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Kelsea Ballerini posted one of her epic photo dump updates on Tuesday (Oct. 28), in one of her first personal posts since announcing that she’d broken up with Outer Banks actor Chase Stokes in early September.
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Though the Instagram photo reel didn’t make any reference to the split or Stokes, it provided fans an inside track on what the “Cowboys Cry Too” singer has been up to lately. “brought to you by hot dogs, porch painting, bed by 9pm, friendship, parks, kenny chesney, and lexapro,” she wrote in the caption that opened with an image of her face obscured by a Polo baseball hat as she listened to music on wired headphones.
The next slide provided the “hot dog” portion of the caption via a picnic pic of a trio of women in jeans enjoying a dog, chicken wings and fries, followed by the “porch painting” bit where she is taking a nap on a sun-flooded outdoor space with a paintbrush and palette sitting on the table.
There were also snaps of Kelsea in a white terry cloth top and matching bottoms wearing an opaque silicone sheet mask, a pic of a pumpkin painted with a tree, her seemingly hugging a black cowboy hat-wearing Chensey from on stage during a show and some snuggle time with her beloved goldendoodle Dibs.
Ballerini and Stokes began dating in 2023 and a rep confirmed to Billboard that they broke up in early September. “They’re two adults who gave it their all and tried to do everything they could to make it work, but ultimately couldn’t. It happens,” sources close to Ballerini and Stokes told People at the time.
Fans were seemingly caught off guard by the Sept. 15 news since just three days earlier, Stokes celebrated Ballerini’s 32nd birthday with a celebratory Instagram post that included several photos and videos of the couple’s private life. Stokes captioned the post, “Although you keep saying you’re not excited for 32, id say I’m lookin forward to more of this. happy birthday my love.”
The new post from Ballerini also featured a snap of her and friends painting their pumpkins at night and saying hello to a horse and ended with a silly clip of the singer emerging from the mouth of a blue hippo see-saw on a playground.
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Nowadays, BTS is the biggest boy band on the planet, K-pop or otherwise. But not too long ago, the genre was seen as niche in the Western world, a mindset that group leader RM credits ARMY with changing.
At this year’s APEC CEO Summit in South Korea — which gathers some of the most influential executives and economic leaders across Asia to discuss the future of business and innovation — RM delivered the keynote address and called on those in power to invest in artistic endeavors. “I’m not sure how familiar you are with K-culture or K-pop,” he told the crowd in Gyeongju-si on Wednesday (Oct. 29).
“But I’m sure you all agree that the cultural industry has great economic value and growth potential,” the performer continued. “As a creator and an artist of this generation, I would like to use this opportunity to make a request … there are creators all around the world. Please help them. Give them the financial support so that their own creativity can bloom. Give them the opportunities so that their talents can really shine.”
The global star emphasized how when BTS started, the group was called a “foreign culture” and that their music felt like a test to see if K-pop could enter the “global stage.” People didn’t ask about their music, he added, but instead, wondered whether the group was from North or South Korea.
“But we overcame those barriers, and now I’m here today sharing this precious moment with you.ARMY was the force that broke down those barriers,” he declared. “They use our music as the medium to carry out conversations that cross borders and languages. They were inspired by the message in the music of BTS to give to charity, to run social campaigns. And finally, the world was amazed. Back then ARMY was seen as ‘supporters of a minority culture from Asia.’ Now, they shake the world as a new community and a fandom culture.”
Elsewhere in his speech, RM emphasized how fortunate he feels to have his fans and bandmates Jin, SUGA, j-hope, Jimin, V and Jung Kook in his life. “I’m a very lucky person,” he gushed. I’m lucky to have met the six other members of BTS … And most importantly, I’m lucky I met ARMY, who accept our music not just as a diversion, but as our shared language of life.”
According to a release, this year’s summit marked the first time cultural and creative industries have been treated as key agenda items by APEC. In a world where the arts are undervalued all too often, RM drew on his own success as part of BTS to show the investors at the event how lucrative it can be to back music and other artistic endeavors.
RM’s appearance at the event comes as BTS is gearing up to make a major comeback in 2026. After spending some time apart to fulfill their respective service requirements in the South Korean military — during which time many of the members dropped solo projects, with RM dropping his album Right Place, Wrong Person in May 2024 — the band reunited this past July and promised that a new full-length and tour were in the works.
