Music News

Flavor Flav Celebrates 4 Years of Sobriety, Pays for Therapy App Subscriptions for World Mental Health Day

Flavor Flav is celebrating an important milestone while helping others.

The Public Enemy musician took to social media on Oct. 10, which is also World Mental Health Day, to announce that next week marks “4 years sober from alcohol.”

To help others struggling with mental health, Flav noted that he reached out to AI therapy app, Sonia, “to cover the subscriptions for anyone who signs up today.” The app describes itself as “your personal AI-powered therapist. We can talk via voice or text about anything on your mind”

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Flav concluded his message by telling his fans, “Help me help you.”

Flav has a long history of good deeds, and spreading his positivity to others. During the Paris Olympics over the summer, he was dedicated to the U.S. squad, pledging $1,000 and a cruise for all the members of the U.S. Women’s Water Polo team and helping to cover rent costs for 24-year-old discus thrower Veronica Fraley. He also boosted a GoFundMe page for Paralympic sprinter Nick Mayhugh to help pay for his parents to fly to Paris to see him compete.

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Most recently, the Flavor of Love star attended the Black Music Action Coalition Gala in Beverly Hills, Calif., this week, where he auctioned off a blinged-out clock straight off his neck for $15,000, and the donation will go toward initiatives to help address “systemic racism within the music industry” while also preparing the “next generation of industry leaders.”

Cuban Artist El Taiger Dead at 37 After Being Shot in the Head

Cuban artist José Manuel Carbajal Zaldívar, best known as El Taiger, has died. He was 37 years old. The urbano singer passed away on Thursday (Oct. 10) a week after being shot in the head, his family confirmed in an official statement posted on El Taiger’s Instagram Stories.

“On the morning of Friday, October 4, 2024, Jose Manuel Carvajal, known as ‘El Taiger,’ was the victim of a senseless violent crime. He was found near Jackson Memorial Hospital and immediately transported to the Emergency Intensive Care Unit,” the statement reads. “From the moment of his arrival, a team of physicians at Jackson Memorial worked tirelessly to provide him with the care he needed. We are extremely grateful. During this incredibly difficult time, family, friends and supporters joined together in prayer, hope and support, seeking a miracle. To all who offered their prayers, we thank you. Sadly, this afternoon, El Taiger was pronounced dead and is now reunited with his beloved mother in heaven.”

One of the most popular Cubaton artists (a genre that fuses reggaeton with traditional Cuban rhythms), El Taiger is known for his Cuban-rooted urban sound heard in songs such as “La Historia,” “El Papelito” and “Habla Matador.” His debut album, Taiger, was released in 2016 on Puerto Rican hip-hop artist Cosculluela’s label Rottboyz, and in 2017, he was featured on the Fate of the Furious movie soundtrack on producer Pinto “Wahin” and DJ Ricky Luna’s track “La Habana.” His most recent production, “Rulay,” in collaboration with Ecuadorian newcomer Niko G, came out this summer.

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According to a press conference offered by the chief of the Miami Police Department last week, officers responded to a call just after 7 a.m. on Oct. 3, where they found a man inside a black vehicle who had suffered a gunshot wound to the head. El Taiger was then transported to Jackson Memorial Hospital, where he underwent surgery and remained in critical condition until his passing. Billboard reached out to the Miami PD to get an update on the investigation, but did not hear back at press time.

“While this news is both shocking and heartbreaking, we encourage fans of El Taiger to honor his memory by celebrating the joy he brought to so many,” the family’s statement continues. “Turn up your music, dance and celebrate his life. El Taiger was the sentiment of the people, and now we must keep that sentiment alive through his music and his legacy.”

Kane Brown Has a New Album & Tour Coming in 2025

Kane Brown will launch 2025 with a new album and a new tour when he releases his album The High Road on Jan. 24 and sets out on The High Road Tour beginning March 13 in San Diego, Calif.

