Music News

Jack Harlow Gets Flirty on CCTV in New ‘Hello Miss Johnson’ Video

“Hello Miss Johnson,” Jack Harlow’s calling. The rapper unveiled his latest single on Thursday (Nov. 21), and dropped an accompanying video that all plays out on security footage.

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The clip, which presents itself via CCTV on Harlow’s love interest’s home in a suburban neighborhood, features the Grammy-nominated artist walking up to the front door, getting touchy and flirty with Miss Johnson’s daughter, and delivering grand romantic gestures as havoc goes down on the street behind them. “Hello, Miss Johnson, you know why I’m callin’/ You know I’ve been fallin’, fallin’ for your daughter/ I think about her often, correct mе if I’m wrong, but/ Was it you that gave the eyеs to her I be lost in?/ Thought so,” he proclaims on the hook.

“Hello Miss Johnson” marks Harlow’s first single since 2023’s “Lovin on Me,” which topped the Billboard Hot 100 for six weeks. While he’s been laying low for most of 2024, he teased his next musical era last month during a performance at New York City’s Brooklyn Paramount. “I do got some very special s— on the way,” he told the crowd, later adding, “Next time I see you, we gonna have something to talk about.”

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The “Whats Poppin” superstar surprise-dropped his third studio album, Jackman, in April 2023, and the project peaked at No. 8 on the Billboard 200, his third top 10 on the tally. The LP also marked Harlow’s first No. 1 on Billboard’s Top Rap Albums chart.

Watch Jack Harlow’s “Hello Miss Johnson” music video below.

Boy George Regrets His Hurtful Comments About Liam Payne Days Before His Death: ‘Wasn’t Very Nice’

With the music world still grieving the loss of One Direction member Liam Payne, Culture Club frontman Boy George is taking some accountability for comments he made about the late singer.

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In the latest episode of the High Performance podcast, George expressed his regret over comments he left on a post of one of Payne’s performances. “I’d actually put a message under a post saying ‘he’s off his nut,’ which wasn’t very nice,” the “Karma Chameleon” singer said. “But I felt it. I felt like he was out of control.”

George continued, saying once he’d learned of the singer’s death, he was “hit” in a similar way to when Amy Winehouse passed in 2011. “It felt so senseless. I was up at five in the morning, and it came up on the American news, and I was literally just like, ‘What the f–k,’” he said. “Like, ‘No, this isn’t real,’ I could not take it in, and I think everybody felt like that.”

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The singer added his anger and frustration with some of the comments he read after he posted a short tribute to the singer on his Instagram. “Someone tweeted at me, ‘Oh, you only care because he’s good looking,’ and I was like, ‘F–k off,’” he said. “You’re an idiot … no, actually, I care about his family. I watched his dad [greet fans after Payne’s death], heartbreaking.”

Payne was laid to rest in a private funeral on Wednesday (Nov. 20). Among those in attendance were Payne’s former One Direction bandmates Harry Styles, Louis Tomlinson, Niall Horan and Zayn Malik, along with The X Factor host Simon Cowell and former late-night host James Corden.

Watch the full episode featuring Boy George below:

Billie Eilish Named Apple Music’s 2024 Artist of the Year

Billie Eilish is wrapping up 2024 with a major honor, as the nine-time Grammy winner was named Apple Music’s 2024 Artist of the Year on Thursday (Nov. 21).

“Since day one, Apple Music has supported my music and artistry, and I am both honored and humbled to receive this recognition as Artist of the Year this many years into my career,” Eilish said in a statement of the news.

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Rachel Newman, Apple Music’s senior director of content and editorial, added, “From the moment we first heard ‘Ocean Eyes’ nearly a decade ago, we’ve been fans and champions of Billie’s work. It’s always special when a young artist can connect with so many people so quickly. But what’s been truly remarkable about watching her evolve over the course of this last year isn’t just that her voice and artistry have continued to resonate so widely. It’s that she’s blossomed as bravely and honestly as she has — on her own terms, in her own way.”

