Music News

Siri Really Wants Celine Dion to Listen to ‘My Heart Will Go On’ in Hilarious New Video

Celine Dion just wants to listen to her new single!

The legendary vocalist uploaded a hilarious video to her Instagram on Tuesday (Nov. 12), in which she asks Siri on her iPhone to play her cover of Édith Piaf’s “Hymne à L’Amour,” released as a single last month. During her first attempt, Siri responds, “I cannot find that track by Celine Dion, but here is ‘My Heart Will Go On.’”

“No! Hello?” Dion, confused, tells her phone before giving it another shot. However, just like the first time, Siri could not pick up on the track name and opted to play her 1997 Titanic theme again. The singer, playfully frustrated, then decided to change her strategy by speaking with a “really French, Parisian” accent. That unexpectedly did the trick, and Siri began to play her rendition of “Hymne à L’Amour.”

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“Third time’s the charm,” Dion captioned the post, which you can watch here.

Dion originally performed Piaf’s 1950 classic on the Eiffel Tower at the 2024 Paris Olympics opening ceremony in July, marking her long-awaited return to the stage after she cancelled the dates on her North American Courage world tour before revealing she is fighting Stiff Person Syndrome, a rare neurological disorder that causes severe muscle spasms. Accompanied by a piano and rocking a stunning white gown, the singer delivered her effortlessly flawless vocals as she belted the lyrics to the song, which translates to “The Hymn of Love.”

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In October, Dion made the performance available on her YouTube channel and officially released the track, coinciding with the 61st anniversary of Piaf’s death.

‘+57’ Lyrics Changed on YouTube Amid Controversy

The negative response to the song “+57” by Karol G, J Balvin, Maluma, Feid, Blessd, Ryan Castro and DFZM has led to a lyric change on YouTube, where, in the video, they now sing “a hot mama since she was 18” instead of “14.”

Although it’s unclear who requested the update, the change on the video streaming platform appeared on Wednesday (Nov. 13), after the controversy over the lyrics reached the Colombian Congress, where a group of politicians asked the Colombian Institute of Family Welfare (ICBF) to summon the authors of the song for a training on the problem of sexual violence in the country.

At press time, the song’s lyrics have not been updated on Spotify or Apple Music. Billboard has also reached out to YouTube for comment.

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According to local newspaper El Tiempo, congresswomen Sonia Bernal (Pacto Histórico) and Karina Espinosa (Partido Liberal) criticized the reggaeton song for lyrics that they consider sexualizing minors (one verse mentions a woman who has been a “mamacita” since she was 14 years old), and even announced that they will present a bill called “decent lyrics,” with which they seek sanctions for those who write songs with explicit content that could be interpreted as a violent reference against women and girls.

Since its release Nov. 7, the track has received a barrage of criticism. Rolling Stone En Español published an article titled “The Disaster of +’57′,” which Colombian President Gustavo Petro shared on his X account expressing that “it’s OK to have a cultural debate.” And the ICBF issued a statement saying that the song “reinforces the sexualization of childhood in our country” and that it “does not contribute to our fight against the commercial sexual exploitation of children and adolescents.”

On Monday (Nov. 11), Karol gave a lengthy response to the criticism and apologized, saying, “I still have a lot to learn.”

“+57,” whose title is the international phone code for Colombia, was produced by hitmaker Ovy on the Drums and written by all of the aforementioned artists along with Keityn and newcomer DFZM. The name of the song, and the union of these superstars, had caused anticipation among fans, who were anticipating a new reggaeton anthem for Colombia.

