Music News
Page: 834
You can’t tune into a podcast, read a news story or stroll the aisles of a bookstore without being reminded of the endless search for personal happiness and mental health. However, as we observe World Mental Health Day (Oct. 10), it’s still a search that’s elusive for so many. I suspect it’s because much of the discussion about this ongoing search generally takes the position that mental health is somehow attainable without physical and spiritual health. I have found on my own journey that these three components — mind, body and soul — must all work together if one is ever to achieve real happiness. I have also found that there is one thing that connects them all: MUSIC.
I grew up in and live in a world filled with music. My father Clarence Avant was responsible for introducing the music of Bill Withers, The S.O.S. Band, Alexander O’Neal and Cherrelle to the world. He started his career managing legends like Jimmy Smith, Dinah Washington and Lalo Schifrin. He ran in the same circles with Louis Armstrong and Duke Ellington. And at the end of his life, it was their music that brought him peace — even at his most difficult times physically, mentally and spiritually. In the days and months after the death of my mother, Jacquline Avant, I watched my dad slip into a near trance listening to those songs from the American Songbook. His eyes closed and head bobbing, he was transported back to happier times. Those songs connected him to memories and brought him to a calm place, a spiritual place.
Trending on Billboard
After he suffered a stroke, I could see in his face that he was filled with fear. He could not understand why his body had failed him, even though he was 92 years old. Once in the ambulance, I had an idea and searched for Frank Sinatra’s “Bewitched” to play on my phone. He immediately calmed down. While he could not speak, his feet and head began to bob once more to the beat of one of his favorite songs and singers. I watched in real time the power of music.
In a 2022 San Francisco Conservatory of Music article titled “What ‘Stranger Things’ Gets Right About Music Therapy,” SFCM singer/instructor Dr. Indre Viskontas talked about music therapy and the integral role it plays in the Netflix series. “Music can remind people of who they are, of who they love and of their past,” he asserted. “Sharing a musical experience can help them feel connected again to the present.” And according to a 2022 Health Psychology Review study about music therapy and stress reduction, researchers found that “music listening is strongly associated with reducing negative emotions and feelings such as subjective worry, state anxiety, restlessness or nervousness … and increase positive emotions and feelings such as happiness.”
Music makes us happier and healthier as individuals, but it also has the power to create empathy that can transcend language and geography. In 1983, I learned about the civil rights struggles in Northern Ireland and of the 1972 protest that turned deadly there … not in school but by listening to U2’s “Sunday Bloody Sunday.” Lacking even the most basic protections, women in Somalia are subject to female genital mutilation and offered as child brides at alarming rates. Statistics, news coverage and documentaries have relayed these travesties. But it was the haunting lyrics of Sade’s “Pearls,” particularly the poignant second verse — “Don’t know what she’s made of … I would like to be that brave” — that stuck in my heart and helped shape my life into adulthood.
As a young girl, I had the blessed experience of traveling with Michael Jackson’s Bad tour. My father was the promoter and we toured throughout Europe, witnessing stadiums filled with fans. Many could not speak a word of English, but still they sang along to every hit song while they screamed and cried tears of joy for Michael. I saw it again a few years ago watching French fans singing along with Bruce Springsteen as if they were all from New Jersey. We see that now with non-Korean audiences singing along to BTS. Andrea Bocelli’s vocals can bring me to tears, even though I speak no Italian. Music can override our tribal barriers. A Swifty in Tokyo now shares a sisterhood with a Swifty in Memphis.
If you need more proof of the healing power of music, one needs only to have witnessed the final touring years of Tony Bennett and Glen Campbell. Although Bennett was diagnosed with Alzheimer’s disease and had lost much of his memory in 2016, he continued to tour while performing his set to near perfection until 2021. Similarly, Campbell continued to tour, remembering lyrics long after losing memories of nearly everything else.
The science of music’s healing powers has found support within the music industry as record labels have begun launching wellness initiatives. In 2021, MedRhythms, a digital therapeutics company, partnered with Universal Music Group to provide sensors, software and music to help restore function lost to neurologic disease or injury. Given that music is all around us, the music industry has a unique — and purposeful — opportunity to make the connections that can amplify the healing and strengthening powers of music.
Music can literally lift our spirits, even in the face of unimaginable grief. I myself have found a way to process my grief through music. The music I listen to includes Adele’s power anthem “Rolling in the Deep” while trying desperately to sing along, George Michael’s Listen Without Prejudice album and Bill Withers’ Still Bill. These albums and songs remind me of who I am, the people I love and occasionally the hard things I have successfully navigated; things that I have gotten through before.
