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Ask Billboard: A Who’s Who of Hot 100 Hits With ‘Who’ in Their Titles, From Jimin to Madonna, Baha Men & More

Submit questions about Billboard charts, as well as general music musings, to askbb@billboard.com. Please include your first and last name, as well as your city, state and country, if outside the United States. Or, message @gthot20.

Let’s open the latest mailbag.

Hi Gary,

With Jimin debuting at No. 14 on the Billboard Hot 100 (dated Aug. 3) with “Who,” I immediately thought of two “who”-titled hits that have peaked at that position: “Who Are You” by none other than The Who and “Who Is It” by Michael Jackson.

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I didn’t know at the time of its release that The Who’s mesmerizing hit didn’t make the Hot 100’s top 10, but the recording always caught my attention, both for its musicality and the cursing that was allowed. For Jackson, his Dangerous album, from which “Who Is It” was released as a single, followed Bad and Thriller. The sets produced four, six and seven top 10s, respectively, with each generating seven top 40 hits.

I figured I’d ask Billboard – who else? – for a list of other charted songs starting with “who.”

(Should we count anything by Owl City?)

Pablo Nelson, that’s who
Oakland, Calif.



Hi Pablo,

This “Ask Billboard” answers the question of who’s had all the biggest Hot 100 hits whose titles start with “who,” with Jimin’s “Who” joining 50 others that have reached the top 40. Conversely, it does the opposite of what any good mailbag should do, as it’ll leave all of the titles unanswered. There’s simply no field in Billboard’s computerized chart archives to search for who let the dogs out, who that girl is, who it can be now, who is in the strawberry patch with Sally or who your daddy is. (There are other ways to find out that last one, if needed.)

Below is a look at all the top 40-peaking Hot 100 entries whose titles begin with “who,” making for a true who’s who of “who” hits, including one by, as noted, The Who (although not any by The Guess Who).

Upon its debut, Jimin’s “Who” is in the company of numerous memorable similarly titled hits.

Top 40-Peaking Hot 100 Hits Whose Titles Begin With ‘Who’



No. 1, 1987, “Who’s That Girl,” Madonna
The title cut to the Madonna-starring film became the sixth of her 12 career Hot 100 No. 1s.



No. 1, 1982, “Who Can It Be Now?,” Men at Work
The only other Hot 100 leader whose title starts with “who” introduced Men at Work, which landed its second No. 1 with follow-up and fellow ‘80s classic “Down Under.” “It doesn’t really happen, to hardly anybody,” Colin Hay, who fronted the band, told Billboard in 2023 of its breakthrough. “It was massive. Having said that, we were always very ambitious.”

No. 3, 1986, “Who’s Johnny,” El DeBarge
No. 3, 1975, “Who Loves You,” The 4 Seasons



No. 4, 1981, “Who’s Crying Now,” Journey
The song ranks as Journey’s second-highest-charting Hot 100 hit, outpaced only by “Open Arms,” which peaked at No. 2 for six weeks in 1982.

No. 5, 1999, “Who Dat,” JT Money feat. Sole
No. 5, 1968, “Who’s Making Love,” Johnnie Taylor
No. 6, 1985, “Who’s Holding Donna Now,” Debarge
No. 7, 1987, “Who Will You Run To,” Heart



No. 7, 1985, “Who’s Zoomin’ Who,” Aretha Franklin
The Queen of Soul added her 16th Hot 100 top 10 with the track. She earned one more, and her second No. 1 – after “Respect,” in 1967 – with “I Knew You Were Waiting (For Me),” with George Michael, in 1987.

No. 7, 1961, “Who Put the Bomp (In the Bomp, Bomp, Bomp),” Barry Mann
No. 8, 1995, “Who Can I Run To,” Xscape



No. 9, 2024, “Who’s Afraid of Little Old Me?,” Taylor Swift
Who has the most Hot 100 top 10s in a single week, and from a single album? Swift swept the region thanks to her 2022 LP Midnights and repeated the feat this May via The Tortured Poets Department.