See the original lyrics to “+57” translated to English below:

Colombia, gang
O-O-Ovy on the Drums
Whoa

She told her boyfriend that she was going to sleep now.
But her friend damaged her mind
12:30 and she started putting on makeup
Said she’d arrive in 20
She turned off her cell phone to avoid getting caught
The baby is bad, but smart, yeah

And although that baby has an owner
She goes out whenever she wants
The weed is starting to work
And she was twerking that drunkenness
Pass the drinks mouth to mouth
She rolls it up and turns it on
And if they ask her if she has a boyfriend, it depends” (wow)

What we have here is exotic, pills, aguardiente, Hpnotiq
A chill party, I offer you something
Drinking, you’re dangerous, they’re not going to catch you

A hot mama since she was 14
She enters the disco and you feel the energy
Mami, I’ll take these shots for you
That, back there, is huge, delicate, pick it up, let it hold

Hot mama since she was 14
She enters the disco and you feel the energy
Mami, I’ll take these shots for you
There is a lot of load below, there is no room for your butt in the car

She has all the codes (oh)
Listens to 2Pac and that ass is notorious
I pour the Oreo cream on her abdomen (nasty)
To spend it at the strip club
They don’t even put her on the cover of Q’hubo

Big ass, big ass (awo)
Machine shorts so that all that is noticed (tra-tra)
I say all the right things so he takes his clothes off

I save your PIN on the BlackBerry
If she has a hit, i’m the remix
That little mouth, to give it some kisses (aha)
I called her so that boom, so that boom (yeah)

And although that baby has an owner
She goes out whenever she wants (ah-ah-ah)
The weed is starting to work
And she was twerking that drunkenness
Pass the drinks mouth to mouth
She rolls it up and turns it on
And if they ask her if she has a boyfriend, it depends.

The ass is hers and, therefore, it turns on (Zaga!)
She knows who she deals with
He seems innocent, those little eyes lie
And the kitten has it, it depends

Sucking hottie, mamacita, she’s easy (hey)
At the disco she is never in the chair (no)
For good luck, yellow thong
Prettified in case someone catches her

Sucking hottie, mamacita, esa grilla
At the disco she is never in the chair
For good luck, yellow thong
Prettified in case someone catches her

Hat on, conceited (does she know?)
So that it turns out great for you (ha, ha)
That smile on her little mouth confirms
That little ass of yours is mine with a seal and signature
If the boyfriend is late, apply the same to him (ha ha)

Because I’ll break it
And that guy next to me is a mere fool
If the firecracker is too crazy, I’ll ride it
Because in Medallo I’m like Drake in Toronto

Da-da-da-give me location, give me time and I’ll get to you
She looks at me and I give it all to her, she doesn’t want a wedding
She says to eat quietly and eat blind
Sex has a code, money beats pretty

She has her thing, she doesn’t want to play (ah-ah-ah)
She wants to stay with me
The real deal is talking to me, you’re playing Federball
It’s 11:00 PM, take that ass out for a walk

Break, break, break and give it everything, ma, don’t let anyone stop you
Order one from Ovy on the Drums, the ‘boyfriend’ is not worth it
At the disco, marijuana, drink and pull
Your boyfriend, the funny one, let him stop and get off

Wants to feel like a woman
There is no drink that is worth it, there is no positive energy that comes out to her
She wants to feel that she is beautiful again (ha ha, do you know, my love?)

And although that baby has an owner
She goes out whenever she wants (she wants)
The weed is working and she is twerking that drunkness
Pass the drinks mouth to mouth (mouth)
She rolls it up (rolls it up), and turns it on
And if they ask her if she has a boyfriend, it depends, yah

Karol G-G, La Bichota (yeah)
Feid, FERXXO (wow) Let’s go
Maluma, Don Juan, yeah
Blessed, do you know?

Awo (pu-pu-pum), Ryan Castro
DF, Latino gang, gang
Colombia gang-gang
J Balvin, man, man
Let’s go, yeah (baby)

Ovy on the Drums
Ovy on the drums, mami, mami, mami
Keityn, in the spotlight
Colombia gang-gang, yeah
Oh, Hail Mary
Ha, how cool

‘Wicked’ Shares Extended Looks at Ariana Grande’s ‘Popular’ & Cynthia Erivo’s ‘The Wizard & I’: Watch

Fans just got their longest tastes yet of two highly anticipated Wicked performances from stars Ariana Grande and Cynthia Erivo, with the film sharing extended looks at the former’s “Popular” and the latter’s “The Wizard & I” Wednesday (Nov. 13).

