decked out in flowery Mañana Será Bonito merch with pink cowboy hats or fluffy earmuffs as an extra nod to Karol’s Bichota Season aesthetic.

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The last show was a culmination of her extraordinary tour – and yes, extraordinary because no other women in Latin music had headlined a global stadium tour. The trek – in support of Karol’s Grammy-winning, Billboard 200-topping album by the same name – also became a top grossing event — she was the was the highest grossing Latin touring artist of 2023 — and the moment wasn’t lost on Karol who was visibly emotional during the show as she stared out at the sea of fans who chanted “Karol, Karol.”

Not much changed for her last show from previous performances (except for the hair color changes throughout the over two-hour set, going blue to red and then pink). Karol stuck to the show fans have raved about all year long singing all her old and new hits – including her latest, the merengue-powered “Si Antes Te Hubieras Conocido,” which currently sits atop the Hot Latin Songs chart.

“I always think I have the words for everything but I would like to find the words to describe how I feel as a person, as a woman, how I feel here in front of all of you, how I feel knowing that, at home, there are thousands of people watching me right now,” a tearful Karol, dressed in a gorgeous angelic white dress, told her fans. “If there is something beautiful that this journey taught me, it was to learn to love myself, I am sure that God made me unique as well as he made us all unique for a reason. This tour allowed me to find my purpose in life and that is to help people feel like I feel now after so many years of not feeling this way. I’m closing a chapter of my life that gave me everything, the closeness with my fans, with my family and after all, tomorrow was very beautiful. From my heart, I wish this for each one of you, so learn to put yourselves above many things, love yourselves very much, I love you with my life, my relationship for life is with you. Thank you!”  

Making the connection even deeper with a few lucky fans fans, Karol stepped down from the stage mid-show greeting those in the front section, including little kids, and personally picking up gifts along the way; a bouquet of flowers, a stuffed unicorn, a rainbow flag and a cowboy hat.

The tears continued to flow when she performed “Mientras Me Curo del Cora,” and Iker, the little boy who was a key figure in her Mañana Será Bonito concept, appeared on stage wearing green, white and red (representing Mexico) holding a traditional Mexican rag doll as a gift for Karol. “He was my inner child in this process,” Karol said as she introduced him to her fans. The two embraced and Karol reminded everyone, “nothing matters because mañana será bonito.”

Toward the end of the show, she sang an encore of “Amargura,” this time accompanied by a salsa band, which included Emily Estefan on percussion. But right before, she expressed, “This tour changed my life, it changed the lives of many people. I feel proud to represent my home country and I feel much more proud to represent all my Latin countries. I would love to stop time and stay here crying, singing, thank you for making me so happy. I don’t want to leave, if it was up to me, I’d start the show all over again.”

But alas, all good things come to an end. And Karol officially closed with “Provenza,” the song that “started everything,” she said. “Here and those at home, let’s enjoy this moment like if it was our last and best night of our lives.”

Jimin’s ‘Muse’: Every Song Ranked

The BTS star’s sophomore solo release explores romance in all its facets while pushing the singer’s musical, creative and vocal limits.

After BTS committed to releasing solo projects in the group’s “Chapter Two,” Jimin set the bar for creative ingenuity and commercial success with his Face EP from last spring. The brilliantly unconventional dark-pop lead single “Like Crazy” marked the first time a K-pop soloist hit No. 1 on the Billboard Hot 100, while the 164,000 equivalent album units Face sold in its first week, resulting in a No. 2 debut on the Billboard 200, created another set of new records for Korean artists.

Despite serving his mandatory Korean military service obligations at the moment, Jimin is still showing his willingness to expand and push himself with what he prepared with the release of his second solo record. A sharp contrast to the dark themes of his solo debut, Muse explores Jimin’s journey to find true inspiration to deliver an exploration of love through seven tracks.

Incorporating everything from R&B grooves and light hip-hop to Latin and Afrobeat flair, Muse flexes Jimin’s versatility as a genre-less artist. Meanwhile, the songwriting within the record feels intimate and introspective. With Jimin co-writing on six of the EP’s seven tracks, the opening song, “Rebirth (Intro),” sets the multifaceted theme of romance in searching for a lover as part of one’s self-improvement while the focus track “Who” explores the longing and confusion in love via Jimin’s first solo English single.

With “Who” and “Smeraldo Garden Marching Band” being Muse’s singles, all of the EP’s full tracks could fulfill that duty for their ability to successfully represent new sides of Jimin. Here’s our ranking of the songs on the BTS vocalist’s latest solo album, Muse.

