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Celine Dion just wants to listen to her new single! The legendary vocalist uploaded a hilarious video to her Instagram on Tuesday (Nov. 12), in which she asks Siri on her iPhone to play her cover of Édith Piaf’s “Hymne à L’Amour,” released as a single last month. During her first attempt, Siri responds, “I […]
The negative response to the song “+57” by Karol G, J Balvin, Maluma, Feid, Blessd, Ryan Castro and DFZM has led to a lyric change on YouTube, where, in the video, they now sing “a hot mama since she was 18” instead of “14.”
Although it’s unclear who requested the update, the change on the video streaming platform appeared on Wednesday (Nov. 13), after the controversy over the lyrics reached the Colombian Congress, where a group of politicians asked the Colombian Institute of Family Welfare (ICBF) to summon the authors of the song for a training on the problem of sexual violence in the country.
At press time, the song’s lyrics have not been updated on Spotify or Apple Music. Billboard has also reached out to YouTube for comment.
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According to local newspaper El Tiempo, congresswomen Sonia Bernal (Pacto Histórico) and Karina Espinosa (Partido Liberal) criticized the reggaeton song for lyrics that they consider sexualizing minors (one verse mentions a woman who has been a “mamacita” since she was 14 years old), and even announced that they will present a bill called “decent lyrics,” with which they seek sanctions for those who write songs with explicit content that could be interpreted as a violent reference against women and girls.
Since its release Nov. 7, the track has received a barrage of criticism. Rolling Stone En Español published an article titled “The Disaster of +’57′,” which Colombian President Gustavo Petro shared on his X account expressing that “it’s OK to have a cultural debate.” And the ICBF issued a statement saying that the song “reinforces the sexualization of childhood in our country” and that it “does not contribute to our fight against the commercial sexual exploitation of children and adolescents.”
On Monday (Nov. 11), Karol gave a lengthy response to the criticism and apologized, saying, “I still have a lot to learn.”
“+57,” whose title is the international phone code for Colombia, was produced by hitmaker Ovy on the Drums and written by all of the aforementioned artists along with Keityn and newcomer DFZM. The name of the song, and the union of these superstars, had caused anticipation among fans, who were anticipating a new reggaeton anthem for Colombia.
See the original lyrics to “+57” translated to English below:
Colombia, gangO-O-Ovy on the DrumsWhoa
She told her boyfriend that she was going to sleep now.But her friend damaged her mind12:30 and she started putting on makeupSaid she’d arrive in 20She turned off her cell phone to avoid getting caughtThe baby is bad, but smart, yeah
And although that baby has an ownerShe goes out whenever she wantsThe weed is starting to workAnd she was twerking that drunkennessPass the drinks mouth to mouthShe rolls it up and turns it onAnd if they ask her if she has a boyfriend, it depends” (wow)
What we have here is exotic, pills, aguardiente, HpnotiqA chill party, I offer you somethingDrinking, you’re dangerous, they’re not going to catch you
A hot mama since she was 14She enters the disco and you feel the energyMami, I’ll take these shots for youThat, back there, is huge, delicate, pick it up, let it hold
Hot mama since she was 14She enters the disco and you feel the energyMami, I’ll take these shots for youThere is a lot of load below, there is no room for your butt in the car
She has all the codes (oh)Listens to 2Pac and that ass is notoriousI pour the Oreo cream on her abdomen (nasty)To spend it at the strip clubThey don’t even put her on the cover of Q’hubo
Big ass, big ass (awo)Machine shorts so that all that is noticed (tra-tra)I say all the right things so he takes his clothes off
I save your PIN on the BlackBerryIf she has a hit, i’m the remixThat little mouth, to give it some kisses (aha)I called her so that boom, so that boom (yeah)
And although that baby has an ownerShe goes out whenever she wants (ah-ah-ah)The weed is starting to workAnd she was twerking that drunkennessPass the drinks mouth to mouthShe rolls it up and turns it onAnd if they ask her if she has a boyfriend, it depends.