Accompanied by a visual lyric display, the “Popular” video finds the pop star as Glinda, frenziedly dressing up the Pinocchio actress’ perplexed Elphaba in pink accessories. “Don’t be offended by my frank analysis/ Think of it as personality dialysis,” she sings on the signature track, originally performed by Kristin Chenoweth on Broadway. “Now that I’ve chosen to become a pal/ A sister and adviser, there’s nobody wiser/ Not when it comes to popular.”

In the “Wizard & I” video, Erivo roams the campus of Shiz University and explores the Ozian outdoors while belting out the hopeful ballad, adding her own custom riffs. (Sorry, Wicked superfans, it looks like you’ll have to wait for the full movie to hear her take on the track’s famous final high note.)

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“When I meet the Wizard/ Once I prove my worth/ And then I meet the Wizard/ What I’ve waited for since, since birth,” she sings, making the Idina Menzel-originated song her own. “He’ll say to me I see who you truly are/ A girl on whom I can rely/ And that’s how we’ll begin/ The Wizard and I.”

The new videos come just nine days ahead of the premiere of Wicked Part 1, which hits theaters Nov. 22. Part 2 will arrive one year later. Leading up to the movie’s theatrical release worldwide, the two stars — and the rest of the Wicked cast — have been traveling to various premieres, most recently greeting fans on the red carpet in Mexico City Monday (Nov. 11).

As sampled in the newly released performance videos, both Grande and Erivo sang live vocals on the set of Wicked. “When we were shooting it, those girls were like, ‘F–k the pre-records,” Chu recalled in a March Vanity Fair interview. “We’re going live.’”

Watch Grande sing “Popular” above, and see Erivo perform “The Wizard and I” below.

50 Cent & Busta Rhymes Roast Each Other’s Previous Hairstyles: ‘He Got a Leather Lineup’

50 Cent is a menace when it comes to his social media antics. While 50 and Busta Rhymes are good friends, they roasted each other in a hilarious back-and-forth on Instagram on Tuesday (Nov. 12), which focused on their hairstyle botches of the past.

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50 lit the fuse after seeing Busta’s hair looking darker than usual, and the G-Unit boss accused the “Touch It” rapper of using some colored paint.

“Nah why crazy s–t be happening and [ninja emoji]’s don’t say nothing,” he wrote before including a photo of Fat Joe’s Rewind 10 beard-coloring brand. “I think @fatjoe, Khaled and Tyson need to intervene here. Lol WTF.”

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50 said: “How this n—a Busta paint his whole hair on? How the f–k you let him go outside looking like that, Joe?”

Busta isn’t one to back down and he quickly returned fire with a photo of 50 from several years ago appearing to grow his hair out with some curls at the time. “WHEN YOU GOT THIS TYPE A CRAZY SHT GOIN AND NOBODY IS SAYING NOTHING,” he wrote. “WHAT TYPE ADVISORS YOU LISTENING TO BRUH??? WHAT THE FK IN A 100 JARS OF TCB GEL TYPE SHT IS THIS MY N—A?? @50cent C’MON MAN!! BY THE WAY FIF, THIS S–T LOOK LIKE YA JERRY CURL STINK TOO BRUDDAH!!”

The Queens rap legend then upped the score, calling out Busta Rhymes for having a “leather lineup.” “N—s always gotta one-up me, right? Have one up on me and s–t. I get a banging leather jacket and this n—a Busta get a leather lineup,” he quipped.

