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Trending on Billboard

Charli xcx is back with another taste of her album of music written for Emerald Fennell’s adaptation of Wuthering Heights, the full trailer for which arrived Thursday (Nov. 13) featuring a new song from the pop star titled “Chains of Love.”

The preview opens with Emily Brontë’s famous fictional lovebirds, Heathcliff and Catherine — played by Jacob Elordi and Margot Robbie, respectively — sitting together in the moors as the former imagines what he would do if he were rich. The latter is startled when he indicates he’d “take a wife,” setting off a montage of the couple’s tragic gothic love story.

“Why did you leave me?” Robbie says at one point as Elordi chases after her in a downpour, asking her in response, “Why did you betray your own heart?”

All the while, Charli’s anthemic, synth-powered track plays. “I know the chains of love won’t break,” she repeats in a soaring soprano melody.

The full song is now available for streaming, dropping on the same day as the trailer. It follows on the heels of “House,” which the British singer-songwriter worked on with John Cale of the Velvet Underground for her Wuthering Heights concept album. The new LP is set to drop on Feb. 13 — one day before the film premieres in theaters.

In her first-ever post on Substack, Charli recently shared how the upcoming concept LP came to be. “I called Emerald and asked her what she was hoping for from my read of the script,” she wrote in a post on Nov. 12. “She coyly suggested ‘A song?’ and I suggested ‘An album?’ because why not? I wanted to dive into persona, into a world that felt undeniably raw, wild, sexual, gothic, British, tortured and full of actual real sentences, punctuation and grammar. Without a cigarette or a pair of sunglasses in sight, it was all totally other from the life I was currently living.”

“This collection of songs is an album, and sure, my name’s on the credits, but is it a Charli xcx album?” she added in the post. “I don’t even know. Nor do I really care to find out.”

Watch the new trailer for Wuthering Heights featuring “Chains of Love” above, and listen to the full song below.

Trending on Billboard Diamonds are a girl’s best friend, but for Sabrina Carpenter, platinum is her element of choice. The bubbly pop star celebrated her Man’s Best Friend album becoming platinum certified by the RIAA on Thursday (Nov. 13), which comes less than three months after the LP’s arrival. Explore See latest videos, charts and […]

Trending on Billboard Elon Musk is on track to become the world’s first-ever trillionaire — and Billie Eilish, who just a few weeks ago made her feelings about billionaires quite clear, is not happy about it. In response to the news that the Tesla CEO’s net worth is nearing 13 digits, the pop star reposted […]

Trending on Billboard

Cardi B’s lawyers are firing back at a “baseless” demand for a new trial in the failed assault case filed by Emani Ellis — including the accuser’s suggestion that Cardi “intimidated” jurors by throwing a pen at a reporter on the courthouse steps.

Ellis is seeking a re-do after jurors easily rejected her civil lawsuit claiming Cardi B (Belcalis Almánzar) assaulted her during an altercation at a Los Angeles doctor’s office in 2018. But in a response filed in court Wednesday (Nov. 12), Cardi’s lawyers said the idea of a second trial should be “rejected out of hand.”

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“Plaintiff Emani Ellis’ motion for new trial is entirely frivolous,” Cardi’s attorneys write. “She fails to establish any permitted grounds for a new trial. Instead, she repeats her counsel’s accusations of misconduct that are both false and not grounds for a new trial.”

In seeking a new trial last month, Ellis’ lawyer cited a viral incident in which Cardi was filmed throwing a pen at someone in a courthouse media scrum after he’d asked a provocative question about her pregnancy. According to Ellis, the disturbance might have been “witnessed by the jury” and could have impacted the trial: “Jurors would be intimidated if they had viewed this type of conduct.”

But in Wednesday’s response, Cardi’s lawyers sharply criticized that argument as hearsay and unfounded guessing — and said that Ellis had never raised it during the actual trial: “Plaintiff’s counsel’s speculation, knowingly false statements, and inaction are not grounds for a new trial,” they wrote.

Ellis’ attorney, Ron Rosen Janfaza, did not immediately return a request for comment on Thursday (Nov. 13).

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Ellis sued Cardi in 2020, claiming the star had assaulted her when she worked as a security guard at a Beverly Hills gynecologist’s office in 2018, when Cardi was four months pregnant with her first child. Ellis said the star cursed and spat at her and scratched her cheek with a sharp acrylic nail, requiring plastic surgery to repair the wound.

At an August trial, Cardi said she never touched Ellis. During two days on the witness stand, the rapper testified that she and Ellis had a verbal-only altercation after she realized that the guard was recording her — a major concern, Cardi said, because she was still concealing her pregnancy from the public.

