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music video

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Ice Spice be goin’ hard in Miami for her “Think U the S— (Fart)” music video released on Friday (Jan. 26), alongside the new single. In the clip, the 24-year-old is seen twerking and partying around the city, holding stacks of cash in high-end cars and vibing with her friends on boats. “B—-es be quick, […]

Travis Scott can’t keep his women straight in his latest “I Know?” music video, which he released on Tuesday (Jan. 23). Co-directed by Dave Meyers and Scott, the visual finds the rapper and model Emily Ratajkowski leading parallel lives in the Hollywood Hills, from playing video games to snacking on Scott’s signature McDonald’s meal. But […]

Amy Winehouse takes a casual stroll through a chic hotel in the new official lyric video for the late singer’s 2004 song “In My Bed.” The visual is comprised of previously unseen footage from the original video that was released on April 5, 2004. The jazzy R&B track was featured on Winehouse’s debut full-length album, […]

Paula Abdul is loving Ariana Grande’s “Yes, And?” music video. In the new clip, released on Friday (Jan. 12), Grande wears a ballet-inspired outfit with a hat that pays homage to legends like Janet Jackson and Abdul — and the nod doesn’t end there. The clip, directed by Christian Breslauer, seems to take inspiration from […]

At midnight, Ariana Grande made her grand return to music with the assertive new single “Yes, And?”
Released as the lead track for her forthcoming seventh album, the boundary-setting song makes clear that the pop star is too busy living her “authentic life,” as she sings, to be concerned with what others are saying.

In the just-released music video, Grande doubles down. As shown in the teaser clip, a handful of critics are seen entering an industrial-looking warehouse — and with plenty of opinions in hand. “You know, I think I liked her better when her ponytail was a few centimeters higher,” says one. “I mean, who cares if she’s happy? I don’t want happy. I want Ari,” quips another.

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As they’re about to walk into the room in which they will see what Ariana has to present, an earlier group is seen walking out sweaty and in awe. As the next group takes their seats (under a heat lamp, no less, perhaps a nod to the kind of heated spotlight Grande lives under), the camera pans to a series of stone sculptures before landing on one of the pop star front and center.

And much to viewers’ satisfaction, as the music begins, the immobile figures shatter — and out struts Ari.

Wearing a ballet-inspired outfit and character shoes, she completes her look with a hat that pays homage to legends like Janet Jackson and Paula Abdul — and the nod doesn’t end there. The clip, directed by Christian Breslauer, seems to take inspiration from Abdul’s visual for her own “Cold Hearted Snake,” leaning deeper into the late-’80s energy of the song itself.

By the video’s end, Grande assumes the position her statue was in at the start — and just as she hits the exact pose, she’s turned back to stone. The potential takeaways are plentiful: Is it a commentary on fragility or strength? Is it a reminder that rough exteriors are built upon hardship as a means of protection?

There’s really only one certainty: No matter how the message is perceived, Grande doesn’t really care. She knows what it means to her.

Watch the “Yes, And?” video below.

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Jimmy Fallon and Meghan Trainor are unwrapping a brand-new music video for their festive Christmas duet “Wrap Me Up,” and Billboard is sharing an exclusive first look at the holly jolly clip. In the video, Fallon and Trainor are dressed in their best red-and-green outfits, as the Tonight Show host asks the pop star what […]

Following the release of Sabrina Carpenter’s blood-filled “Feather” music video on Halloween, a Catholic priest who allowed a scene from the clip to be filmed inside a Brooklyn church has been relieved of his administrative duties, according to the New York Times.

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In the video, the 24-year-old pop star facilitates the death of a series of obnoxious men, who relentlessly hit on her throughout the video. The cat-callers meet their karma by getting run over by a truck; fighting each other to death; and getting choked by the tie in an elevator shaft. At the end of the clip, Carpenter dances around a church at the men’s funerals, wearing a short black tulle dress and veil and posing with religious items at the alter, including a coffin that reads “RIP B—-.”

That last scene was filmed at Our Lady of Mount Carmel-Annunciation Parish in Williamsburg, Brooklyn. Following the music video’s release, Bishop Robert J. Brennan told the Catholic News Agency he is “appalled at what was filmed at Annunciation of the Blessed Virgin Mary Church in Brooklyn,” noting that “The parish did not follow diocesan policy regarding the filming on Church property, which includes a review of the scenes and script.”

The pastor, Msgr. Jamie J. Gigantiello, was subsequently relieved of his administrative duties overseeing the church, per New York Times. In an apology posted to the church’s Facebook page, Gigantiello revealed that he approved the filming in September after not finding anything negative about Carpenter online in an “effort to further strengthen the bonds between the young creative artists who make up a large part of this community.” He also told NYT that he was presented the video shoot idea as a funeral scene, but the result in the music video was “not what was initially presented to me.”

Billboard has reached out to Carpenter’s team for comment.

“Feather” is the latest song off Carpenter’s July 2022 album Emails I Can’t Send to get the music video treatment, following “Nonsense,” “Because I Liked a Boy,” “Fast Times” and “Skinny Dipping.” Upon its release, the album debuted at No. 23 on the Billboard 200, marking the rising pop star’s highest peak on the chart to date.

Watch the music video below.