It’s been a groundbreaking year for Eilish, who kicked off 2024 with two Grammy wins for her Barbie track, “What Was I Made For?,” in the song of the year and best song written for visual media categories. She dropped her third studio album, Hit Me Hard and Soft, in May, and upon release, the album soared to No. 1 on Apple Music’s all-genre albums chart in 138 countries worldwide. The project also hit No. 2 on the all-genre Billboard 200 albums chart, and featured hits like “Lunch” and “Birds of a Feather.”

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Going into 2025, she’s nominated for seven Grammys. Hit Me Hard and Soft is up for album of the year and best pop vocal album, while “Birds of a Feather” snagged nominations for record of the year, song of the year and best pop solo performance. The “Over Now Extended Edit” of “L’Amour De Ma Vie” is nominated for best dance pop recording, while her Charli XCX “Guess” collaboration received a nod for best pop duo/group performance.

U.K Rap Stars AJ Tracey & Pozer Team Up on Fiery New Single ‘Heaterz’

AJ Tracey and Pozer, two of U.K. rap’s most in-demand names, have joined forces on new single “Heaterz.” Released via west London rapper AJ’s own label, Revenge Records, the track samples “Gunshot Riddim” by pioneering grime producer Ironsoul.

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“Heaterz” forms part of an ongoing wave of singles from AJ throughout 2024, following Bubble Bath,” and “Joga Bonito.” The 30-year-old’s last full-length effort arrived in the form of 2021’s Flu Game album, which featured guest appearances from the likes of Kehlani, Mabel and T-Pain. The record peaked at No. 2 on the U.K.’s Official Albums Chart.

Pozer, meanwhile, has enjoyed a breakthrough year. In April, the Croydon artist – who mixes drill with Jersey club and grime influences – made chart history in the U.K. by becoming the first British rapper to chart his first two singles simultaneously (“Kitchen Stove,” “Malicious Intentions”). He has since gone on to make his television debut via an appearance on Later… With Jools Holland and has earned co-signs from U.K. rap stalwarts Dave, K-Trap and Skepta, among others.

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Accompanying the release of “Heaterz” is a striking music video directed by Latemilk, who has worked with AJ across various projects in the past. The clip was filmed in London and captures the pace and intensity of the capital’s street culture.

Having gained attention through pirate radio sessions as a teenager, AJ first broke into the mainstream with his Secure The Bag! EP in 2017. In the years that have followed, he has gone on to earn six top 10 singles in the U.K, with “Ain’t It Different,” his 2020 collaboration with Headie One and Stormzy, reaching No. 2. Last year, AJ hit over one billion career streams, landing him the BRIT Billion Award by the BPI (British Phonographic Industry) as a result.

Watch the “Heaterz” music video below:

Bowen Yang Describes the ‘Wicked’ Scene That Gave Him a Panic Attack

While fighting off a heat-induced panic on the set of Hot Ones, Saturday Night Live star Bowen Yang explained that one particular scene in Wicked made him similarly break down.

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In the latest episode of the long-running interview series, Yang — who portrays Pfannee in the movie musical out Friday (Nov. 22) — explained that one big dance number sent him into a spiral while on the set of the movie. “I had a full-on panic attack during one of the scenes, in ‘Dancing Through Life,’” he told host Sean Evans. “I learned the choreography in November and then they were like, ‘You’re not going to shoot this until, like, March or April.’”

He continued, saying that at the end of a long shoot day, he was brought to set and asked to recall the choreography he’d learned months prior. “I was like, ‘What?!’ I forgot all of it,” he recalled, laughing. “I did as much as I could and everyone on set was so supportive and encouraging. They could’ve had the response of being like, ‘Oh this is unacceptable, we cannot use this,’ but it ended up being this really wonderful moment of being buttressed by all these beautiful people.”