The rapper said it was Ellis who got aggressive during the encounter, backing her into a corner and refusing to leave her alone. Cardi also said her nails weren’t capable of cutting anyone, and the jury saw a photo of her at the NBA All-Star Game the week of this incident, sporting square nails that she described as less than an inch long.

After less than an hour of deliberations, the jury unanimously found that Ellis did not prove her legal claims of assault, battery, infliction of emotional distress and negligence. And on the courthouse steps a short while later, Cardi warned against future “frivolous” lawsuits.

“I work hard for my money for my kids and for people I take care of, so don’t you ever think that you gonna sue me, and I’m just gonna settle and just give you my money,” the star said at the time. “It’s not gonna happen.”

In the wake of the verdict, Cardi’s lawyers have asked the judge to punish Rosen Janfaza, Ellis’ attorney, for alleged misconduct during the trial. Seeking so-called sanctions against him, they say he repeatedly violated court orders, including by asking Cardi on the witness stand if she had any gang affiliations despite a ruling that such information was irrelevant to the case.

In his own court filings, Rosen Janfaza has denied breaking any rules willfully, saying he was inexperienced at trial and was “simply asking questions as best he could in an effort to zealously advocate.” But the judge ruled last month that the attorney must now “show cause” why he should not face sanctions. A hearing is currently set for next month.

Separate from the debate over misconduct, Ellis moved for a new trial last month, raising a slew of different arguments. Some were typical of a post-trial motion, like her argument that the verdict was not supported by evidence; others were very much not, like the pen-throwing claim, or an accusation that Rosen Janfaza had had a physical altercation with Cardi’s lawyers in a courthouse hallway.

“All of these actions combined had an affect the outcome of this case,” Ellis’ attorney wrote in that filing. “Plaintiff is entitled to a new trial under the circumstances.”

In Wednesday’s response, Cardi’s lawyers said Ellis’ request for a new trial “does not withstand even cursory review and must be denied.” They also denied any physical encounter, saying that “Mr. Rosen Janfaza provides no elaboration because his accusation is patently false.”

Cardi’s team also repeatedly alluded to the judge’s potential sanctions against Rosen Janfaza — suggesting that his eye-catching claims in seeking a new trial were “just another gratuitous attempt” by him to “besmirch defense counsel” and “distract” from the looming possible punishment order.

Trending on Billboard

Kenshi Yonezu’s “IRIS OUT” stays atop the Billboard JAPAN Hot 100 for the eighth straight week, on the chart released Nov. 12.

Across individual metrics, the Chainsaw Man – The Movie: Reze Arc theme continues to dominate streaming, video views, and karaoke, while coming in at No. 3 for both radio airplay and downloads, and No. 15 for CD sales. Radio impressions saw a 168% increase from the previous week.

Until now, Yonezu’s longest-running No. 1 was “Lemon,” which led for a total of seven weeks. “IRIS OUT” has now surpassed this record with eight weeks at the summit. Among all artists, the track now ties for the sixth-most total weeks at No. 1 in Japan Hot 100 chart history.

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List of All-Time Total Weeks at No. 1 on the Billboard Japan Hot 100

YOASOBI “Idol” 22 weeks

Creepy Nuts “Bling-Bang-Bang-Born” 19 weeks

Ado “Show” 13 weeks

Official Hige Dandism “Subtitle” 13 weeks

Aimer “Zankyosanka” 9 weeks

LiSA “Homura” 8 weeks

Kenshi Yonezu “IRIS OUT” 8 weeks

Official Hige Dandism “Pretender” 7 weeks

Mrs. GREEN APPLE “Lilac” 7 weeks

Official Hige Dandism “I LOVE…” 7 weeks

Kenshi Yonezu “Lemon” 7 weeks

Yonezu and Hikaru Utada’s “JANE DOE” returns to No. 2. Though overall points for the ending theme of the same movie declined, the track rises from No. 5 last week. Yonezu also scores multiple entries this week: “1991” climbs from No. 9 to No. 5, while “Plazma” comes in at No. 50, “KICK BACK” at No. 70, and “BOW AND ARROW” at No. 89.

HANA’s “Blue Jeans” rises 11-3 this week, while the group’s “My Body” lands at No. 6 — one of seven songs the girls have on the chart this week. AiNA THE END’s “On the Way” rebounds from No. 12 to No. 4, marking her first return to the top five in about two months.