The ass is hers and, therefore, it turns on (Zaga!)She knows who she deals withHe seems innocent, those little eyes lieAnd the kitten has it, it depends
Sucking hottie, mamacita, she’s easy (hey)At the disco she is never in the chair (no)For good luck, yellow thongPrettified in case someone catches her
Sucking hottie, mamacita, esa grillaAt the disco she is never in the chairFor good luck, yellow thongPrettified in case someone catches her
Hat on, conceited (does she know?)So that it turns out great for you (ha, ha)That smile on her little mouth confirmsThat little ass of yours is mine with a seal and signatureIf the boyfriend is late, apply the same to him (ha ha)
Because I’ll break itAnd that guy next to me is a mere foolIf the firecracker is too crazy, I’ll ride itBecause in Medallo I’m like Drake in Toronto
Da-da-da-give me location, give me time and I’ll get to youShe looks at me and I give it all to her, she doesn’t want a weddingShe says to eat quietly and eat blindSex has a code, money beats pretty
She has her thing, she doesn’t want to play (ah-ah-ah)She wants to stay with meThe real deal is talking to me, you’re playing FederballIt’s 11:00 PM, take that ass out for a walk
Break, break, break and give it everything, ma, don’t let anyone stop youOrder one from Ovy on the Drums, the ‘boyfriend’ is not worth itAt the disco, marijuana, drink and pullYour boyfriend, the funny one, let him stop and get off
Wants to feel like a womanThere is no drink that is worth it, there is no positive energy that comes out to herShe wants to feel that she is beautiful again (ha ha, do you know, my love?)
And although that baby has an ownerShe goes out whenever she wants (she wants)The weed is working and she is twerking that drunknessPass the drinks mouth to mouth (mouth)She rolls it up (rolls it up), and turns it onAnd if they ask her if she has a boyfriend, it depends, yah
Karol G-G, La Bichota (yeah)Feid, FERXXO (wow) Let’s goMaluma, Don Juan, yeahBlessed, do you know?
Awo (pu-pu-pum), Ryan CastroDF, Latino gang, gangColombia gang-gangJ Balvin, man, manLet’s go, yeah (baby)
Ovy on the DrumsOvy on the drums, mami, mami, mamiKeityn, in the spotlightColombia gang-gang, yeahOh, Hail MaryHa, how cool
Fans just got their longest tastes yet of two highly anticipated Wicked performances from stars Ariana Grande and Cynthia Erivo, with the film sharing extended looks at the former’s “Popular” and the latter’s “The Wizard & I” Wednesday (Nov. 13).
Accompanied by a visual lyric display, the “Popular” video finds the pop star as Glinda, frenziedly dressing up the Pinocchio actress’ perplexed Elphaba in pink accessories. “Don’t be offended by my frank analysis/ Think of it as personality dialysis,” she sings on the signature track, originally performed by Kristin Chenoweth on Broadway. “Now that I’ve chosen to become a pal/ A sister and adviser, there’s nobody wiser/ Not when it comes to popular.”
In the “Wizard & I” video, Erivo roams the campus of Shiz University and explores the Ozian outdoors while belting out the hopeful ballad, adding her own custom riffs. (Sorry, Wicked superfans, it looks like you’ll have to wait for the full movie to hear her take on the track’s famous final high note.)
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“When I meet the Wizard/ Once I prove my worth/ And then I meet the Wizard/ What I’ve waited for since, since birth,” she sings, making the Idina Menzel-originated song her own. “He’ll say to me I see who you truly are/ A girl on whom I can rely/ And that’s how we’ll begin/ The Wizard and I.”
The new videos come just nine days ahead of the premiere of Wicked Part 1, which hits theaters Nov. 22. Part 2 will arrive one year later. Leading up to the movie’s theatrical release worldwide, the two stars — and the rest of the Wicked cast — have been traveling to various premieres, most recently greeting fans on the red carpet in Mexico City Monday (Nov. 11).
As sampled in the newly released performance videos, both Grande and Erivo sang live vocals on the set of Wicked. “When we were shooting it, those girls were like, ‘F–k the pre-records,” Chu recalled in a March Vanity Fair interview. “We’re going live.’”
Watch Grande sing “Popular” above, and see Erivo perform “The Wizard and I” below.
50 Cent is a menace when it comes to his social media antics. While 50 and Busta Rhymes are good friends, they roasted each other in a hilarious back-and-forth on Instagram on Tuesday (Nov. 12), which focused on their hairstyle botches of the past.