John Mayall, British Blues Pioneer, Dies at 90

John Mayall, the British blues musician whose influential band the Bluesbreakers was a training ground for Eric Clapton, Mick Fleetwood and many other superstars, has died. He was 90.

A statement on Mayall’s Instagram page announced his death Tuesday (July 23), saying the musician died Monday at his home in California. “Health issues that forced John to end his epic touring career have finally led to peace for one of this world’s greatest road warriors,” the post said.

He is credited with helping develop the English take on urban, Chicago-style rhythm and blues that played an important role in the blues revival of the late 1960s. At various times, the Bluesbreakers included Eric Clapton and Jack Bruce, later of Cream; Mick Fleetwood, John McVie and Peter Green of Fleetwood Mac; Mick Taylor, who played five years with the Rolling Stones; Harvey Mandel and Larry Taylor of Canned Heat; and Jon Mark and John Almond, who went on to form the Mark-Almond Band.

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Mayall protested in interviews that he was not a talent scout, but played for the love of the music he had first heard on his father’s 78-rpm records.

“I’m a band leader and I know what I want to play in my band — who can be good friends of mine,” Mayall said in an interview with the Southern Vermont Review. “It’s definitely a family. It’s a small kind of thing really.”

A small but enduring thing. Though Mayall never approached the fame of some of his illustrious alumni, he was still performing in his late 80s, pounding out his version of Chicago blues. The lack of recognition rankled a bit, and he wasn’t shy about saying so.

“I’ve never had a hit record, I never won a Grammy Award, and Rolling Stone has never done a piece about me,” he said in an interview with the Santa Barbara Independent in 2013. “I’m still an underground performer.”

Known for his blues harmonica and keyboard playing, Mayall had a Grammy nomination, for “Wake Up Call” which featured guest artists Buddy Guy, Mavis Staples, Mick Taylor and Albert Collins. He received a second nomination in 2022 for his album The Sun Is Shining Down. He also won official recognition in Britain with the award of an OBE (Officer of the Order of the British Empire) in 2005.

He was selected for the 2024 Rock & Roll Hall of Fame class and his 1966 album Blues Breakers With Eric Clapton is considered one of the best British blues albums.

Mayall once was asked if he kept playing to meet a demand, or simply to show he could still do it.

“Well, the demand is there, fortunately. But it’s really for neither of those two things, it’s just for the love of the music,” he said in an interview with Hawaii Public Radio. “I just get together with these guys and we have a workout.”

Mayall was born on Nov. 29, 1933 in Macclesfield, near Manchester in central England.

Sounding a note of the hard-luck bluesman, Mayall once said, “The only reason I was born in Macclesfield was because my father was a drinker, and that’s where his favorite pub was.”

His father also played guitar and banjo, and his records of boogie-woogie piano captivated his teenage son.

Mayall said he learned to play the piano one hand at a time — a year on the left hand, a year on the right, “so I wouldn’t get all tangled up.”

The piano was his main instrument, though he also performed on guitar and harmonica, as well as singing in a distinctive, strained-sounding voice. Aided only by drummer Keef Hartley, Mayall played all the other instruments for his 1967 album Blues Alone.

Mayall was often called the “father of British blues,” but when he moved to London in 1962 his aim was to soak up the nascent blues scene led by Alexis Korner and Cyril Davies. Mick Jagger, Keith Richards and Eric Burdon were among others drawn to the sound.

The Bluesbreakers drew on a fluid community of musicians who drifted in and out of various bands. Mayall’s biggest catch was Clapton, who had quit the Yardbirds and joined he Bluesbreakers in 1965 because he was unhappy with the Yardbirds’ commercial direction.

Mayall and Clapton shared a passion for Chicago blues, and the guitarist later remembered that Mayall had “the most incredible collection of records I had ever seen.”

Mayall tolerated Clapton’s waywardness: He disappeared a few months after joining the band, then reappeared later the same year, sidelining the newly arrived Peter Green, then left for good in 1966 with Bruce to form Cream, which rocketed to commercial success, leaving Mayall far behind.

Clapton, interviewed for a BBC documentary on Mayall in 2003, confessed that “to a certain extent I have used his hospitality, used his band and his reputation to launch my own career,”

“I think he is a great musician. I just admire and respect his steadfastness,” Clapton added.

Mayall encouraged Clapton to sing and urged Green to develop his song-writing abilities.

Mick Taylor, who succeeded Green as a Bluesbreaker in the late 1960s, valued the wide latitude which Mayall allowed his soloists.

