Music
Page: 109
Tyla tapped Sean Paul for the “Push 2 Start” remix that dropped Friday (Feb. 14). “Everyone loves Sean Paul, there’s so many songs of his that I absolutely loved growing up,” she tells Billboard while singing the hook from his 2003 hit “I’m Still in Love With You.” “All those songs are so nostalgic and […]
Sabrina Carpenter‘s Short n’ Sweet era just got even sweeter. The 25-year-old pop star unveiled the deluxe edition of her Billboard 200 chart-topping album on Friday (Feb. 14) as the ultimate Valentine’s Day gift to her fans. Explore Explore See latest videos, charts and news See latest videos, charts and news She announced the expanded […]
Plans for New York City’s iconic Blue Note Jazz Club to expand to the U.K. could be at risk, with London’s Metropolitan Police Service expressing fears of a potential “uptick in crime”.
Explore
Explore
See latest videos, charts and news
See latest videos, charts and news
According to The Standard, plans are in place for a 350-seat venue to be established in the basement of the St Martins Lane hotel in Covent Garden. If the application is approved, the venue would be open until 1am, seven days a week.
However, a Licensing Sub-Committee Report from the City of Westminster has outlined a number of objections from the local police enforcement, who have objected to the venue’s construction on the grounds it would undermine the licensing objective of “prevention of crime and disorder”.
Trending on Billboard
Airing their fears at a hearing with the Council on Thursday (Feb. 13), officers claimed that granting the application for the venue would “expose more people to crime and disorder in the immediate area and further afield”. The report issued by the City of Westminster also included diagrams outlining antisocial behavior, robbery, theft, and violence in the immediate area, with the Metropolitan Police Service stating their belief that the addition of the new venue “could add to crime, disorder and public nuisance within the immediate area”.
“Police are concerned that if the LSC grant this application within the CIZ [the West End Cumulative Impact Zone], there would be an increase in demand on an already overstretched police service and other emergency services,” the report added, noting that despite their objections, police have however met with the applicant to discuss matters.
The report and hearing also included statements from unnamed local residents who shared their concerns and suggestions for the potential venue. These included recommendations that the venue’s operating hours be limited to 11pm in order to limit the “potential for crime and exploitation of vulnerable jazz lovers“
“It is suggested that it is extremely likely that some of the dispersing jazz lovers may be inebriated to a greater [or] lesser extent [or] perhaps slightly disorientated by their emergence in to the cool night air,” one resident wrote. “They will be immediately vulnerable to the gangs of criminals who already prey on similar groups of people in the Soho area. The 1:00 am exit could become a crime hot spot.”
The applicant has however responded to these concerns in the report, noting that a 1am closing time is “integral to the music scheduling in the basement and the viability of the cultural use” of the venue.
If the application for the venue is approved, it would become the latest iteration of the Blue Note Jazz Club to open around the world, and the first in the U.K.. Founded in New York City in 1981, the club has since expanded to other locations throughout the U.S. (including venues in California and Hawaii), and internationally (including Tokyo, Rio de Janeiro, São Paulo, Milan, Beijing, and Shanghai).
Offset is spending his Valentine’s Day loving his deep pockets on his new single “Ten,” which he dropped on Friday (Feb. 14) via Motown Records. “I don’t need you, I got money/ I don’t miss you, I got money/ Love you, but not like money,” he raps with a mischievous, sing-song cadence. “Ten” arrives two […]
After winning performer of the year (dancehall) at last year’s Caribbean Music Awards, Jamaican reggae sensation Dexta Daps is set on securing the next Valentine’s Day anthem with his new “Lockdown” single. Over waltz-evoking guitars, Dexta forgoes the fete to spend some intimate one-on-one time with his special lady singing, “I’ve been staying home lately […]
The long-awaited joint album from Drake and PartyNextDoor is finally here. The years-in-the-making project, $ome $exy $ongs 4 U hit streaming services on Friday (Feb. 14) to spice up Valentine’s Day for the lovers and hopeless romantics out there. Explore See latest videos, charts and news See latest videos, charts and news $ome $exy $ongs […]
It’s JISOO’s time to shine. The star, who recently celebrated her 30th birthday, unveiled her highly anticipated debut solo mini-album, AMORTAGE, fittingly on Valentine’s Day (Feb. 14). Explore Explore See latest videos, charts and news See latest videos, charts and news The four-song mini-album includes the tracks “Earthquake,” “Your Love,” “Tears” and “Hugs & Kisses.” […]
Porter Robinson has delivered a little bit of romance, just in time for Valentine’s Day.
