Music
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At Sunday night’s (Jan. 5) Golden Globes, some of music’s biggest names are competing for film and television awards, including Ariana Grande, Selena Gomez, Miley Cyrus, Donald Glover, Zendaya, Maren Morris and Robbie Williams.
Grande and Gomez are both up for best performance by a female actor in a supporting role in any motion picture, for their roles in Wicked and Emilia Perez, respectively, while Gomez has a second nomination for best performance by a female actor in a TV series, musical or comedy for Only Murders in the Building.
But who will go home a winner? Follow along with Billboard all night for the full winners list (updating live).
Best motion picture – drama
The Brutalist (A24)
A Complete Unknown (Searchlight Pictures)
Conclave (Focus Features)
Dune: Part Two (Warner Bros. Pictures)
Nickel Boys (Orion Pictures / Amazon MGM Studios)
September 5 (Paramount Pictures)
Best motion picture – musical or comedy
Anora (Neon)
Challengers (Amazon MGM Studios)
Emilia Pérez (Netflix)
A Real Pain (Searchlight Pictures)
The Substance (Mubi)
Wicked (Universal Pictures)
Best original score – motion picture
Volker Bertelmann (Conclave)
Daniel Blumberg (The Brutalist)
Kris Bowers (The Wild Robot)
Clément Ducol, Camille (Emilia Pérez)
Trent Reznor, Atticus Ross (Challengers)
Hans Zimmer (Dune: Part Two)
Best original song – motion picture
“Beautiful That Way” –– The Last Showgirl; Music & Lyrics By: Andrew Wyatt, Miley Cyrus, Lykke Zachrisson
“Compress / Repress” –– Challengers; Music & Lyrics By: Trent Reznor, Atticus Ross, Luca Guadagnino
“El Mal” –– Emilia Pérez; Music & Lyrics By: Clément Ducol, Camille, Jacques Audiard
“Forbidden Road” –– Better Man; Music & Lyrics By: Robbie Williams, Freddy Wexler, Sacha Skarbek
“Kiss The Sky” –– The Wild Robot; Music & Lyrics By: Delacey, Jordan K. Johnson, Stefan Johnson, Maren Morris, Michael Pollack, Ali Tamposi
“Mi Camino” –– Emilia Pérez; Music & Lyrics By: Clément Ducol, Camille
Best motion picture – animated
Flow (Sideshow / Janus Films)
Inside Out 2 (Walt Disney Studios Motion Pictures)
Memoir of a Snail (IFC Films)
Moana 2 (Walt Disney Studios Motion Pictures)
Wallace & Gromit: Vengeance Most Fowl (Netflix)
The Wild Robot (Universal Pictures)
Cinematic and box office achievement
Alien: Romulus (Walt Disney Studios Motion Pictures)
Beetlejuice Beetlejuice (Warner Bros. Pictures)
Deadpool & Wolverine (Walt Disney Studios Motion Pictures)
Gladiator II (Paramount Pictures)
Inside Out 2 (Walt Disney Studios Motion Pictures)
Twisters (Universal Pictures)
Wicked (Universal Pictures)
The Wild Robot (Universal Pictures)
Best motion picture – non-English language
All We Imagine as Light (Sideshow / Janus Films) – Usa / France / India
Emilia Pérez (Netflix) – France
The Girl With the Needle (Mubi) – Poland / Sweden / Denmark
I’m Still Here (Sony Pictures Classics) – Brazil
The Seed of the Sacred Fig (Neon) – Usa / Germany
Vermiglio (Sideshow / Janus Films) – Italy
Best performance by a female actor in a motion picture – drama
Pamela Anderson (The Last Showgirl)
Angelina Jolie (Maria)
Nicole Kidman (Babygirl)
Tilda Swinton (The Room Next Door)
Fernanda Torres (I’m Still Here)
Kate Winslet (Lee)
Best performance by a male actor in a motion picture – drama
Adrien Brody (The Brutalist)
Timothée Chalamet (A Complete Unknown)
