Music

Empire of the Sun Talk Long Gestation For ‘Ask That God’ and Celebrating ‘An Extraordinary Ride’

Good things, as we’ve been told since day nought, take time.

Empire of the Sun fans patiently waited for Ask That God, the electronic-pop act’s fourth studio album. Eight long years.

“As necessary as it probably was for the band to go through that period,” Lord Littlemore tells Billboard, “I would really hope that we never do it again. And we just keep coming with lots of music.”

Ask That God arrived fully formed on July 26, led off by a batch of joyful, hooky singles, including “Cherry Blossom,” “Changes,” and “Music On The Radio,” and “The Feeling you Get” — and their respective, interstellar music videos.

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When frontman Emperor Steele (Luke Steele) and Littlemore (Nick Littlemore) reunite for a new album, it’s the musical equivalent of planets aligning. Littlemore keeps busy with Pnau, operating a label and more, while Steele, the ex-Sleepy Jackson lead, helms a solo project and lapped Australia in February 2023 for an Empire of the Sun run.

“It’s so much fun making music with Luke and our kind of wider family of musicians and people that we’re always seeking and experimenting with. We want to make a lot of music for you guys,” says Littlemore. Empire of the Sun, he admits, “is a really cool band to be in.”

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Anyone familiar with Empire of the Sun would agree. Steele and Littlemore are well-traveled Australians, they step out in a style that’s not of this world, and their canon includes some gems, the type that sit in a place where pop, nostalgia and electronic music intersect.

Recording sessions for Ask That God took place around the globe, beginning in Asia, the influence of which can be seen in those Michael Maxxis-directed music videos. Along the way Steele and Littlemore collected inspiration from anywhere, everywhere. And new instruments, drum machines, “different things that could spark your brain,” explains Steele. “It’s all about tricking your process. You do it new and you feel like a kid again.”



Ask That God (via EMI) isn’t the first time an Empire of the Sun project has taken eight years to complete its journey.

The colorful group first introduced itself to the world in 2008 with the single “Walking on a Dream,” a top 10 hit in Australia, where they would scoop four ARIA Awards. In the U.S., the song had a second life when it was synced to the Honda Civic “The Dreamer” campaign in 2016 — eight years after its release — driving it to No. 65 on the Billboard Hot 100 and powering it to No. 1 on Billboard’s Dance Club Songs, their second leader on the tally after 2013’s “Alive”. Across all platforms, “Walking on a Dream” has accumulated north of one billion streams.



There was “tremendous pressure” after that first record, notes Steele. Trying to navigate expectations, he admits, “it’s so tough.” Older, wiser heads prevailed, and the bandmates now “celebrate what an extraordinary ride this is,” enthuses Littlemore. “It took a long time, to be fair. Like, massive amounts of success, it’s not the dream you might think it is. And it is also the dream you think it is.”

Ask That God follows 2008 breakthrough debut Walking on a Dream, 2013’s Ice on the Dune and 2016’s Two Vines, all of which cracked the top 10 in Australia.

Tour dates will follow later in the year, including a homecoming trek, and concerts in the United States and Mexico. Littlemore, who has battled with Ramsay Hunt Syndrome, a rare ailment that can lead to permanent facial paralysis and hearing loss, will cheer on from the sidelines.

When the pair reunite, “we’re trying to find that rare jewel every time,” reckons Steele. “That’s what keeps it exciting for us.”

John Farnham’s ‘You’re The Voice’ Gains Attention in Kamala Harris Support Video

John Farnham‘s classic Australian anthem “You’re The Voice” has become the centerpiece of a viral video supporting Kamala Harris‘s presidential campaign.

The stirring track, which has been a staple of Australian culture since its release in 1986, is now resonating with American voters as Harris steps into the spotlight as the Democratic Party’s presidential candidate.

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While Harris’s official campaign released its first video on July 25 featuring Beyoncé’s 2016 song “Freedom,” it’s the unofficial clip set to Farnham’s inspirational anthem that has social media talking.

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The video, created by the social media user @politicsusa46, has garnered over 140,000 views at the time of writing. It begins with a montage of Donald Trump’s most controversial moments before transitioning to uplifting footage of Harris, accompanied by Farnham’s powerful vocals.