The U.S. producer has shared his energetic, pop-influenced take on Irish outfit Fontaines D.C.’s 2024 single “Favourite” as part of his recent appearance on Like a Version, the long-running covers segment from Australian radio station triple j.
Recorded during Robinson’s Australia tour earlier this month but aired on the morning of Friday, Feb. 14 (Australian time), the cover was well-timed to coincide with Valentine’s Day, with the original track even closing out Fontaines D.C.’s Romance album last year.
Explore
Explore
See latest videos, charts and news
See latest videos, charts and news
The cover is emblematic of Robinson’s recent stylistic shift, with 2024’s Smile! 😀 seeing him move away from his electronic roots and introducing sounds more aligned with the pop-punk and hyperpop genres. The change in sonic focus was a bold move for Robinson, and though the album became his first not to chart on the Billboard 200, it did peak at No. 10 on the Dance/Electronic Albums chart.
Fontaines D.C., meanwhile, also experienced something of a change in sound for their album Romance. While their previous efforts were more post-punk influenced, their fourth LP was somewhat more polished and aligned with the alternative rock genre.
Trending on Billboard
It was a commercially-successful change, however. It became the band’s first album to reach the Billboard 200 (hitting No. 97), and it earned them two Grammy nominations, including Best Rock Album and Best Alternative Music performance for lead single “Starburster”.
“’Favourite’ was, no pun intended, one of my favorite songs of the last year,” Robinson said in a post-performance interview with triple j. “It was the song that made me a fan of Fontaines D.C. I just love it. I love major-key music. I love music that’s extremely catchy and extremely hooky. And I love the way that this song feels like it’s constantly tumbling forward.”
Robinson’s Like a Version session also featured an original rendition of “Cheerleader”, and adds to a long history of memorable performances on the program.
Having first launched in 2004, the series has gone from being a near-impromptu acoustic affair to featuring larger studio productions. Numerous artists have taken part over the past two decades, with the likes of Billie Eilish, Childish Gambino, Arctic Monkeys, and more reinventing classic tracks in the process. As Robinson explains, the history and impact of the segment was not lost on him.
“I was so nervous to do this [performance], because I really, really do consider it an institution,” he explained. “Like a Version is a musical institution, and I wanted to make sure I put my best foot forward on it, respected the format and gave something that was listenable.
“This isn’t just like a video that lives online, this gets heard and this gets played,” he added. “So I just wanted to respect the listener to be like, ‘Let’s make this as good as it can be’.”
Mark Pritchard and Thom Yorke are “Back in the Game”, with the pair joining forces once again for a new single.
Pritchard, who has spent more than 30 years as an electronic musician and producer, first teamed up with the Radiohead and The Smile frontman back in 2016, with Yorke providing guest vocals on “Beautiful People” for Pritchard’s Under the Sun record. Five years earlier, Pritchard had also shared a pair of remixes of Radiohead’s “Bloom”, with both versions (one of which was released under his Harmonic 313 alias) appearing on the TKOL RMX 1234567 album.
Much like their previous collaboration, “Back in the Game” sees Yorke’s vocals digitally distorted by Pritchard, this time by way of the H910 Harmonizer, the world’s first commercially-available digital audio effects device.
Explore
Explore
See latest videos, charts and news
See latest videos, charts and news
The track has also been a staple of Yorke’s recent live sets, with the musician having debuted the song in Christchurch, New Zealand in October as part of his Everything solo tour and playing it at every show since.
Trending on Billboard
“Back in the Game” comes accompanied by a surreal, kaleidoscopic Jonathan Zawada-directed visual which combines both analog and digital techniques. In a statement, Zawada explained that an early demo of the track saw him envision a cocky, strutting John Travolta in the final scene of Staying Alive, albeit with a more sinister approach.
“Slowly a version of that visual arose around a character wearing a kind of giant parade head with a fixed expression of mania stuck on their face, such that you couldn’t tell if their endless march was one of aggression or celebration,” Zawada explained. “The more I paid attention to the lyrics the more details began to fill themselves out and the overall concept began to form [a] parade of many characters marching past a building from within which everything was being thrown out of a window and into a giant bonfire.
“Ultimately the film for ‘Back in the Game’ ended up depicting a sort of blind celebration taking place as civilization slowly deteriorates around it, a kind of progression through regression. Overlaid onto this is an exploration of how and where we choose to place value in our collective cultural expression and how we collectively confront major cultural shifts in the 21st century.”
Selena Gomez is back to the pop star life, despite teasing that she might be done with music — and she’s bringing her superstar producer fiancé Benny Blanco along for the ride. Explore See latest videos, charts and news See latest videos, charts and news “I always trick you guys,” Gomez wrote on Instagram, alongside […]