Busta Rhymes appeared to get the last word in when he posted a screenshot of a bald and malnourished 50 from his role in 2011’s All Things Fall Apart flick. “THE BLESSINGS DON’T STOP SO WE AIN’T NEVER GONNA STOP,” Busta added. “DAMN @50cent YOU WAS MY #1 CUSTI WHEN I USED TO SELL CRACK HOMIE. DAMN YOUR HAIR LINE BEEN FUCKED UP SINCE THEN BRUH!!”

Of course, Busta and 50 are close and this is all in good fun. Busta Rhymes opened up for 50 on his lucrative Final Lap Tour in 2023, which eclipsed $100 million in earnings and made him the second rapper ever to do so at the time.

See some of the posts in their back-and-forth below:

Sega Bodega Calls Out Lil Nas X for Imitating His Single Art: ‘Not Even Trying to Put a Spin on It’

While plenty of Lil Nas X fans are hyping themselves up over his upcoming new single, dance artist Sega Bodega has a few questions for the rapper about one of his promotional photos.

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In a series of posts to his X on Wednesday (Nov. 13), Bodega — who goes by Salvador Navarrete off stage — pointed out the similarities between a photo Lil Nas X shared in conjunction with his new project Dreamboy and the single artwork for Bodega’s 2021 song “Angel on My Shoulder.” “not even trying to put a spin on it is where I’m like yeesh,” Bodega wrote. “anyway stream ‘Angel on my shoulder.’”

Billboard has reached out to Lil Nas X’s representatives for comment.

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In both pictures, the subjects — Bodega and Lil Nas, respectively — sit at a vintage desktop computer in a dimly lit, wood-paneled rooms while a figure made out of light stands just behind them covered in white light. Lil Nas himself pointed out the similarities in a post to his Instagram Stories, sharing the artwork for “Angel on My Should” and calling it a “ref” for his new promotional photo.

When fans pointed out Lil Nas’ Stories post to Bodega, the “Cicada” artist responded that he was still unhappy with the lack of recognition. Responding to one fan who called him “ungrateful” and said that Lil Nas should “remove [his] credit to you,” Bodega said he couldn’t tell “if this is a very good joke or not cause that’s literally what he did ahahah there is no credit.” He added that offering credit “in a photo that will disappear in 24 hours forever and no name whatsoever of artist or photographer [Aidan Zamiri]” wasn’t sufficient.

The artist’s complaint comes just after Lil Nas X’s announced his new album era Dreamboy, and revealed that his next single, “Light Again,” will be debuting on Friday (Nov. 15). In the post where Lil Nas referenced Bodega’s single art, the rapper offered a heartfelt thank you to his fans. “it just dawned on me how lucky i am to have all of you that still f–k with me. bc i know it isn’t always easy,” he wrote.

Check out Sega Bodega’s posts below:

Sorry, Mariah Carey: Jason Kelce Jokes He’s the New ‘Queen of Christmas’ Thanks to Stevie Nicks Duet

Jason Kelce is after Mariah Carey‘s crown. After discovering that his new holiday duet with Stevie Nicks outperformed “All I Want for Christmas Is You” on the iTunes charts this week, the retired Eagles center joked with brother Travis Kelce on New Heights that he’s the new “Queen of Christmas.”

Toward the beginning of the podcast episode posted Wednesday (Nov. 13), the Kansas City Chiefs tight end congratulated his older sibling for having “dethroned” the Songbird Supreme with “Maybe This Christmas,” which debuts at No. 1 on the iTunes Top Christmas Songs 2024 chart and bests Carey’s bestselling holiday classic by one spot. The track — a Ron Sexsmith cover Jason recorded with the Fleetwood Mac frontwoman for The Philly Specials’ upcoming charity Christmas album — dropped Nov. 8.

“[Carey’s] song is as good as it gets when it comes to Christmas music,” Travis began. “Jason, how does it feel to officially be the Queen of Christmas?”

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“You know, I’ve fought my whole life to be the Queen of Christmas,” Jason jokingly replied. “The fact that we’re finally there is just really special.”

