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Conor James and Tinika Wyatt lit up The Voice stage with a powerhouse duet of the Bee Gees’ Billboard chart-topper “How Deep Is Your Love,” in a battle round that proved to be one of the most heartfelt and vocally impressive performances of the season.

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Representing Team Adam, the two artists blended harmonies, emotion and vocal control — and while Conor was ultimately chosen as the winner, Tinika wasn’t going anywhere.

John Legend said Tinika “lit up the stage” and questioned how she didn’t get any turns in the blinds. “You made a fantastic case for yourself staying on this show,” he told her. Michael Bublé called Conor’s vocal runs “perfectly executed,” and said he couldn’t choose between them.

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Coach Adam Levine admitted the decision was brutal, saying, “It’s just energy I want to be around. And so having to make this choice sucks particularly badly because I don’t want to be without either one of you guys.”

He praised Tinika’s growth in the competition, saying, “Tinika, you made a leap — from you were about to go home to me pressing my button for the replay to you getting into the battle rounds with arguably one of the best singers this season has to offer and 1,000% being right there with him, ’cause you are a world-class singer.”

Turning to Conor, Adam added, “The stuff you’re doing in your full voice without even hitting falsetto, it’s pretty astounding. And you somehow managed to make us all feel things. You could go all the way in this thing.”

Before making his choice, Adam summed it up with: “Tinika came in here and made my life hell, because it would be a loss not to have you. So I am in a horrible spot. And before I make this choice, I just want you both to know, from the bottom of my heart, you guys are both incredible. Incredible.”

Then came the moment everyone was hoping for — a steal.

As Tinika began to thank the coaches and prepare to leave the stage, Kelsea hit her button, stealing Tinika for her team. “With my steal, I just wanted to feel something,” she said. “Hearing her voice, I just knew, like, gut girl… Tinika adds a level of soul to Team Kelsea that I’m very excited about.”

Tinika now moves forward on Team Kelsea, while Conor remains on Team Adam — both proving they’re serious contenders this season.

Metallica guitarist Kirk Hammett has confirmed he’s preparing his debut solo album, clarifying that the project is set to be a genre-shifting creation.
Hammett confirmed the record while speaking to Rolling Stone ahead of the release of the book, The Collection: Kirk Hammett, which shows off his large collection of vintage guitars. The discussion featured a number of revelations, including word that Hammett was finally working on a full-length solo record.

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“I’m just actively getting ideas together for my [first] solo album,” Hammett explained. “I guess the best way to describe it is it’s gonna be a fusion of all sorts of styles…. All of a sudden I’m writing classical progressions, and all of a sudden I’m writing more heavy stuff and all of a sudden I’m writing like a funk thing…. 

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“There will be vocals because the songs that I wrote scream for vocals this time around,” he adds. “So I’m like, okay, who’s gonna be doing the vocals? I don’t know. I hope I’m not—I already have too much to do on stage… I have an instrumental piece that to me sounds like it’s 2000 years old called ‘The Mysterion.’ It’s based on all this stuff that I’ve been reading, the ancient Greek texts, and it’s amazing to me because I wouldn’t have had this instrumental if I didn’t start reading these ancient texts.”

Hammett, who has been the guitarist of Metallica since the departure of Dave Mustaine in 1983, first issued a solo release in 2022 by way of the Portals EP. Described as “a collection of gateways to myriad musical and psychic destinations,” the four-track, 27-minute instrumental work showed off a new side of Hammett, while still finding itself rooted in the work he had risen to fame with as part of Metallica.

Almost one year later to the day, Metallica released their eleventh studio album, 72 Seasons, which became their first not to peak at No. 1 on the Billboard 200 since 1988’s …And Justice for All. Despite their ongoing touring schedule, Hammett told Rolling Stone he’s already in the process of writing riffs for the band’s next album as well.

“I have 767 new ones for the next album,” he explained. It is such a nightmare going through this stuff, too. And I’m the one responsible for all of it and I can’t do it…. I don’t foresee us starting the next album for at least another year because we’re still finishing the 72 Seasons tour. 