The following month, RM shared his thoughts on the comeback in a letter to ARMY on Weverse. “Making something ‘together’ with these friends,” he wrote of his bandmates at the time. “I’m going to commit myself to this moment. I’m going to thank you … I’m looking for what I’ll become. Something I’ve forgotten for too long.”
Read RM’s full speech at the 2025 APEC CEO Summit below.
Hello. I’m RM, the leader of BTS.
It’s an honor to be here and to meet the leaders of APEC here in Korea, where I was born and raised. I’m honored to tell you about myself, and to share my message. I’m proud and excited that this year, for the first time, the “cultural industry” was chosen as a key agenda for APEC.
I’m not sure how familiar you are with K-culture or K-pop. But I’m sure you all agree that the cultural industry has great economic value and growth potential. But I’m just an artist. I’m not a business leader. I don’t think you want to hear any numbers or figures from me.
So, today I want to speak to you as a creator and an artist. I want to share my thoughts on how K-pop crossed borders to move the hearts of people. It’s not something we can calculate or measure. It’s a bridge that connects worlds, and I want to bring your attention to how we can work together to build this connection for tomorrow’s creative cultural ecosystem.
I’m a very lucky person. I’m lucky to have met the six other members of BTS. I’m lucky that I met our producer “Hitman” Bang, who gave us his full support that we could make the music we love. And most importantly, I’m lucky I met ARMY, who accept our music not just as a diversion, but as our shared language of life.
Oh, by the way, ARMY is the name of the official BTS fandom. Further information, the army is where I just finished my military service. I was there for 18 months. Just wanted to make sure.
ARMY’s support and passion crossed all borders and opened up brand new paths for me. They gave me a voice that was heard at the Billboard Music Awards, at the Grammys, at the United Nations and even at the White House. At such historic and symbolic events, like right here at the APEC.
BTS first started to go outside Korea about 10 years ago. Back then, we didn’t dream of what we see today. Nothing was like this. Did you ever turn on your TV or radio and hear a song that’s not in your language or English? Probably not very often. I felt how hard it is to ever hear a Korean song in an English-speaking country. I saw how high a cultural barrier could be.
At that time, the music of BTS was quickly called “non-English, foreign culture.” Trying to get on mainstream media through our music was like doing an experiment and a huge challenge. It was a test to see if “music in Korean can work on the global stage.” We tried to get on TV to show the world our music, but the doors were closed and would not move.
But, as you know, we couldn’t just sit around and wait. We tried to make our own opportunities. we danced in the streets. We handed out flyers to free shows. But there was something even more difficult than those. When we said, “We are artists from Korea.” They didn’t ask us about our music. They asked, “Are you from North Korea or South Korea?” “Where on Earth is Korea?” So, we had to explain where Korea was before we could even talk about music. And that was reality.
But we overcame those barriers, and now I’m here today sharing this precious moment with you. ARMY was the force that broke down those barriers. They use our music as the medium to carry out conversations that cross borders and languages. They were inspired by the message in the music of BTS to give to charity, to run social campaigns. And finally, the world was amazed. Back then, ARMY was seen as “supporters of a minority culture from Asia.” Now, they shake the world as a new community and a fandom culture.
Even at this very moment, they are crossing borders and breaking down barriers through the pure power of cultural solidarity. Solidarity and tolerance that know no borders. And it’s an endless source of creative inspiration for me as well.
There is so much cultural content around the whole world. But why K-pop? Why is it so unique? Why does K-pop create this powerful and inclusive community?
It’s because of the special principle of unity of K-pop. This is what enables people from such diverse backgrounds to come together, just through the medium of K-pop.
I like to compare K-Pop music to bibimbap. Bibimbap is a traditional Korean dish. You have to taste it. You take “bap,” which is rice. Then you put all kinds of vegetables, meat and flavorings on top, and mix it all up. That’s the “bibim.”
K-pop is much the same. You take Korea’s unique aesthetics, emotions and production system. But you don’t turn away elements of Western music, like hip-hop, R&B and EDM. Just like bibimbap, these parts all keep their unique identities but mix together to make something new and fresh and delightful. K-pop is not just a genre of music. It’s a 360-degree, total package of music, dance, performance, visual style, story-telling, music video and even social media.
K-pop’s success didn’t happen because one single culture was better. K-pop’s success came from respecting diversity and embracing world cultures, but still holding onto Korea’s unique identity. When cultural barriers come down and different voices harmonize together, there’s an explosion of creative energy. This is where ARMY’s borderless solidarity came from. And this is why K-pop is loved everywhere.