Daniel Craig (Queer)
Colman Domingo (Sing Sing)
Ralph Fiennes (Conclave)
Sebastian Stan (The Apprentice)
Best performance by a female actor in a motion picture – musical or comedy
Amy Adams (Nightbitch)
Cynthia Erivo (Wicked)
Karla Sofía Gascón (Emilia Pérez)
Mikey Madison (Anora)
Demi Moore (The Substance)
Zendaya (Challengers)
Best performance by a male actor in a motion picture – musical or comedy
Jesse Eisenberg (A Real Pain)
Hugh Grant (Heretic)
Gabriel Labelle (Saturday Night)
Jesse Plemons (Kinds of Kindness)
Glen Powell (Hit Man)
Sebastian Stan (A Different Man)
Best performance by a female actor in a supporting role in any motion picture
Selena Gomez (Emilia Pérez)
Ariana Grande (Wicked)
Felicity Jones (The Brutalist)
Margaret Qualley (The Substance)
Isabella Rossellini (Conclave)
Zoe Saldaña (Emilia Pérez)
Best performance by a male actor in a supporting role in any motion picture
Yura Borisov (Anora)
Kieran Culkin (A Real Pain)
Edward Norton (A Complete Unknown)
Guy Pearce (The Brutalist)
Jeremy Strong (The Apprentice)
Denzel Washington (Gladiator II)
Best director – motion picture
Jacques Audiard (Emilia Pérez)
Sean Baker (Anora)
Edward Berger (Conclave)
Brady Corbet (The Brutalist)
Coralie Fargeat (The Substance)
Payal Kapadia (All We Imagine as Light)
Best screenplay – motion picture
Jacques Audiard (Emilia Pérez)
Sean Baker (Anora)
Brady Corbet, Mona Fastvold (The Brutalist)
Jesse Eisenberg (A Real Pain)
Coralie Fargeat (The Substance)
Peter Straughan (Conclave)
Best television series – drama
The Day of the Jackal (Peacock)
The Diplomat (Netflix)
Mr. & Mrs. Smith (Prime Video)
Shōgun (FX/Hulu)
Slow Horses (Apple TV+)
Squid Game (Netflix)
Best television series – musical or comedy
Abbott Elementary (ABC)
The Bear (FX/Hulu)
The Gentlemen (Netflix)
Hacks (HBO | Max)
Nobody Wants This (Netflix)
Only Murders in the Building (Hulu)
Best television limited series, anthology series or motion picture made for television
Baby Reindeer (Netflix)
Disclaimer (Apple TV+)
Monsters: The Lyle and Erik Menendez Story (Netflix)
The Penguin (HBO | Max)
Ripley (Netflix)
True Detective: Night Country (HBO | Max)
Best performance by a female actor in a television series – drama
Kathy Bates (Matlock)
Emma D’arcy (House of the Dragon)
Maya Erskine (Mr. & Mrs. Smith)
Keira Knightley (Black Doves)
Keri Russell (The Diplomat)
Anna Sawai (Shōgun)
Best performance by a male actor in a television series – drama
Donald Glover (Mr. & Mrs. Smith)
Jake Gyllenhaal (Presumed Innocent)
Gary Oldman (Slow Horses)
Eddie Redmayne (The Day of the Jackal)
Hiroyuki Sanada (Shōgun)
Billy Bob Thornton (Landman)
Best performance by a female actor in a television series – musical or comedy
Kristen Bell (Nobody Wants This)
Quinta Brunson (Abbott Elementary)
Ayo Edebiri (The Bear)
Selena Gomez (Only Murders in the Building)
Kathryn Hahn (Agatha All Along)
Jean Smart (Hacks)
Best performance by a male actor in a television series – musical or comedy
Adam Brody (Nobody Wants This)
Ted Danson (A Man on the Inside)
Steve Martin (Only Murders in the Building)
Jason Segel (Shrinking)
Martin Short (Only Murders in the Building)
Jeremy Allen White (The Bear)
Best performance by a female actor in a limited series, anthology series, or a motion picture made for television
Cate Blanchett (Disclaimer)
Jodie Foster (True Detective: Night Country)