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50 lit the fuse after seeing Busta’s hair looking darker than usual, and the G-Unit boss accused the “Touch It” rapper of using some colored paint.
“Nah why crazy s–t be happening and [ninja emoji]’s don’t say nothing,” he wrote before including a photo of Fat Joe’s Rewind 10 beard-coloring brand. “I think @fatjoe, Khaled and Tyson need to intervene here. Lol WTF.”
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50 said: “How this n—a Busta paint his whole hair on? How the f–k you let him go outside looking like that, Joe?”
Busta isn’t one to back down and he quickly returned fire with a photo of 50 from several years ago appearing to grow his hair out with some curls at the time. “WHEN YOU GOT THIS TYPE A CRAZY SHT GOIN AND NOBODY IS SAYING NOTHING,” he wrote. “WHAT TYPE ADVISORS YOU LISTENING TO BRUH??? WHAT THE FK IN A 100 JARS OF TCB GEL TYPE SHT IS THIS MY N—A?? @50cent C’MON MAN!! BY THE WAY FIF, THIS S–T LOOK LIKE YA JERRY CURL STINK TOO BRUDDAH!!”
The Queens rap legend then upped the score, calling out Busta Rhymes for having a “leather lineup.” “N—s always gotta one-up me, right? Have one up on me and s–t. I get a banging leather jacket and this n—a Busta get a leather lineup,” he quipped.
Busta Rhymes appeared to get the last word in when he posted a screenshot of a bald and malnourished 50 from his role in 2011’s All Things Fall Apart flick. “THE BLESSINGS DON’T STOP SO WE AIN’T NEVER GONNA STOP,” Busta added. “DAMN @50cent YOU WAS MY #1 CUSTI WHEN I USED TO SELL CRACK HOMIE. DAMN YOUR HAIR LINE BEEN FUCKED UP SINCE THEN BRUH!!”
Of course, Busta and 50 are close and this is all in good fun. Busta Rhymes opened up for 50 on his lucrative Final Lap Tour in 2023, which eclipsed $100 million in earnings and made him the second rapper ever to do so at the time.
See some of the posts in their back-and-forth below:
While plenty of Lil Nas X fans are hyping themselves up over his upcoming new single, dance artist Sega Bodega has a few questions for the rapper about one of his promotional photos. Explore Explore See latest videos, charts and news See latest videos, charts and news In a series of posts to his X […]
Jason Kelce is after Mariah Carey‘s crown. After discovering that his new holiday duet with Stevie Nicks outperformed “All I Want for Christmas Is You” on the iTunes charts this week, the retired Eagles center joked with brother Travis Kelce on New Heights that he’s the new “Queen of Christmas.”
Toward the beginning of the podcast episode posted Wednesday (Nov. 13), the Kansas City Chiefs tight end congratulated his older sibling for having “dethroned” the Songbird Supreme with “Maybe This Christmas,” which debuts at No. 1 on the iTunes Top Christmas Songs 2024 chart and bests Carey’s bestselling holiday classic by one spot. The track — a Ron Sexsmith cover Jason recorded with the Fleetwood Mac frontwoman for The Philly Specials’ upcoming charity Christmas album — dropped Nov. 8.
“[Carey’s] song is as good as it gets when it comes to Christmas music,” Travis began. “Jason, how does it feel to officially be the Queen of Christmas?”
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“You know, I’ve fought my whole life to be the Queen of Christmas,” Jason jokingly replied. “The fact that we’re finally there is just really special.”
The Monday Night Countdown host went on to gush, “It was incredible to work with Stevie Nicks” — a process he recently shared with fans on Instagram via a behind-the-scenes video from the unlikely duo’s recording session. “I’m just still in awe that that actually happened,” he added. “This is really really cool. There is no percent chance any song that I’m in should be streaming No. 1 on any service in any genre.”
In response, Travis teasingly brought the elder Kelce back down to earth. “Well, don’t give yourself too much credit,” he said as Jason laughed. “It’s Stevie Nicks.”
Even so, “All I Want for Christmas” is indeed one of the most successful festive tunes of all time. It’s spent a collective 14 weeks at No. 1 on the Billboard Hot 100 and ranks at No. 1 atop Billboard‘s best Christmas songs list and the Greatest of All Time Holiday 100 Songs listing.