The Monday Night Countdown host went on to gush, “It was incredible to work with Stevie Nicks” — a process he recently shared with fans on Instagram via a behind-the-scenes video from the unlikely duo’s recording session. “I’m just still in awe that that actually happened,” he added. “This is really really cool. There is no percent chance any song that I’m in should be streaming No. 1 on any service in any genre.”

In response, Travis teasingly brought the elder Kelce back down to earth. “Well, don’t give yourself too much credit,” he said as Jason laughed. “It’s Stevie Nicks.”

Even so, “All I Want for Christmas” is indeed one of the most successful festive tunes of all time. It’s spent a collective 14 weeks at No. 1 on the Billboard Hot 100 and ranks at No. 1 atop Billboard‘s best Christmas songs list and the Greatest of All Time Holiday 100 Songs listing.

Arriving Nov. 22, A Philly Special Christmas Party will mark the third benefit album from The Philly Specials, which is comprised of Jason and Eagles offensive tackles Lane Johnson and Jordan Mailata. Last year’s A Philly Special Christmas Special raised more than $3 million for charity.

This year, proceeds from the vinyl sales of A Philly Special Christmas Party will go toward the Children’s Crisis Treatment Center’s Holiday Toy Drive, Children’s Hospital of Philadelphia’s Snowflake Station and 87 and Running Foundation, as well as a few other organizations based in Philly.

Watch Jason and Travis talk about the former’s new title above.

Rema and Selena Gomez’s ‘Calm Down’ Remix Video Hits 1 Billion Views on YouTube

Rema and Selena Gomez‘s remix video for the Afrobeats star’s 2022 single, “Calm Down” has crossed the one billion views mark on YouTube. The visual for the song that originally appeared on Nigerian singer Rema’s Feb. 2022 debut studio album, Rave & Roses, got a second life in August of that year when Gomez hopped into the visual for the sultry jam.

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In the video, both singers hang out in a living room with green walls and colorful tapestries, with Gomez dancing seductively behind a beaded curtain and shaking her hips alongside Rema as he sings, “I see this fine girl, for my party, she wear yellow/ Every other girl they dey do too much, but this girl mellow/ Naim, I dey find situation, I go use take tell am ‘Hello’/ Finally, I find way to talk to the girl, but she no wan’ follow.”

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Midway through, Gomez sidles up to Rema and adds, “Yeah, I know I look shy but for you i get down, woah/ And my hips make you cry when I’m moving around you/ Do it once, do it twice/ I push back you hold me tight.” The two then join forces on the chorus: “Baby, show me you can calm down, calm down/ Dance with me and take the lead now, lead now/ Got you so high that you can’t come down, come down” as the action turns to an all-white garage where the pair pose on a vintage roadster.

In addition to crossing the billion mark on YT, the song set all kinds or records during its chart run, including the longest run at the top of Billboard’s U.S. Afrobeats Songs chart and first song in history to spend a year on that chart (currently at 138 weeks) and the record for the first African song to log a whole year (57 weeks total) on the Billboard Hot 100. The song also has the record for the most weeks ever spent on Billboard’s Pop Airplay chart, logging an unprecedented 64 weeks as of Jan. 20 of this year; “Calm Down” bested the previous record-holder, Harry Styles’ “As It Was,” which had 63 week at the top in 2022-2023.

Watch the “Calm Down” remix video below.

LISA of BLACKPINK Hints at New Project With Cyberpunk Teaser & Cryptic Countdown

Something LISA this way comes — but fans aren’t exactly sure what it is yet.

That will all change soon, however, according to a mysterious untitled countdown that has appeared on the BLACKPINK star’s solo website. By Billboard‘s math, the clock will finish ticking down on Nov. 19 — the possible release date of new music from LISA.