Australians quickly took to the comments of the video. “As an Aussie, it’s brilliant to see John Farnham and ‘You’re the Voice’ being used in Kamala’s ads. Fits perfectly,” one person wrote on X, while another added, “Wow! This song is practically our second national anthem Down Under.”

This isn’t the first time “You’re the Voice” has been used in a political context.

The song was notably used to advocate for the “Yes” campaign in the 2023 Australian Indigenous Voice referendum, with Farnham’s full support. However, it was also unofficially played at anti-lockdown protests in Melbourne, Australia during the COVID-19 pandemic, a use that Farnham’s manager publicly condemned.

Meanwhile, the singer has kept a low profile following his cancer diagnosis in 2022, during which he underwent an 11-and-a-half-hour surgery to remove a cancerous tumor from his mouth. The procedure was followed by eight weeks of radiation therapy.

One year after the marathon surgery, Farnham received the all-clear from his doctors and described himself as “the luckiest man alive.” “I’m home now, and I’m a very grateful and happy man,” he shared. In March 2023, the singer was hospitalized again for treatment of a respiratory infection, from which he recovered two months later.

John Farnham’s “You’re The Voice” was an international hit upon its release in 1986.

It reached No. 1 in Australia and performed well across Europe, including No. 6 in the U.K., No. 3 in Ireland, No. 1 in Sweden, No. 6 in Switzerland, No. 4 in Austria, No. 9 in Denmark, and No. 10 in West Germany.

It debuted on the Billboard Hot 100 on Feb. 10, 1990, peaking at No. 82 on March 3, 1990, and spending eight weeks on the chart. The song also reached No. 13 on the Billboard Adult Contemporary chart. Heart’s 1991 cover version of the track reached No. 20 on the Billboard Mainstream Rock Tracks chart.



Snoop Dogg Reflects on Bond With Queen Elizabeth II: ‘That Was My Girl’

Snoop Dogg has spoken out about his special bond with the late Queen Elizabeth II.

In an interview with U.K. radio station Capital FM, the rapper sat down for tea at the posh Mandarin Oriental Hyde Park Hotel in London with interviewer Jordan North, where they touched on the “Gin and Juice” hitmaker’s relationship with the longest-reigning British Monarch.

“I’ll go by the palace, see if they let me in,” he said during the interview on July 23, presumably referring to Buckingham Palace. North replied, “Well, I’ve heard the future king, William, is a huge Snoop fan.”

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“Well, the Queen was a fan too,” Snoop remarked, adding, “Rest in peace to the Queen, that was my girl. You know what I’m saying? So, just may want to go up and, you know, see what you do.”

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This isn’t the first time Snoop has spoken about the Queen. In a 2015 interview published in The Guardian, he revealed that Queen Elizabeth II had intervened in his deportation from the U.K. amid calls for him to be kicked out of the country while he was touring back in 1994.

“When they tried to kick me out of England, the Queen made a comment that her grandbabies loved Snoop Doggy Dogg, and he had done no wrong in the U.K., so she gave me permission to be here,” he shared.

Snoop added, “Those grandbabies grew up to be Prince William and Harry, so I had influence on them, and they had influence on their grandmother, which enabled me to get into this beautiful country. They love my music, and it is what it is. There’s a mutual love and respect.”

Elsewhere in the Capital FM interview, Snoop spoke about another one of his unlikely friends – Martha Stewart.

As Jordan showed Snoop the ropes when it came to high tea etiquette, the rap star quipped, “Oh etiquette is key, I have a friend named Martha Stewart who loves teaching me that word etiquette. Yeah, in the hood we don’t have etiquette, we just get cracking, like a breakfast egg.”

In more Snoop-related news, the artist-turned-unofficial Olympic Ambassador has been busy exploring everything the Paris 2024 Olympics has to offer.

He has been a fan-favorite correspondent all over NBC broadcasts, providing lively coverage of the 2024 Olympic Games.

Recently, he caught up with swimming icon and 23-time gold medalist Michael Phelps for some tips in a video shared by NBC Sports on Monday (July 29). The 52-year-old has been spotted across the Olympic Village, cheering on gymnastics competitions, chatting with Simone Biles’ mother, and serving as an official torchbearer for the United States.