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Elsewhere in his interview, Yang was asked to pick out his “Mount Rushmore” of pop albums from 2024. Listing out beloved albums such as Cowboy Carter, Hit Me Hard and Soft and The Rise and Fall of a Midwest Princess (“We’ll grandfather it in,” Yang said, noting the album was released in 2023), the SNL star became briefly stuck between Sabrina Carpenter’s Short ‘n Sweet and his Wicked co-star Ariana Grande’s Eternal Sunshine.

Short n’ Sweet and Eternal Sunshine are fulfilling the same thing for me where [there are] no skips, and it’s so sonically streamlined. Well, there goes my friendship with Ariana Grande,” he said with a sigh, before changing his mind. “No, she gets a spot, of course … I’m gonna say she edges out Sabrina, I’m so sorry, Sabrina. I gotta go with Ari.”

Check out Bowen Yang’s full Hot Ones interview above.

Snoop Dogg & Dr. Dre Continue ‘Missionary’ Rollout With New Single ‘Outta Da Blue’: Listen

Snoop Dogg’s Missionary album is on the horizon, and the Doggfather alongside Dr. Dre dropped off the second single from the LP on Thursday (Nov. 21) with “Outta Da Blue.”

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Snoop and Dre turn back the clock to trade bars over the clinky production. “This for all of my n—s pushing the limit/ My high, got me over here bending the flight attendants,” Snoop raps after pulling another drag.

Dre boasts about how his bank account has reached the point there’s no price tag that will make him flinch at this point. “Ain’t seen a mutherf—-g thing that I can’t buy/ See, reaching these types of heights, it come with a third eye,” he brags.

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Alus joins the party as the singer shrewdly calls back to M.I.A.’s “Paper Planes” classic on the chorus.

“Outta Da Blue” is a welcomed addition to the hype train for Missionary heading into the Dec. 13 arrival of the Dr. Dre-produced album.

The West Coast titans kicked off the project’s rollout with the smooth “Gorgeous” featuring Jhené Aiko, which served as the “Still D.R.E.” collaborators’ return to the Billboard R&B/Hip-Hop Airplay for the first time in 13 years when the single debuted at No. 29 earlier in November.

Prior to the album’s release, Snoop and Dre gave fans a taste of the project during a live episode of Drink Champs at ComplexCon over the weekend. Fans, friends and peers appeared to love what they heard, as LeBron JamesTravis Kelce and more gave Snoop Dogg his flowers in his IG comment section.

Missionary is the first time Snoop and Dre have connected for a full-length project since the Long Beach legend’s 1993 Doggystyle debut album. The hitmakers haven’t revealed much regarding the LP, but some special guests are expected to make appearances, including Sting and Jelly Roll.

Listen to “Outta Da Blue” below.

Metro Boomin Says ‘Personal Issue’ With Drake That ‘Really Hurt’ Him Led To Their Beef

You might recall that Future and Metro Boomin‘s hit two-fer We Don’t Trust You and it’s sequel album, We Still Don’t Trust You, were larded with shots at Drake. Not only from the two stars whose names were on the cover, but also from The Weeknd, A$AP Rocky and Kendrick Lamar. At the time, the barrage of disses were a head-scratcher to some, since Drizzy had worked with all parties in the past, even if some of those relationships had sometimes run hot and cold.

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Now, according to a series of tweets from hip-hop journalist Elliott Wilson of pages from the new Men of the Year issue of GQ in which Hitmakers of the Year Future and Metro Boomin dig into the origins of their beef with Drake, the heart of the matter was personal, not professional.

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“Me and [Drake], we had a personal issue, and for the record, not over no girl or nothing silly like that,” Metro told GQ senior editor Frazier Tharpe about the war of words sparked by the Billboard Hot 100 No. 1 Kendrick Lamar-featuring song he produced for the first Trust You volume, “Like That”; that track was a response to the 2023 Drake/J. Cole song “First Person Shooter.”

“It was a personal issue that really hurt me and disappointed me,” Boomin’ said, without specifying what he was referring to. “But if you take all the rap entertainment out of it, it’s like, have you ever been real cool with somebody, and y’all fell out over something? It happens every day. It’s just regular s–t. This just happens to have an audience.”