LISA also shared a cinematic teaser on X Tuesday morning (Nov. 12), featuring the Thai singer-rapper in an edgy black bodysuit striking poses and playing guitar in a desolate cyberpunk landscape. At one point, she looks up to the sky and summons a neon purple light from the heavens, after which she stares down the camera as magenta sparks fly behind her on a rocky sculpture.

The clip is paired with an instrumental of LISA’s June single “Rockstar,” which reached No. 70 on the Billboard Hot 100 and kicked off the performer’s new solo era. She’s since dropped “New Woman” with Rosalía and “Moonlit Floor (Kiss Me).”

And though they can’t know for sure yet what LISA’s new teaser and countdown are building up to, fans are hopeful a solo album announcement is on its way. “LETS GOOOO ALBUM IS COMING!!!” one person commented on the video, while another fan replied, “im gonna faint we need the album.”

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Some BLINKs are also certain they’ve decoded the project’s title: “Alter Ego,” the phrase printed on a faux magazine starring LISA on the cover in her August music video for “New Woman.” “ALTER EGO????” an excited fan commented under the star’s new teaser Tuesday.

As fans prepare for a new project from LISA, the star is also gearing up to make her acting debut in White Lotus. The 2025 third season of the HBO show will feature the musician as Mook, a resort manager at a hotel in Thailand, as seen in a new trailer, in which LISA greets guests with, “Welcome to The White Lotus in Thailand, ka.”

See LISA’s teaser below.

Real Boston Richey Talks ‘Help Me’ Success, Brushing Off the Haters & Future’s Advice

Zendaya’s Tashi Duncan character in Challengers defined tennis as a relationship. An unexpected tennis star in his own right while growing up in Florida, Real Boston Richey is adjusting to the give and take of his relationship with fame as his rapper profile continues to grow.

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Boston Richey served up a splash with “Help Me” earlier this year, which had fans comparing his motivational anthem to Meek Mill’s “Dreams and Nightmares.”

The MacFly-produced single picked up steam and powered its way to give Richey his first Billboard Hot 100 hit in July. “Help Me” would go on to peak at No. 50 and even cracked the top 10 of the Hot R&B/Hip-Hop Songs chart.

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With burgeoning success on one side for the 27-year-old, he’s also had to tune out the haters on the other shoulder. Detractors have attempted to pepper him with accusations tied to snitching, which even peers have thrown in his direction trying to muddy his project’s rollout.

Through it all, Real Boston Richey is focused on what’s ahead while moving past the allegations and using the haters as fuel to his fire and bricks to “build a house.”

“At first, it made me feel a way. But I had to understand, it’s life,” he admits during a Zoom call with Billboard last week. “You gotta expect curveballs when you’re doing some kind of good. I had to embrace what I was going through. You can’t really say you the best if nobody ever seen you go through something and not make it through.”

After whittling down hundreds of songs to a package of 24, the Free Bandz Gang artist delivered his Richey Rich album on Friday (Nov. 8) featuring GloRilla, Lil Yachty and YTB Fatt. Check out our conversation with Boston Richey below as he goes long on his project, dealing with the haters and gems he’s taken from Future.

Richey Rich — what was the creative process for everything with this album?

Real Boston Richey: Richey Rich is really gonna be one of them ones. I put a lot of time in there. Like, over a year, for real. Most of the project I recorded in Miami. 80 percent there and the rest I did in my city. I put a lot of effort and feelings into this and I feel like this one’s gonna be one of them albums. 

I was gonna touch on what makes this stand out from your other projects. What do you hope people take from it? 

I put a lot of feelings into it. A lot of my thought process. These are the top picks from all of the music I recorded. I done recorded hundreds of songs. These were the best hand-picked songs. 

How tough is that process to whittle it down?

That’s probably the hardest thing in the world for me. That’s probably why I took so long with getting it ready, because I was always indecisive with what I wanted to do. I might have these songs I have this week, and I might go to the studio and be like, “Nah, I don’t wanna use these no more. I like these I just made.” That’s the deal of the situation.