Just listening to more music is not all you need. But it’s a very powerful start on the pathway to mental, physical and spiritual health. The answers we seek aren’t far away. They are in our playlists.
Nicole Avant is the producer of the critically acclaimed, award-winning film The Black Godfather and the upcoming Tyler Perry-directed film Six Triple Eight (in theaters Dec. 6). The former U.S. ambassador to the Bahamas under President Obama is also the author of the audiobook “Think You’ll Be Happy: Moving Through Grief with Grit, Grace and Gratitude,” available at all audiobook sellers.
More than 100 artists have banded together for the massive Cardinals at the Window compilation featuring previously unreleased recordings to benefit the victims of Hurricane Helene in western North Carolina. Proceeds from sales of the $10 album — which is out today on Bandcamp — will go to a number of organizations on the ground in hard-hit Asheville, N.C., including Rural Organizing and Resilience, BeLoved Asheville and the Community Foundation of Western North Carolina.
Among the artists who provided previously unreleased songs for the record are: the Mountain Goats (“Hand of Death”), Sharon Van Etten (“Weather”), Nathaniel Rateliff & the Night Sweats (“Smilin’”), the Go-Betweens (“Ashes on the Lawn”), Sylvan Esso (“One More”), Real Estate (“Pink Sky”), Hotline TNT (“Candle”), Geologist (“Route 9 Falls”) and Lonnie Holley (“Tonky’s Rocket Ship”).
Trending on Billboard
Others offered up live recordings or covers, including: R.E.M. (“King of Birds”), Phish (“Sand”), Jason Isbell and the 400 Unit with Jerry Douglas (“Children of Children”), Jeff Tweedy with Karly Hartzman (“How Hard It Is For Desert to Die”), the War on Drugs (“Harmonia’s Dream”), Fleet Foxes (“Blue Ridge Mountains”), King Gizzard & the Wizard Lizard (“Change”), Feist (“Borrow Trouble”), the Decemberists (“William Fitzwilliam”) and Tune-Yards (“Hypnotized”).
The compilation also featured songs from Angel Olsen, S.G. Goodman and Bonnie “Prince” Billy, Lambchop, Tyler Childers, Gillian Welch & David Rawlings, Helado Negro, the Avett Brothers, Kevin Morby, Drive-By Truckers and many more; click here to see the full track list and to contribute.
A number of artists have stepped up to offer help to the wide swath of Americans who were impacted by hurricanes Helene and Milton, including Taylor Swift, who donated $5 million to relief efforts in Florida, Georgia, North and South Carolina, according to a statement from Feeding America on Wednesday.
Helene made landfall in Florida on Sept. 26 and brought with her historic storm surge and lashing winds that resulted in 230 deaths to date and billions of dollars in damage to homes and infrastructure. Milton’s landfall in Florida on Wednesday (Oct. 9) as a category 3 storm is expected to leave an equally destructive path in its wake.
Other acts doing their part include Luke Combs and Eric Church, who announced their Concert for Carolina benefit show this week, which will take place on Oct. 26 at North Carolina’s Charlotte’s Bank of America Stadium, where they’ll be joined by James Taylor and Billy Strings. In addition, Metallica pledged $100K to Helene relief and Dolly Parton donated $1 million of her own money to help relief efforts, as well as another $1 million through her various business entities to help affected areas.
Morgan Wallen donated $500,000 to the Red Cross‘ hurricane relief efforts through his Morgan Wallen Foundation, Miranda Lambert’s MuttNation Foundation donated $100,000 to help animals impacted by the hurricane and Sturgill Simpson announced a one-off Oct. 21 benefit show at the Koka Booth Amphitheater in Cary, N.C. with proceeds earmarked for the North Carolina Disaster Relief Fund.
‘Tis the season for some holiday joy! Jimmy Fallon announced on Thursday (Oct. 10) that his festive comedy album, Holiday Seasoning, will be arriving on November 1 via Republic Records. Explore Explore See latest videos, charts and news See latest videos, charts and news The album is a collection of all original songs and star-studded […]
If you’ve noticed that since announcing their Live ’25 world reunion tour Oasis have not done a single interview, well, get used to it. According to singer Liam Gallagher, he and older brother Noel Gallagher are not interested into being baited by reporters into re-igniting the sibling rivalry that broke up the band and led to a 16-year lay-off, so they’re keeping mum.