Chrissy Teigen Reveals Son Miles’ Type 1 Diabetes Diagnosis

Chrissy Teigen is proud of her son Miles’ medical journey.

The Cravings author took to Instagram to share that her six-year-old son, whom she shares with husband John Legend, was diagnosed with Type 1 diabetes.

Teigen explained that fans noticed a monitor on Miles’ arm in a photo from the Paris Olympics she shared earlier this week. “A lot of you noticed something a little special about a photo I posted a few days ago,” she captioned a picture of herself smiling Miles and her oldest daughter Luna at the games. “Luna, Miles and I celebrating Simone and team USA. Miles had his arm up, soooo many of you reached out to say the most beautiful and incredible words I have ever witnessed on this platform.”

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She continued, “You noticed his type -1 diabetes monitor and extended so much love and encouragement in every way possible. I was and am, so blown away by the kindness of this community already.  I know. Things could be so much worse!! So many parents around the world are going through unfathomable things that I could never imagine. I tell myself this every time we get a red alert blasted to our phones. And we are so blessed to have so much help and wonderful, kind, huge-hearted specialist.”

The Sports Illustrated model also shared a photo of the book Year One With Type-1, revealing that she and Legend read it to Miles, which led to an emotional moment.

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“John and I read it to Miles last night and I burst into tears at this page and had to leave the room so he couldn’t see me sobbing,” she wrote. “He loves the book so much already. Anyhow, you are not alone either! And we promise to be there for you guys like you have been there for us already!”

See Teigen’s post below.

U.K. Police Clash With Violent Crowd Gathered Near Site of Fatal Stabbings at Taylor Swift-Themed Dance Class

LONDON (AP) — Far-right protesters fueled by anger and false online rumors hurled bottles and stones at police, wounding more than 20 officers Tuesday outside a northwest England mosque near where three girls were fatally stabbed a day earlier.

Prime Minister Keir Starmer condemned the “thuggery” and said the crowd had hijacked what had earlier been a peaceful vigil attended by hundreds in the center of Southport to mourn the dead and 10 surviving stabbing victims, seven of whom were in critical condition.

Police said the violent crowd that torched a police van and several cars was believed to be supporters of the English Defence League, a far-right group, and the mayhem was inspired by rumors about the identity of the teenage suspect arrested on suspicion of murder and attempted murder.

“There has been much speculation and hypothesis around the status of a 17-year-old male who is currently in police custody and some individuals are using this to bring violence and disorder to our streets,” Merseyside Police Assistant Chief Constable Alex Goss said.

Police previously said a suspect’s name circulating on social media was incorrect and the boy was born in Britain, contrary to online claims he was an asylum seeker.

The Liverpool Region Mosque Network posted a statement decrying the “heinous” stabbing as an attack against society that was unconnected to Islam.

“A minority of people are attempting to portray that this inhumane act is somehow related to the Muslim community,” the group said on the X social media platform. “Frankly it is not, and we must not let those who seek to divide us and spread hatred use this as an opportunity.”

Officers outside the Southport Mosque in riot gear were pelted with bricks torn from garden walls in the residential neighborhood by members of the crowd, some of whom wore masks, amid chants of “No surrender!” and “English till I die!” Firecrackers exploded, sirens wailed and a helicopter hovering overhead added to the chaos.

Twenty-two officers were hurt, with eight suffering from more serious injuries that included fractures, lacerations and a concussion. Two police dogs were wounded by bricks and a third suffered burns.

A day earlier, a short distance from the turmoil, the girls had taken part in a Taylor Swift-themed dance and yoga workshop on the first week of summer vacation when a teen armed with a knife entered the studio and began a vicious attack, police said.

“It’s difficult to comprehend or put into words the horror of what happened,” Home Secretary Yvette Cooper said while briefing members of Parliament. “What should have been a joyful start to the summer turned into an unspeakable tragedy.”

Alice Dasilva Aguiar, 9, Elsie Dot Stancombe, 7, and Bebe King, 6, died from their injuries, police said.

“Keep smiling and dancing like you love to do our princess,” Aguiar’s parents said in a statement released by police. “Like we said before to you, you’re always our princess and no one would change that.”

King’s family said no words could describe their devastation at the loss “of our little girl Bebe.”