Culture is like a river. It flows freely, different streams sometimes coming together in harmony, just like K-pop. Coming together to carry itself far away and create something new. I would like to see this creative flow of culture happen everywhere around the world. The Asia-Pacific region has incredible dynamic cultural diversity. K-pop’s shining success is proof that cultural diversity and creativity are the greatest human potential — a force with no borders, no limit to growth.
Ladies and gentlemen, leaders of APEC, let me ask you a question: What is your favorite song? Do you remember seeing a painting that took your breath away? A book you read over and over again? We all know, we all love culture and art. And we are connected by the emotion and resonance that they awaken in us.
As a creator and an artist of this generation, I would like to use this opportunity to make a request to the leaders and distinguished guests of APEC. There are creators all around the world. Please help them. Give them the financial support so that their own creativity can bloom. Give them the opportunities so that their talents can really shine. When you think about investing in tomorrow’s generations, think about culture as well as economics. Culture and art are a powerful force that moves hearts. They are the fastest messengers that carry diversity and resonance.
As the leaders of APEC, your policies and support will be the canvas and playground for all the creators. The foundation for creators all over the world to pour out their creativity. When creators flourish, other elements of culture gather to form some brand new aesthetics. Their content will go beyond all kinds of “differences.” They will blaze a road of true understanding and tolerance. They will create the power of solidarity for the future.
I, too, stand by the vision of APEC. A vision that will drive diversity, inclusion and growth through culture and creativity. As an artist, I promise that I will also let my imagination fill the canvas you will create. I will play my heart out in the playground you will build for us. I promise that I’ll do my part by sending a message of courage and hope and a lot of emotions through music. A message of embracing our differences to make something better together.
I would like to ask for your support for this future. I believe you can make this happen. Your support can make creators let their creativity soar. With your help, their creations will resonate around the whole world.
Thank you.
Want to see everything that BTS has said about its upcoming reunion? Click on the image below!
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Coi Leray is clearing the air after Cardi B name-dropped her on Am I the Drama?‘s “Pretty & Petty.”
Coi joined the Bootleg Kev Podcast on Tuesday (Oct. 28), where she explained her reaction to Cardi referencing her in a bar on the bristling track. “They only hit you when they can’t afford Coi,” Cardi seemingly snipes at BIA on the song.
The “Players” rapper showed plenty of love to Cardi, calling the Bronx native “amazing” and saying that she respects Cardi “all the time.”
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“I don’t think it was a diss,” she said, which Bootleg Kev agreed with. “I mean, I don’t got nothing to do with anything else, but as far as me, you know, I don’t think it was a diss at all.”
Coi continued: “I f—k with Cardi. Me and Cardi, we got each other real information. Like we speak offline, we real people before we industry.”
Leray detailed how she has an open line of communication with Cardi, as she’ll text her randomly to show love or get advice about things such as real estate. “I hit her all the time. I’ll hit her and be like, ‘Love you,’” she said. “Or sometimes, like, when I’m moving to Jersey, I’m like, ‘Yo, I need a realtor. You got a realtor for me?’”
The 28-year-old previously debunked rumors that she was upset or annoyed at Cardi name-dropping her on “Pretty & Petty.” “I never said anything about anything. They literally made this s—t up. Get a life,” she wrote on Instagram. “Cardi whole album fire.”
It’s been a busy year for Coi Leray as well, as she became a mom earlier in 2025. On the music side, she teamed up with Shoreline Mafia for her “Act Like You Know” single in October.
Watch the interview with Coi below. Talk about Cardi B’s “Pretty & Petty” takes place just shy of the 24-minute mark.
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Nobody is saying there is a direct connection, but it sure seems like whenever Brad Paisley performs the national anthem before a World Series game things tend to go long. The “When I Get Where I’m Going” singer sang the “Star-Spangled Banner” at Dodger Stadium on Monday (Oct. 27) in game three of the World Series between the Los Angeles Dodgers and the Toronto Blue Jays, there was no way to know that the contest would stretch into a record-tying 18 innings over more than six-and-a-half hours, with the Dodgers ending up with a 6-5 victory.
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Well, unless you’ve been paying attention and clocked that it was the fourth time Paisley had done the honors, with each one of those games going into extra innings: 11 innings for game 2 in 2017, 18 innings for game 3 in 2018 and 10 innings in game one in 2024.
