Music
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Trending on Billboard As the charts have remained dominated all November by Taylor Swift — now in her second month of pop-world eclipsing — a number of long-beloved underground stars who’ve never quite played on her commercial level have made their return. Within the space of eight days, we received new releases from Rosalía, Charli xcx, Robyn […]
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For the first time, Colombia has its own Billboard chart of the 100 most-listened-to songs. Billboard Colombia Hot 100 debuted on Oct. 29 and has been receiving weekly updates on the Billboard Colombia website and its social media platforms ever since.
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The new ranking is based on data collection ranging from radio airplay to streaming, sourced from Luminate — the world’s most reliable data collection service — along with support from ACR Decibeles, Colombia’s leading radio monitoring service that analyzes in real time the most listened-to music on radio, television, and digital platforms.
This week, two hits from Blessd alongside other international stars are leading the top spots: “YOGURCITO REMIX (feat. Kris R., ROA)” with Anuel AA, Yan Block, Luar La L, Kris R. and ROA, at No. 1, and “Como Oreo” featuring Fuerza Regida and Ovy On The Drums, at No. 2. Following are “Quédate” by Beéle (No. 3), “Dónde” by Kapo and Ryan Castro (No. 4), and “Ba Ba Bad Remix” by Kybba, Sean Paul, Ryan Castro, and Busy Signal (No. 5).
The Billboard Colombia Hot 100 chart marks a historic milestone by shining a global spotlight on the major contributions of Colombian icons such as Karol G, Maluma, and J Balvin, while celebrating the country’s rich musical heritage. The chart appears partially on Billboard‘s official website, where the top 25 positions can be viewed, while the full list is exclusively available on Billboard Colombia‘s site.
“In a nation celebrated for its diverse array of genres, from cumbia, salsa, and vallenato to música popular, joropo, and pop, the new chart will not only highlight the most popular hits but also provide meaningful analysis of the cultural phenomena shaping Colombia’s music industry,” the publication said in a statement. “With the Hot 100, Billboard Colombia will provide an invaluable tool for artists, producers, managers, executives, entrepreneurs, industry professionals, and fans, further strengthening the country’s vibrant music scene.”
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Mumford & Sons fans, rejoice. The band will return to BST Hyde Park next summer for a huge homecoming show, a decade since their last headline performance there.
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The trio will headline the event on July 4, joined by their friends, the U.S. alternative rock outfit The War On Drugs. Additional acts on the bill will be revealed at a later date.
Tickets will go on sale on Dec. 4 via BST Hyde Park’s official website, while an artist presale will take place earlier in the week for those signed up to the Mumford & Sons mailing list.
“Hyde Park is woven into our story, it’s where so many memories were made. Coming back a decade later, with all this new music, feels incredibly special,” the band said in a statement. “London is and always will be the band’s home. We can’t wait.”
AEG Presents CEO Jim King added: “Mumford & Sons’ last Hyde Park show was a milestone for BST. Having them return at this moment in their career is something we’re incredibly proud of.”
Mumford & Sons graced BST Hyde Park stage, which returns to London’s Hyde Park each year, back in 2015 in support of their third record Wilder Mind. Prior to that show, they had supported Arcade Fire and played alongside The Vaccines at previous iterations of the event.
For 2026, the band are set to join a stacked BST Hyde Park line-up, which kicks off with country supernova Garth Brooks playing his first U.K. show in nearly 30 years on June 27. The summer classic will also see headline sets from Maroon 5 (July 3), Pitbull and Kesha (July 10), and Lewis Capaldi (July 11 and 12).
In the meantime, Mumford & Sons are gearing up their winter U.K. arena tour, which commences with a show in Newcastle this weekend (Nov. 29). They’ll hit up Leeds, Glasgow, Manchester, Sheffield, Birmingham and Cardiff along the way, before rounding out the leg with a double header at The O2, London (Dec. 10-11). The band are slated to release their sixth studio album Prizefighter on Feb. 13, 2026 via Island Records. The record will feature collaborations with Hozier, Gracie Abrams, Chris Stapleton and Gigi Perez, and follows their U.K. chart-topper Rushmere, released this past March.
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Franz Ferdinand and Donald Trump share almost nothing in common, apart from their Scottish heritage, and an unexpected interaction on social media.
The alternative rock outfit is currently in Australia for a national tour, kicking Wednesday, Nov. 26 at Red Hill Auditorium in Perth, Western Australia, and visiting Brisbane, Thirroul and Melbourne, before wrapping up in Sydney.
