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Fat Joe is taking his charismatic storytelling to cable TV. The Bronx MC’s weekly interview series Fat Joe Talks with STARZ is set to premiere Friday, Oct. 4 and his first guest will be fellow rap legend Method Man. They’ll be talking about the Staten Island rapper’s storied rap career and his successful transition into […]

GloRilla wants to put a stamp on her banner year with the announcement of her upcoming debut album Glorious on Thursday (Sept. 19). Big Glo is following her Ehhthang Ehhthang EP with her official debut LP slated to arrive on Oct. 11, and its latest single “Hollon” set to come out at midnight on Friday […]

The White House race between former President Donald Trump and current Vice President Kamala Harris continues to be incredibly tight. With less than two months to go before Americans cast their votes, both candidates are doing everything they can to lock in their core constituents, amidst a desperate scramble to rope in crucial undecided and uninspired voters who could tip the scales in their favor.
And while the GOP has long hewed to the old saw that celebrity endorsements don’t move the needle on election day, this year has already shown how the right A-list seal of approval could be one of the decisive factors in the battle between twice-impeached convicted felon Trump and 11th-hour Democratic candidate VP Harris.

The proof is in the immediate impact felt by Taylor Swift throwing her hat into the ring two weeks ago with a strongly worded endorsement of Harris and VP pick Minnesota Gov. Tim Walz. After Swift encouraged young voters to register at Vote.gov following the Democratic National Convention, more than 405,000 people clicked through in strong example of Swift’s potential impact on the outcome in November, easily besting the site’s early September daily tally of 30,000 visitors.

Trending on Billboard

A week later, Trump lashed out at the megastar, who has been selling out stadiums around the world for the past year on her culture-dominating Eras Tour, while also getting weekly high-profile, multi-demo screen time during NFL season thanks to her romance with Kansas City Chiefs tight end Travis Kelce. “I HATE TAYLOR SWIFT,” the candidate raged on his Truth Social platform over the weekend.

According to a YouGov poll conducted last week, more than 53% of Americans — including 31% of Republicans — think Swift’s endorsement will help Harris; 4% thought it might hurt Harris. That poll came on the heels of a February survey by Change Research that found that 65% of Democrats had a favorable view of Swift, while 29% of independents and just 17% of Republicans felt the same. For now, though, it’s still unclear if Swift’s endorsement will actually help Harris — based on a recent ABC News/Ipsos poll, in which 81% of voters surveyed said Swift’s support for the VP will not influence how they vote. Only six percent said they are more likely to vote for Harris since Swift’s post, with 13 percent saying it makes them less likely to do so.

With the Nov. 5 election just 47 days away, Billboard spoke to a group of academics, political consultants, pollsters and music managers to see if they think Swift’s endorsement — and Trump’s lashing out — could help push Harris/Walz over the top, or turn the tide in Trump’s favor.

“People Will at Least Listen to Her”

“This election will be decided by a few thousand votes in three or four key states, so everything matters,” says veteran pollster and communications analyst Frank Luntz. “Will this be the deciding factor? Probably not. But will it have an impact? Most definitely.”

Luntz, who has done a series of stories asking the same group of young, undecided voters about the election for the New York Times since August, says before President Biden dropped out to make way for Harris, he polled voters about who would have the most influence on their vote. In first place was Trump at 38%, with Biden at 34% and Swift not far behind at 25%.

“I was really shocked by that,” he says. “At the time, Biden was so weak among younger women, and they are among the Democrats’ most reliable voting group — and [Swift] matters significantly, because she’s not seen as a politician and she’s not seen as a partisan. So people will at least listen to her.”

In addition, Luntz says, he thinks Swift handled the wording of her endorsement “quite well,” with language that explained “with some sophistication” why she did what she did. Among the reasons Swift cited for speaking out was her fear and anger over an incident last month in which Trump platformed fake AI-generated images of the singer falsely claiming she was supporting him.

Brilliant Corners Artist Managment (Death Cab For Cutie, Postal Service, Best Coast) co-founder Jordan Kurland knows a bit about speaking out during crucial elections, thanks to his time serving on the Entertainment Advisory Committee for both former two-term Democratic President Barack Obama and the unsuccessful 2016 Clinton presidential campaign against Trump. He also was impressed with the way Swift made it more about voting than herself.