Eight children and two adults remained hospitalized after the attack in Southport. Both adults and five of the children were in critical condition.

An emotional crowd that gathered in Southport outside The Atkinson theater and museum in the early evening held a minute of silence for the victims.

June Burns, the mayor of the Sefton region that contains Southport, called for calm and respect and urged people to be good to one another. She said she was overcome with emotion when she visited the scene of the tragedy earlier.

“It’s unbelievable that we find ourselves laying flowers for little girls who just wanted to dance,” she said.

Swift said earlier on Instagram that she was “completely in shock” and still taking in “the horror” of the event.

“These were just little kids at a dance class,” she wrote. “I am at a complete loss for how to ever convey my sympathies to these families.”

People left flowers and stuffed animals in tribute at a police cordon on the street lined with brick houses in the seaside resort near Liverpool where the beach and pier attract vacationers. They also posted online messages of support for teacher Leanne Lucas, the organizer of the event, who was one of those attacked.

The 17-year-old suspect was arrested on suspicion of murder and attempted murder shortly after the attacks just before noon. Police said he was born in Cardiff, Wales, and had lived for years in a village about 3 miles (5 kilometers) from Southport. He has not yet been charged.

The rampage is the latest shocking attack in a country where a recent rise in knife crime has stoked anxieties and led to calls for the government to do more to clamp down on bladed weapons, which are by far the most commonly used instruments in U.K. homicides.

The prime minister was jeered by some as he visited the crime scene and lay a wreath of pink and white flowers with a handwritten note that said: “Our hearts are broken, there are no words for such profound loss. The nation’s thoughts are with you.”

“How many more children?” one person yelled as Starmer was getting in his car. “Our kids are dead and you’re leaving already?”

Starmer told reporters earlier that he is determined to get a grip on high levels of knife crime but said it was not a day for politics.

Witnesses described hearing screams and seeing children covered in blood in the mayhem outside the Hart Space, a community center that hosts everything from pregnancy workshops to women’s boot camps.

Joel Verite, a window cleaner riding in a van on his lunch break, said his colleague slammed on the brakes and reversed to where a woman was hanging on the side of a car covered in blood.

“She just screamed at me: ‘He’s killing kids over there. He’s killing kids over there,’” Verite told Sky News.

The woman, who was on the phone with police, directed him to where the violence was unfolding and then collapsed. Verite said he ran in the direction she had pointed.

A woman honking the horn of her car caught his attention and he found her with five or six bloody children inside. The woman said she was trying to get the kids to safety.

“It was like a scene you’d see on a disaster film,” he said. “I can’t explain to you how horrific it is what I saw.”

He ran to the dance studio, where he was startled to lock eyes with a man in a hooded tracksuit holding a knife at the top of the stairs.

“All I saw was a knife and I thought: ‘There are more people in there,’ and I just wanted to hurt him so bad,” Verite said. “But I was scared for myself and I wanted to help people. So I came outside and I was screaming because I knew where he was.”

Britain’s worst attack on children occurred in 1996, when 43-year-old Thomas Hamilton shot 16 kindergartners and their teacher dead in a school gymnasium in Dunblane, Scotland. The U.K. subsequently banned the private ownership of almost all handguns.

Mass shootings and killings with firearms are exceptionally rare in Britain, where knives were used in about 40% of homicides in the year to March 2023.

Mass stabbings are also very rare, according to Iain Overton, executive director of Action on Armed Violence.

“Most knife attacks are one-on-one and personal — either domestic violence or gang related — so this tragedy is very unusual and, accordingly, garners lots of media interest,” Overton said. “This offers no comfort to the grieving families, of course.”

Boldy James & The Alchemist Continue Their Impressive Run With ‘Ten Pints’ Video

Boldy James and The Alchemist go together like peanut butter and jelly, like Michael Jordan and Scottie Pippen, like a Backwood and an eighth.

Earlier today, they let go of a warm-up loosie that hopefully leads to another full project from Rap Game Isiah Thomas and Joe Dumars. “Ten Pints” shows off their undeniable chemistry and the Dexstr8dope-directed video features Boldy rippin’ and runnin’ over some smooth Uncle Al production.