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The tour will visit 23 cities, including two shows at Nashville’s Bridgestone Arena on April 11 and 12, before wrapping with two shows in Gilford, N.H., on May 24-25. Scotty McCreery, Mitchell Tenpenny, Ashley Cooke and “Austin” hitmaker Dasha will open shows on the tour.

The album will feature his current Billboard Hot 100 top 20 Marshmello collaboration “Miles on It” as well as “Fiddle in the Band” and the new song “Backseat Driver,” which was written by Jacob Davis and Jordan Walker (with production from Brown’s frequent creative collaborator Dann Huff). The High Road album will contain 18 songs, with “Backseat Driver” releasing Oct. 11.

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The new album and tour come as Brown has etched a path over the past decade from an indie artist building his fanbase through doing cover songs on social media, to placing 26 songs on Billboard‘s all-genre Hot 100 chart and earning 11 No. 1 Country Airplay hits. Along the way, the two-time ACM entertainer of the year nominee became the first artist to lead all five of Billboard‘s main country charts simultaneously. He’s also proven to a favored cross-genre collaborator, working with artists including Khalid, Nelly and Swae Lee, and recently teaming with Latin music star Carin León for the bilingual track “The One (Pero No Como Yo).”

He will also ring in the New Year by teaming with Jelly Roll to headline CBS’ New Year’s Eve Live: Nashville’s Big Bash at Nashville’s Bicentennial Capitol Mall State Park.

Halsey Drops 80s Inspired Song ‘I Never Loved You’: Stream It Now

Halsey’s The Great Impersonator is almost here, and the superstar dropped a new track off the album on Thursday (Oct. 10) titled “I Never Loved You.”

Leading up to the release, Halsey continued their Instagram series in which they impersonate a different musical icon and the song they inspired. For “I Never Loved You,” the singer was inspired by Kate Bush, which is clear in the 80s-inspired melody.

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“You can take the money, you can get on a plane/ To a beautiful island, build her house in my name/ You can donate all the money to somebody in pain/ And you can rest your head down and not feel any shame/ I never loved you,” she sings on the track.

Arriving Oct. 25, The Great Impersonator will mark Halsey’s fifth studio album. It follows 2021’s If I Can’t Have Love, I Want Power, which reached No. 2 on the Billboard 200. The star has described the project as deeply personal, saying, “I made this record in the space between life and death, and it feels like I’ve waited an eternity for you to have it.” The album also features previously released singles “The End,” “Lucky” and “Lonely Is the Muse.”

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Halsey previously confirmed that the album will traverse different decades and musical styles, with the “Closer” singer revealing multiple variants of The Great Impersonator‘s cover inspired by different time periods through a fan scavenger hunt earlier this month.

Listen to Halsey’s “I Never Loved You” in full below.

Kendrick Lamar’s ‘Humble’ Music Video Surpasses One Billion Views on YouTube

After securing a record-setting 21 weeks atop Billboard‘s Hot Rap Songs chart with his 2024 hit “Not Like Us,” Kendrick Lamar continues to rack up the accolades. Now, his 2017 Billboard Hot 100 chart-topper “Humble” has reached the venerable one billion mark, becoming the rapper’s second-ever video to accomplish such a feat.

Released in 2017, “Humble” became Lamar’s second No. 1 on the Hot 100 following his feature on Taylor Swift’s 2015 “Bad Blood (Remix).” The song spent 37 weeks on the Hot 100 and also resided on Lamar’s Billboard 200 No. 1 album Damn. Aside from “Humble,” K Dot’s appearance on Travis Scott’s “Goosebumps” crossed YouTube’s billion views barrier in September.

Lamar’s 2024 campaign has been successful after a heated lyrical skirmish with Drake ensued in the spring. Lamar carved out a handful of diss records aimed at the OVO captain, including “Euphoria,” “Meet the Grahams,” “6:16 in LA” and “Not Like Us.” The latter was the deciding factor in helping Lamar clinch his win against Drake, as the song crushed Spotify records and ultimately rocketed to No. 1 on the Hot 100. Lamar’s triumphant victory also earned him a coveted spot as the NFL Super Bowl Halftime Show headliner in New Orleans next year.