No. 9, 2007, “Who Knew,” P!nk
No. 11, 1996, “Who Will Save Your Soul,” Jewel


https://youtube.com/watch?v=sidIL8V83Cc&version=3&rel=1&showsearch=0&showinfo=1&iv_load_policy=1&fs=1&hl=en-US&autohide=2&wmode=transparent

No. 14, 2024, “Who,” Jimin
The song starts with 14.7 million official U.S. streams and 70,000 sold in its first week. Its proper promotion to pop radio is set to begin the week of Aug. 12.

No. 14, 1993, “Who Is It,” Michael Jackson
No. 14, 1978, “Who Are You,” The Who
No. 15, 1989, “Who Do You Give Your Love To?,” Michael Morales
No. 15, 1974, “Who Do You Think You Are,” Bo Donaldson and the Heywoods
No. 16, 1987, “Who Found Who,” Jellybean feat. Elisa Fiorillo



No. 16, 1984, “Who Wears These Shoes?,” Elton John
John’s two earlier 1984 hits – “I Guess That’s Why They Call It the Blues” and “Sad Songs (Say So Much),” which rose to Nos. 4 and 5, respectively, on the Hot 100 – are likely better known, but this track gave him a third top 20 entry that year, the first in which he logged such a triple since 1976.

No. 17, 2021, “Who Want Smoke??,” Nardo Wick feat. G Herbo, Lil Durk & 21 Savage
No. 17, 2009, “Who Says,” John Mayer
No. 17, 1996, “Who Do U Love,” Deborah Cox
No. 18, 1976, “Who’d She Coo?,” Ohio Players
No. 19, 1968, “Who Will Answer?,” Ed Ames



No. 21, 2011, “Who Says,” Selena Gomez & The Scene
With her ninth charted song, Gomez scored her highest Hot 100 peak to that point. She has since collected nine top 10s, including the 2019 No. 1 “Lose You To Love Me.”

No. 21, 1984, “Who’s That Girl,” Eurythmics
No. 21, 1966, “Who Am I,” Petula Clark
No. 22, 2002, “Who’s Your Daddy?,” Toby Keith
No. 22, 1977, “Whodunit,” Tavares



No. 23, 2006, “Who Says You Can’t Go Home,” Bon Jovi
The single, boosted by Jennifer Nettles’ guest turn, also brought Bon Jovi to No. 1 for two weeks on the Hot Country Songs chart.

No. 25, 1964, “Who Do You Love,” The Sapphires
No. 27, 1973, “Who’s in the Strawberry Patch With Sally,” Tony Orlando & Dawn
No. 28, 2001, “Who I Am,” Jessica Andrews
No. 29, 2011, “Who Dat Girl,” Flo Rida feat. Akon
No. 29, 1980, “Who’ll Be the Fool Tonight,” Larsen-Feiten Band
No. 30, 2003, “Who Wouldn’t Wanna Be Me,” Keith Urban
No. 31, 1996, “Who You Are,” Pearl Jam
No. 33, 1968, “Who Is Gonna Love Me?,” Dionne Warwick



No. 33, 1964, “Who Can I Turn To (When Nobody Needs Me),” Tony Bennett
Bennett charted six top 40 Hot 100 hits from the survey’s start in 1958 through 1965. In 2011, he returned with the No. 87-peaking “Body and Soul,” with Amy Winehouse.

No. 34, 1965, “Who’ll Be the Next in Line,” The Kinks
No. 35, 1992, “Who’s Gonna Ride Your Wild Horses,” U2
No. 37, 2005, “Who You’d Be Today,” Kenny Chesney
No. 39, 1981, “Who’s Making Love,” Blues Brothers



No. 40, 2000, “Who Let the Dogs Out,” Baha Men
Enduring more impressively than its peak would suggest, the song has drawn 288 million on-demand U.S. streams to date, according to (who, who, who, who, who?) data tracker Luminate.

No. 40, 1998, “Who Am I,” Beenie Man
No. 40, 1981, “Who Do You Think You’re Foolin’,” Donna Summer
No. 40, 1975, “Who’s Sorry Now,” Marie Osmond
No. 40, 1975, “Who’s Your Baby?,” The Archies

Charli XCX & Troye Sivan Surging Into Sweat Tour With Sold-Out Solo Endeavors

This fall, Charli XCX & Troye Sivan Present: Sweat will bring the British and Australian pop stars to arenas across the U.S. and Canada. It’s the first time that either of them will headline North American arenas, but following their respective recent releases and subsequent solo shows – let alone the growing force behind the fall shows’ sales – they need not sweat it.