Arriving Nov. 22, A Philly Special Christmas Party will mark the third benefit album from The Philly Specials, which is comprised of Jason and Eagles offensive tackles Lane Johnson and Jordan Mailata. Last year’s A Philly Special Christmas Special raised more than $3 million for charity.
This year, proceeds from the vinyl sales of A Philly Special Christmas Party will go toward the Children’s Crisis Treatment Center’s Holiday Toy Drive, Children’s Hospital of Philadelphia’s Snowflake Station and 87 and Running Foundation, as well as a few other organizations based in Philly.
Watch Jason and Travis talk about the former’s new title above.
Rema and Selena Gomez‘s remix video for the Afrobeats star’s 2022 single, “Calm Down” has crossed the one billion views mark on YouTube. The visual for the song that originally appeared on Nigerian singer Rema’s Feb. 2022 debut studio album, Rave & Roses, got a second life in August of that year when Gomez hopped into the visual for the sultry jam.
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In the video, both singers hang out in a living room with green walls and colorful tapestries, with Gomez dancing seductively behind a beaded curtain and shaking her hips alongside Rema as he sings, “I see this fine girl, for my party, she wear yellow/ Every other girl they dey do too much, but this girl mellow/ Naim, I dey find situation, I go use take tell am ‘Hello’/ Finally, I find way to talk to the girl, but she no wan’ follow.”
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Midway through, Gomez sidles up to Rema and adds, “Yeah, I know I look shy but for you i get down, woah/ And my hips make you cry when I’m moving around you/ Do it once, do it twice/ I push back you hold me tight.” The two then join forces on the chorus: “Baby, show me you can calm down, calm down/ Dance with me and take the lead now, lead now/ Got you so high that you can’t come down, come down” as the action turns to an all-white garage where the pair pose on a vintage roadster.
In addition to crossing the billion mark on YT, the song set all kinds or records during its chart run, including the longest run at the top of Billboard’s U.S. Afrobeats Songs chart and first song in history to spend a year on that chart (currently at 138 weeks) and the record for the first African song to log a whole year (57 weeks total) on the Billboard Hot 100. The song also has the record for the most weeks ever spent on Billboard’s Pop Airplay chart, logging an unprecedented 64 weeks as of Jan. 20 of this year; “Calm Down” bested the previous record-holder, Harry Styles’ “As It Was,” which had 63 week at the top in 2022-2023.
Watch the “Calm Down” remix video below.
Something LISA this way comes — but fans aren’t exactly sure what it is yet. That will all change soon, however, according to a mysterious untitled countdown that has appeared on the BLACKPINK star’s solo website. By Billboard‘s math, the clock will finish ticking down on Nov. 19 — the possible release date of new […]
Zendaya’s Tashi Duncan character in Challengers defined tennis as a relationship. An unexpected tennis star in his own right while growing up in Florida, Real Boston Richey is adjusting to the give and take of his relationship with fame as his rapper profile continues to grow.
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Boston Richey served up a splash with “Help Me” earlier this year, which had fans comparing his motivational anthem to Meek Mill’s “Dreams and Nightmares.”
The MacFly-produced single picked up steam and powered its way to give Richey his first Billboard Hot 100 hit in July. “Help Me” would go on to peak at No. 50 and even cracked the top 10 of the Hot R&B/Hip-Hop Songs chart.
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With burgeoning success on one side for the 27-year-old, he’s also had to tune out the haters on the other shoulder. Detractors have attempted to pepper him with accusations tied to snitching, which even peers have thrown in his direction trying to muddy his project’s rollout.
Through it all, Real Boston Richey is focused on what’s ahead while moving past the allegations and using the haters as fuel to his fire and bricks to “build a house.”
“At first, it made me feel a way. But I had to understand, it’s life,” he admits during a Zoom call with Billboard last week. “You gotta expect curveballs when you’re doing some kind of good. I had to embrace what I was going through. You can’t really say you the best if nobody ever seen you go through something and not make it through.”
After whittling down hundreds of songs to a package of 24, the Free Bandz Gang artist delivered his Richey Rich album on Friday (Nov. 8) featuring GloRilla, Lil Yachty and YTB Fatt. Check out our conversation with Boston Richey below as he goes long on his project, dealing with the haters and gems he’s taken from Future.