“You’d have complete freedom to do whatever you wanted,” Taylor said in a 1979 interview with writer Jas Obrecht. “You could make as many mistakes as you wanted, too.”

Mayall’s 1968 album Blues From Laurel Canyon signaled a permanent move to the United States and a change in direction. He disbanded the Bluesbreakers and worked with two guitars and drums.

The following year he released The Turning Point, arguably his most successful release, with an atypical four-man acoustic lineup including Mark and Almond. “Room to Move,” a song from that album, was a frequent audience favorite in Mayall’s later career.

The 1970s found Mayall at low ebb personally, but still touring and doing more than 100 shows a year.

“Throughout the ’70s, I performed most of my shows drunk,” Mayall said in an interview with Dan Ouellette for Down Beat magazine in 1990. One consequence was an attempt to jump from a balcony into a swimming pool that missed — shattering one of Mayall’s heels and leaving him with a limp.

“That was one incident that got me to stop drinking,” Mayall said.

In 1982, he reformed the Bluesbreakers, recruiting Taylor and McVie, but after two years the personnel changed again. In 2008, Mayall announced that he was permanently retiring the Bluesbreaker name, and in 2013 he was leading the John Mayall Band.

Mayall and his second wife, Maggie, divorced in 2011 after 30 years of marriage. They had two sons.

Snoop Dogg Mourns Death of His Cousin & ‘Doggystyle’ Cover Artist Darryl ‘Joe Cool’ Daniel

On Monday, Snoop Dogg took to Instagram to share the sad news about the death of his older cousin, illustrator Darryl “Joe Cool” Daniel, the artist behind his Doggystyle album cover.

The post simply says “R.I.P. my big cuzn joe cool” along with a video Daniel took while hanging out at the studio with Snoop’s 2017 song “Promise You This” playing in the background.

Joe Cool, as cousins Snoop and Daz Dillinger called him, was instrumental in Snoop’s branding. Signing his work under the name Joe Cizzool, he illustrated the iconic artwork for the Long Beach rapper’s seminal debut album Doggystyle. Daniel was also responsible for the Gin and Juice single artwork, as well as the back of The Doggfather CD and the cover art for The Last Meal.

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Daz also paid tribute to his late cousin with a picture of him, Snoop and Joe Cool hanging out as well as a couple pics of Daniel highlighting his art.

The caption reads, “REST N PEACE DARYL JOE COOL DANIEL. MY BIGG CUZZN THIS REALLY HURTS WE GREW UP TOGETHER U WAS THERE FROM DAY ONE IM GONE REALLY REALLY MISS U BIGG CUZ.”

According to an interview with HipHopDX in 2013, Daniel said he was incarcerated and on drugs when his younger cousin asked him to do his album cover, but he didn’t believe Snoop was rapping with Dr. Dre at first. While he was doing a bid in California State Prison, he sent his sister a drawing of Snoop, and when his little cousin was visiting Daniel’s sister, Snoop hopped on the phone.

“He told me he was rapping with Dr. Dre,” Joe Cool told HipHopDX. “I told him, ‘That’s a goddamn lie. Blow that smoke up somebody else’s ass. Put my sister back on the phone, lyin’ ass n—a.’ He’s like, ‘I’m serious, man. I’m rapping with Dr. Dre.’ I’m like, ‘OK. All right.’ I said to my sister, ‘He rapping with N.W.A Dr. Dre?’ She said, ‘Yeah, he come out and get ’em.’ I said, ‘No sh–. Put him back on the phone.’ I said, ‘Give me 25 dollars.’ He said, ‘All right. I ain’t got no money right now, but I’ll send it to you… Joe, I’mma be the sh—, man.’”

Daniel started to believe his cousin when he played an early version of “Nuthin’ But a ‘G’ Thang” over the phone; he then made good on his word and sent the money. “Then he sent me that $25, that’s when I believed him.”

He said Snoop pleaded with him to stop using drugs. “‘Get yourself off that sh–,’” Joe Cool says Snoop told him. “’I want you to do my album cover, man. I’m doing Dre’s album. Then my album gonna come out.’ He said, ‘Get your sh– together, Joe Cool.’”

That conversation changed both of their lives. “I didn’t think it would be iconic, man,” Daniel said of Doggystyle. “And then when it sold as many as it sold, and I seen my sh– up there, it just gave me…like damn. I can’t believe it. My artwork is out there, ’cause Snoop let it come. He gave me the opportunity, man. He got me a little bit of 15 minutes of fame up in the world. It’s been 20 years, man. He gave me that opportunity. Man, I love him for it.”

Rest in peace, Joe Cizzool.