The tour, which kicks off Sept. 14 in Detroit and went on sale in April, has already sold out more than 90% of its tickets, according to Brian Greenbaum, Sivan’s agent at CAA.

Greenbaum says the tour dates in Boston, Chicago, New York and San Francisco sold out immediately, while high demand pushed a second show in Los Angeles. He notes that tickets across the tour were 67% sold after the first weekend of availability, and 70% by the end of May.

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The Sweat announcement and on-sale were planted after Sivan’s latest album cycle (for the October 2023 release of Something to Give Each Other) had mainly run its course, but before Charli’s Brat rollout kicked into high gear (June 7 release date). That off-cycle and on-cycle rollout was by design, giving ample time to sell arena tickets by artists who were not historically arena acts.

But even with strong opening sales, the team behind Sweat knew they’d get “a second bite at the apple,” said Greenbaum. Since the on-sale, Sivan made his arena debut abroad, and Charli executed an entire album campaign. Rather than the typical drop-off, momentum has carried Sweat through the (Brat) summer, with Greenbaum noting that North American sales rose to 80% by mid-June and beyond 90% by the end of July.

Sivan’s third studio LP, Something to Give Each Other, earned him his first two Grammy nominations and became his first album to land multiple songs on the Billboard Hot 100.

That success set up the European leg of the Something to Give Each Other Tour, leveling him up to arenas in Europe on his own before coming Stateside with Charli. According to figures reported to Billboard Boxscore, he played 15 shows across the continent in May and June, grossing $5.7 million from 108,000 tickets sold, averaging $379,000 and 7,227 tickets per show.

Those figures mark a 225% increase over Sivan’s last European jaunt. In Amsterdam, he went from selling 6,000 tickets at AFAS Live on The Bloom Tour in 2019, to 13,500 at the Ziggo Dome in June. In Berlin, he leapt from 3,333 tickets at Tempodrom to 8,884 tickets at Velodrom. In London, his audience ballooned from 5,133 tickets at Eventim Apollo to 11,254 at OVO Arena Wembley.

In the eight European markets where Sivan returned, attendance grew by no less than double, and earnings multiplied by at least three. Assuming similar growth in the U.S., where he played more shows and commanded bigger grosses on The Bloom Tour, he is well set up for arenas in North America, especially teamed up with a similarly buzzy pop star.

In June, Charli XCX played a string of club and festival dates in North and South America. In contrast to Sivan’s international arena tour, she chose to tease their fall tour with underplays that lived in the more intimate, visceral world of Brat. Her handful of headline shows sold out, ranging from 850 tickets in Sao Paulo to 5,000 in Los Angeles.

The numbers on Charli’s live shows were intentionally smaller than Sivan’s, but the energy and word-of-mouth around them matched the intensity of the album. Not only did it debut to career-peak commercial returns (No. 3 on the Billboard 200) and universal acclaim, it has penetrated the cultural consciousness. Amid a string of music videos, remixes and viral dance challenges, Brat has infiltrated the 2024 U.S. election cycle via a swirl of memes and momentum behind Democratic presidential hopeful Kamala Harris (“kamala IS brat,” Charli virally tweeted last month).

It’s perfect timing, then, for Sivan and Charli to join forces on Sweat. In her own words, in Billboard‘s July cover story, it finally made sense due to the dance-leaning nature of both of their albums – the first No. 1 for each of them on Top Dance/Electronic Albums. They’ve built toward arena status over their decade-plus careers, each building cult-pop success from one album to another.

Beginning her career with a smattering of hits with Iggy Azalea and Icona Pop and songwriting credits alongside Selena Gomez and Shawn Mendes, Charli continued to accrue acclaim for her solo projects, growing her base from 965 tickets per show on 2014’s Girl Power North America Tour, to 1,439 on 2019’s Charli Live Tour, and then to almost 4,000 tickets on 2022’s Crash the Live Tour. Sivan’s recent European leg grew his base two-to-one, while The Bloom Tour expanded his reach worldwide, with more than 60 shows on five continents.  