“I appreciate that she talks about doing her research and encouraging people to not just vote for the candidate because your favorite pop star said so, but to really get to know the issues,” says Kurland.

“The icy peak of dumbf–k mountain”

While an older generation of artists, such as Bruce Springsteen, Oprah Winfrey and Barbra Streisand, have been reliable democratic party boosters and endorsers in the past, Luntz and Lincoln Project co-founder Rick Wilson (author of Everything Trump Touches Dies) say that Swift is a new kind of political force — with a massive, multi-media reach that could rope in sometimes unreliable, unmotivated young voters.

“Taylor Swift represents a different category of celebrity than almost anyone under the sun,” says the former Republican and political strategist Wilson, who co-founded the Lincoln Project Super PAC in 2019 in an effort to prevent Trump from being re-elected. “She’s sui generis in terms of the reach she has and her impact on young women, not to mention their fathers and mothers.”

Swift not only rules the Billboard charts on an almost constant basis, as well as having a culture-dominating Eras Tour and accompanying movie, but also makes headlines every weekend from the sky box as she cheers on Kelce. NFL games averaged 17.9 million viewers each in 2023, a year when 45 NFL games were among the 100 most-watched prime-time telecasts, with the league hogging 14 of the top 15 slots.

Add in 4.35 million tickets sold for her 60 Eras Tour U.S. shows in 2023, and Wilson says you have an artist whose reach — and influence — is virtually unmatched in modern pop history.

“Some of those girls who first loved her are now young women whose mothers took them to see Swift 10-15 years ago,” says Wilson. “And she has a relationship to those women and girls that Republicans are trying to make fun of — [they say] ‘her music is about bad choices, that’s why this is a bad choice’ — but her candor about her life, and the way it plays through her art, makes her relatable and engages people and makes them feel connected to her beyond her music and entertainment.”

In addition to being major pop culture moments and serious financial boosters for every city Swift visits, Wilson wryly notes that “nobody leaves a Taylor Swift show early or cranky, which is exactly the opposite of a Trump rally. They stay until the last minute and come away feeling happy and empowered.” (Wilson says he joked on MSNBC last week that he’d devised a new spin on the traditional warning about the historically biggest mistakes a politician can make: invading Moscow in the winter, launching a land war in Asia… and screwing with Swifties.)

As for Trump’s “HATE” tweet, Wilson came up with a new description of what he said was an unfathomably stupid self-own targeting a potentially crucial group of voters. “It wasn’t just a stupid idea,” he says. “If there was an Olympian level of stupidity, a mountain in the far distance of stupid ideas, it’s the very pinnacle, the icy peak of dumbf–k mountain.”

“They got Kid Rock and you have Taylor Swift”

Renowned political consultant and pundit James Carville, the lead strategist for Bill Clinton’s winning 1992 campaign, maintains that the evidence that celebrity endorsements have a significant impact on voting behavior is “pretty thin.” But, he adds, at the very least Swift’s endorsement will “drive [Trump] crazy” — as evidenced by the billionaire real estate mogul’s all-caps tweet and running mate JD Vance’s (somewhat) tempered double-down on Fox News last week. “We admire Taylor Swift’s music — but I don’t think most Americans, whether they like her music, are fans of hers or not, are going to be influenced by a billionaire celebrity who I think is fundamentally disconnected from the interests and the problems of most Americans,” opined the former venture capitalist, multi-millionaire Ohio senator.

In addition to her endorsement potentially distracting Trump, and his hate in response turning off many 18-34 young female voters who could be crucial to a win in November, Carville says Swift’s urge to register to vote could definitely make a difference. “It’s impressive that people did an affirmative act [in registering to vote], and he knows that,” says Carville. “They got Kid Rock and you have Taylor Swift. How is that gonna work out?”

Despite political veteran Carville’s on-the-fence status about celebrity endorsements, Penn State University associate professor of political communications and gender Dr. E. Michele Ramsey says that there is “all kinds of research” showing that the “perceived authenticity” of a celebrity’s thumbs-up does move the needle for “either a product or a candidate.”