Cristin Milioti (The Penguin)
Sofía Vergara (Griselda)
Naomi Watts (Feud: Capote Vs. The Swans)
Kate Winslet (The Regime)
Best performance by a male actor in a limited series, anthology series, or a motion picture made for television
Colin Farrell (The Penguin)
Richard Gadd (Baby Reindeer)
Kevin Kline (Disclaimer)
Cooper Koch (Monsters: The Lyle and Erik Menendez Story)
Ewan Mcgregor (A Gentleman in Moscow)
Andrew Scott (Ripley)
Best performance by a female actor in a supporting role on television
Liza Colón-Zayas (The Bear)
Hannah Einbinder (Hacks)
Dakota Fanning (Ripley)
Jessica Gunning (Baby Reindeer)
Allison Janney (The Diplomat)
Kali Reis (True Detective: Night Country)
Best performance by a male actor in a supporting role on television
Tadanobu Asano (Shōgun)
Javier Bardem (Monsters: The Lyle and Erik Menendez Story)
Harrison Ford (Shrinking)
Jack Lowden (Slow Horses)
Diego Luna (La Máquina)
Ebon Moss-Bachrach (The Bear)
Best performance in stand-up comedy on television
Jamie Foxx (Jamie Foxx: What Had Happened Was)
Nikki Glaser (Nikki Glaser: Someday You’ll Die)
Seth Meyers (Seth Meyers: Dad Man Walking)
Adam Sandler (Adam Sandler: Love You)
Ali Wong (Ali Wong: Single Lady)
Ramy Youssef (Ramy Youssef: More Feelings)
The Golden Globes are produced by Dick Clark Productions, which is owned by Penske Media Corporation. PMC is also the parent company of Billboard.
Camila Cabello and Henry Junior Chalhoub, the Lebanese businessman the pop star’s rumored to be dating, were caught in a PDA-filled moment in paparazzi photos published by TMZ on Sunday (Jan. 4).
The “I Luv It” singer and her apparent love interest were seen frolicking in the ocean in St. Barts over the weekend. Pictures posted on TMZ and Page Six show the couple locking lips and being playful at the beach, where they held hands and enjoyed time together in the water.
Cabello, wearing a brown and white triangle bikini top and coordinating bottoms, kissed Chalhoub while the pair went for a swim.
The New Year sighting of Cabello and Chalhoub together in Saint Barthélemy is the first time they’ve been captured on camera getting cozy. Though neither of them have confirmed being in a relationship, rumors previously surfaced of them linking up in November in Saudi Arabia, at an after-party for an Elie Saab fashion show. Cabello performed a medley of singles including “Never Be the Same,” “Shameless,” “Señorita,” “Havana” and “I Luv It” at the Elie Saab show.
The Chalhoub family is behind the Middle East’s leading luxury retailer, the Chalhoub Group, headquartered in Dubai.
Last month, Cabello spoke about the response to her most recent album, 2024’s C,XOXO, in a profile for Nylon. C,XOXO debuted at No. 13 on the Billboard 200 albums chart upon its release in June.
Cabello said she felt the album was “misunderstood,” but she got praise from the best: “Oh, f—, now I’m going to sound name-drop-y,” she said. “But Beyoncé told me she loved my album, OK? That’s the gold star.”
“And I walked away fully, like, tears brimming in my eyes,” Cabello said. “She’s somebody I’ve watched from my childhood. Her and Taylor saying nice things about the album really meant a lot to me. Any time an artist that I respect has said something to me like, ‘Hey, I really love what you’re doing,’ it recharges my battery. A lot of the time I felt so misunderstood.”