With more than a month left before Sweat begins, sales are expected to creep closer toward a continental sell-out. Just this week, Brat track “360” jumped from No. 78 to No. 55 on the Hot 100, while “Apple” debuted, becoming the album’s third track to chart. A new remix looms, hinting at more gas in the tank in the remaining weeks before opening night.

Both Sivan and Charli will tour on their own again after Sweat wraps, with each artist playing hometown shows in Oceania and the U.K., respectively. By the end of the year, their combined ticket sales could approach 500,000 in 2024.

Once Again: Cardi B Files For Divorce From Offset, Xitter Reacts

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Grand opening, grand close. Cardi B has reportedly filed for divorce from her husband, Migos rapper Offset, again.

The couple’s relationship has long been considered tumultuous at best thanks ever present rumors of infidelity, so social media is having a field day at the news, and the circumstances.

Page Six reports that the Bronx rapper’s decision to call it quits was confirmed by her rep. Reportedly, they tried to work things out at the top of the year, but they couldn’t get to a better place in their relationship, allegedly. A source claims that the latest rumors of Offset cheating is not what sparked the divorce.

“They’ve grown apart. That’s what drove her to this decision more than anything else,” the source told Page Six. “This is something she wants to do.”

Cardi is reportedly seeking primary custody of their two children, daughter, Kulture, 5, and a son, Wave, 2. Recently, the Bronx was spotted in New York City, hiding what looks like a prominent baby bump. However, she has yet to confirm if she is pregnant.

Although the couple was married in September 2017, since then they have separated multiple times (she filed for divorce in 2020, but it didn’t take), with their spats often being made public, usually by themselves. In late 2023 she shared that she was “single for a minute” but they were spotted out on a date since.

If there’s one thing social media always goes up for, it’s Cardi B and Offset drama, and today’s divorce revelation is no different. Peep some of the crazier reactions (the Offset slander is…intense) in the gallery.

NewJeans’ Danielle Writes Supportive Note to Embattled ADOR CEO Min Hee-jin: ‘We’re Always on Your Side’

In the midst of the ongoing dispute between ADOR CEO Min Hee-jin and her company’s owners at HYBE, NewJeans member Danielle has written a note of support to Min expressing her support and love for the boss she referred to as a “mother and warrior.”

According to a translation of the note posted on Instagram from Korea’s JoongAng Daily, Danielle wrote: “My beloved CEO, it’s Dani. It’s been two years already. Our CEO who really did the most, thank you so, so much. So much has happened during the short and long two years that it almost feels like we went through everything we should have in seven years. Maybe it was a sacrifice for the future.”

The letter thanked Min for “always being dedicated to the work,” while offering some kind words about the “hardships” Min has endured, travails that were not specified in the note. Back in May, a Seoul court barred HYBE from firing Min from her role as CEO of the ADOR subsidiary after an internal audit by HYBE and subsequent police report against the exec. Min was sued by BELIFT Lab in May for defamation and obstruction of business over her comments that BELIFT’s girl group ILLIT had plagiarized NewJeans.

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On July 9, Min reportedly visited the Yongsan Police Station in Seoul for questioning after HYBE reported her to authorities citing breach of trust. Then, on July 15, the HYBE Labels subsidiary Source Music — home of K-pop girl group LE SSERAFIM — sued Min for $361,000, accusing her of defamation and disruption of business in connection with comments Min made at two emotional press conferences held in April, claiming that her statements at the events damaged Le SSERAFIM. In response, Min has accused five HYBE executives of defamation and leaking private messages to the press.

In her letter to Min, Danielle continued, “You know that we’re always on your side, right? You’re my family. Whatever you choose, I want to be together with you. I want to stay by your side, even if I’m not much help. I always pray for you, support you and love you.”

NewJeans have continued to support their executive producer during the turbulent past few months, with member Minji thanking the ADOR CEO for her contributions to the group during an appearance on South Korean chart show Music Bank. “Once again, we would like to thank our CEO, whom we love and adore a lot. We love you, CEO!” Minji said at the time.

See the note from Danielle posted on Min’s Instagram below.

Vybz Kartel Released From Prison After 13 Years

Vybz Kartel is a free man. After 13 years behind bars, Vybz — born Adidja Azim Palmer — was released from prison on Wednesday.