Would you save some for a deluxe?

Yeah, we got bonus tracks for sure coming. 

How did you link with Lil Yachty?

He had hit me on Instagram. A month or two later I was in [Atlanta] so I had pulled up to the studio they was at. We was just in there vibing and listening to beats. We went to record and did probably seven songs that night. 

When did you link up with GloRilla? She’s had a good run this year. You guys went to Magic City to shoot the video too. 

I had dropped “The Type” with [YTB Fatt] and she had wrote me like, “You hard, man, I wanna work with you.” I’m like, “Hell yeah, we gotta do something.” We didn’t make it until two or three months later and we were in Miami and I went to her studio session. I think she was working on her album or mixtape if I’m not mistaken. She was bringing up music and I had jumped on one of her songs.

Then she was like, “Play me some of your s–t!” I was playing some of my music and she was really supposed to get on another song I had. She had walked out the room and her brother had heard “Get in There.” Her brother was like, “Oh nah, this the one right here.” Soon as she walked back in, I played it again and they all went crazy. She went in there and did her verse like, “Tell me if y’all don’t like it.” They played it and her verse and the whole studio went crazy. “You slid on that b—h, ya feel me?” 

That’s crazy she wasn’t that confident in it. 

Yeah, she was like, “Tell me if this hard.” Her whole studio went crazy like, “This is the one.”

We gotta talk about “Help Me,” your first Billboard Hot 100 hit. I think it’s reached No. 50. Talk about creating that record and seeing the heights it’s gone to.

When I heard that beat, the beat was telling me, saying, “Help me.” I had both my phone around and got a new phone. I told my engineer send me the new music I recorded. I literally had forgot about it. One day, we was on the road and my brother was in the car and played the car when everyone was asleep. Everyone woke up like, “What this is?!”

We went and shot the video that same night. Everyone was going crazy about it. I played a little snippet at one of my shows and it was going crazy on Instagram. We still had not dropped it until two months later. We were pushing the music and little snippets on the Gram so they were anticipating it for real. 

So then it drops and it makes the Hot 100. What was your reaction to that?

Really just motivated me to know that as long as I apply myself and do the right thing I’m supposed to do I could really be somebody. I could really have a hit song. It motivated me to stay in that mode and keep going and doing what I’m supposed to do.

I saw people saying “Help Me” was the new “Dreams and Nightmares.” What do you think about that?

Nah, for sure. It kinda made me feel good. Comparing my song to “Dreams and Nightmares” – that’s been a banger for years and years. I still go to the club to this day and they play, it and it still gets that reaction same to when I first heard “Dreams and Nightmares.” For them to compare my song to that, it made me feel great.

With the success comes the hate. Do you feel like the snitching allegations were thrown at you to derail you?

At first, it made me feel a way. But I had to understand, it’s life. You gotta expect curveballs when you’re doing some kind of good. I had to embrace what I was going through. You can’t really say you the best if nobody ever seen you go through something and not make it through. I used it as gas to my fire, and really learn how to overcome and get through to show people I’m really one of them ones. These days, I just learned to use the bricks people throw at me to build a house. 

Can you clear up anything around that situation?

Nah, it was just some bulls–t. It wasn’t on really nothing. I’m not really into it. I can’t explain no street s–t once I’m past it. I’m an artist now. If you ain’t from my city, you ain’t never gonna understand it. I’m here to prove no points to people. I’m still the biggest in my city, and I’m still active in my city… I don’t really be worrying about what a person got to say about me on the internet that don’t know me or don’t know where I’m coming, for real. 

Signing to Future, what’s the communication there? What are your last conversations?

My last conversation, he hit me about “Help Me” saying how the song was amazing and s–t like that. Just how I did and how I overcome the bulls–t. Basically saying, like, “Damn boy, you got a a hit on your hands. Keep going.”