Bad Bunny is reflecting on his homeland with the release of his latest album.
On Sunday (Jan. 5), the Puerto Rican superstar dropped Debí Tirar Más Fotos, his sixth studio album. The 17-track project celebrates the culture and history of his native island.
“I am Puerto Rican, I am Caribbean, and my music, my culture, my country’s history run through my veins, from plena to reggaetón,” Bad Bunny said in a press release. “At the peak of my career and popularity, I want to show the world who I am, who BENITO ANTONIO is, and who PUERTO RICO is.”
In an interview with Time, also published on Jan. 5, Bad Bunny shared his views on wealthy foreigners moving to Puerto Rico.
“Politically and historically, they know nothing about Puerto Rico, nor are they interested in knowing,” the rapper said. “They don’t even know that Puerto Ricans on the island don’t even vote for the president, but they do know that they can go to the island to legally evade taxes. That’s something that shocked me.”
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He added, “Tourists come here to enjoy the beautiful places, and then they leave and they don’t have to deal with the problems that Puerto Ricans have to deal with day-to-day.”
Elsewhere in the interview, Bad Bunny addressed comedian/podcaster Tony Hinchcliffe’s comments referring to Puerto Rico as a “floating island of garbage” during a Donald Trump rally at New York’s Madison Square Garden in October 2025.
“I consider myself a person who to a certain point likes dark humor,” he told Time. “But the detail was that it was not a standard comedy nor a comedy show, it was a political rally.”
“Most people don’t know who the f— you are,” the rapper aded, referring to Hinchcliffe. “They’re going to assume that you’re a politician at a political rally. So that awakens people who may be there and think the same as you, and say ‘Yes, Puerto Rico [is]….’ And all those racist people, at that moment, [it] gives them empowerment for a joke.”
In response to Hinchcliffe’s comment at the time, Bad Bunny posted a powerful eight-minute video on Instagram with the caption “garbage.” The clip celebrated Puerto Rico’s resilience and rich culture, showcasing both its historical and contemporary achievements.
Debí Tirar Más Fotos (which loosely translates to “I should’ve taken more photos”) follows Bunny’s 2023 project, Nadie Sabe Lo Que Va a Pasar Mañana, which debuted at No. 1 on the Billboard 200 albums chart.
His latest set features a lineup of Puerto Rican talent, including collaborations with Chuwi, Dei V, Omar Courtz, Pleneros de la Cresta and RaiNao. Bad Bunny blends traditional Afro-Puerto Rican styles like plena and jíbara with contemporary reggaetón and synths, working alongside MAG, Tainy, La Paciencia, and emerging producers Big Jay and Saox.
See Billboard‘s ranking of all 17 songs from Debí Tirar Más Fotos here.
SZA’s SOS secures a 12th nonconsecutive week atop the Billboard 200 albums chart (dated Jan. 11), continuing to profit from its deluxe reissue on Dec. 20 with 15 additional tracks. The set surged 15-1 on the Jan. 4 chart, following the reissue (dubbed SOS Deluxe: LANA). The set was originally released on Dec. 9, 2022, as a 23-track album and spent 10 weeks at No. 1 in late 2022 and early 2023. All versions of the album, old and new, are combined for tracking and charting.
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SOS earned 130,000 equivalent album units in the U.S. in the week ending Jan. 2 (down 27%), according to Luminate.
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The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. The new Jan. 11, 2025-dated chart will be posted in full on Billboard‘s website on Tuesday (Jan. 7). For all chart news, follow @billboard and @billboardcharts on both X, formerly known as Twitter and Instagram.
Of SOS’ 130,000 equivalent album units earned in the week ending Jan. 2, SEA units comprise 125,500 (down 25%, equaling 166.31 million on-demand official streams of the set’s songs; it holds at No. 1 on the Top Streaming Albums chart), traditional album sales comprise 4,000 (down 59%, falling 23-36 on Top Album Sales) and TEA units comprise 500 (down 63%).