As the “Take Me Out” singers bang the drum for those dates, frontman Alex Kapronos stopped by Triple M for a chat with WA-based breakfast show hosts Robbie & Carly.
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Conversation, naturally, turned to the weather — where the band has come from, and the blazing heat they’ve arrived in — and the political climate.
The band penned the 2016 track “Demagogue” when Trump was still a candidate for the presidential election, which he went on to win, against most political observers’ predictions.
With “Demagogue,” Franz Ferdinand proved once more that Scots don’t mince their words.
“From the wall straight to la cuenta/Those pussy grabbing fingers won’t let go of me now,” the sing early on. And later, “From the mob to chapter eleven/Those tiny vulgar fingers on the nuclear bomb.”
When asked the band had heard from Trump’s camp, Kapronos quipped: “He’s a sensitive chap, isn’t he? When we wrote that song, he was only just going forward as a candidate. We were writing from the perspective of, ‘Oh God, imagine if…’ And here we are… we don’t need to imagine anymore.”
Kapronos “didn’t hear anything back from him personally, although years ago he replied to a tweet of mine, which was bizarre,” he reveals. Also, one of Trump’s daughters “crashed backstage at one of our shows back in 2004,” he recounts. “It was like, ‘Who’s this woman in our dressing room?’”
The band has begun their tour down under at the best possible time. “We left a very rainy, cold, dark Europe to come to a beautiful springtime Australia — and you feel that energy,” Kapronos remarks. “It lifts you up. Even if you’re hungover or jet-lagged, the energy of the crowd is transformative.”
Also, Kapranos notes, the group’s Perth show will something of a family affair. “My sister’s husband is a Perth boy, so we know quite a few folk here. I think we’ve got a guest list of 60! Perth feels like nowhere else on earth: the trees, the plants, the wildlife, it’s so unique.”
Formed in Glasgow in 2002, Franz Ferdinand has landed seven U.K. top 10 albums, including a No. 1 with 2005’s You Could Have It So Much Better, and scooped best British group and best rock act at the BRIT Award in the same year.
Their U.S. chart story includes two hits on the Billboard Hot 100, and five appearances on the Billboard 200, including two top 10s.
Stream the Triple M interview here.
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Sydney hardcore punk band SPEED has collected the NSW Music Prize, Australia’s most lucrative music awards, presented for the first time this week, while BARKAA and Ninajirachi continued their respective winning streaks.
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Established by the Minns Labor government of New South Wales to “celebrate and inspire local musicians” and strengthen the music industry “in the face of increasing competition from overseas,” the A$160,000 ($104,000) prize pool is split among three categories.
SPEED nabbed top honors for Only One Mode via Last Ride Records (AANZ) and Flatspot Records (worldwide), their debut album from 2024, which impacted the top 10 on the ARIA Albums Chart, debuting at No. 10.
The group, led by Jem Siow (vocals), Aaron Siow (bass), Josh Clayton (guitar), Dennis Vichidvongsa (guitar), and Kane Vardon (drums), has since released the three-track EP All My Angles, with live shows rocking across Australia this December.
An expert panel decided Only One Mode was the release that had “the most significant impact” during the voting period.
“Respectfully,” reads a statement from the band, which bags the A$80,000 ($52,000) winner’s check, “our culture has never been a game nor a competition. But we are honored to receive this recognition and see this as acknowledgment of the values cultivated by the passionate souls around us.”
Meanwhile, BARKAA was awarded the NSW First Nations Music Prize for Big Tidda (Big Apples Music/Island Records Australia/Universal Music Australia). Just last week, BARKAA scooped best hip hop/rap release at the 2025 ARIA Awards, becoming the first Indigenous female artist to do so.
After bagging a hattrick of pointy trophies last week at the ARIAs, Ninajirachi backed it up with the NSW breakthrough artist of the year award for “girl EDM” (NLV Records), a salute to an emerging NSW-based artist or act who has had “a groundbreaking 12 months”. The homegrown EDM producer, songwriter and artist has been shining on the awards circuit in recent weeks and months, winning the Australian Music Prize, triple j’s J Award for album of the year, and more.
Recipients of the First Nations and breakthrough artist prizes are each awarded A$40,000 ($26,000).
“These talented and hard-working NSW musicians deserve this recognition,” comments NSW Minister for Music and the Night-time Economy John Graham. “These awards are about putting the spotlight on NSW, so fans have a chance to celebrate the local music scene. This will give these artists a big career boost, and I also hope it will inspire the next generation to aim high.”