MAZZEL’s “Only You” debuts at No. 8. The lead track from their upcoming single of the same name, due out Nov. 26, leads downloads and hits No. 3 for video views and No. 27 for streaming with its advance digital release. Outside the top 10, Tatsuro Yamashita’s “MOVE ON” bows at No. 12. Featured in Daihatsu’s TV commercial for its kei-type vehicle MOVE, the song from the veteran singer-songwriter’s first single in two years earns the week’s No. 1 in radio.

The Billboard Japan Hot 100 combines physical and digital sales, audio streams, radio airplay, video views and karaoke data.

See the full Billboard Japan Hot 100 chart, tallying the week from Nov. 3 to 9, here. For more on Japanese music and charts, visit Billboard Japan’s English X account.

Trending on Billboard

Taylor Swift can come back anytime she likes to record at Marcus Mumford’s home studio, with the Mumford & Sons bandleader revealing that the pop superstar was an ideal guest when she recorded parts of Evermore there a few years ago.

In a clip from his recent appearance on the Table Manners podcast, Mumford recalled how his pal and frequent Swift collaborator Aaron Dessner arranged for the Eras Tour headliner to use the personal recording space Mumford has at the home in England he shares with wife actress Carey Mulligan. “Aaron called me and said, ‘I’ve got someone I’m working with that needs a studio in the U.K.,’” Mumford began.

“And I was like, ‘Cool. Well, if it’s one of your homies, then I’m sure it’ll be fine,’” Mumford continued. “‘Like, what is it? Beyoncé or something?’ He was looking for a discreet studio in London. I was like, ‘I don’t think there really are any.’ And he was like, ‘Can they come and use yours?’”

The folk-rock musician was surprised to learn that the artist Dessner was talking about was none other than the biggest pop star on the planet. “She came down right at the end of COVID, and was the most phenomenal houseguest,” Mumford said. “Burned a lot of vegetables for her. And she brought a killer candle. Her candle game was excellent.”

During her time there, Swift would finish the second half of Evermore, according to Mumford. “And then she asked me to sing on one [of the songs] and I said yes,” he added, referring to fan-favorite “Cowboy Like Me.”

The album would go on to debut atop the Billboard 200 in December 2020, remaining in the No. 1 spot for four weeks. Years later, the 14-time Grammy winner would bring Mumford up on stage at one of her Eras Tour shows to perform “Cowboy Like Me” in front of tens of thousands of fans.

Mumford is now gearing up to release his band’s next album, Prizefighter. As announced at the end of October, the project will feature collaborations with Gracie Abrams, Chris Stapleton, Gigi Perez and Hozier.

Watch Mumford reflect on sharing his space with Swift below.

Trending on Billboard

One of these days, women will hopefully stop getting blamed for their partners’ actions — but today is not that day. After a former NBA star referred to Megan Thee Stallion in a derogatory way while suggesting that she is the reason why Klay Thompson hasn’t had an ideal basketball season this year, the Dallas Mavericks player came to his girlfriend’s defense.

The exchange took place on Instagram after former NBA champ Jason Williams remarked in a clip from his Hoopin’ N Hollerin’ podcast posted Wednesday (Nov. 12) that it “only takes one p—y to drag a battleship across the desert … That’s how powerful it is.”

The comment was seemingly in reference to how Thompson — who began dating the Hot Girl Coach this summer — was recently benched by the Mavericks due to poor performance on the court. Also on the podcast, the ex-Miami Heat point guard said, “Klay Thompson, I ain’t sayin’ that’s what it is… but that might be what it is.”

Thompson, however, was having none of it. In the comments, he defended Meg by writing, “Referring to my GF as a ‘p—y’ is so disgusting and disturbing.”

“Especially from someone who played in the NBA,” he continued. “How would yall feel if I referred to your wives in such a way ? Do better fellas. Very disappointing.”

Though Williams was the one who made the comment about Ms. Stallion, his cohosts, Patrick Beverley and Adam Ferrone, laughed along in agreement as he said it. It’s far from the first time a famous female musician has been blamed for supposedly affecting her athletic partner’s performance in a sport. Just ask Taylor Swift, who’s also had fingers pointed at her at times when fiancé and three-time Super Bowl-winning Kansas City Chiefs tight end Travis Kelce underperformed on the field.

Commentary aside, MTS and Thompson seem to be happier than ever months into their romance. In October, fans noticed that the couple appeared to have moved in together. Shortly prior, Meg professed her love for her partner on a lovey-dovey track called “Lover Girl.”

“I have never dated somebody so kind,” she told Page Six in July. “This is my first relationship where I’ve ever been with somebody who’s genuinely a nice person, and he makes me genuinely happy.”