“Once we fully finish this and go to all the outlying places like Asia and Australia and New Zealand, I think we’re gonna take a little bit of a break, not too much of one, and then we’re gonna get right back into it.”

Metallica’s current touring schedule wraps up following their performance in Auckland, New Zealand on Nov. 19.

Veteran rockers Foreigner have announced a Canadian leg for the ongoing Farewell Tour, but longtime vocalist Kelly Hansen won’t be fronting the outfit.
Having launched their Farewell Tour in 2023, Foreigner have since extended their run in recent years, with the trek now set to continue into November with the announcement of 13 new dates across Canada.

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However, Hansen – who joined as the band’s vocalist in 2005 – will instead be replaced by actor Geordie Brown, who is perhaps best known for his role in Foreigner’s own Jukebox Hero – The Musical. Brown originated the lead role in 2018, with a sold-out run taking place in Toronto in 2019. 

Since then, he’s performed on stage to perform “Hot Blooded” with the band during their 2019 appearance in Halifax, and he was also in attendance during their Rock and Roll Hall of Fame induction. Brown will also take on the lead role in Jukebox Hero once more for its upcoming 2026 run.

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“I was most impressed by Geordie’s performances of Juke Box Hero, The Musical in Canada,” said Foreigner’s Mick Jones. “He is not only a consummate vocalist, but a verified Broadway actor to boot. We look forward to welcoming him at our shows on Foreigner’s 2025 Canadian tour.”

“I count myself so fortunate that they’re bringing me along on this next chapter with the musical, and this Canadian tour,” added Brown. “Right now, I’m most looking forward to our Halifax show, for my hometown crowd.”

Currently, no reason has been given as to why Hansen will not be joining the band on their upcoming Canadian tour.

Foreigner was first formed in 1976 by former Spooky Tooth guitarist Mick Jones, with the band releasing their self-titled debut album the following year. They topped the Billboard 200 in 1981 with the aptly-titled fourth album, 4. The record also boasted top five songs “Urgent” and “Waiting for a Girl Like You,” though they would release their highest-charting single in 1984, with “I Want to Know What Love Is” topping the Hot 100 after it was issued as the lead track from Agent Provocateur.

Various lineup changes over the years have left Jones as the only original member of the band, though he has been absent from the live stage since 2023. In October 2024, the band was inducted into the Rock and Roll Hall of Fame by Sammy Hagar.

Foreigner’s Canadian tour launches in St. John’s, Newfoundland on Oct. 21 and wraps in Kelowna, British Columbia on Nov. 7.

Heart’s Nancy Wilson hasn’t minced her words when it comes to the state of the world, claiming she feels “embarrassed” to call herself an American in this day and age.

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Wilson’s comments came via a new interview with the Milwaukee Journal Sentinel in which she reflected on some of Heart’s enduring singles. In the interview, Wilson noted that the band’s third single, 1975’s “Crazy on You,” was written as a critical response to the Vietnam War, though the lyrics have found themselves relevant once again.

“We were kind of embarrassed at that time to call ourselves American because of the dirty politics of the Vietnam War,” Wilson explained. “To be as subtle as possible, it’s more embarrassing now.”

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The discussion also focused on the likes of 1977’s “Barracuda,” which had been initially written about a sleazy industry figure of the time. However, with reference to an infamous quote from President Donald Trump, Wilson conceded the track “is even more relevant in the salacious billionaire culture with the grab-them-by-the-(expletive) mentality.”

“These songs will be there long after we are gone,” she added, before focusing on the contemporary prevalence of the sexism that inspired “Barracuda.”

“I think for women in the culture the pendulum will come back again, and there’ll be another renaissance in the arts to push back against the oppression of the cranky old rich white guys,” Wilson added. “I hope I am alive to see that next revolution.”