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As mentioned reported earlier this week, Lamar’s “Not Like Us” has surpassed Lil Nas X’s record of 20 weeks atop the Hot Rap Songs chart. The song also notched its 20th week at No. 1 on the Rap Streaming Songs chart thanks to 17.1 million official U.S. streams in the latest tracking week (Sept. 27 – Oct. 3), according to Luminate. 

Revisit Kendrick’s “Humble” video below:

Charli XCX Says Matty Healy Is Like Her ‘Brother’ Now: ‘I Sometimes Want to Strangle Him’

It doesn’t matter how siblings enter your life — they’re going to get on your nerves sometimes. Charli XCX knows this firsthand from her relationship with Matty Healy, who she says is like family to her now by way of The 1975.

Speaking to Apple Music 1’s Zane Lowe ahead of the release of her Brat remix album, the alt-pop star said that the “Somebody Else” singer is “like my brother now.” “I hope he wouldn’t mind me saying this,” she continued. “I have an endless amount of respect for him as a songwriter and him as a person.”

“But I sometimes want to strangle him,” Charli added, laughing.

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The “Von Dutch” singer is engaged to George Daniel, drummer for the Healy-fronted 1975. The band is featured on a revamped version of Brat track “I Might Say Something Stupid” arriving Friday (Oct. 11), which Lowe teased is “quite eye-opening” in terms of Healy’s lyrical contributions to the song.

“I really wanted him to do the song,” Charli said of the sometimes polarizing frontman. “Even before being with George — years and years ago — I’ve always been such a fan of [The 1975’s] work … I just really enjoy people who take a risk in terms of what they’re putting out there artistically.”

The 1975 is just one of several artists guesting on the “Apple” artist’s remix album. In addition to her previously released collaborations with Addison Rae, Lorde, Robyn, Troye Sivan and Billie Eilish, Brat and It’s Completely Different But Also Still Brat will also feature Caroline Polachek, The Japanese House, Julian Casablancas and Bon Iver.

Plus, Ariana Grande will jump on an updated “Sympathy Is a Knife,” which fans have suspected was about Taylor Swift amid the “Anti-Hero” singer’s whirlwind romance with Healy last year. “This one girl taps my insecurities,” Charli sings on the track. “Don’t wanna see her backstage at my boyfriend’s show.”

But Swift has since sung Charli’s praises and put rumors of a feud to rest. “I’ve been blown away by Charli’s melodic sensibilities since I first heard ‘Stay Away’ in 2011,” Swift told Vulture in August. “Her writing is surreal and inventive, always. She just takes a song to places you wouldn’t expect it to go, and she’s been doing it consistently for over a decade.” 

Added Charli to the publication, “That song is about me and my feelings and my anxiety and the way my brain creates narratives and stories in my head when I feel insecure and how I don’t want to be in those situations physically when I feel self-doubt.”  

Watch Charli’s Apple Music 1 interview below.

What’s Left of Diddy’s Assets?

As Bad Boy Records founder Sean “Diddy” Combs sits in a Brooklyn prison awaiting trial on federal sex trafficking and racketeering charges and prepares to fend off multiple civil lawsuits alleging sexual assault, those in the music industry are asking how much of his wealth could be at stake.

Sources tell Billboard that the hip-hop mogul has sold many of the assets that earned him hundreds of millions of dollars. And Forbes estimated that Combs’ net worth — once fueled by ventures in music, fashion, liquor and cable TV — has fallen from approximately $740 million in 2019 to $400 million as of this past June.