Per FOX 5, the Jamaica Court of Appeal voted unanimously not to have a retrial in the 2011 murder of Clive “Lizard” Williams, which led to the dancehall star’s release along with his three co-defendants, Shawn Campbell, Kahira Jones and Andre St. John.

Even though Williams’ body was never discovered, Vybz was convicted in the murder in 2014. Kartel and his co-defendants faced accusations of killing Williams over two unlicensed firearms that weren’t returned to them.

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“We conclude that the interest of justice does not require a new trial to be ordered,” Justice Marva McDonald-Bishop stated, per BBC.

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One of the reasons the court cited was also because of Vybz Kartel’s deteriorating health situation, as he’s been diagnosed with Graves’ Disease and a heart condition. FOX 5 also reported that the Jamaican icon was battling a thyroid disease, while his lawyers said his prison conditions were “inhumane.”

Vybz regaining his freedom became a possibility when the U.K.’s Privy Council overturned the conviction against him and the co-defendants in March, citing juror misconduct due to an alleged bribery attempt.

Once King Charles signed off on the matter, Vybz’s fate was back in the Jamaican Court of Appeal’s hands.

In addition to the “Summer Time” singer’s health situation, the appeal court said the amount of time and lack of witnesses and financial resources needed also played a role in the decision against a retrial.

A celebratory scene broke out as fans were sent into a frenzy outside the Jamaican courthouse after learning that Vybz Kartel would be walking away free.

Vybz Kartel has worked with Rihanna, Eminem and Jay-Z in the past. The 48-year-old artist has launched seven different projects into the Reggae Albums chart’s top 10. His most recent LP arrived in 2021 with Born Fi Dis (Prelude).

Cardi B Files for Divorce From Offset a Second Time: Report

Cardi B has once again filed for divorce from Offset, her rep reportedly confirmed to Page Six. The news comes after seven years of marriage between the two hip-hop titans.

The “WAP” artist reportedly filed on Wednesday, requesting primary custody of their 5-year-old daughter Kulture and 2-year-old son Wave.

Billboard has reached out to both parties’ reps as well as Cardi’s legal team for comment.

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The news marks the second time Cardi has called for a divorce from Offset since they tied the knot in 2017. Cardi previously filed to legally end their marriage in September 2020, explaining to fans at the time that it wasn’t “because of cheating” — although their relationship has been wrought with infidelity rumors on the Migos rapper’s end since nearly the beginning.

“I just got tired of f—ing arguing,” she added at the time. “I got tired of not seeing things eye to eye.”

Within a month, however, Cardi revealed that she and the “Stir Fry” rapper had sorted things out, and the case was dismissed in the early days of November 2020. “It’s hard not to talk to your best friend,” she said on Instagram Live of the rekindling. “It’s really hard not to talk to your best friend. And it’s really hard to have no di–.”

Over the next four years, their romance survived a few more rough patches — more cheating rumors, plus a social media squabble between the spouses — before Cardi finally confirmed that they had split once more. “I’ve been single for a minute now,” she said on Live in December 2023.

Fans have been hopeful these past few months, however, that the couple were again smoothing things over. They spent New Year’s together, and Offset directed Cardi’s “Like What (Freestyle)” music video in March; plus, they were spotted on a date at a New York Knicks game in April before the “I Like It” musician thanked her estranged husband for showering her with Mother’s Day gifts in May.

Cardi has been the first to admit that her relationship with Offset has always been complicated, telling Rolling Stone in May, “We’re best friends … It’s not even about ‘How do you leave a partner?’ How do you stop talking to your best friend?”

Lin-Manuel Miranda & Eisa Davis Announce ‘WARRIORS’ Album Inspired by Cult-Classic 1979 Film

Tony Award-winning composer Lin-Manuel Miranda and Pulitzer Prize finalist Eisa Davis are set to release a new concept album titled WARRIORS, inspired by the cult-classic 1979 film The Warriors and its source novel by Sol Yurick.

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The 26-song project, which will be available everywhere on Oct. 18 via Atlantic Records, follows a fictitious New York City gang from Coney Island to the Bronx and back when they are framed for the murder of a respected gang leader, Cyrus.