BLACKPINK’s LISA Is Louis Vuitton’s Newest House Ambassador

LISA has always been known for her impeccable style, which made her the easy choice to become Louis Vuitton’s newest House Ambassador, the brand announced on Tuesday (July 23).

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Per a press release from the brand, the 27-year-old BLACKPINK star “sets trends and approaches her craft with fearless authenticity,” and the company was inspired by her “bold” style when she attended the recent Louis Vuitton Women’s FW24 show in Paris, France.

“I am very excited to welcome Lisa as a House Ambassador. She has a daring spirit and charisma that I find incredibly compelling. She is as bold and creative with her music as she is with her fashion, and it is a privilege to accompany her on this journey”, Nicolas Ghesquière, Louis Vuitton’s artistic director of women’s collections, shared in a press statement.

It’s been an exciting year already for LISA, who landed her first Billboard Global Excl. U.S. No. 1 with her solo hit, “Rockstar,” which opened at the summit. The song was first teased on TikTok in May when LISA joined the social media site and set a Guinness World Record by gaining 1 million followers in just over two hours. That’s just one in an impressive and expanding collection of records smashed by LISA alongside her BLACKPINK groupmates Jennie, Rosé and Jisoo.

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“Rockstar” arrived on the heels of LISA signing with RCA Records in anticipation of her upcoming solo efforts, inking a deal that will allow her to retain ownership of her master recordings.

Double Win for Venesti: ‘Es Normal’ Tops Latin Rhythm Airplay & Latin Pop Airplay Charts

Venesti celebrates a double win with “Es Normal,” as his latest single crowns Billboard’s Latin Rhythm Airplay and Latin Pop Airplay charts (dated July 27). The track is the fourth single from parent album De La Nada to enter a Billboard chart.

“It’s really important to lead the Latin Rhythm Airplay and Latin Pop Airplay charts, both for me and my team,” Venesti tells Billboard. “Actually, it’s the song we picked as (the) first single and the one I listen to the most.”

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On Latin Rhythm Airplay, “Es Normal” ascends from No. 3 to crown the 25-song ranking with a 21% gain in audience impressions, up 6.6 million, logged during the July 12-18 tracking week, according to Luminate. With the ascension, Colombian Venesti picks up his second No. 1, after the one-week takeover of “Umaye” last October.

Further, the new champ also takes indie label AP Global to its second coronation on Latin Rhythm Airplay –and third top 10 overall– after it secured its first top 10 through “Pura Maldad” in June 2023.

“When we were composing the song, I was going through a real-life situation about mistrust and chatter, so we decided to write it because so many people go through the same thing,” Venesti remembers. “When the person involved heard it, she started questioning whether I had changed. But nothing, it’s been proven that such is the case, and yes, that makes the song even more special for both, me and my team.”



The Pop-Afrobeat “Es Normal” also stands steady at No. 1 for a second week on Latin Pop Airplay. There, it joins Venesti’s first champ, “No Es Normal,” with Nacho and Maffio, which held strong at the summit for 10 weeks, the longest-leading song in 2024 so far.

“Es Normal” joins three other songs stemming from Venesti’s debut studio album De La Nada, released Sept. 28 on AP Global. Those songs are the No. 11-peaking “Necesidad” (Latin Rhythm Airplay, Dec. 2022), and top 10s “Pura Maldad” (No. 10 high, June 2023) and as mentioned, “Umaye,” which granted Venesti his first ruler on any chart.

Beyond Latin Rhythm Airplay and Latin Pop Airplay, Venesti reaches for his third top 10 on the overall Latin Airplay, where “Es Normal,” produced by Milo Beat, jumps 8-4. The Colombian singer-songwriter and producer landed two champs previously on the overall radio ranking, both in less than a year: “Umaye” (Dec. 2023) and “No Es Normal,” with Nacho and Maffio, in March.

The Weeknd Previews Euphoric Song Teasing Final Installment of Trilogy

They say good things come in threes, and The Weeknd is putting the finishing touches on his After Hours/Dawn FM trilogy.

Abel posted the cinematic trailer previewing the intoxicating track on Tuesday (July 23), which is another signal the third chapter is on the way from the Canadian crooner.

“When you gaze long enough into the abyss, the abyss gazes also into you,” he wrote in the caption while quoting German philosopher Friedrich Nietzsche.

The dreamy trailer features a kid looking to outrun a dark world where external forces are attempting to capture him. He makes a great escape for the heavens while The Weeknd’s ominous vocals provide the soundtrack.