As for chatter that Boomin’ cooked up his two-album set with Future with the explicit aim of dumping on Drake, the producer/songwriter said that was “for sure” nonsense. “People really think we sat for two years, making two albums [to be] like, Yo, f–k this dude. What kind of s-t is that?,” Boomin, 31, said. “You really think we are going to spend that much time, effort, resources on just trying to get at somebody on an album? Blowing budgets on two albums—going over budget? That’s some serious hate. Neither one of us rock like that.”

Though the albums kicked up a lot of dust and attention, Boomin told the magazine that he did have some regrets about how he handled the issue online in a series of tweets attacking Drake in response to Drizzy firing back with his own Metro/Lamar diss tracks, “Push Ups” and “Family Matters.”

“Now I did have my moment online, which I do regret. I should have been stronger than that. That was out of character for me,” Boomin said. “But at a certain point, it’s like, I don’t rap, bro, so you’re going to just s–t on me on all of these songs […] I’m not going to get in the booth, so I’m finna tweet at you.”

While Boomin was willing to open up about his feelings about the feud, Future was more circumspect, saying, “There was a beef?… I didn’t even know there was a beef. I didn’t even know they had nothing going on. I ain’t never participated in rap battles, man.”

Despite his seemingly joking response, Future did wonder why no one asked him if he was upset at being left out of the “Big Three” list on “First Person Shooter,” on which Cole claimed he, Drake and Lamar are the undisputed top tier of modern hip-hip.

“I’m supposed to be the one who gets mad; I’m still confused about that,” Future told GQ, according to Wilson’s posts. “Nobody cares what I think. That’s what was so f–ked up about the s–t. To the point where I’m so player that I ain’t even said anything to the public about how I feel about it. Like, why is everybody mad when he was talking about me on my song? So y’all just forgot about me, I ain’t part of this Big Three, I’m nobody on my song, man.”

At press time a spokesperson for GQ had not responded to Billboard‘s request for confirmation of the quotes posted by Wilson.

Last month, in a tweet from jail, Young Thug called for peace between Drake, Future and Metro. “@Drake @1future @MetroBoomin we all bruddas. Music aint the same without us collabin,” wrote the MC who was released from jail after cutting a plea deal in his long running YSL RICO case in Georgia.

Tomorrowland Winter 2025 Lineup Will Feature Afrojack, Steve Aoki & More

The winter edition of Belgian dance mega-festival Tomorrowland has announced a sprawling lineup for its event this March in the French Alps.

The bill includes Tomorrowland regulars Afrojack, Amelie Lens, Steve Aoki, Axwell, Nervo, Armin van Buuren and Kolsch, along with a flurry of acts including Agents of Time, Joris Voorn, LP Giobbi, Hugel, Nina Kraviz and Alok.

The seven-day destination event takes place March 15-22 at Alpe d’Huez, a ski resort in the French Alps roughly two and a half hours southeast of Lyon. 2025 marks the fifth edition of the event, which will host a crowd of roughly 22,000. While lodging packages for Tomorrrowland Winter 2025 are sold out, four-day and one-day passes are still available.

Artists will play across seven indoor and outdoor stages on the mountain and in the ski resort. The Tomorrowland Core stage, which has hosted events around the world with a focus on techno and house artists, will make its Tomorrowland Winter debut at the event.

Addionally, the festival will host a series of special back-to-back sets, with Armin van Buuren playing b2b Joris Voorn, HAAi playing b2b with DJ Boring, Kölsch playing b2b Kevin de Vries, NERVO playing b2b B Jones and Pablo Bozzi playing b2b with Jennifer Cardini.

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Founded by brothers Michiel and Many Beers in 2005, the original Tomorrowland happens every summer in Boom, Belgium, typically bringing in a crowd of 400,000 during each of its two back to back weekends.

See the Tomorrowland Winter lineup below:

Tomorrowland Winter 2025

Tomorrowland Winter 2025

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Which Performance at the 2024 CMA Awards Was Your Favorite? Vote!