Wilson, who has served as the backbone of Heart alongside sister Ann, isn’t alone in her criticism of American politics. In 2018, Ann claimed that the Seattle band’s “Barracuda” could be used by just about any candidate in the 2020 election if they desired. “I think anybody but Trump,” she clarified.

Heart first formed in 1967, though would not take on its most recognizable form until Ann Wilson joined in 1971, with Nancy following in 1975. Debut album Dreamboat Annie was released that same year and would peak at No. 7 on the Billboard 200. The group would top the chart a decade later with their self-titled eighth album, which also featured their first Hot 100 chart-topper, “These Dreams.”

Despite numerous splits and reunions over their lifetime, Heart resumed activity in 2023, with the Wilson sisters receiving a Grammy lifetime achievement award that same year. One decade earlier, the band was inducted into the Rock and Roll Hall of Fame by fellow Seattle artist Chris Cornell.

Private equity firm Silver Lake has completed its acquisition of 100% of the stock of sports and entertainment giant Endeavor to take the company private in a deal that values it at $25 billion, the firm announced on Monday (March 24).
As part of the deal, Endeavor stockholders will receive $27.50 in cash per share, which represents a 55% premium to the company’s closing price of $17.72 on Oct. 25, 2023 — the day before Endeavor announced Silver Lake’s plans to take the company private.

Endeavor, which owns the talent agency WME, marketing agency 160over90, brand licensing agency IMG Licensing and more, will be renamed WME Group. Endeavor is the largest company in the media and entertainment sector ever to be taken private by a private equity sponsor, Silver Lake said in a press release.

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Silver Lake co-CEO Egon Durban said his firm has never sold a share in Endeavor since its first investment in the company in 2012, and over that time, Endeavor’s “revenue has grown by twentyfold.”

“Silver Lake has previously invested on six separate occasions to support Endeavor and now, with this latest investment, it is the single largest position in our global portfolio,” Durban added.

Endeavor founder and former CEO Ari Emmanuel will move into the role of executive chairman of WME Group. On Monday, Emmanuel cashed out a portion of his ownership stake in the company for $173.8 million, per a regulatory filing first reported by Variety. Patrick Whitesell, who was previously executive chairman of Endeavor/WME received a $100 million payout, Variety reported.

Following the deal Endeavor will hold on to its majority stake in TKO Group Holdings, a separately traded sports and entertainment company whose assets include wrestling promotor WWE and Ultimate Fighting Championship. The valuation of $25 billion includes TKO’s assets.

In addition to WME, 160over90 and IMG, Endeavor’s portfolio includes Pantheon Media Group, live event hospitality firm On Location and sports betting data firm OpenBet.

Led by co-CEOs Durban and Greg Mondre, Silver Lake has $104 billion in combined assets under management, and its portfolio includes stakes in companies including Oak View Group, Fanatics, TEG, Waymo, Stripe, Plaid, SoFi and Madison Square Garden Sports.

Alt-rock greats Pavement are getting the biopic treatment, but the newest trailer for the upcoming film advertises that the project is less classic biopic and more “museum,” “movie” and a “reunion.”

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In the nearly three-minute clip for Pavements, Stranger Things’ Joe Keery stars as frontman Stephen Malkmus. “It’s good for my career, maybe win an award or something,” Keery jokes at one point in the video about why he took on the role. “I can’t play Billy Joel.” 

The trailer also features Nat Wolff as Scott ‘Spiral Stairs’ Kannberg, Fred Hechinger as Bob Nastanovich, Logan Miller as Mark Ibold, Griffin Newman as Steve West, and Jason Schwartzman as Matador Records’ Chris Lombardi.

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“Pavements is a movie about Pavement the band—among other things,” the official film description reads. “The latest film from acclaimed director Alex Ross Perry (Her Smell) is a documentary that may or may not be entirely true, may or may not be totally sincere, and may or may not be more about the idea of the band—or any band—than a history of the short-lived, passionately loved, commercially marginal Nineties American alternative group Pavement. This unconventional film about a highly unconventional band incorporates a stage musical, rock biopic, gallery exhibition, archival footage, and contemporary observational footage to create a film as irreducible, uncharacterizable, and entertaining as the band and its music.”