Ramsey, who teaches the “Taylor Swift, Gender and Communication” course, says Swift’s action could make a difference among low-information voters, a crucial demo this year. She says we’re a moment now where women’s stories are loudly taking center stage on playlists, in the movies and on social media thanks to massive exposure for projects from not only Swift, but also such pop culture juggernauts as Beyoncé, Chappell Roan, Olivia Rodrigo and Billie Eilish, and even last year’s billion-dollar Barbie movie. And while Swifties are generally more likely to vote for Democrats according to a recent YouGov poll, she is so hugely popular that it’s likely she has fans across a broad political, and geographic spectrum.

“We’re in a unique moment in history where women’s stories are at the top of the food chain, where all these performers are speaking in a very vulnerable situation and expressing feelings that I think many women [and others] can relate to,” Ramsey says about an era when a woman’s right to choose has taken center stage. That state-by-state battle of course follows the overturning of Roe V. Wade two years ago, thanks to Trump’s elevation of three new conservative Supreme Court justices ,who helped overturn a woman’s federally protected right to abortion.

So far, in addition to Swift, a raft of other musicians and stars who appeal to the young female demo have endorsed Harris, including Beyoncé, Eilish, Roan, Rodrigo, Ariana Grande, Cardi B, Charli XCX, Katy Perry, Demi Lovato, Kesha, Megan Thee Stallion and P!nk. Trump has gotten endorsements from a less pop-culture-relevant group: one that includes Kid Rock, Billly Ray Cyrus, Kanye West, Lil Pump, Jason Aldean, Kodak Black and Azealia Banks.

“I’ve never seen a political party that just wants to poke the bear as much as they can,” Ramsey adds about the GOP’s decades-long drive to make abortion illegal, as well as attempts to limit the availability of IVF treatments and contraception, and Vance’s now-infamous put-down of Harris (and other Democrats) as “childless cat ladies.” (Swift sharply signed her endorsement as a member of the latter group, while posting a picture of her holding one of her cats.)

Ramsey notes that while young voters don’t tend to trust dusty institutions or traditional politicians, they do put faith in idols they want to emulate — as evidenced by the quickly formed Swifties for Kamala group that pulled together the day Biden dropped out. “If I was a campaign consultant to Republicans, I would tell them to stop saying anything about Taylor Swift,” he counsels.

At the end of the day, Luntz thinks “everything” makes a difference when you’re talking about an election measured in inches, not miles. He points out the Harris campaign’s potential to lean into Swift’s pop culture pull, as they already have with Taylor-themed campaign friendship bracelets and political ads. “You’re seeking any kind of momentum, any kind of edge,” he explains.

In Luntz’s mind, if the singer doubled-down against Trump’s childish “if you don’t like me, I don’t like you more” “HATE” post and turned his ire against him, it could be a key brick in Harris’ firewall: “She [Swift] could easily turn that into, ‘you don’t like me, WE don’t like you and we’re gonna have the last laugh!’”

At press time spokespeople for the Trump and Harris campaign had not returned Billboard‘s request for comment.

HARU NEMURI will launch the U.S. leg of her Flee from the Sanctuary Tour on Saturday, Sept. 28. Her U.S. tour will kick off from Seattle, following into San Francisco, Los Angeles, Dallas, Brooklyn, and finishing at Reggies in Chicago on Oct. 15. Tickets are now on sale for all shows here. “When I felt […]

Travis Scott celebrated the 10th anniversary of his 2014 Days Before Rodeo mixtape with a concert in Atlanta — and he joined forces with Spotify to commemorate the show with a 23-minute film. Explore Explore See latest videos, charts and news See latest videos, charts and news The concert film arrived on Wednesday (Sept. 18), […]

back number’s “to new lovers” returns to No. 1 on the  Billboard Japan Hot 100, dated Sept. 18, scoring its second week atop the tally.