With a 12th total week at No. 1 on the Billboard 200, SOS has the most weeks atop the chart for an R&B/hip-hop album by a woman, or an R&B album by a woman, since Whitney Houston’s self-titled set tallied 14 weeks at No. 1 in 1986. (Honorable mention to the Houston-led soundtrack to The Bodyguard, which logged 20 nonconsecutive weeks at No. 1 in 1992-93. The 12-track album has six songs by Houston and six songs by other artists.)
The last R&B/hip-hop album with at least 12 weeks atop the Billboard 200 was Drake’s Views, which notched 13 nonconsecutive weeks at No. 1 in 2016 (May 21-Oct. 8). The last R&B album with at least 12 weeks at No. 1 on the Billboard 200 was The Bodyguard, with its 20-week reign. (R&B/hip-hop and R&B albums are defined as those that have hit or are eligible for Billboard’s Top R&B/Hip-Hop Albums and Top R&B Albums charts, respectively.)
As we move farther away from Christmas (Dec. 25), and with the chart’s latest tracking week covering the Dec. 27, 2024-Jan. 2, 2025 frame, no holiday albums dot the entire top 100 of the 200-title deep chart. A week ago, six of the top 10, and 32 of the top 100, were holiday efforts. In turn, on the latest chart, nonseasonal sets race up the list — many with week-over-week declines in activity — as the chart shakes off the festive last bits of merriment.
Kendrick Lamar’s former No. 1 GNX climbs 5-2 (70,000 equivalent album units earned; down 9%), Sabrina Carpenter’s chart-topping Short n’ Sweet jumps 12-3 (56,000; down 7%), the Wicked film soundtrack flies 8-4 (49,000; down 31%) and Billie Eilish’s Hit Me Hard and Soft vaults 14-5 (46,000; down 16%).
Taylor Swift’s former leader The Tortured Poets Department moves 7-6 (44,000 equivalent album units; down 40%) and Chappell Roan’s The Rise and Fall of a Midwest Princess rises 16-7 (41,000; down 20%).
To close out the top 10 at Nos. 8-10, three titles that were outside the top 20 a week ago all rush back to the top 10. Morgan Wallen’s chart-topping One Thing at a Time jumps 29-8 (nearly 41,000; up 10%), Gracie Abrams’ The Secret of Us bounces 25-9 (40,000; up 2%) and Tyler, The Creator’s former No. 1 CHROMAKOPIA drives 27-10 (38,000; down less than 1%).
Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.
The last time Bad Bunny released an album on a Sunday was four years ago when he dropped Las Que No Iban a Salir on Mother’s Day 2020. This time around, just in time for Día de Reyes (Three Kings Day), he’s gifting fans a brand new LP.
On Sunday (Jan. 5) — a rather unconventional day to release an album — the Puerto Rican superstar delivered Debí Tirar Más Fotos, which loosely translates to I should’ve taken more photos. The 17-track set is the hitmaker’s sixth studio album, following his 2023 project, Nadie Sabe Lo Que Va a Pasar Mañana, which earned him his third leader on the Billboard 200.
Like a lot of things Bad Bunny does, Debí Tirar Más Fotos is an ode to Puerto Rico and the sounds that have soundtracked the island for generations. Throughout, he seamlessly blends plena and salsa with genres like house and, of course, reggaetón (surprisingly, no trap). The set — with producers such as Tainy, MAG, La Paciencia, Big Jay and Saox in tow — includes collaborations with artists Chuwi, Dei V, Omar Courtz, Pleneros de la Cresta and RaiNao.
On Dec. 26, 2024, Bad Bunny (born Benito Antonio Martínez Ocasio) announced he was releasing a new album via a teaser video on social media that featured Puerto Rican film director Jacobo Morales, who reminisced about treasured moments with his friend “Concho.” A press release further elaborated that Bad Bunny “once believed it was essential to live in the moment, but as he grows older, it has become harder to remember certain things. Now, he wishes he had taken more photos and lived more deeply.”