“We don’t want to do interviews coz we’re scared of the media asking us intrusive questions and trying to pick holes in our relationship,” wrote Liam early Thursday morning (Oct. 10). When a fan cheekily responded with some Liam-boosting flattery, the “Wonderwall” vocalist was totally there for it.
“I think Noel doesn’t want to do interviews with you because you’re funnier,” the fan wrote, with Liam responding, “RESPEK.” He had a cheekier response to another X user to asked about a potential joint interview. “Can’t be arsed,” Liam explained, adding “we’re not doing any” and “they ain’t getting 1” as fans persisted with the same line of questioning.
Trending on Billboard
Liam’s cheeky X persona has been wholly in evidence since the brothers reunited, including last month when a fan asked if he was going to stop “tweeting s–t about Noel” now that they’ve made up. “Nope it’s all done, peace has prevailed, he’s the man,” Liam wrote. “I can’t wait to be on stage with him blowing him kisses in between each song.”
Oasis, who split in 2009, recently expanded their 2025 reunion tour, announcing two stadium dates in Melbourne and Sydney, Australia. “People of the land down under. You better run – you better take cover… We are coming. You are most welcome. Oasis will tour Australia in 2025!” the band announced earlier this week.
The Gallaghers will kick off the North American leg of their tour with a two-night stand at Toronto’s Rogers Stadium (Aug. 24-25), followed by a gig at Chicago’s Soldier Field on August 28. They’ll then move on to two nights at MetLife Stadium in New Jersey (August 31, Sept. 1), before winding down the U.S. run with two shows at the Rose Bowl in Los Angeles (Sept. 6- 7).
The tour will kick off with a run of UK/Irish dates, beginning on July 4-5 with two shows at Principality Stadium in Cardiff, followed by a five-night stand in their hometown Manchester at Heaton Park (July 11, 12, 16, 19, 20).
Check out Liam’s comments below.
We don’t want to do interviews coz we’re scared of the media asking us intrusive questions and trying to pick holes in our relationship— Liam Gallagher (@liamgallagher) October 10, 2024
The Velveteers are opening the campaign for their sophomore album, A Million Knives, on a bit of a historic note.
The just-released first single, “Go Fly Away,” is a collaboration with the Black Keys — and, in fact, marks the first time Dan Auerbach, who signed the Denver trio to his Easy Eye Sound label and produces the group, and Patrick Carney have produced something together for another act. “Pat’s played drums on some records I (produced) and stuff,” Auerbach tells Billboard. “With the Velveteers he was very hands-on, and it was all of us working in the studio.”
Velveteers frontwoman Demi Demitro says Carney was a periodic visitor to the A Million Knives sessions, which took place last December at Auerbach’s Easy Eye studio in Nashville. “We didn’t know it was that first time, but it was really cool to work with both Dan and Patrick,” Demitro says. Carney, in fact, started the songwriting process off with the opening keyboard line, which Auerbach says came from a music sample library. “We just kind of worked off it from there,” Demitro recalls. “Patrick’s drumming on the song, both of the drummers in my band (Baby Pottersmith and Jonny Fig) are playing, then I added this heavy guitar for the after-chorus. After we sat with the song for a little bit we added some overdubs, just to kind of put the little sparkling touches to it.”
Explore
Explore
See latest videos, charts and news
See latest videos, charts and news
Auerbach says the idea of a Velveteers-Black Keys combination was organic — and perhaps inevitable. “We’d done some touring together and all of us are friends,” he says, “and I think Pat was excited to get in the studio, too, and work on a song with them. That was a really cool experience.”
Trending on Billboard
“Go Fly Away,” however, is the only song constructed like that for A Million Knives. The rest of the 13-song set — due out Feb. 14 — comes from a prolific spate for the trio, while and after touring to support its 2021 debut Nightmare Daydream, which included stadium dates opening for Guns N’ Roses and Smashing Pumpkins.
“We were on tour for what seemed like two years straight,” Demitro says, “so every chance we would get when we were at home we were writing. We probably had 30 songs that were written. We had about a month before we were going into the studio, so we just narrowed them down to the ones that felt like they were coming in best.” Auerbach adds that “you just have to go with your gut” in the selection process. “I tried to help them, but they have very strong opinions about what they do and how they want it represented. I’m only there to make recommendations. They had all these tremendous songs with big, giant hooks and they were feeling very ambitious and confident. That really just made it fun.”