Lines like, “Black Sicilian, stack a half a million of them Chia Pets/Real smooth and mellow, love my b—ch ghetto as Mia X/Stitched and knitted with the Chemist, tailor made, tailor fitted/Meal preppin’, spinned the work up made it do a pirouette,” cements the Detroit rappers banner year as he has already dropped two critically-acclaimed albums in Penalty of Leadership with producer Nicholas Craven and Across the Tracks with Griselda producer Conductor Williams.

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Boldy and Alchemist have worked extensively together over the years dating back to 2013’s My 1st Chemistry Set. Since then they’ve released three albums and an EP. They dropped the five-song Boldface EP in 2019, The Price of Tea in China the next year in 2020, and Bo Jackson and Super Tecmo Bo in 2021.

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Other than maybe Hit-Boy and Nas, there really isn’t another rapper/producer duo that’s providing fans with this type of consistent quality. It’s been three years since their last project, so they’re due for another.

Also, I think we should mention that his son Bo Jack is Boldy’s hypeman and he’s featured prominently in the video and even spit a verse on “All Madden” off that Conductor tape.

Check out the video above.

How BABYMONSTER Showcase Their ‘Monster-Like Skills’ On & Off the Stage

As early as 2019, the word “BABYMONSTER” percolated among K-pop circles once news surfaced of legendary label YG Entertainment filing a trademark for a new girl group name. But only five years later — as of April 1, 2024, to be precise — would the act say they’ve been revealed in their full, complete form.

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As YG prepared its follow-up female outfit to follow the chart-topping BLACKPINK, the seven members competing for a place in BABYMONSTER — Ruka, Pharita, Rami, Ahyeon, Rora, Asa and Chiquita — battled on the digital series Last Evaluation. Mentored and critiqued by YG founder and CEO Yang Hyun-suk plus future label mates like Jennie and Lisa of BLACKPINK, Kang Seung-yoon and Lee Seung-hoon of WINNER, and Lee Su-hyun of AKMU, the series spotlighted the septet’s monstrous talents through solo, unit and group performances that helped them quickly garner millions of YouTube subscribers and fans — including Charlie Puth, who would go on to gift a pop track for BABYMONSTER after catching Ahyeon’s take on his 2016 single “Dangerous” in a standout moment from the show.

“‘BABY’ describes our unlimited possibilities, youth, and that we’re bringing something new to the scene,” power vocalist Rami tells Billboard during a sitdown chat in Seoul. “And ‘MONSTER’ describes our monster-like skills.”

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BABYMONSTER began releasing music in late 2023 with the playful trap banger “Batter Up,” co-written by Asa, but the group was only recording as six while Ahyeon was absent over reported health issues. Yet the “pre-debut” buzz single still managed to score a Top 5 debut on Billboard‘s U.S.-based World Digital Song Sales chart while also peaking at No. 101 on the Billboard Global 200.

But when all-rounder Ahyeon returned for BABYMONSTER’s “official” debut on April 1 with the BABYMONS7ER album and its explosive, hip-hop/dance single “Sheesh,” the group soared to No. 33 on the Global 200 as the EP landed on the World Albums chart solely from a digital release. Not only did “Sheesh” mark a breakout moment for the group musically, but the septet also reimagined the hit into a “band version” to deliver a full-fledged, rock-star rendition of the track across several TV shows to share their whole, live experience — a stark difference from K-pop acts who will sometimes rely more heavily on backing tracks to prioritize choreography, fashion and visuals.



Now, in their final “BABYMONS7ER” form, the girls are proving just how ready they are to share their skills and personalities with the world.

Just days after releasing the sophisticated synth-pop single “Forever” (which also scored them another Top 10 entry on World Digital Song Sales with less than a week to chart — a delightful surprise to the girls), a similar attitude is present at BABYMONSTER’s Billboard interview at the YG Entertainment offices.

Stretched around a long boardroom meeting table, the septet has a cool calmness about them as the members make faces at the table across one another or will give each other a thumbs up for her answer. The girls aren’t shy to make their thoughts known or get comfortable during the chat — the youngest member, Chiquita, even pulls out her tiny, personalized, and bedazzled aromatic bottle at one point and shares how she recommends it to help with headaches.