Federal prosecutors and attorneys for the alleged victims likely will go after the money Combs earned from his businesses and other assets, and his own legal defense potentially could cost him hundreds of thousands of dollars as well. That said, prosecutors will need to prove that the businesses were in some way connected to the alleged crimes, to which Combs has pled not guilty. Lawyers representing individuals suing Combs in civil court do not need to meet that barrier of proof. It is unclear when a jury trial will take place for the federal charges, and the many civil lawsuits he faces are at various stages of adjudication.

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Combs’ attorneys, representatives and federal prosecutors did not respond to requests for comment.

Here is a breakdown of Combs’ current financial picture viewed through his music, real estate and cable TV assets:

Bad Boy Records

While Combs began diversifying his investments long ago, his core music industry holdings have dissipated. He once owned his masters and publishing rights through Bad Boy Records. Currently, he may still own his publishing rights and albums recorded from 2010 onward, but he likely no longer owns the albums he recorded before 2009, which were the most successful of his career.

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B.I.G. and Diddy

That’s because of a joint venture Combs entered with Warner Music Group for the entire Bad Boy catalog in 2005. The deal ended in 2009 with WMG retaining full ownership of the vast majority, if not all, of the catalog released by Bad Boy prior to that year. Those include the catalogs of The Notorious B.I.G., Faith Evans, Mase and another dozen or so platinum albums by Bad Boy artists.

In June, Billboard estimated that Diddy’s own catalog brings in $2.4 million annually in recorded masters revenue, as well as $600,000 in publishing revenue, of which his share is $222,000. We estimated his catalog would carry a valuation of $42 million.

Since determining that Combs no longer owns his best-selling albums, Billboard revised that estimate — based on a calculation that almost 60% of his catalog’s annual activity is owned by WMG — to $1.05 million. His music publishing earnings remain unchanged, which adds up to $1.25 million in take home pay.

Catalog

One asset Combs is unlikely to sell soon is his catalog because his the nature of the alleged abuses outlined in the various legal cases he is facing and the fact that recordings were not put out under a single, identifiable brand — he has released music as Puff Daddy, Puff Daddy & the Family, P. Diddy, Diddy and Diddy-Dirty Money — make it harder to market, institutional investors tell Billboard.

While private equity investors have no appetite for music issued under the Diddy names, financial sources say that music from other artists he has worked with still have value, and those artists could sell their income streams. However, some Bad Boy Records artists have asked the various majors if their albums might drop the Bad Boy logo, sources tell Billboard.

In 2023, Combs disclosed that he has been returning ownership of publishing to the artists who recorded on Bad Boy Records.  In a Q&A with Billboard, he reported that Mase, Evans, The LOX, 112 and the estate of The Notorious B.I.G. are among the creatives who have already signed agreements to regain those rights.

REVOLT

Co-founded by Combs as a music cable channel in 2013, REVOLT was initially broadcast by Comcast and Time Warner Cable to a combined roughly 34 million subscribers. Over the past decade, it has built a reputation as a prominent black-owned media company and has been profitable since 2018. Last summer it was part of a group of investors bidding for a majority stake in Paramount Global’s BET Media Group. As a private company, it has never disclosed its financials. Combs stepped down from his role as chairman of REVOLT last November, and reports circulated in March that he sold his stake to an anonymous bidder. Sources tell Billboard Combs’ stake likely netted him a sum in the low to mid-eight figures.

Real Estate

It is documented in court documents filed in connection with the federal charges against Combs that Combs owns homes in Los Angeles and Miami. The latter, which is located on Miami’s exclusive Star Island has multiple pools, an on-site spa and a guesthouse was listed as part of his collateral for his $50 million bail bond. (Judge Robyn F. Tarnofsky denied his release, and Combs’ attorneys filed an appeal this week.) Combs’ home in Beverly Hills is currently for sae for $61.5 million.

‘Shawn Mendes: For Friends and Family Only’ Live Concert Film Hitting Select Theaters For One Night Only

Shawn Mendes fans will get a chance to hear the singer’s upcoming fifth studio album, Shawn, before its official release thanks to an upcoming live concert film. Mendes and Trafalgar Releasing announced on Thursday (Oct. 1) that Shawn Mendes: For Friends and Family Only (A Live Concert Film) will hit screens across the country for one-night-only on Nov. 14.