The real-life California band were active from 1989 until 1999, releasing a total of five albums, including 1992’s Slanted and Enchanted, 1994’s Crooked Rain, Crooked Rain, and 1997’s Brighten the Corners, which gave the group their highest-charting U.S. release when it hit No. 70 on the Billboard 200. Their final album was 1999’s Major Leagues.

In December, Kannberg revealed in an interview with the Kreative Kontrol podcast that the Pavements soundtrack will also feature the first new song from the band in more than 25 years. “There will be a new Pavement song on the soundtrack, that’s all I’m going to give you,” he explained. “I just heard a mix of it today, and it’s pretty good. It’s not a big deal, it’s just cool because it’s something different and it’s a song that we all kind of loved playing.”

Pavements will hit theaters nationwide on June 6. Watch the new trailer below.

Goose announced on Monday (March 24) that it is parting ways with its instrumentalist, Jeff Arevalo. Both sides shared statements via social media, implying that there were personal tensions within the band that led to the split.

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In Goose’s statement, the band cited “behavior in Jeff’s personal life that does not align with the band’s core values,” noting that it was an “incredibly unfortunate, unexpected situation,” without going into further detail.

“However, it is clear that this is the only way forward as we remain committed to upholding the values that define our community, particularly when it comes to respecting others and creating a safe environment,” the statement continues, adding that the band’s most recent tour was an “unexpected challenge to navigate,” but the group will continue as a foursome. See the full post here.

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In Arevalo’s statement, he shared his side of the story, revealing that in January, he “came to management with a personal crisis I was having,” which led to the musician taking a break from the tour. “I chose to take a mental health break and pursued a program in the great state of Washington,” he continued. “I studied emotional issues, spoke with many counselors and worked in a group therapy setting with an open heart and mind.”

Amid his program, Arevalo said that the “idea of a new and limitless future became much more enticing to me than returning to ‘the organization.’” He claims that after leaving the program he joined, he didn’t hear from his bandmates and instead “received an email from the band’s lawyer stating that I was being let go for ‘reported behavior and actions.’ I have had plenty of time to reflect upon my actions, relationships and values and I agree that we should go our separate ways.”

After expressing gratitude for the opportunity to be in the band and thanking fans, Arevalo explained that he did not feel “rightly respected, valued or properly utilized in my time with the organization,” adding that he had to “forgo severance” after refusing to sign an NDA. He concluded his statement by noting that he’s pursuing other opportunities, adding that he’s “been grossly mistreated and underestimated” despite having “a lot to offer.”

Read Arevalo’s statement here.

Arevalo joined Goose in 2020, and his departure comes just a month before the band is scheduled to release their latest album, Everything Must Go, on April 25.

Billboard Japan’s Women in Music initiative launched in 2022 to celebrate artists, producers, and executives who have made significant contributions to music and inspired other women through their work, in the same spirit as Billboard’s annual Women in Music celebration since 2007. This interview series featuring female players in the Japanese entertainment industry is one of the highlights of Japan’s WIM project.

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For the latest installment, the four members of ATARASHII GAKKO! — MIZYU, SUZUKA, RIN, and KANON — spoke with Billboard Japan at Amazon Music Studio Tokyo in Shibuya. There’s no other act quite like this unique group anywhere in the world, including its home country. Their concept is to “stand out” and true to this motto, the “Otona Blue” members put on fierce performances clad in their signature sailor-style school uniforms. Having toured internationally to great success and secured fans of various genders and nationalities, what’s their current mindset and where are they heading? The four young women who have been fearlessly standing out from boundaries over the years looked back on their careers and spoke about their future goals in this latest interview.

SUZUKA

Megumi Omori

The concept of ATARASHII GAKKO! has been to “stand out” from the beginning. Why did you choose this theme?