During one pause in the conversation, when the multilingual, Thailand-born Pharita looks tongue-tied and resigned over the message she’s asked to deliver to international fans, the 18-year-old apologizes as the group leaves the room. “Sorry about that,” she says in her sweet, soft tone. “I just wish I could say more of what I want to say.”

Indeed, BABYMONSTER seems to have a lot to say as they lead YG Entertainment into its next era and, perhaps, with the bold displays both on and off stage, will also usher in a more open and honest generation of K-pop. Get to know Billboard‘s latest K-Pop Rookie of the Month better below as BAEMON detailing their journey from pre-debut to standing as seven and previewing what’s to come next.



Starting at the beginning, I remember hearing the name BABYMONSTER for a few years. Did you know this would be your group name before debuting?

RORA: Ever since Last Evaluation, we knew. We came into the project knowing that the group name was going to be BABYMONSTER. We really liked the name because we thought it was perfect for us; it describes us the best.

BABYMONSTER: Yeah, we all had good reactions.

Can everyone share their favorite BABYMONSTER song so far, to give us a sense of your personalities and music tastes?

RUKA: Up until now, we really showcased the side of us where it’s this really intense hip-hop side. And with “Forever,” we’re able to show our refreshing charms, so I’m really looking forward to [fans seeing] that.

RORA: Personally, I like “Stuck in the Middle (Remix).” We’ve been in the midst of a fan-meeting tour, so we were able to perform the song for our finale encore stage. It’s just really fun performing because it shows a lot of our vibrant and pop-y sides.

CHIQUITA: I like “Dream.” I like the song as well as the meaning of the song that starting from our training period. I always get emotional when I listen to “Dream.”

ASA: I really enjoy “Sheesh.” It was the first song that we released with all seven members and I really just like hearing the public and fans sing along to the song. It’s really fun performing it as well. That “sheesh” part is so catchy. It’s addictive.

RAMI: “Batter Up (Remix).” Out of our tracklist, I think that it’s one of the best songs to really jump around and interact with fans. We’ve been performing it during their fan meetings.

PHARITA: I like “Like That.” It’s good, easy to listen to, and quite unique for us. I don’t really know; I just love it. [Laughs]

AHYEON: I think the only song that hasn’t been mentioned yet is my favorite song, “MONSTERS (Intro).” That’s the song that can really show our potential and it makes the crowds hyped up. It makes me feel like, “Oh, I can do this. Let’s have a great stage today.”



It’s been great watching the transition from pre-debut to your official debut with “Sheesh.” Before moving forward, what has been the difference between that period as six members and now?

PHARITA: Well, before, it was just six, and we were worried, thinking, “Oh, is this going to go well?” because everyone matters. And when she came back for “Sheesh,” we just had a huge blowup. Everyone loved the song and everyone got to see more sides of us — it just felt more complete.

Let’s also discuss your latest single, “Forever.” You announced it as a “pre-release” single. Is this a taste of an upcoming album?

RORA: It’s a retro synth song, but also a very hot and exciting song. So, I think it’s a fun song to listen to in the hot summer. And we’re having fun because we’re all running around together while performing on stage. I think you can tell from our facial expressions on stage that we’re having fun every time we perform. It also contrasts a lot with the performances of “Sheesh.”

ASA: It was really fun filming the music video too.

CHIQUITA: It’s actually a pre-release single moving towards our album. So, it’s kind of the start of a new chapter for us. So, you should also look forward to our new album which will be released, maybe, this fall?

RORA: It’s quite hard to say because nothing’s really set into stone yet, but BABYMONSTER will continue to work hard to make great music, showcase great performances and meet all of their fans all across the world. We just really want our fans and the public to stay tuned for our future music. But we’re really thankful about all the buzz regarding “Forever” so we’ll continue working really hard. We really want to bring a new concept for the next album.

BABYMONSTER is the latest group under a legendary label like YG Entertainment. Before joining, what was your knowledge or experience with YG or its artists? How was it getting advice from them on Last Evaluation?

ASA: As everyone knows, we really respect and look up to our sunbaenim [seniors]. So, we watch their performances and concerts a lot — especially with BLACKPINK. Before joining the label, some of us went to some of their concerts. As for 2NE1 and BIGBANG, we grew up listening to their songs, looking at their performances. And it’s because of YG’s distinct hip-hop vibe, that I think that’s part of the reason why we wanted to join the label.