Ahead of dropping the new album, Bad Bunny released “EL CLúB,” which combines house music with plena-styled guitar. The single debuted at No. 2 on the Hot Latin Songs chart. He also dropped the ultra nostalgic “Pitorro de Coco” — named after a holiday rum beverage — powered by a pure jíraba rhythm, a traditional Afro-Caribbean genre. The two songs served as a preview of Bad Bunny’s tropical-leaning LP.
Below, Billboard ranks all 17 songs from Debí Tirar Más Fotos in descending order.
“KLOuFRENS”
Bono is expressing his gratitude after receiving the Presidential Medal of Freedom.
The legendary U2 frontman was among 19 individuals to receive the Presidential Medal of Freedom, the nation’s highest civilian honor, from President Joe Biden during a ceremony at the White House on Saturday (Jan. 4).
“Thank you President Biden. Frontmen don’t do humble, but today I was,” Bono wrote on U2’s Instagram account after receiving the medal. “Rock n roll gave me my freedom… and with it the privilege to work alongside those who’ve had to fight so much harder for theirs. And I want to give it up for my band mates – Edge, Adam, and Larry – without whom I would never have found my voice.”
Along with receiving the honor, Bono wrote an essay for The Atlantic, titled “The Gorgeous, Unglamorous Work of Freedom,” exploring the link between music and the quest for freedom.
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“Freedom is a word that turns up with embarrassing frequency in rock-and-roll songs,” Bono began the op-ed, citing Bob Dylan’s “Chimes of Freedom” as an example.
“The reason I am climbing on this slippery soapbox called ‘freedom’ today is that I’m being given a presidential medal by that name—an honor I’m receiving mainly for the work of others, among them my bandmates and our fellow activists—and it’s got me thinking again about the subject,” the Irish rocker continued. “When we rock stars talk about freedom, we more often mean libertinism than liberation, but growing up in the Ireland of the 1960s, the latter had its place too. We were mad for freedoms we didn’t have: political freedom, religious freedom, and (most definitely) sexual freedom.”
In honoring Bono, the White House highlighted the singer as a “pioneering activist against AIDS and poverty,” noting his role in uniting politicians from opposing parties to create the U.S. PEPFAR AIDS program. He is also the co-founder of advocacy organizations ONE and (RED).
Other Presidential Medal of Freedom recipients this year included Hillary Clinton, Michael J. Fox, NBA legend Earvin “Magic” Johnson, soccer icon Lionel Messi, Bill Nye the Science Guy, Vogue editor Anna Wintour, George Soros, designer Ralph Lauren, chef José Andrés and conservationist Jane Goodall.
“President Biden believes great leaders keep the faith, give everyone a fair shot, and put decency above all else,” the White House wrote in a statement. “These nineteen individuals are great leaders who have made America and the world a better place. They are great leaders because they are good people who have made extraordinary contributions to their country and the world.”
Watch Bono receive the Presidential Medal of Freedom from President Biden in a video here.
Bad Bunny pays homage to his native island with the release of his sixth solo album, Debí Tirar Más Fotos (out Sunday, Jan. 5), a celebration of Puerto Rican culture and history.
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“I’ve been dreaming about this album for years, and seeing it come to life has brought me immense happiness,” Bad Bunny said in a press release. “I’ve always been honest with my followers, and through this new production, they’ll continue to learn more about me as I, too, discover more about myself. This album is the result of the experiences that have led me to get to know myself better, even getting to know the rhythms I enjoy most — the ones I truly enjoy singing and creating.”
The 17-track album showcases a lineup of Puerto Rican talent, including collaborative efforts with Chuwi, Dei V, Omar Courtz, Pleneros de la Cresta and RaiNao. He brings traditional Afro-Puerto Rican styles like plena and jíbara with contemporary reggaetón and synths, with the help of MAG, Tainy, La Paciencia and emerging beat makers Big Jay and Saox.