Adds Graham, “the streaming revolution is pushing more American music to Australian listeners. This award is part of our effort support local musicians to cut through and build a fan base.”
All told, 15 acts were nominated for the prize, delivered by Sound NSW, with winners announced Monday, Nov. 24 at the Museum of Contemporary Art Australia in Sydney.
NSW Music Prize 2025 finalists and winners:
3% – Kill the Dead
BARKAA – Big Tidda
Kobie Dee – Chapter 26
Ninajirachi- girl EDM
ONEFOUR- Look At Me Now
Party Dozen- Crime in Australia
RÜFÜS DU SOL – Inhale / Exhale
Shady Nasty – Trek
SPEED – Only One Mode (WINNER)
Vv Pete & Utility – Varvie World
NSW Breakthrough Artist of Year 2025
Don West
Ninajirachi (WINNER)
Royel Otis
Shady Nasty
SPEED
NSW First Nations Music Prize 2025
3% – Kill the Dead
BARKAA – Big Tidda (WINNER)
Djanaba – Did I Stutter?
Stiff Gins – Crossroads
Ziggy Ramo – Human?
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While many of us are kicking back, feet up and chomping down on roast turkey with all the trimmings, Bunnie Xo is on a different type of mission this Thanksgiving.
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Bunnie is knuckling down to help women escaping domestic violence.
The podcaster and her team are providing Thanksgiving dinner and care packages for women in transitional housing at the Mary Parrish Center, in search of a fresh start, a safer life.
“Thanksgiving is about giving back. And that’s exactly what we’re doing today,” Bunnie tells Extra.
Bunnie tells Extra she knows from experience how tough it can be out there. “Going through a situation personally around 2013 to 2016 with my own domestic violence relationship has just made this mission for myself,” she remarks, “even more of wanting to give back and wanting to be there for the women and the children that are going through this because I know how hard it is to get out.”
Now happily married now to country star Jelly Roll, Bunnie hasn’t forgotten those harrowing days, which she recounts in her new book “Stripped Down.”
As Thanksgiving approaches, Bunnie shared a stark image of spousal abuse — a photo of her with a swollen black eye. The intention of posting the shocking photo, she says, is “that women could see like, ‘Okay, she’s been where I’m at and she gets it.’ I want somebody that I can relate to, and I hope that these women know that I have been exactly where they are and I just want to lift them up and just make them feel so good and loved and know that they’re doing the right thing.”
She adds, “I just want them to keep going. Don’t ever look back. Smash the rearview mirror.”
Just a week ago, Bunnie put up her hand and confessed to some past errors of her own, which could result in jail time. Speaking on her Dumb Blonde podcast, the host admitted that she has to turn herself in to serve time for unknowingly driving for years with a suspended license, those issues apparently tying back to a minor driving incident from half a decade ago.
“I got my lawyer on it, whatever,” she explained. “It looks like your girl is gonna have to go book herself in. If I do — you guys have seen all my past mug shots — I’m going in glammed the f–k up, baby, and I’m going to vlog it.”
Watch the full piece on Bunnie’s Thanksgiving mission below on Extra, now in its 32nd with host Derek Hough.
Beni
Image Credit: Billboard Korea
You’re the youngest in the group, yet you trained the longest. But in the documentary, you said your trainee years weren’t only difficult.
I became a trainee when I was 11, so I don’t have many “typical” school memories. While other kids went to playgrounds or cram classes, I went to the company. But I think that’s why going to the company felt like going somewhere fun. I was so young, and everyone took good care of me — I received a lot of love.
After debuting, what changed in your mindset?
Before debut, I was terrified of making mistakes. But when I actually got on stage, I realized what matters isn’t whether you make a mistake, but how much you enjoy the moment. Because of that, I feel less pressure now — I think I’ve learned how to enjoy it.
For your comeback “I DONT CARE,” you open the stage with a powerful intro performance that instantly grabs attention. What was it like taking on that role?
I’ve always loved dancing so I’m very ambitious when it comes to choreography. When I was assigned the intro, I practiced just that part for three to four weeks with our performance director. The movement was different from the style I usually danced, so I had to study every detail and figure out exactly where to add emphasis.
How do you usually handle moments where you have to try something completely new?
Seeing my weaknesses during practice is a bit stressful, but the final result is usually not bad at all. When I see the outcome, I feel proud — like, I got through that. Of course, even when I gain confidence, when a similar situation comes again, I sometimes go back to blaming myself.