Many of country music’s biggest names were all under one roof Wednesday night (Nov. 20) for the 2024 Country Music Association Awards, where stars such as Jelly Roll, Shaboozey and more took the stage for a number of memorable performances.

In addition to sentimental tributes to George Strait — which was led by one of the night’s hosts, Lainey Wilson, with Jamey Johnson, Miranda Lambert, Parker McCollum and Chris Stapleton — Kris Kristofferson and Toby Keith, some of this year’s biggest hits were showcased live at the Bridgestone Arena, including ‘Boozey’s 18-week Billboard Hot 100-topper “A Bar Song (Tipsy)” and Luke Combs’ stage-shaking “Ain’t No Love in Oklahoma” from the smash Twisters soundtrack. Jelly performed not once, but twice, first joining Brooks & Dunn for a moving take on their “Believe” collaboration and later recruiting Keith Urban for a fiery rendition of the Tennessee breakout star’s “Liar.”

Stapleton also frequented the performance stage multiple times in between winning three awards — more than anyone else this year — opening the show with Post Malone for “California Sober” and duetting Morgane Stapleton on “What Am I Gonna Do?” in addition to joining in on the Strait tribute. The “Psycho” rapper-turned-country star also returned to the stage solo to sing his emotional ballad “Yours,” while Kelsea Ballerini and Noah Kahan teamed up to harmonize on their song “Cowboys Cry Too.”

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Those are only a few of the performances that took place at this year’s awards, which were also hosted by Peyton Manning and Luke Bryan. Between numbers, the work of numerous Nashville heroes was honored with the giving out of crystal trophies. In addition to the “White Horse” singer winning male vocalist of the year, single of the year and song of the year, Morgan Wallen took home entertainer of the year, Wilson snagged female vocalist of the year and Cody Johnson won album of the year for Leather.

Vote for your favorite CMAs performance of 2024 below.

Shaboozey Responds to Cody Johnson Producer’s ‘Kicking Shaboozey’ CMA Awards Comment

Shaboozey is taking things in stride after Wednesday night’s (Nov. 20) CMA Awards — and following a curious comment from Cody Johnson’s producer Trent Willmon.

At the CMAs — which were held at Nashville’s Bridgestone Arena — Shaboozey was nominated for new artist of the year and single of the year for “A Bar Song (Tipsy).” The smash hit has led the all-genre Billboard Hot 100 for 18 nonconsecutive weeks, and is one week away from setting a new record. Shaboozey also performed during the ceremony.

Meanwhile, Johnson was a big winner during the evening, picking up album of the year for his project Leather, which featured his recent hits “The Painter” and “Dirt Cheap.” It was a crowning moment for the Texas native known affectionately by fans as CoJo, who has been steadily building his reputation for recording stellar songs and putting on high-energy concerts.

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When Johnson and his producer Willmon took the stage to accept the honor, Willmon told the audience, “It takes an army of people to make a great record, but I gotta tell ya, this is for this cowboy who’s been kicking shaboozey for a lot of years, y’all.”

Many country music fans took to social media with anger and confusion over the comment, which seemingly threw shade at Shaboozey, though some were not certain if the comment was a deliberate dig at the “A Bar Song (Tipsy)” hitmaker, or an unfortunate attempt at a joke that simply came off wrong.

Either way, Shaboozey doesn’t seem bothered by the comment. Shaboozey tweeted a photo of himself after the show, with the caption, “Ain’t nobody kicking me!”

Shaboozey may not have taken home a CMA trophy, but he has more shots at awards accolades ahead of him, as he’s up for five Grammy Awards in 2025, including multiple nominations for “A Bar Song (Tipsy)” in the categories of best country song, best country solo performance and song of the year. Shaboozey is also up for the Grammy for best new artist, while the song “Spaghettii,” his collaboration with Beyoncé and Linda Martell on the pop superstar’s Cowboy Carter, is up for best melodic rap performance.