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“I am Puerto Rican, I am Caribbean, and my music, my culture, my country’s history run through my veins, from plena to reggaetón,” Benito added. “At the peak of my career and popularity, I want to show the world who I am, who BENITO ANTONIO is, and who PUERTO RICO is.”
Debí Tirar Más Fotos follows the unparalleled success of his previous albums — Nadie Sabe Lo Que Va a Pasar Mañana (2023), Un Verano Sin Ti (2022) and El Último Tour del Mundo (2020) — which all soared to No. 1 on the Billboard 200, making Bad Bunny the only Latin artist to achieve this milestone.
Stream the album below.
As of Saturday (Jan. 4), Justin Bieber has unfollowed Scooter Braun on Instagram.
The two have been linked since 2008, when Braun started managing the then-13-year-old Bieber after discovering him on YouTube. But over the past few years, their relationship became rocky and in 2023, the superstar was “actively looking at how he might extract himself from [it],” Billboard reported at the time.
As of August 2023, Billboard reported that Bieber was still under contract for about four more years, following a series of amendments to his deal with Braun made in 2020. In the same report, sources familiar with Bieber’s business dealings said he was focused on resolving his predicament with Braun at the time.
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By June 2024, Braun announced his retirement from management (he maintains his role as CEO of HYBE America — the North American iteration of South Korean entertainment company HYBE). His news followed a string of headlines about artists leaving his SB Projects, including Ariana Grande, Demi Lovato and J Balvin.
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“23 years. That’s how long I have been a music manager,” Braun wrote in a statement posted to Instagram at the time. And while he shared several highlights from his management career, he dedicated a paragraph entirely to Grande and Bieber, writing: “Justin and Ariana were both young teenagers when I began with them. Justin a 13 year old kid busking in Canada and Ariana a young actress on Nickelodeon. To see them both come up to be the legends they are today will forever be one of my greatest honors. As we change our working relationships now, I will continue to root for them with the same passion that I did at each of their humble beginnings.”
In August 2024, Bieber and his wife Hailey Bieber welcomed their first child, Jack Blues Bieber. And in September, indie-rocker Mk.gee revealed to The New York Times that he’s been in studio sessions with Bieber, saying “he’s searching.”
Bieber’s last album, Justice, was released in 2021. It became his eighth No. 1 entry on the Billboard 200.
Brenton Wood, the soul singer best known for his 1967 hit “The Oogum Boogum Song,” has died at the age of 83.
Wood passed away on Friday (Jan. 3), at his home in Moreno Valley, Calif., surrounded by family and friends, according to his manager and assistant, Manny Gallegos, TMZ reports.
Gallegos confirmed to The New York Post that Wood died of natural causes. “He went in his sleep peacefully. The love that he gave us, God took him the same way,” Gallegos said.
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The manager also shared a final message from Wood to his fans: “He said, ‘Catch you on the rebound,’” referring to a 1967 song and the title of his final tour, which wrapped up over Valentine’s Day weekend in 2024. Wood began feeling ill shortly after the tour and was hospitalized last May.
Born Alfred Jesse Smith in Shreveport, La., Wood relocated with his family to San Pedro, Calif., in the 1950s. He later attended college in Southern California, where he began nurturing his passion for music, drawing inspiration from artists like Jesse Belvin and Sam Cooke. A self-taught pianist, Wood wrote songs and harmonized with neighborhood friends. He adopted the stage name Brenton Wood, drawing inspiration from the Brentwood neighborhood of Los Angeles.
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After signing with Double Shot Records in 1967, Wood released three of his biggest hits that same year: “The Oogum Boogum Song” (which reached No. 34 on the Billboard Hot 100), “Gimme Little Sign” (peaking at No. 9 on the Hot 100) and “Baby You Got It” (hitting No. 34 on the Hot 100). “The Oogum Boogum Song” and “Gimme Little Sign” both peaked at No. 19 on the Billboard‘s Hot R&B/Hip-Hop Songs chart, while “Baby You Got It” reached No. 30 on that chart.