It’s funny — you’d never know that from watching you on stage. You almost seem like the member who embodies BDC’s message most naturally.
I try to be like that in real life too — to carry myself with confidence, just like the message we want to share.
What feedback gives you confidence?
Recently I heard something that made me so happy. I’ve been focusing a lot on my facial expressions, but when I watched myself, I felt like they were all kind of similar. Then someone complimented me, saying my expressions were actually really diverse — and that surprised me so much.
What kind of music were you dancing to when you first started?
When I was little — even before elementary school — it was all K-pop. I watched and listened to Apink and GFRIEND a lot. Then when I started dreaming of becoming a dancer, I focused more on hip-hop and locking, and listened mostly to pop. After that, I fell deeply back into K-pop again.
How would you describe yourself?
I have big ambitions and I really want to do well. Even though I look confident on stage, I have a shy side in real life. I feel like I’m still getting to know myself.
Is there something you learned about yourself only after debut?
That I’m better at expressing myself than I thought. I originally dreamed of becoming a K-pop idol because I loved dancing and singing and wanted to be on stage — but after debuting and having people who support me, I realized I can communicate with them and genuinely express my feelings.
What’s the moment in your life when you were the bravest?
There were times at school when the teacher asked a question, and even if I knew the answer, I wouldn’t raise my hand because I was scared of being wrong. Afterward I always regretted it — I could’ve answered that. One day, I decided to be brave. I raised my hand, got the answers right, and realized, If you want to gain something, you have to try. It’s better to act than to regret not acting.
If you could redefine the “F” in “F Girl”, as a new word that represents you — what would you choose?
“Famous.” Because… we’re going to be famous girls! [Laughs]
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Singer-songwriter Jackson Browne is mourning the loss of his son Ethan, who died Nov. 25 at age 52.
On Wednesday (Nov. 26), the singer-songwriter revealed the death of his son in a Facebook post, writing, “It is with deep sorrow that we share that on the morning of November 25, 2025, Ethan Browne, the son of Jackson Browne and Phyllis Major, was found unresponsive in his home and has passed away. We ask for privacy and respect for the family during this difficult time. No further details are available at this moment.”
Ethan Browne was born Nov. 2, 1973. He was known as a model, musician and an actor, with roles in the films Raising Helen (alongside actress/singer Kate Hudson), Hackers, and the television series Birds of Prey. As a musician, Browne also teamed with Cat Colbert to form the duo Alain Zane. They released the 2022 album Right Before Your Eyes and issued songs including “CA State of Mind” and “Kite.”
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In 1974, just six months after he was born, Ethan appeared with his father on the cover of Rolling Stone magazine.
Phyllis Major and Jackson Browne were wed in 1975; the following year, Major died at age 30 due to an overdose. Jackson Browne wed Lynne Sweeney in 1981 and they welcomed son Ryan in 1982; the couple divorced in 1983.
Jackson Browne is an eight-time Grammy nominee, with his 1977 album Running on Empty earning an overall album of the year Grammy nomination (the soundtrack to Saturday Night Fever would take home the trophy). Among Browne’s other Grammy nominations over the years are nods for best Americana album (Downhill From Everywhere) and best rock vocal performance, male (for “Boulevard”). As a songwriter, he’s seen artists ranging from the Eagles to Nico record his songs.
In 2004, Browne was inducted into the Rock & Roll Hall of Fame by Bruce Springsteen. Three years later, Browne was inducted into the Songwriters Hall of Fame. His 1980 album Hold Out topped the all-genre Billboard 200 chart, while he also earned top five albums on that same chart with 1976’s The Pretender and 1977’s Running on Empty. He earned top 10s on the Billboard Hot 100 with 1972’s “Doctor My Eyes” and 1982’s “Somebody’s Baby.” The latter was recorded for the soundtrack of the 1982 film Fast Times at Ridgemont High.
Trending on Billboard Cam’ron and Mase are always roasting someone on It Is What It Is, and on the latest episode of their talk show, the pair of Harlem rappers playfully clowned each other’s wardrobe choices of the past. Explore See latest videos, charts and news Murda brought up Cam’s Epic Records debut album cover, […]
Trending on Billboard Mike Stoller, who co-wrote such legendary songs as “Hound Dog,” “Jailhouse Rock,” “Charlie Brown” and “Poison Ivy” with songwriting partner Jerry Lieber, has taken another step to ensure his musical legacy lives on. Stoller and his wife, jazz harpist and pianist Corky Stoller, are celebrating the dedication of the Mike & Corky […]
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