According to a release, the movie features a “heartfelt performance of the self-titled album in its entirety — for the very first time.” The movie was filmed at the historic 500-capacity Bearsville Theatre in Woodstock, NY and features footage of Mendes explaining the inspiration behind each song on the album as well as sharing personal stories, “giving fans an intimate look at the creative journey that shaped the music.”

A full list of participating theaters and showtimes will be announced soon, with fans encouraged to click here to request a screening in their city; tickets will go on sale on Oct. 24 at 10 a.m. ET.

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On Wednesday, Mendes announced that Shawn would be pushed back from its original Oct. 18 released date to Nov. 15. He explained, “My team and i have decided to push the album release date to November 15th. We just need a little bit more time to bring some new inspiration and ideas to life. I love you guys thank you for being so patient, I can’t wait to see you guys at the next few shows.”

The Woodstock show was the first in a limited run of intimate concerts Mendes performed in the cities where the album was recorded over a two-year stretch, a string that also included gigs in London, Brooklyn, Los Angeles and Seattle.

“Performing this album for the first time in such an intimate setting, surrounded by close friends, family, and the people who helped bring it to life, was truly special. I’m excited for fans around the world to feel that same connection through the film and get to experience the ‘Friends & Family’ shows before the album release,” Mendes said in a statement.

Trafalgar Releasing SVP of content acquisitions Kymberli Frueh added, “Shawn Mendes’ relatable lyrics and ability to connect with fans through his music are on full display in this intimate and authentic performance of his new album. This exclusive cinema event will be a special experience for fans across the globe.”

To date Mendes has released the singles “Why Why Why,” “Isn’t That Enough” and the moody “Nobody Knows,” which he debuted at last month’s 2024 VMAs. Mendes will continue his tour of Shawn live debut shows with an Oct. 14 gig at the iconic Ryman Auditorium in Nashville, followed by an Oct. 18 show at the Brooklyn Paramount in Brooklyn, NY and an Oct. 22 stop at the Ford theater in Los Angeles.

Eminem’s ‘The Real Slim Shady’ Surpasses 1 Billion Views on YouTube

More than a billion people have now begged the question: Will the real Slim Shady please stand up? Eminem‘s iconic “The Real Slim Shady” music video has joined YouTube’s Billion Views Club, a full 14 years after it was uploaded to the site and nearly a quarter-decade after the 2000 smash first dropped.

As the Detroit rapper’s visuals often do, “Real Slim Shady” takes viewers on a wild journey. Beginning with Em in a hospital gown in a mental health facility with comedian Kathy Griffin as one of the nurses, the video proceeds to show him terrorizing pedestrians in a red-and-yellow superhero suit, rapping in the center of a group of bleach-blond doppelgängers and serving up onion rings at a fast-food restaurant.

The Philip G. Atwell and Dr. Dre-directed project also features visual representations of some of the song’s biggest call-outs. When Em name-checks Britney Spears, for example, the video cuts to the “Lose Yourself” artist dressed up as the pop star in “…Baby One More Time” drag. And when the 15-time Grammy winner spits, “Dr. Dre’s dead, he’s locked in my basement,” viewers watch as Em drinks from a milk carton with a “Missing” poster for the Death Row Records founder on the side.

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Released in 2000 as part of The Marshall Mathers LP, “The Real Slim Shady” reached No. 4 on the Billboard Hot 100. The track isn’t the first to earn Em a billion plays on YouTube, as his videos for “Without Me,” “Mockingbird,” “Rap God” and “Lose Yourself” also all boast 10-digit view counts on the platform.

Nearly 25 years after the release of “The Real Slim Shady,” Eminem revisited his Y2K greatness on July’s Billboard 200-topper The Death of Slim Shady. Lead single “Houdini” also found the hip-hop titan channeling his mid-20s self in a nostalgia-filled music video, for which Em used AI to resurrect his younger self.