In 1972, he founded his own label, Prophesy Records, and later released music under Mr. Wood Records.
Over the years, “The Oogum Boogum Song” has reached new audiences through its inclusion in popular TV shows and movies such as The Umbrella Academy, Almost Famous and Don’t Worry Darling, among others.
“It’s hard to be in a bad mood after you hear the ‘Oogum Boogum Song,’” NPR wrote in 2023. “Probably not worth the effort.”
“It’s a silly title and has silly lyrics, too. But there’s something about the feeling. That almost playful falsetto, the drums bouncing along, the jangly guitar hits.”
During his career, Wood believed in “giving back” and frequently performed at schools and community outreach events throughout Southern California, according to his website. During these appearances, the musician would share his personal and professional challenges and successes, offering a message of empowerment with an emphasis on education and a “can do” attitude to inspire youth, the site states.
Wayne Osmond, the second-oldest of the legendary Osmonds, died on Jan. 1. He was 73 years old.
Wayne, one of nine Osmond siblings, started a barbershop quartet in 1958 alongside his brothers Alan, Merrill and Jay. After getting discovered from a Disneyland performance, the boys were cast over a seven-year period on NBC’s The Andy Williams Show beginning in 1962. When brothers Jimmy and Donny joined the group, they became known as the Osmonds and were standout teen idols throughout the ‘70s.
The Osmonds formed in their hometown of Ogden, Utah. Their mother, Olive, reflected on their origin, born of their Mormon faith, in a 1976 interview, as recounted in Fred Bronson’s The Billboard Book of Number One Hits. “The church encourages talent, beginning with such things as singing, sports and speeches when the children are small,” she mused. “That’s how the four boys started singing together.”
The Osmonds charted four top 10s, among 10 top 40 hits, on the Billboard Hot 100, including the 1971 No. 1 “One Bad Apple.” Alan and Merrill Osmond co-wrote “Down by the Lazy River” (No. 4, 1972), the group’s biggest self-penned hit. The act achieved its top-charting album on the Billboard 200 with Phase-III, which reached No. 10 in 1972. The Osmonds tallied 13 titles on the tally through 2008.
Following 13 Hot 100 hits in 1971-76, the Osmonds disbanded in the summer of 1980. They reformed in 1982, minus Donny, and logged 11 entries on the Hot Country Songs chart, through 1986, led by their introductory hit at the format, the top 20-peaking “I Think About Your Lovin’.”
Amid the Osmonds’ chart dominance as a group, Donny scored solo success, earning five Hot 100 top 10s in 1971-73, including the three-week No. 1 “Go Away Little Girl,” which led seven months after “One Bad Apple.” After a 13-year-break from the chart, he returned and marched to No. 2 in 1989 with “Soldier of Love.”
Plus, Donny and sister Marie Osmond notched seven Hot 100 hits in 1974-78, including two top 10s. Marie forged her own successful career in country, running up four Hot Country Songs No. 1s in 1973-86.
On Jan. 2, Donny shared a heartfelt tribute on X, writing, “Wayne brought so much light, laughter and love to everyone who knew him, especially me. He was the ultimate optimist and was loved by everyone. I’m sure I speak on behalf of every one of us siblings when I state that we were fortunate to have Wayne as a brother.”
Below, browse the Osmonds’ 10 biggest career hits as a group on the Hot 100.
The Osmonds’ Biggest Billboard Hits chart is based on actual performance on the weekly Hot 100 chart from its Aug. 4, 1958, inception, through Jan. 4, 2025. Songs are ranked based on an inverse point system, with weeks at No. 1 earning the greatest value and weeks at No. 100 earning the least. Due to changes in chart methodology over the years, eras are weighted to account for different chart turnover rates over various periods.
“Goin’ Home”