Speaking to the Associated Press on Tuesday (Oct. 28), Paisley revealed whether, given his track record, he suspected Monday’s game would go long. “No, I fully, I fully expected this to actually be over in nine for maybe the first time in a while, you know,” he said, adding, “I am cursed. No, I don’t think so. … It’s wild. It’s fun. I think it’s a really fun thing.”
Paisley said that actually, instead of being a curse, he considers his extra inning run as one of those “weird fun facts that baseball excels in… It’s what Brad Pitt says in Moneyball. It’s like, ‘How can you not be romantic about baseball?’”
In fact, Paisley is so into his unique status as baseball’s extra inning man that he’s given himself a new nickname: “Mr. More Baseball.”
“It’s kind of cool to know that I sang the anthem at a couple, at the two of the four total Dodger walk-off games that ever happened. The other two were before my time anyway. … And especially the one that was 18 innings,” Paisley said, noting that around the 16th inning on Monday he thought, “‘There’s no way this is happening again.’” The day after, the singer said he saw a couple of statisticians note that he’s never performed at a World Series game that didn’t go into extra innings. “I’m available for football games, too,” he joked. “If anybody wants, you know, another quarter or two out of their team.”
Though Paisley is a West Virginia native, he said marrying wife actress Kimberly-Williams Paisley in 2003 and having a home in the Los Angeles area has made him a de facto Dodgers die-hard. “I would take the kids to these games. I got to know so many people there. … It was just an easy transition into that. I grew up going to Pirates games. My dad liked the Indians,” he said of his other go-to teams.
He noted that he’s also become friendly with a few Dodgers players, including pitcher Clayton Kershaw and infielder Justin Turner, as well as team manager Dave Roberts. “We’ve had adventures together,” Paisley said. “It’s a slow progress to where you’re addicted to something. And I got there pretty quick a while back.”
Trending on Billboard The Latin Recording Academy announced on Wednesday (Oct. 29) that Maluma and Roselyn Sánchez will host the 26th Annual Latin Grammy Awards. The Colombian hitmaker will make his hosting debut. Meanwhile, Sánchez returns for the eighth time as host of the Latin Grammys, including her most recent stint in 2023. The Latin Grammys will air […]
Trending on Billboard This is partner content. After months of preparation, Hybe Latin America unveiled the final lineup of Santos Bravos during a concert in Mexico City. Shortly after, some members of the band attended Billboard Latin Music Week to announce this milestone. For more information on the band’s big debut, visit Billboard.com. Narrator: Santos […]
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For months, it looked like the Grammy race for best new artist was likely to come down to Alex Warren and sombr. But a couple of things happened in the past few weeks to make the race more competitive – Olivia Dean exploded with a top 10 single on the Billboard Hot 100 (“Man I Need”) and a top 10 album on the Billboard 200 (The Art of Loving). And the Recording Academy ruled Leon Thomas eligible, even though he won a Grammy three years ago for co-writing SZA’s “Snooze.” Now, we have a real race.
With the nominations set to be announced next Friday (Nov. 7), all four of these artists certain to be nominated for best new artist, along with Lola Young. After that, it gets harder to choose, but the field will be rounded out with three other nominees, culled from a list of 337 eligible names.
Final-round voting begins Dec. 12 and extends to Jan. 5. So Dean has about six weeks for her profile to continue building before the first votes are cast.
If Dean (or Young) winds up winning, this will be the ninth year in a row that a solo woman has been named best new artist. The streak started in 2018 with Alessia Cara and has continued with Dua Lipa, Billie Eilish, Megan Thee Stallion, Olivia Rodrigo, Samara Joy, Victoria Monét and Chappell Roan.
If Warren, somber or Thomas takes the prize, they’d be the first male artist to win since Chance the Rapper in 2017.
The Marías, which span multiple genres and languages, also have a good chance of being nominated. If they were to win, they’d be the first group (defined as an act with three or more members) to take the prize since fun. in 2013. Three other groups are seen as having a reasonably good shot at a nod: Sleep Token, KATSEYE and The Red Clay Strays.
Some of the top contenders have already won new artist prizes at other shows. Warren won best new artist at the MTV Video Music Awards on Sept. 7. Thomas won best new artist at the BET Awards on June 9. Zach Top, Ella Langley and The Red Clay Strays won the new male, female, and duo/group prizes at the Academy of Country Music Awards on May 8. Myles Smith won the rising star award at the Brit Awards on March 1.