They listened to my project first-hand. I know when they send a song like, “This the one.” I just know not to question it. They helped me pick my Public Housing one. So when they tell me, “This the one, tweak this or do this with it.” I just understand and listen. They got hits on hits. When they tell me to do something different with a song, I just be listening and go with it. 

I was looking into hobbies you had outside of rap and I saw you were into tennis. Did you play growing up?

I got championship trophies from tennis, man. I’m raw at tennis. I ain’t wanna be no tennis player or nothing. My mom didn’t want us hanging out after school, so she thought, “I’ma put y’all in sports.” I’m thinking she’s gonna put us in football or basketball or something like that. I remember one Sunday morning she woke us up like, “We going to practice.”

We drove an hour away – me and my brother looking like, “What is this?” She like, “Y’all finna play tennis. Y’all thought you were gonna play football and be around the same boys y’all had?” We did, and it grew to something me and my brother actually liked, and we won a championship too. 

Do you pick up the racket these days?

That was more growing up, but I know I could still be raw at it if I wanted to.  

What’s your dream collaboration?

Bad Bunny or something like that. 

What was the rap scene growing up in Tallahassee? Did you ever get to meet T-Pain?

Yeah, I met T-Pain before. Me and T-Pain from the same hood… The rap scene s–t, when I think about back in the day, I really wasn’t big on the rap scene. My influence on music was heavy through my cousin. He passed away, but that’s who had me rapping through the years after he passed. My influence on music was dictated through what he liked because he’d be the one like, “Ay cuz, you gotta go listen to this new Thug.” He was the type of person that kept me rooted and grounded on music. I wasn’t big on music. I ain’t never wanted to rap or nothing like that. 

What’s your album of the year so far outside of your own?

If I gotta say the album of the year, I probably gotta say I been bumping that We Still Don’t Trust You. I been bumping that the most. I ain’t gonna lie. A lot of times I be bumping my own s–t, but outside of that, that’s probably what I listen to the most.

Any goals for 2025 coming up?

One of my biggest goals is going on my own tour – just me in 2025. That’s what I’m working toward more than anything. That’s what I want to do and really spread my wings and show people I could do it myself. The greater me for real. 

Flo Milli Addresses Pregnancy Rumors Following Viral Clip: ‘Damn I Can’t Be Bloated’

Congratulations may be in order for Flo Milli as she appeared to show off a baby bump, but she’s pumping the breaks on a pregnancy reveal.

The “Never Lose Me” rapper posted an Instagram clip previewing an upcoming song sampling T-Pain’s “I’m In Luv (Wit a Stripper)” bop on Tuesday night (Nov. 12). However, Flo’s comments section was filled with peers and fans commenting about her belly in the clip, which featured a man rubbing what appeared to be a baby bump.

“FLO WAIT WAIT THIS ALOT RN,” Sexyy Red wrote. “You look pretty asf bihhhhhh!”

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Megan Thee Stallion added, “My girllll!”

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Coi Leray, Lady London, Nelly Furtado, Anycia, Baby Tate, Saucy Santana and more chimed in, sending Flo their love and congratulatory messages.

Shortly after the comments poured in, Flo Milli threw fans a curveball when addressing the pregnancy rumors, claiming to be “bloated” on X.

“Damn I can’t be bloated????” she asked.

A fan fired back, “WE SAW YOU RUB IT!”

Billboard has reached out to reps for Flo Milli for comment.

It’s been a banner year for the 23-year-old. Her “Never Lose Me” anthem caught fire and broke through onto the Billboard Hot 100, where it peaked inside the top 20 (No. 18).

Flo released her Find Ho, Stay sophomore album in March, which reached No. 54 on the Billboard 200 and hit the top 20 of the Top R&B/Hip-Hop Albums chart. More recently, Flo Milli connected with Skepta for their woozy “Why Lie?” collaboration in October.

Find both posts from Flo Milli below.