“We’ve spent the past three years musicalizing the Warriors’ journey home, from the South Bronx to Coney Island,” the co-writers stated in a joint announcement. “Along the way, we’ve gotten to work with a lot of our favorite artists, and we’ll be announcing their roles on the album in the weeks ahead. We can’t wait to share these songs with you on Oct. 18.”

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The project boasts some serious hip-hop credentials behind the scenes. Grammy Award-winning rapper Nas serves as executive producer, bringing his New York City roots to the table. Meanwhile, Grammy-winning musician Mike Elizondo takes the helm as producer.

While the full cast remains under wraps, the creators tease a “star-studded” lineup of voices to be revealed in the coming weeks.

Lin-Manuel Miranda has already achieved notable Billboard success with projects like Hamilton, The Hamilton Mixtape, and the Encanto soundtrack.

Hamilton‘s cast recording won a Grammy in 2016 for best musical theater album. It became the first-ever Broadway cast recording to be certified Diamond by the Recording Industry Association of America.

The Hamilton Mixtape debuted at No. 1 on the Billboard 200, and Encanto‘s soundtrack, featuring the hit “We Don’t Talk About Bruno,” dominated the charts, making Miranda Billboard’s Top Hot 100 Songwriter of 2022.

He also contributed to the Moana soundtrack, earning a Grammy and an Oscar nomination for “How Far I’ll Go.”

The project also adds to the diverse body of work of Eisa Davis, who is an award-winning actor, writer, and singer-songwriter known for her work on stage and screen.

Davis was a finalist for the Pulitzer Prize in Drama for her play Bulrusher and wrote and starred in Angela’s Mixtape. She’s also written for television series such as Netflix’s She’s Gotta Have It and FX’s Justified: City Primeval, and she has appeared in numerous theater productions and films.

WARRIORS is out Oct. 18

Ayra Starr Stars in ‘Dare to Dream’ Documentary & Becomes Amazon Music’s First Afrobeats Breakthrough Artist

Ayra Starr always envisioned herself as the “Black Hannah Montana.” But in her new Amazon Music documentary Dare to Dream, which Billboard can exclusively reveal premieres Thursday (Aug. 1), fans will be able to take a closer look at Ayra the global Afrobeats star and Oyinkansola the Beninese-Nigerian girl.

Directed and produced by HOMECOMING, the 23-minute short film explores how Starr made her dreams come true. Dare to Dream captures her international journey, traveling between her birthplace of Cotonou, where she eventually returns to a swarm of eager fans; her homebase of Lagos, where her musical career started after signing to Don Jazzy‘s iconic Mavin label; London, where she’s sold out shows; and Los Angeles, where she attends the 2024 Grammy Awards after scoring her first nomination for best African music performance with her 2022 hit single “Rush.”

“I’ve always wanted to do this to inspire African girls all over [the world], Black girls, girls in general to keep going and do what they believe they were born to do. I’m just a regular African girl, you understand. And I’ve come this far, and I want them to feel like, ‘Oh, I can relate to that,’” she told Billboard following her documentary premiere, adding that she started filming Dare to Dream almost one year ago. While watching the full doc for the first time on Tuesday evening (July 30) at The Culver Theater in California for the official premiere, she kept thinking to herself, “Hmm, I like that angle. I should’ve shot more like that.”

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Starr hopes Dare to Dream isn’t the last time you’ll see her on the silver screen. When asked to choose what her first movie role would be during the doc’s Q&A portion, she responded, “I want to be in a high school movie, like the ones we grew up watching, like a Euphoria type. I feel like I would play that so well — the main mean girl.” The audience erupted in laughter before she continued: “That’s what I want to do. I would eat that role up! It would come so easy for me…. I’m not a mean girl at all, but I grew up watching Sharpay [Evans in High School Musical] and Maddy [Perez in Euphoria], just like the mean girl that’s never that mean. They’re just real. You know when women know what they want… I want to be that woman.”

Dare To Dream is currently streaming on Amazon Music’s YouTube channel and app. It will be available to stream on Prime Video in the coming weeks.