Even some acts that won new artist awards in 2024 are eligible. Megan Moroney won new artist of the year at the 2024 Country Music Association Awards and new female artist of the year at the 2024 Academy of Country Music Awards. The Red Clay Strays won emerging artist of the year at the 2024 Americana Music Honors & Awards.
(The Grammys in recent years have erred on the side of being inclusive in this category. In previous eras, they almost seemed to be looking for nitpicky reasons to kick artists out – just ask the people around Whitney Houston and Richard Marx who are probably still smarting over their exclusions.)
BigXthaPlug and Bailey Zimmerman, who collaborated on the top five Hot 100 hit “All the Way,” are competing against each other here. Sleep Token and Ken Carson, who both landed No. 1 albums on the Billboard 200, are eligible. So is Role Model, who made a vivid impression late in the eligibility year with his irresistible breakthrough hit “Sally, When the Wine Runs Out.”
Other strong contenders, not already mentioned, include Ravyn Lenae, Mariah the Scientist, Addison Rae, Jessie Murph, Gigi Perez, Riley Green, October London, Sam Fender, Reneé Rapp, PinkPantheress, Tucker Wetmore, ATEEZ, Central Cee, Lil Tecca, Parker McCollum and Keke Palmer.
The eligibility period for the 68th Grammy Awards is Aug. 31, 2024, through Aug. 30, 2025. While the Grammys set a minimum number of releases an artist must have to qualify in this category (five singles/tracks or one album), there is no maximum. Instead, the Grammys’ rules and guidelines booklet says nominations for the honor hinge on when “the artist had attained a breakthrough or prominence” — and it delegates that determination to a screening committee.
Artists are allowed to appear on the entry list for best new artist three times, after which they are ruled ineligible for future consideration.
Here are the eight leading nominees for best new artist. The artists are shown in alphabetical order, which is how they’ll be listed on the Grammy nominees list.
Olivia Dean
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For all the meticulous planning that mothers and fathers do before the big day arrives, things have a tendency to go sideways while babies are being born. Just ask Justin Bieber, who earlier this week fessed up to kind of losing his cool in the delivery room when wife Hailey Bieber was giving birth to their son, Jack Blues Bieber, last August.
During one of his now-daily Twitch streams, Bieber described to some friends what it felt like when things got tense between him and the couple’s doula, a non-medical professional who is on hand to provide emotional and physical support during birth. In a grab of the chat from a fan, Bieber says, “I remember dealing with, like… there was tension with… ’cause we had a doula and then we had a nurse as well, and the nurse and the doula were really kind of butting heads.”
Adding to the tension, Bieber said, “then I was butting heads with the doula, and it was just like this… and I was hella emotional because it’s like, this is like one of the most important times of your life, and I remember just like, I think I was being really strong with the doula.” Bieber said his advocacy made wife Hailey feel anxious. “So she’s like, ‘you need to apologize to the doula,’” he said she told him. “Just clear the air.”
So, the “Sorry” singer said he apologized, explaining that his emotions were running high at that moment. “‘I don’t want you to take away from my moment either as the dad,’” he said he told the doula. “‘I got this too.’ There’s times when I need to console Hailey and I felt like she was pushing me to the side so that she could do [her job],” said the singer, who noted that he felt he had “good instincts too” as a first-time dad.
While baby Jack has seemingly not shown up to hang out in the playpen Bieber set up in the middle of the giant studio where he is streaming on Twitch, the singer has been busy since launching the feed last week. So far, he has played a lot of basketball with his crew, sung what sounded like the beginnings of a new song on Monday and, on Wednesday (Oct. 29), did an intense trainer-led group workout with his boys.
Trending on Billboard The NFL is adding more firepower to the Super Bowl LX musical lineup. In addition to halftime headliner Bad Bunny, the football league’s hospitality provider, On Location, announced on Tuesday (Oct. 28) that Sting will headline a Super Bowl-branded concert at the Palace of Fine Arts in San Francisco, two days before […]
Trending on Billboard Nick Jonas will have to dip into his music bag for his next big screen role. According to Deadline, the Jonas Brothers member will co-star alongside Paul Rudd in the upcoming John Carney-directed Power Ballad. Explore See latest videos, charts and news The film, due out on June 5, tells the story […]
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