Much of A Million Knives is, as Auerbach describes, aggressive and heavy, while “Go Fly Away” marks a transition into four more measured and melodic songs — a kind of calm after the storm.
“You could say that,” acknowledges Demitro, adding that the songs mostly deal with “the different forms of heartbreak, in a lot of different ways…It was definitely a purposeful decision for the sequence; it felt like all those (later) songs — like ‘Heaven,’ ‘Go Fly Away,’ ‘Up Here’ — it felt like those songs were meant to be next to each other. Once you get to that part of the album it felt like this big, emotional release.”
In addition to Auerbach and Carney, A Million Knives includes other guests, particularly on guitar, including regular Easy Eye cohort Tom Bukovac, Cage the Elephant’s Nick Bockrath, and the Reigning Sound’s Greg Cartwright. “It was just my experience and my gut and what I thought might help the song or a situation,” Auerbach explains. “We don’t always use the stuff we try, but you’ve got to throw things at the wall and see what sticks.”
Demitro says she “felt less confident” in making a second album, explaining that “once people start listening to your music and you have an audience, you have the tendency to second-guess yourself a little more.” Nevertheless, she considers A Million Knives to be “a lot more honest than its predecessor,” which is something she was wanting to accomplish, “just being a little more vulnerable with how I actually felt. I think on our last album there are a lot of metaphors, and on this album I wanted to say things more as they are, which I think I did.”
The Velveteers are currently on the road with headlining dates through Oct. 25, with plans for “a lot more touring” during 2025, according to Demitro. In the meantime, the trio will be working on setting up A Million Knives for release, including more singles and, Demitro promises, “a lot of visual art pieces coming. I think we’re really excited to share everything we’ve been working on.”
Sabrina Carpenter is repping her hometown in style. During the pop superstar’s Short n’ Sweet Tour stop at the Wells Fargo Center in Philadelphia on Tuesday night, Carpenter stepped onstage to perform “Espresso” in a bedazzled Philadelphia Phillies jersey with her name on the back, along with the fittingly cheeky number 69. “Hometown show!!! I […]
Karol G claims a fourth week at No. 1 on the Billboard Argentina Hot 100 chart as “Si Antes Te Hubiera Conocido” rules the chart dated Oct. 19. The single enters a tie with Luck Ra and KHEA’s “Hola Perdida” for the fourth-most weeks at the summit in 2024.
Here’s a recap of the songs with the most weeks at No. 1 on the Billboard Argentina Hot 100 chart this year:
Weeks at No. 1, Song, Artists11, “Hoy,” Valentino Merlo & The La Planta10, “Una Foto (Remix),” Mesita, Nicki Nicole, Tiago PZK & Emilia5, “Bésame (Remix),” Bhavi, Seven Kayne, Milo j, Tiago PZK, KHEA & Neo Pistea4, “Hola Perdida (Remix),” Luck Ra & KHEA4, “Si Antes Te Hubiera Conocido,” Karol G
Trending on Billboard
Valentino Merlo and The La Planta’s “Hoy” remains at No. 2 for a fifth week, after the song’s 11-week domination which began as the song jumped 2-1 on the July 6-dated ranking.
The Hot Shot Debut of the week goes to Lali’s “Fanático,” which opens at No. 5, for her second top 10 among 22 chart performances. Lali last landed in the upper region through “N5” in 2022.
Omar Courtz and De La Rose join for their second collab and highest-charting visit as “Qué Vas A Hacer” debuts at No. 30.
Plus, Shakira captures her second entry as a soloist, unaccompanied by any other act, with the No. 31 launch of “Soltera.”
Elsewhere, Billie Eilish takes the weekly Greatest Gainer honors –awarded weekly to the song with the largest jump among the 100 songs on the tally– as “Birds Of A Feather” climbs 42 spots, from No. 93 to No. 51.
One other song debuts this week, Sebastian Yatra’s “Los Domingos” at No. 89, for the Colombian’s 28th career entry.
Who knew Drake was an outdoorsman with a propensity for fly fishing? The Toronto rapper will be featured on the Fall cover of The Drake: For Those Who Fish — a magazine dedicated to the great sport of fly fishing. The Denver-based mag unveiled the rapper on their cover via Instagram. He’s standing in the […]
Billboard has been around since 1894 and is still going strong. In the last couple years, Billboard has been featured as a category in Jeopardy! (more than once), popped up in the HBO show The Last of Us and gotten a shout out from Kendrick Lamar on the remix to Beyoncé’s “America Has a Problem.” […]
State Champ Radio