The theme song of the drama series Umi no Hajimari (“beginning of the sea”) was released digitally on July 15 and hit No. 1 on the chart dated July 24 after topping downloads (24,432 units) and radio airplay and coming in at No. 4 for streaming (7,532,578 weekly streams). The veteran three-man band’s latest hit gradually slipped 5-7-8-9-14-16 on the list, then returned to the top ten last week at No. 7. The CD single dropped Sept. 11 and powered the track back to the top spot with 25,170 copies sold in its first week. Other metrics for the poignant ballad have gone up as well, with streams at 102%, radio at 489%, video views at 154%, and karaoke at 112% week-over-week.

WEST.’s “Maaikka!” debuts at No. 2. The 23rd single by the seven-member boy band that celebrated its tenth anniversary on Apr. 23rd topped sales with 246,731 copies sold. The track also ranked No. 36 for radio and No. 73 for video.

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Mrs. GREEN APPLE’s “Lilac” slips to No. 3 after scoring its second week at No. 1 last week. While it drops a few rungs on the tally, overall points for the track have increased, with downloads at 102%, radio at 193%, and video at 101% compared to the week before.

Trending on Billboard

Bowing at No. 4 is OCHA NORMA’s “Chihayaburu.” The Hello! Project girl group’s fourth single sold 108,690 copies to hit No. 4 for sales, while coming in at No. 19 for downloads and No. 100 for radio.

HKT48’s 18th single “Boku wa yatto kimi wo shinpai dekiru” (“I can finally worry about you”) launches at No. 5, selling 152,017 copies to hit No. 2 for sales, but didn’t enter the top 100 in any of the other metrics of the chart’s methodology.

Elsewhere on the chart, Southern All Stars’ “Jeanne d’Arc ni yoroshiku” debuts at No. 11. The theme song for TBS Sports 2024 topped downloads and radio this week. 

The Billboard Japan Hot 100 combines physical and digital sales, audio streams, radio airplay, video views and karaoke data.

See the full Billboard Japan Hot 100 chart, tallying the week from Sept. 9 to 15, here. For more on Japanese music and charts, visit Billboard Japan’s English X account. 

Just in time for spooky season, Michael Jackson’s iconic 1983 music video for “Thriller” has surpassed one billion YouTube views. The milestone marks the King of Pop’s fourth visual to join the Billion Views Club after “Beat It,” “Billie Jean,” and “They Don’t Care About Us.” Directed by John Landis and boasting a voiceover from Vincent Price, the 13-minute clip […]

Forget espresso — Sabrina Carpenter is ready to start sipping on eggnog. This holiday season, the 25-year-old pop star is helping fans get festive with a Netflix special titled A Nonsense Christmas, as announced Thursday (Sept. 19). In a teaser clip posted to her Instagram, a camera pans up Carpenter’s body to show fur-trimmed boots, […]

Linkin Park‘s recent reunion has sparked a lot of complicated feelings and opinions, the latest of which comes from late vocalist Chester Bennington’s mom.
In interviews with Rolling Stone published Thursday (Sept. 19), Susan Eubanks shared that she feels “betrayed” by the entire ordeal, alleging that no one in the band told her that they had plans to reunite, much less that they were adding Dead Sara’s Emily Armstrong as its new lead singer. “They told me that if they were ever going to do something, they would let me know,” she told the publication. “They didn’t let me know, and they probably knew that I wouldn’t going to be very happy. I’m very upset about it.”

Instead, Eubanks says she learned of the news — which Linkin Park announced via livestream Sept. 5 with plans to release a new album, From Zero, and embark on a tour — on Google, after which she tuned in to the stream to find Armstrong singing Bennington’s part in one of the band’s songs. “I’m just going to say it, [Armstrong was] screeching her way through a very high note,” she said, adding that she immediately clicked off and started crying.

Trending on Billboard

“I feel like they’re trying very hard to erase the past,” Eubanks continued. “They’re performing songs that Chester sang. And I don’t know how the fans are taking it, but I know how I take it. And having [Armstrong] singing my son’s songs is hurtful.”

Eubanks also alleged that guitarist Mike Shinoda used to threaten to replace Bennington with a female vocalist — whose range might be more naturally suited for Linkin Park’s songs — when her son was still alive. “He often put Chester down,” she claimed of Shinoda. “He said Mike told him at rehearsal that, ‘If you decide you’re leaving, we’re going to replace you with a girl.’ And Chester was dumbfounded and hurt.”