Starr is also the first Afrobeats artist to be named Amazon Music’s Breakthrough Artist, an emerging artist program that champions new talent early on in their careers through enhanced playlist support, social media campaigns, an Amazon Music Original song, marketing opportunities and bespoke editorial content. The Breakthrough Program has previously featured rapidly rising stars like Chappell Roan and Benson Boone.

“Ayra Starr was an obvious choice for our latest Breakthrough artist. A one-of-a-kind talent leading the exhilarating world of Afrobeats, her early successes have already been thrilling,” said Alexis Cueva, artist relations for Amazon Music, in a press statement. “With Ayra joining the Breakthrough family, we’re excited to support her as she continues to garner worldwide acclaim and represent Nigeria’s music scene on the global stage.”

Watch Dare to Dream below.



Post Malone and Blake Shelton Are Loose and Lovin’ Life in ‘Pour Me A Drink’ Behind-The-Scenes Video: Watch

Sometimes what you see in a music video is all smoke and mirrors, an illusion of fun carefully crafted to make it seem like the artists are living it up and having a killer time together. Then there’s Post Malone and Blake Shelton‘s “Pour Me a Drink.”

The clip for the song from Posty’s upcoming country debut album, F-1 Trillion (August 16) has a silly, simple premise: a couple of good ol’ boys meet at a convenience store and then decide to hang together at a party in the woods with a bunch of their best-looking friends to have some brews, smokes and strum a tune on the back of a pick-up truck.

It’s all in good fun, and now thanks to a behind-the-scenes video posted by Shelton on Wednesday (July 31) we have a better sense of just how much of a blast the shoot was. In the 30-second clip captioned, “Y’all know who it goes [beer stein emoji] @postmalone,” Shelton is seen singing the chorus into the lens of a camera on a dolly as it follows him across the field. Malone bops around in the background with his ubiquitous red Solo cup and camo baseball hat in hand. By the end, the two men are lip synching together and busting out some impromptu boot scooting dance moves as Shelton smiles at Posty’s loose vibe.

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The b-roll comes more than a month after Posty posted a clip of the two men strumming the song on acoustic guitars in a woody setting near a lake that appears to be the location shoot for the finished video. It also came on the same day that Malone finally announced the full 18-song tracklist for the eagerly anticipated F-1 Trillion, which will feature songs with previously known acts Morgan Allen, Blake Shelton, Hardy and Luke Combs, as well as Tim McGraw, Hank Williams Jr., Dolly Parton, Lainey Wilson, Chris Stapleton, Billy Strings, Ernest and others.

Check out the behind-the-scenes video and the original below.



Taylor Swift Tells Warsaw Fans to Calm Down, Those Air Raid Sirens They’re Hearing Are Totally Normal

Taylor Swift‘s Eras Tour juggernaut has found cities around the world twist themselves into pretzels to welcome the singer’s stadium-packing juggernaut. But when Swifties start filing into PGE Narodowy stadium on Thursday (August 1) for the singer’s show in Warsaw they might mistake the alarming sound of air raid sirens for some kind of bizarre welcome tradition.

It’s not.

“At 5pm on August 1st, sirens will sound out while the air force takes the skies in commemoration of the 80th anniversary of the Warsaw uprising, please DO NOT panic or be alarmed,” the official Eras Tour X account warned on Wednesday.

The sirens are part of the Polish city’s commemoration of the 80th anniversary of the 1944 Warsaw Uprising, which was a 63-day rebellion by Polish insurgents against five years of crushing occupation by the Nazis during WWII. According to the Associated Press, the whole city stops and alarms sound every year on August 1 at the exact time in the afternoon when the uprising began. Thousands of fans attending the show are expected to be at or near the stadium for the evening show when the alerts go off.

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Polish news site Onet published a note to Swifites to explain the significance of the day to the local population. “We ask you to remain calm and not to panic. In this way every year residents pay tribute to the heroes of 1944. Those who will be at that moment already outside the stadium, please remain quiet and get up,” it read.

Thursday night’s show is the first of three gigs in Warsaw before Swift moves on to Vienna next week for shows on August 8, 9, and 10. She will wrap up the European leg of the tour in London, with a string of five shows at Wembley Stadium on August 15, 16, 17, 19 and 20 before returning to North America for a six-night run in Toronto beginning on November 14.

Check out the warning below.