Watch Eminem’s “The Real Slim Shady” music video above.

Yeah Yeah Yeahs’ ‘Maps’ No. 1 on TikTok Billboard Top 50

For the fourth straight week, the TikTok Billboard Top 50 chart has a new No. 1 — this time Yeah Yeah Yeahs’ “Maps,” which reigns on the Oct. 12-dated survey.

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The TikTok Billboard Top 50 is a weekly ranking of the most popular songs on TikTok in the United States based on creations, video views and user engagement. The latest chart reflects activity from Sept. 30-Oct. 6. Activity on TikTok is not included in Billboard charts except for the TikTok Billboard Top 50.

“Maps” rules the chart in its second week on the list, following a No. 20 debut on the Oct. 5 tally. Its rise is attributed to a recent trend using the song wherein creators use a filter to remove their facial features and then have them cascade back down onto their face, often with uncanny results.

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A previous, continuing trend that began in September also sets a sped-up version of “Maps” to a dance trend.

“Maps” peaked at No. 87 on the Billboard Hot 100 in 2004, and it appeared on the Yeah Yeah Yeahs’ debut album Fever to Tell in 2003. In the week ending Oct. 3, the song earned 1.5 million official U.S. streams, up 40%, according to Luminate.

“Maps” follows the reigns of Alphaville’s “Forever Young” (Oct. 5), BabyChiefDoit’s “Rollin’” (Sept. 28) and Surf Curse’s “Disco” (Sept. 21), which each ruled the TikTok Billboard Top 50 for one week.

NLE Choppa and 41’s “Or What” lifts one spot to rank at No. 2 on the Oct. 12 survey, followed by Alphaville’s “Forever Young,” which drops 1-3. “Or What” is mostly driven by lip-synching uploads to the 2024 song (it was released a month ago on Sept. 6), with the tune concurrently leaping 79% in official U.S. streams to 5.7 million in the week ending Oct. 3, begetting its No. 91 debut on the latest Hot 100.

The latest TikTok Billboard Top 50 is the first chart of the year to incorporate October data, and that can only mean one thing: the return of Girl in Red’s “We Fell in Love in October.” The song re-enters at No. 4, a new peak, after rising as high as No. 5 last October. The song trends on TikTok, as well as other platforms, every year around this time, sans any sort of dominating trend other than the changing of the month.

The top debut of the week belongs to J. Cole, whose “She Knows,” featuring Amber Coffman and The Cults, bows at No. 7. The 11-year-old song (it was released as part of the rapper’s album Born Sinner in 2013) is largely being used in content about the arrest of Sean “Diddy” Combs and allegations that he was involved in the deaths of multiple musicians (honing in on the lyric “Only bad thing ‘bout a star is they burn up/ Rest in peace to Aaliyah/ Rest in peace to Left Eye/ Michael Jackson, I’ll see ya/ Just as soon as I die” (other videos also bring Beyoncé into the fold, alleging she was aware of Diddy’s alleged crimes).

“She Knows,” which peaked at No. 90 on the Hot 100 in 2014, sports a 133% jump in streams to 2.8 million in the week ending Oct. 3.

A pair of Milli Vanilli songs also debut on the TikTok Billboard Top 50: “Blame It on the Rain” and “Girl I’m Gonna Miss You,” which start at Nos. 34 and 37, respectively. The songs’ rise on the chart runs concurrent with the duo’s catalog gaining in streams after multiple tunes’ synchs in Netflix’s Monsters: The Lyle and Erik Menendez Story series, which was released on Sept. 19.

See the full TikTok Billboard Top 50 here. You can also tune in each Friday to SiriusXM’s TikTok Radio (channel 4) to hear the premiere of the chart’s top 10 countdown at 3 p.m. ET, with reruns heard throughout the week.