RAMI: We frequently meet our seniors going about [the YG building] and, especially during Last Evaluation, we were able to get a lot of advice from BLACKPINK’s Lisa and Jennie, as well as WINNER and AKMU. They just tried to tell us what we need to look out for and how it is [as a performer].

RUKA: Chan-hyuk sunbaenim, from AKMU, said that when you’re performing onstage, you have to get used to making everything your own — “Make every stage your own.”

AHYEON: Also, when we meet senior artists in the practice rooms or in the building, they tell us that they’re rooting for us and to continue working hard.



With the company’s long history, BABYMONSTER is also the first group to regularly release music in English, such as “Stuck in the Middle” and “Like That.” Was that always part of your plans?

RORA: So, rather than having a set specific plan, we just really wanted to showcase our music and the music’s messages so that they can resonate with a wider, global audience. That’s why we kind of are regularly releasing songs in English. The plan is to convey the meaning of the song to the fans around the world and make sure they know we want to communicate with our fans.

BABYMONSTER is also quite a diverse group with members representing Korea, Japan and Thailand. How did you find ways to connect? Does it feel like you’re representing a new generation of K-pop as a multicultural group?

RUKA: Especially during our trainee days, we were all very homesick — the members from Japan, Thailand, and even members here in Korea because they’re apart from their families. And as much as the whole process was difficult, we were really able to lean on each otherl, and find the support and motivation to work really hard.

RORA: It’s hard to say that we’re sort of “representing” the next generation, but we’re very thankful that people might think so. And not just in Korea, but we really want to reach everyone all across the world, all our global fans, and grow from the energy we receive from the fans as well.

Last evaluation seems difficult when cameras film such a personal experience. How were your experiences needing to go through the debut process and have it filmed?

RORA: So as much as it was a “survival program,” I think the most difficult part was the fact that we had to compete with our friends that we had trained with together for so long all running towards the same dream. But when it comes to the performances, I think we’re actually on the other side in that we were happy that everything was filmed and we could go back and reminisce to the times when we had to prepare for the stage and watch us performing.

Another great memory, I’m sure, was AHYEON’s cover of “Dangerously,” which got the attention of Charlie Puth, who eventually gifted you guys “Like That.” What was your reaction to that experience?

AHYEON: I was like so surprised that he commented on my video. I just [screen] captured it and I sent it to my family, like “That’s crazy. He commented on me.” [Laughs] And a few months later, our boss told us we were going to have a new demo from him and we all screamed like, “What?!? He gave us a demo?!?” When I told my family, they said, “Well, you’ve got to work hard now.”

But back to your music, ASA co-write and composed “Batter Up.” Will we get to see more contributions from you and the members?

ASA: I hope we can do a variety of things through music. Moving forward, we’re all planning to work hard when it comes to songwriting and producing music so that we can showcase a wider variety of our skills.

Do you have a message you’d like to share with international fans who are waiting to see you?

PHARITA: We haven’t had a chance to meet everyone yet that we want to so BABYMONSTER’s going to keep on making more music that we love and we just hope that fans can also love it. We’ll show our best side and I just hope that everyone will love it.

RORA: And I think the ultimate goal is to really just produce a lot of music and meet our global fans all across the world.

BABYMONSTER: See Exclusive Photos of the July 2024 K-Pop Rookie of the Month

As legendary K-pop label YG Entertainment prepared its female act to follow its chart-topping girl group BLACKPINK, the seven members being considered for a place in the new act BABYMONSTERRuka, Pharita, Rami, Ahyeon, Rora, Asa and Chiquita — competed against each other on the digital series Last Evaluation.

Mentored and critiqued by YG founder and CEO Yang Hyun-suk plus future label mates like Jennie and Lisa of BLACKPINK, Kang Seung-yoon and Lee Seung-hoon of WINNER, and Lee Su-hyun of AKMU, the septet’s monstrous talents were spotlighted through solo, unit and group performances on YouTube that helped them quickly garner millions of fans — including Charlie Puth, who would go on to gift a pop track for BABYMONSTER after catching Ahyeon’s take on his 2016 single “Dangerous” in one of the standout moments from the show.