Richey Rich — what was the creative process for everything with this album?
Real Boston Richey: Richey Rich is really gonna be one of them ones. I put a lot of time in there. Like, over a year, for real. Most of the project I recorded in Miami. 80 percent there and the rest I did in my city. I put a lot of effort and feelings into this and I feel like this one’s gonna be one of them albums.
I was gonna touch on what makes this stand out from your other projects. What do you hope people take from it?
I put a lot of feelings into it. A lot of my thought process. These are the top picks from all of the music I recorded. I done recorded hundreds of songs. These were the best hand-picked songs.
How tough is that process to whittle it down?
That’s probably the hardest thing in the world for me. That’s probably why I took so long with getting it ready, because I was always indecisive with what I wanted to do. I might have these songs I have this week, and I might go to the studio and be like, “Nah, I don’t wanna use these no more. I like these I just made.” That’s the deal of the situation.
Would you save some for a deluxe?
Yeah, we got bonus tracks for sure coming.
How did you link with Lil Yachty?
He had hit me on Instagram. A month or two later I was in [Atlanta] so I had pulled up to the studio they was at. We was just in there vibing and listening to beats. We went to record and did probably seven songs that night.
When did you link up with GloRilla? She’s had a good run this year. You guys went to Magic City to shoot the video too.
I had dropped “The Type” with [YTB Fatt] and she had wrote me like, “You hard, man, I wanna work with you.” I’m like, “Hell yeah, we gotta do something.” We didn’t make it until two or three months later and we were in Miami and I went to her studio session. I think she was working on her album or mixtape if I’m not mistaken. She was bringing up music and I had jumped on one of her songs.
Then she was like, “Play me some of your s–t!” I was playing some of my music and she was really supposed to get on another song I had. She had walked out the room and her brother had heard “Get in There.” Her brother was like, “Oh nah, this the one right here.” Soon as she walked back in, I played it again and they all went crazy. She went in there and did her verse like, “Tell me if y’all don’t like it.” They played it and her verse and the whole studio went crazy. “You slid on that b—h, ya feel me?”
That’s crazy she wasn’t that confident in it.
Yeah, she was like, “Tell me if this hard.” Her whole studio went crazy like, “This is the one.”
We gotta talk about “Help Me,” your first Billboard Hot 100 hit. I think it’s reached No. 50. Talk about creating that record and seeing the heights it’s gone to.
When I heard that beat, the beat was telling me, saying, “Help me.” I had both my phone around and got a new phone. I told my engineer send me the new music I recorded. I literally had forgot about it. One day, we was on the road and my brother was in the car and played the car when everyone was asleep. Everyone woke up like, “What this is?!”
We went and shot the video that same night. Everyone was going crazy about it. I played a little snippet at one of my shows and it was going crazy on Instagram. We still had not dropped it until two months later. We were pushing the music and little snippets on the Gram so they were anticipating it for real.
So then it drops and it makes the Hot 100. What was your reaction to that?
Really just motivated me to know that as long as I apply myself and do the right thing I’m supposed to do I could really be somebody. I could really have a hit song. It motivated me to stay in that mode and keep going and doing what I’m supposed to do.
I saw people saying “Help Me” was the new “Dreams and Nightmares.” What do you think about that?
Nah, for sure. It kinda made me feel good. Comparing my song to “Dreams and Nightmares” – that’s been a banger for years and years. I still go to the club to this day and they play, it and it still gets that reaction same to when I first heard “Dreams and Nightmares.” For them to compare my song to that, it made me feel great.
With the success comes the hate. Do you feel like the snitching allegations were thrown at you to derail you?
At first, it made me feel a way. But I had to understand, it’s life. You gotta expect curveballs when you’re doing some kind of good. I had to embrace what I was going through. You can’t really say you the best if nobody ever seen you go through something and not make it through. I used it as gas to my fire, and really learn how to overcome and get through to show people I’m really one of them ones. These days, I just learned to use the bricks people throw at me to build a house.
Can you clear up anything around that situation?