Billboard has reached out to Linkin Park’s reps for comment.

Linkin Park’s reunion follows a seven-year hiatus that came after Bennington’s death in 2017. While some fans are happy to see the group back at it again, others took issue with the addition of Armstrong, be it her perceived inability to fill Bennington’s shoes or her past affiliations with Scientologist and convicted rapist Danny Masterson. The latter issue lead Armstrong to release a statement Sept. 6 distancing herself from the That ’70s Show actor, emphasizing that she hasn’t spoken to him since supporting him at a single court date in 2020.

Another person who’s spoken out against Linkin Park’s reunion is Bennington’s son Jaime, who also claims the band didn’t consult him ahead of its reunion and slammed Armstrong’s involvement as “quietly erasing [his] father’s life and legacy in real time.” Later, Jaime said that he’d received abuse online from Linkin Park fans in response to his comments.

For Eubanks, a better way forward would’ve been leaving Linkin Park’s previous work in the past. “Don’t put [Armstrong] out there to sing Chester’s songs and then act like this was always the way it should have been,” she told Rolling Stone. “Now you can just put out new songs. But don’t bother to put out Chester’s songs with Emily singing them.”

For the second time in 2024, Mark Morrison’s “Return of the Mack” reigns on Billboard’s Top TV Songs chart, powered by Tunefind (a Songtradr company), this time following its synch in the first season of Apple TV+’s Time Bandits.

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Rankings for the Top TV Songs chart are based on song and show data provided by Tunefind and ranked using a formula blending that data with sales and streaming information tracked by Luminate during the corresponding period of August 2024.

“Return of the Mack” can be heard in the eighth episode of Time Bandits, which premiered on Aug. 14 (as did episode seven). It earned 19.5 million official on-demand U.S. streams and 2,000 downloads in August 2024, according to Luminate.

Trending on Billboard

“Return of the Mack” previously ruled Top TV Songs this year when it was heard in an episode of The Equalizer in May. It also led the November 2015 survey via a synch in Master of None.

The song was Morrison’s breakthrough in America, peaking at No. 2 on the Billboard Hot 100 in June 1997.

In all, Time Bandits boasts three appearances on the 10-song Top TV Songs ranking. The Cardigans’ “Lovefool” and Spice Girls’ “Wannabe,” both also featured in episode eight, rank at Nos. 6 and 7, respectively; “Lovefool” earned 12.1 million streams and 1,000 downloads in August, while “Wannabe” racked up 8.7 million streams and 1,000 downloads.

The success of Time Bandits on the chart comes despite its recent cancellation by Apple TV+; after one season, its final episodes aired Aug. 21.

Kaos is the other top performer on the latest Top TV Songs ranking, with songs heard in the Netflix series’ first season (all of which premiered Aug. 29) taking Nos. 2 and 3.

Rupert Holmes’ “Escape (The Pina Colada Song)” appears at No. 2 via 7.2 million streams and 1,000 downloads, while Dire Straits’ “Money for Nothing” is at No. 3 thanks to 6.4 million streams and 2,000 downloads.

See the full top 10, also featuring music from Reasonable Doubt, The Umbrella Academy and Industry, below.

Rank, Song, Artist, Show (Network)

“Return of the Mack,” Mark Morrison, Time Bandits (Apple TV+)

“Escape (The Pina Colada Song),” Rupert Holmes, Kaos (Netflix)

“Money for Nothing,” Dire Straits, Kaos (Netflix)

“Sativa,” Jhene Aiko feat. Swae Lee, Reasonable Doubt (Hulu)

“This Must Be the Place (Naive Melody),” Talking Heads, The Umbrella Academy (Netflix)

“Lovefool,” The Cardigans, Time Bandits (Apple TV+)

“Wannabe,” Spice Girls, Time Bandits (Apple TV+)

“C.R.E.A.M.,” Wu-Tang Clan, Reasonable Doubt (Hulu)

“Opportunities (Let’s Make Lots of Money),” Pet Shop Boys, Industry (HBO)

“Ambitionz Az a Ridah,” 2Pac, Reasonable Doubt (Hulu)