“‘BABY’ describes our unlimited possibilities, youth and that we’re bringing something new to the scene,” power vocalist Rami tells Billboard during a sitdown chat in Seoul. “And ‘MONSTER’ describes our monster-like skills.”

BABYMONSTER’s “official” debut with the BABYMONS7ER album and its explosive, hip-hop/dance single “Sheesh,” the group soared to No. 33 on the Global 200 as the EP landed on the World Albums chart solely from a digital release. Not only did “Sheesh” mark a breakout moment for the group musically, but the septet also reimagined the hit into a “band version” to deliver a full-fledged, rock-star rendition of the track across several TV shows to share their full, live experience.

Get to know the rookies more with exclusive photos and quiz questions below. And don’t forget to read the group’s full Billboard spotlight.

Watch Druski Rap in a British Accent in ‘No More Social Media’ Video Featuring Kairo Keyz

Back in June, Druski posted behind the scenes footage of what looked like a skit of himself playing a UK drill rapper. However, it turns out that he was filming a music video.

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Today, the social media comedian dropped “No More Social Media” featuring UK rapper Kairo Keyz. Druski directed the video himself and he provides some humorous bars like, “Spank the opp like a baby’s bottom/That’s naughty, naughty,” delivered with a funky British accent. Kairo comes through with some funny bars, as well and references Druski’s Coulda Been Records and the Ugliest Rapper Alive from the Atlanta comedian’s Coulda Been House YouTube series.

There’s also the fact that Druski is wearing a white t-shirt sleeve as a Shiesty mask. The video and song are ridiculous in the best way possible and the beat — provided by producer Muddy — kinda bangs. Hopefully, we get more parody songs from Druski. This is his second parody song of the year, so far. He dropped “Standin on Bihness” featuring Snoop & DJ Drama in February. He put out a call to action for Coulda Been Records London auditions, as well, but that sure to be classic footage hasn’t been released yet.

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Later this year he’ll be putting on the inaugural comedy and music festival Coulda Fest on September 7 at Atlanta’s State Farm Arena. DC Young Fly, 21 Savage, Lil BabyKai CenatSoulja BoyWaka Flocka Flame, Young Dro, Roscoe Dash, Travis Porter, Yung Joc, among others and special guests are all set to make appearances.

Check out his statement explaining the festival below:

“Coulda Fest won’t be a traditional music and comedy festival. It’s going to be a celebration of Atlanta’s culture and a night full of hilarious sketches that bring us back to the special times in our city’s music history. This concept has never been done before, so I’m looking forward to bringing this vision to life.”

You can cop tickets here.

Watch Rihanna Humbly Play Photographer for a Young Soccer Fan Who Doesn’t Recognize Her

Rihanna got a break from the camera flashes that usually follow her around when a clueless young soccer fan asked her to get behind the lens recently.

In a newly surfaced video from Manchester City’s match against AC Milan at Yankee Stadium over the weekend, the Fenty mogul poses alongside soccer pros Christian Pulisic, Jack Grealish and Yunus Musah. While chatting with the players afterward, a little boy interrupts to ask for a photo with the group — sans Rih, whom he demotes to camerawoman, seemingly unaware that a billionaire superstar is in his midst.

Luckily, the “We Found Love” singer doesn’t take it as a slight — in fact, she immediately jumps into photographer mode, leaning back on an armchair to get the best angle and directing other kids to get into frame.

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The cute moment comes as Rih is as hard at work as ever on her beauty and fashion businesses, recently teasing a new Savage x Fenty campaign on Instagram. Her Fenty Beauty brand is a premium partner of the 2024 Olympics in Paris, which she announced about a week before the Games kicked off with a funny edit, also on Instagram.

There’s still no sign of a new album from the nine-time Grammy winner, though — and as some fans in the replies pointed out, her lack of new music over the past eight years could very well be the reason certain little kids don’t recognize her in person anymore. One fan, for instance, jokingly commented that the boy who snubbed Rih for the soccer players was “in the womb when anti released,” referring to her 2016 Billboard 200-topping album.

Rihanna herself most recently addressed the matter in a hilarious message to GloRilla, a screenshot of which the “TGIF” rapper posted on Instagram: “I know dis wild hypothetical, but when the album drop?”

Watch Rih play photographer for a little boy and his soccer heroes below.