Nah, it was just some bulls–t. It wasn’t on really nothing. I’m not really into it. I can’t explain no street s–t once I’m past it. I’m an artist now. If you ain’t from my city, you ain’t never gonna understand it. I’m here to prove no points to people. I’m still the biggest in my city, and I’m still active in my city… I don’t really be worrying about what a person got to say about me on the internet that don’t know me or don’t know where I’m coming, for real.
Signing to Future, what’s the communication there? What are your last conversations?
My last conversation, he hit me about “Help Me” saying how the song was amazing and s–t like that. Just how I did and how I overcome the bulls–t. Basically saying, like, “Damn boy, you got a a hit on your hands. Keep going.”
They listened to my project first-hand. I know when they send a song like, “This the one.” I just know not to question it. They helped me pick my Public Housing one. So when they tell me, “This the one, tweak this or do this with it.” I just understand and listen. They got hits on hits. When they tell me to do something different with a song, I just be listening and go with it.
I was looking into hobbies you had outside of rap and I saw you were into tennis. Did you play growing up?
I got championship trophies from tennis, man. I’m raw at tennis. I ain’t wanna be no tennis player or nothing. My mom didn’t want us hanging out after school, so she thought, “I’ma put y’all in sports.” I’m thinking she’s gonna put us in football or basketball or something like that. I remember one Sunday morning she woke us up like, “We going to practice.”
We drove an hour away – me and my brother looking like, “What is this?” She like, “Y’all finna play tennis. Y’all thought you were gonna play football and be around the same boys y’all had?” We did, and it grew to something me and my brother actually liked, and we won a championship too.
Do you pick up the racket these days?
That was more growing up, but I know I could still be raw at it if I wanted to.
What’s your dream collaboration?
Bad Bunny or something like that.
What was the rap scene growing up in Tallahassee? Did you ever get to meet T-Pain?
Yeah, I met T-Pain before. Me and T-Pain from the same hood… The rap scene s–t, when I think about back in the day, I really wasn’t big on the rap scene. My influence on music was heavy through my cousin. He passed away, but that’s who had me rapping through the years after he passed. My influence on music was dictated through what he liked because he’d be the one like, “Ay cuz, you gotta go listen to this new Thug.” He was the type of person that kept me rooted and grounded on music. I wasn’t big on music. I ain’t never wanted to rap or nothing like that.
What’s your album of the year so far outside of your own?
If I gotta say the album of the year, I probably gotta say I been bumping that We Still Don’t Trust You. I been bumping that the most. I ain’t gonna lie. A lot of times I be bumping my own s–t, but outside of that, that’s probably what I listen to the most.
Any goals for 2025 coming up?
One of my biggest goals is going on my own tour – just me in 2025. That’s what I’m working toward more than anything. That’s what I want to do and really spread my wings and show people I could do it myself. The greater me for real.
Congratulations may be in order for Flo Milli as she appeared to show off a baby bump, but she’s pumping the breaks on a pregnancy reveal.
The “Never Lose Me” rapper posted an Instagram clip previewing an upcoming song sampling T-Pain’s “I’m In Luv (Wit a Stripper)” bop on Tuesday night (Nov. 12). However, Flo’s comments section was filled with peers and fans commenting about her belly in the clip, which featured a man rubbing what appeared to be a baby bump.
“FLO WAIT WAIT THIS ALOT RN,” Sexyy Red wrote. “You look pretty asf bihhhhhh!”
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Megan Thee Stallion added, “My girllll!”
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Coi Leray, Lady London, Nelly Furtado, Anycia, Baby Tate, Saucy Santana and more chimed in, sending Flo their love and congratulatory messages.
Shortly after the comments poured in, Flo Milli threw fans a curveball when addressing the pregnancy rumors, claiming to be “bloated” on X.
“Damn I can’t be bloated????” she asked.
A fan fired back, “WE SAW YOU RUB IT!”
Billboard has reached out to reps for Flo Milli for comment.
It’s been a banner year for the 23-year-old. Her “Never Lose Me” anthem caught fire and broke through onto the Billboard Hot 100, where it peaked inside the top 20 (No. 18).
Flo released her Find Ho, Stay sophomore album in March, which reached No. 54 on the Billboard 200 and hit the top 20 of the Top R&B/Hip-Hop Albums chart. More recently, Flo Milli connected with Skepta for their woozy “Why Lie?” collaboration in October.
Find both posts from Flo Milli below.