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SUZUKA: I think the premise was that “ordinary is boring.” We wanted to create something new instead of copying something made by someone else. When we explored that idea, we ended up with the concept of “standing out with our individualities and freedom.”

RIN: We were still in junior high and high school when we formed the group, so we were actual students. That’s why we really wanted to become leaders who were half a step ahead of other students. That feeling is also reflected in the “leaders” part of our group’s name. [Translator’s note: The group’s name in Japanese means “the new leaders in school.”]

Now that a decade has passed since the group’s formation, has your way of thinking about standing out changed?

KANON: I think my understanding of it has deepened. At first, I just sort of intuitively tried to stand out, but now I think about what I can do to push boundaries in a meaningful way.

SUZUKA: Yeah, standing out sounds easy but it’s actually quite hard. At first, I was simply rebellious, like, “I don’t like stuff that is exemplary,” but now I have respect for the background of why those boundaries were created. I often say, “It’s OK to stand out, but not to go overboard.” [Laughs] Instead of taking off on a stolen motorbike like the late Yutaka Ozaki sings in his classic song, “The Night,” our group places importance on inner freedom and liberation. We’ll follow rules but push boundaries and add our own new essence, that’s how we feel now.

RIN: In the past, we were like, “Let’s stand out!” on a single straight line that we’d drawn, but now that line has split and spread out in various directions and we look forward to it intersecting with various things.

KANON: To explain in sensory terms, it feels like it started out as a cool color, but now it’s become a warm color. Ten years ago, we were standing out in a pointed way, but now the way we stand out is like a permeating warmth.

KANON

Megumi Omori

What’s the public reaction been like to the way you’ve been standing out?

MIZYU: In Japan, it feels like if you’re even slightly different from the norm, people will ask you, “How come?” But I’ve always wondered who decides what is “normal.”

SUZUKA: We often use the phrase “intolerance is stifling” in our activities and this has been a theme since the group’s formation. There are rules in school and society that you have to follow, of course, but they include things that make you wonder, “Why isn’t this allowed?”

RIN: I think I’ve probably felt pressure to behave in a certain way because I’m a woman.

KANON: But we shouldn’t have to feel that pressure, you know? We want to convey through our music and performances how we can free ourselves from such pressures.

It takes courage to stand out from boundaries. What advice would you give to someone who can’t muster up that courage?

RIN: “Standing out” doesn’t necessarily mean sticking out, and taking that first step towards doing the things you like or want to do is what’s important. That small first step will lead you to your own unique way of standing out. This isn’t really advice, but I want to tell people to cherish the things they really like.SUZUKA: I think one of the main reasons why people can’t muster up the courage to do what they want is because they’re worried about what other people think. But the truth is, no one is really paying that much attention to you. [Laughs] If you do something you like and it’s within the rules, then the people around you have no choice but to accept it. So trust yourself more and do what you like.

RIN

Megumi Omori

So that’s the solid common understanding you all share.

KANON: What SUZUKA and RIN said has become the norm among the four of us. Because we’re accepted by the other members of the group, we can also accept everyone else. So when you come to our shows, you’ll understand what I mean. It’s a space where everyone becomes free and we can all say to each other, “This is the best!” We and all our fans have become a community that sticks out.

RIN: The members have completely different characters and our personalities and appearances are diverse as well. But because four such people got together and grew up respecting the things that we each like, the ATARASHII GAKKO! community has become a place where everyone can feel at ease. That’s why we can express ourselves with confidence even when we go out into the outside world.

MIZYU: I’ve never felt that I had to be the same as everyone else. If you like cute things, for example, you can pursue that to your heart’s content, and even if your tastes are different from the people around you, the important thing is to explore that. The members of our group can respect each other even if we can’t relate to certain aspects, and we’ve come this far because we can enjoy our differences.

MIZYU

Megumi Omori

As female artists, do you ever find yourself thinking about gender?