Trending on Billboard

Live music is booming, and CAA’s top touring execs explain exactly how today’s biggest shows come to life. Managing director Rob Light and co-head of global touring Rick Roskin join host Kristin Robinson to unpack the rise of live music’s modern era. They dive into the post-pandemic concert boom, how agents build tours from the ground up and what it takes for an artist to grow from a club act to a headliner. Light and Roskin discuss the balance between fair ticket pricing and fan demand and how agents fight to keep more money with the artists. They share how gut instinct still plays a role in spotting future stars, how massive shows like Harry Styles’ 15-night Madison Square Garden run come together and the evolving impact of festivals and social media on touring. Plus, they reveal the wildest artist requests, unforgettable live moments and their take on concert etiquette in the age of the live music boom.

Love what you hear? Follow Billboard On The Record on Instagram, Apple Podcasts, Spotify and Youtube @billboard so you never miss an episode.

Billboard On The Record is a podcast in partnership with SickBird Productions. 

Kristin Robinson:

The business of live music has never looked quite like this. Stadium tours like Taylor Swift’s Eras tour are breaking records, ticket prices are breaking wallets, platforms like Ticketmaster are under greater scrutiny, and new venues like the Sphere are redefining what a concert can be. Artists are playing fewer cities, but staying longer. Fans are turning travel plans into world tours of their own. And behind it all — the economics, logistics, and expectations of touring are shifting in real time. So how did we get here, and what’s next for the live music business? Welcome back to On the Record, a music business podcast from Billboard and SickBird Productions. As always, I’m your host Kristin Robinson, and today we are joined by two of the most legendary agents in music, Rob Light and Rick Roskin of CAA. Rob Light is the partner and managing director of CAA, and he’s spent his career building up the touring businesses of some of the biggest artists in history of music. From Fleetwood Mac, Bruce Springsteen, Beyonce, AC/DC, One Direction, Katy Perry, Twenty One Pilots, Ariana Grande, and many more. He was also CAA’s longtime global head of touring, a role which has since been passed to our other guest this week, Rick Roskin. Rick now shares the global head of touring title with two others, Emma Banks and Darryl Eaton, and brings his own wealth of experience to the top job, working with a roster of clients like Eric Clapton, Santana, Kesha, Kelly Clarkson, Slipknot, The Black Keys, Fiona Apple, Iron Maiden and more.

Keep watching for more!

Trending on Billboard

With a week left until Wicked: For Good hits theaters, Cynthia Erivo is setting the record straight on why some think her performances are political statements.

Appearing on the cover of GQ‘s Men of the Year issue, Erivo said that her performances in Wicked, The Color Purple and every other project she works on are inherently political simply because she is a Black, queer woman, not necessarily because she chooses political roles.

“I think inevitably, because I’m in this body with this skin, in this time, everything I do will be political,” she says. “I’ve been told so many times that I pick controversial roles, and I’m like, ‘Why? Why are the roles I pick controversial?’ I just pick a thing that I feel like I want. If I was a different person, in a different body, in a different skin, it wouldn’t be controversial.”

The near-EGOT did point out, however, that she is interested in “f–king with the narrative” of audience expectations, especially when it comes to her sexuality and gender. “I’m fascinated with the interplay between masculinity and femininity, and where we place it and how we use it,” she said. “Because I truly believe we all have both in us — and I think it’s so sexy when we can access both.”

Erivo received a wave of backlash earlier this year when she was cast as Jesus Christ in a Hollywood Bowl production of Jesus Christ Superstar, with some on the religious right calling her casting “blasphemy.” In an interview with Billboard in June, Erivo laughed off the criticism, saying, “you can’t please everyone.”

Elsewhere in her new interview, Erivo got real when speaking about the anti-LGBTQ+ political environment of 2025, saying that “who I love and who you love” have “nothing to do with each other,” and she doesn’t understand why people feel a need to “be involved in people’s business.”

“It is about love. If people really, actually allow themselves to love, actually love, this wouldn’t be happening,” she explained. “We would want everyone to have it, wherever they could get it. Because you’d actually know what it feels like. And so when you know what it feels like, you’d want it for anyone else. Get it however you can get it, please.”

Trending on Billboard Eminem and his longtime manager, Paul Rosenberg, have inked a multi-year partnership with the Detroit Lions to executive-produce the Detroit Lions Thanksgiving Halftime Show. Explore See latest videos, charts and news The Lions announced on Thursday (Nov. 13) that Slim Shady and Rosenberg will “consult” the franchise on all aspects of the […]