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With a full day to absorb the melancholy strains of the final Beatles song, “Now and Then,” fans had ample time to prepare for the accompanying video directed by Oscar-winner Peter Jackson.
So when the official high-tech sentimental journey dropped on Friday morning (Nov. 3), you could almost hear the nostalgic global sigh at Jackson’s contribution to the final chapter in rock’s most epic tale. The four-and-a-half minute video opens with some guitar tuning and footage of a cassette being pushed into a tape machine as drummer Ringo Starr takes his place behind the kit and bassist/singer Paul McCartney readies his pick.

Once an unseen hand presses play, viewers are magically transported back to the final Beatles recording session in 1995, where McCartney, Starr and guitarist/singer George Harrison began the process of rediscovering a decades-old song demo’d by late bandmate John Lennon. As Lennon’s keening vocals rise up, Jackson juxtaposes a profile shot of Lennon staring out at the sunset with a floating image of the young Beatles goofing around in their prime.

In a release describing the video prior to release, Jackson promised that it would take fans on a “poignant and humorous” journey that invited viewers to celebrate the band’s timeless and enduring love for one another.

Conjuring an image Beatles fans could only dream of, Jackson does that that by sliding a shot of a current-day McCartney in the studio laying down his backing vocals into frame, as he appears to stare across the universe at the ghostly Lennon shadow. The video then cycles through a series of then-and-now pictures and videos of the band in their salad days and a sure-to-be-talked-about sequence in which archival shots of Lennon and Harrison are spliced in aside present-day McCartney and Starr in a recording session.

“Now and Then” is the final song written by Lennon, McCartney, Harrison and Starr, and it was finished by living members McCartney and Starr more than 40 years after the group began work on it.

A master of studio tech, the Lord of the Rings director aims to recapture the energy, love and spirit of the group by placing a young Macca next to the now-octogenarian rock icon watching a string section lay down their parts, as a young Harrison goofs around over his left shoulder. Starr plays drums alongside his youthful self and a number of shots find Lennon doing silly dances in a variety of scenarios amid a cascade of previously unseen photos and videos of the band members as children and at the peak of their global pop powers.

In his statement before the video’s release, Jackson described worrying that there was no footage of Lennon’s original late 1970’s home recording of the song’s demon with just voice and piano (and a TV blaring the the background) and none of living members finishing the song last year. Jackson said he was ready to walk away before McCartney and Starr sent him footage of their sessions, with the Beatles’ Apple Corps then stepping in to provide more than 14 hours of long-forgotten film shot during a 1995 session featuring the pair, and late guitarist/singer Harrison in the studio working on the song; Lennon was killed by a deranged fan in 1980 outside his New York apartment building — where the song was demo’d — and Harrison died in 2001.

Jackson also got help from Lennon’s son, singer Sean Ono Lennon, and Harrison’s widow, Olivia, and son, Dhani, who found some unseen home video to add to the project. The band’s original drummer, Pete Best, also offered up some of the earliest film of the band performing in their leather suits that had never been seen before.

With that footage in hand, Jackson — who was also behind the acclaimed 2021 The Beatles: Get Back miniseries — set out to make a project that would “bring a few tears to the eye. The video is complimented by a 12-minute Now and Then — The Last Beatles Song documentary written by Oliver Murray that dropped on Wednesday.

Watch Jackson’s “Now and Then” video below.

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Jung Kook is days away from stepping into his own as a pop soloist, so who better to channel in his upcoming music video than the King of Pop? Ahead of the release of his debut solo album Golden, the BTS star shared a music video teaser for one of the upcoming project’s singles, “Standing […]

In her new music video, Sabrina Carpenter cheerfully facilitates the deaths of several obnoxious men. But don’t worry, it weighs heavily on her mind after the fact — as heavy as a feather, that is.
Posted on Halloween, Carpenter’s “Feather” music video is fittingly bloody. As the 24-year-old singer nonchalantly listens to music in her headphones, lifts weights and rides an elevator, men who catcall, mansplain and take inappropriate photos are met with instant karma. The cat-callers are run over by a truck; the fitness know-it-alls fight each other to death; and the predatory photographer gets his blood squeezed out of him in an elevator shaft — thanks to Carpenter, who jams his tie in the doors as they close without a second thought.

“I feel so much lighter like a feather with you off my mind,” she sings as she gleefully frolics around a church, presumably at the men’s collective funeral.

“Feather” is the latest song off Carpenter’s July 2022 album Emails I Can’t Send to get the music video treatment, following “Nonsense,” “Because I Liked a Boy,” “Fast Times” and “Skinny Dipping.” Upon its release, the album debuted at No. 23 on the Billboard 200, marking the rising pop star’s highest peak on the chart to date.

Much like “Nonsense,” which became Carpenter’s second ever entry on the Billboard Hot 100 in January months after its initial release, “Feather” started gaining traction this year due to it being a major fan favorite on Emails. The former Disney Channel actress addressed this on Instagram Stories prior to the new music video’s release, writing, “You guys showed ‘feather’ so much love we had to make a video.”

The project comes about two weeks after Carpenter performed “Feather” for Spotify Singles, for which she also turned in a cover of Taylor Swift’s “I Knew You Were Trouble.” “Well she nailed it,” Swift later praised Carpenter, one of several openers for the “Anti-Hero” singer on her Eras Tour.

Watch the “Feather” music video above.