KANON: We’re women, but it’s a given that we don’t want to be bound by gender. Sometimes we wear sailor-style (girls’) school uniforms, sometimes we wear gakuran (school uniforms for boys), and we have male fans who wear sailor-style school uniforms. Both in Japan and elsewhere, many people express themselves in ways that transcend gender boundaries. We feel like we just express ourselves as human beings without being bound by gender.

MIZYU: Yeah, it seems like our fans freely choose what they like instead of thinking that men should be like this or women should be like that.

KANON: That’s why we want to live as individuals and as human beings instead of “being strong as women.” If people take our expression on a more essential level, like in their souls or senses, rather than being bound by our gender, that would make me happy.

SUZUKA: When I was little, I used to behave in ways that were so different from what was considered “girly” and really hated the feeling of being pushed into a stereotype of what a girl should be like. Now I’ve come to think that it’s fine to just be the way I am.

Is there anything the four of you want to take on in the future?

SUZUKA: I want to make my life wonderful, and I want to make everyone else’s lives wonderful, too. It could be about attaining happiness, or about accomplishing something amazing, but I want to make it so that I can look back and think, “That was one hell of a life!”

KANON: We often use the word “seishun” (youth), but for us, seishun isn’t about age, but about living life to the fullest right now. I want to keep living life to the fullest with these members.

This interview by Rio Hirai (SOW SWEET PUBLISHING) first appeared on Billboard Japan.

Forest Hills Stadium in Queens says it’s planning to move ahead with its 2025 concert season, amid reports that the New York Police Department (NYPD) has revoked the venue’s permits due to an ongoing conflict over noise complaints between the stadium and its residential neighbors.
“Forest Hills Stadium is moving forward with our 2025 concert schedule as planned and our permitting timeline is on its standard schedule,” reads a statement from the New York venue that was posted to social media on Sunday (May 23). “As happens every season, the vocal NIMBY minority of Forest Hills Gardens are attempting to roadblock yet another enjoyable season of music.”

The statement follows a report from the New York Post published Sunday that claimed the stadium — which has long been plagued by noise complaints from neighbors and in 2023 was hit by a lawsuit from the local homeowners association, the Forest Hills Garden Corporation (FHGC), seeking to shut down its summer concert program — had its sound amplification permits revoked by the NYPD last week due to an impasse in the conflict between the FHGC and the West Side Tennis Club, where the stadium is located. According to the article, the FHGC announced it would no longer grant the NYPD permission to close the streets around the stadium, which the FHGC privately owns, leaving the NYPD with no choice but to revoke the sound permits.

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Billboard has confirmed that the FHGC has refused to grant the NYPD permission to close the streets bordering the stadium for its upcoming summer concert season, essentially making it impossible for the department to do its job.

“This is a disagreement between the Forest Hills Garden Corporation (FHGC) and the West Side Tennis Club,” a spokesperson for the NYPD said in a statement provided to Billboard. “We understand that many people enjoy these concerts every summer, but we must be able to take appropriate action to keep people safe. We trust that the FHGC and the West Side Tennis Club will be able to reach an appropriate compromise.” 

Despite the standoff, the venue says it still intends to move forward with the upcoming concert season that would include performances from Bloc Party, The Black Keys, Leon Bridges, Alabama Shakes, Tyler Childers and two nights of Phish.  

In October 2024, a year after the FHGC filed its lawsuit, a judge dismissed five of the seven claims brought by the homeowners association, including claims that the West Side Tennis Club was in violation of its contract with the neighborhood and that it had unjustly profited from the stadium’s growing success. The ruling left only FHGC’s public and private nuisance claims intact, though the judge in the case, Joseph J. Esposito, did not find in FHGC’s favor on the merits of the nuisance claims. He merely held that they had stated a claim sufficient to survive the motion to dismiss, which they must now prove through discovery.

The long-awaited, oft-talked-about Nas and DJ Premier album may really be happening. Over the weekend, Nas posted a screenshot of his calendar to his Instagram Story to wish DJ Premier a happy 59th birthday. However, that’s not why he’s making headlines. Fans noticed that the Queens rapper has multiple weeks blocked off for recording sessions […]