“I’m falling at the speed of light/ I’m staring at your shrinking face, don’t cry,” Abel croons on the track that appears to be titled “The Abyss.”

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It’s been over two years since Dawn FM and fans are chomping at the bit for Abel’s next era of music. “This sounds insane,” one fan wrote while another added: “THE KING IS BACK !!!”

There are even fans that believe this era could outweigh 2012’s Trilogy compilation album. “Off rip 10x better than the first Trilogy and it’s not even complete yet,” they declared on X. “Forget world building, this is something built beyond our own understanding!”

2024 is shaping up to be another busy campaign for The Weeknd, who will be returning to South America for a one-night-only show in São Paulo, Brazil on Sept. 7 at Estádio MorumBIS. The Live Nation concert will feature “never-before-seen production,” per a press release.

He previously performed in São Paulo for a pair of dates as part of his After Hours Til Dawn Tour in October 2023. Abel’s trek ranked eighth on Billboard Boxscore’s top tours of 2023 with a gross of $192.5 million.

Dawn FM arrived in January 2022 and debuted at No. 2 on the Billboard 200 with 148,000 total album-equivalent units sold in the first week.

Tony Hale Recalls Receiving the Phone Call to Appear With ‘Queen’ Beyoncé in Super Bowl Ad

Tony Hale is no stranger to working alongside some of Hollywood’s biggest stars thanks to his work in projects like Veep, Arrested Development, Inside Out and more. However, it’s not every day you get to star alongside Beyoncé in a Super Bowl ad.

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The actor appeared in the iconic Verizon 2024 Super Bowl commercial that confirmed that Bey had Cowboy Carter up her sleeves. The minute-long ad finds comedian Hale challenging Bey to do something so big, it “breaks” Verizon’s 5G internet service. To do so, she does a ton of activities like running a lemonade stand for fans, playing the saxophone, introduces her own “Beyonc-AI” technology, parodies Barbie as “Bar-Bey” and announcing her candidacy for “Beyoncé of the United States” — but nothing worked.

Bey then decided that announcing new music is the only way. “OK, they ready,” she says from a rocket ship. “Drop the new music.”

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“They called me and they said, ‘Hey, do you want to be in a Super Bowl ad?’” Hale recalled of finding out about the gig with “the Queen” during a Monday night (July 22) interview on The Tonight Show Starring Jimmy Fallon. “I was like, ‘Yeah,’ and they said, ‘It’s with a music artist.’ I was like, ‘Great.’ They were like, ‘Beyoncé,’ and I was like, ‘Sorry?’”

He continued, “I finally am doing something cool that my daughter thinks is cool, but I couldn’t tell her because I signed an NDA.”

However, he still found ways to tease the appearance for his daughter. “Actually, they did these teasers beforehand of me in front of a lemonade stand and she immediately got it and was like, ‘Dad?’ And I just texted back an emoji of a bee.”

Watch the full interview below.


https://youtube.com/watch?v=Dq351D8MrqI&version=3&rel=1&showsearch=0&showinfo=1&iv_load_policy=1&fs=1&hl=en-US&autohide=2&wmode=transparent

Country Musicians Who Have Voiced Support for Donald Trump in the 2024 Election

A handful of country artists, including Jason Aldean and Brian Kelley, were part of this year’s Republican National Convention.

With little more than 100 days before the 2024 presidential election, artists are aligning with the candidate of their choice. While the majority of musicians tend to keep their political preferences to themselves — in part for fear of alienating their audience — more and more country artists are speaking out in support of Republican nominee and former president, Donald Trump.

Country music and conservative politics have been hand in hand for more than 50 years. As Richard Nixon ran for re-election in 1972, he began peeling away working and middle class Southern whites, who had previously voted Democratic. Concurrently, country music began shifting to the right, culminating in the Country Music Association making a compilation album for Nixon that year called Thank You, Mr. President, according to NPR. The shift built on Merle Haggard’s culturally groundbreaking 1969 hit “Okie from Muskogee,” which took on San Francisco “hippies” and praised a way of life where “we still wave Old Glory down at the courthouse.”

While many pop and hip-hop artists, including Ariana Grande, Cardi B, Charli XCX, Lil Nas X, Lizzo, Demi Lovato and Katy Perry have rushed to voice support for Vice President Kamala Harris, who is poised to be the Democratic candidate following President Joe Biden’s July 21 announcement that he will no longer seek reelection, country artists have been slower to voice their choice. However, a number have been very vocal in aligning with Trump, one even going so far as to release a song that echoes Trump’s talking points.

Below are country artists who have proudly declared their support for Trump.