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Metallica dropped the first trailer for their upcoming fan-focused documentary on Tuesday (April 8). Metallica Saved My Life, directed by the band’s longtime collaborator, Grammy-winner Jonas Åkerlund, will be screened in select cities on the band’s ongoing M72 world tour.

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In a statement, the group wrote, “Not quite finished yet, we want YOU to be among the first to see our latest film project by award-winning director Jonas Åkerlund, all about the lifeblood of this band: the fans. This documentary explores our world through the lives of fans who have supported each other through highs, lows, trials, and triumphs for over four decades.”

In the one-minute preview, drummer Lars Ulrich states, “Metallica is a state of mind” over mournful piano as the band’s other members begin the sentence “Metallica is…” as a series of fans offer up their thoughts on what the group means to them. “Unapologetically real, and vulnerable,” says one man, while a woman adds, “hope, freedom, escape.”

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A montage of long-time die-hards then open up about how the band gave them an identity as they describe themselves, variously, as a “dork… loner… a weirdo,” with one Black fan recalling how people would ask him, “why are you listening to this white people music?”

“I wanna hear ’em, I wanna hear ’em all,” singer/guitarist James Hetfield says of the variety of stories in the film directed by Åkerlund, who was also behind the camera for their 1998 video “Turn the Page,” as well as 1999’s “Whiskey in the Jar” and 2016’s “ManUNkind.” “Whatever you want to put on that… religion, cult, family, whatever label. I don’t care. It’s a gathering of like-minded people that are there to celebrate life.”

In a statement the band said, “As a few of you may know, we’ve been working behind the scenes the last couple of years on a new film that will be released later this year starring you guys! Metallica Saved My Life explores our world through the lives of fans who have supported each other through highs, lows, trials and triumphs for over four decades. And yeah, we’re in it a little bit too.” The full doc, which will feature all four band members as well as actor Jason Momoa, is slated for release later this year.

Click here to find out more details about the locations and dates for the North American screenings of the unfinished film from April through June, which will be phone-free and have a two ticket per person limit.

Metallica will get back on the road for the continuation of the M72 tour on April 19 at the JMA Wireless Dome in Syracuse, N.Y. This week the band also announced a collaboration with the American Red Cross for blood drives on their upcoming 2025 U.S. dates. Donors of all blood types are encouraged to make an appointment to give by clicking here; donors must be 17 in most states (or 16 with parental consent where allowed by state law) and weigh at least 110 pounds and be in general good health to be eligible to donate.

Check out the trailer for Metallica Saved My Life below.

Nashville based singer-songwriter Jamie MacDonald scores her first chart-topper on Billboard’s Christian AC Airplay survey as “Desperate” ascends three places to No. 1 on the list dated April 12.

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The single increased by 3% in plays March 28-April 3, according to Luminate. MacDonald co-authored it with Jonathan Gamble and Jordan Sapp, the latter of whom produced it.

“It’s been life changing to carry a song that’s not only bringing healing to others, but deeply healing for me, as well,” MacDonald tells Billboard. “That was a promise God gave me for my music, and it’s been incredible to finally see it happening. In my weakness, He is showing Himself to be so strong, and that verse is what I’m clinging to and rejoicing in right now.”

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Meanwhile, as “Desperate” hits the summit in its 12th week, it completes the quickest trip to No. 1 by a female artist (not counting holiday songs) since September 2018, when Lauren Daigle’s crossover smash “You Say” needed just 10 weeks to sprint to the penthouse. It went on to rule for 15 weeks.

Plus, “Desperate” is MacDonald’s first Christian AC Airplay chart entry. It’s the first rookie single to reign since last April, when Seph Schlueter’s “Counting My Blessings” led for four frames. It’s the first freshman No. 1 by a woman since Jordin Sparks’ collaboration with for King & Country, “Love Me Like I Am,” dominated for five frames beginning in February 2023.

On the Christian Airplay chart, “Desperate” pushes 6-5 for a new best (3.4 million in audience, up 1%).

Hammond, Station & Cole Command Gospel Airplay

Three veteran gospel artists – Fred Hammond, Keith Staten and Marcus Cole, joining forces as FKC – ascend to No. 1 on Gospel Airplay with “Change Your Mind.” The single increased by 8% in plays.

The three artists co-wrote the song from their album Time Capsule-The Trilogy, released last August. The LP is the first  of a three-part release, with the second expected this summer.

“Change Your Mind” is Hammond’s fifth No. 1 and first since “Hallelujah” led for two weeks in July 2022. He first led with “They That Wait,” with John P. Kee, for 15 frames beginning in December 2009.

As for Staten and Cole, “Change Your Mind” marks their first appearance as solo artists, but all three were part of iconic gospel act Commissioned. The group scored 11 top 10s on Top Gospel Albums, from I’m Going On (No. 5 peak, 1985) through The Commissioned Reunion “Live” (No. 3, 2002).

FanDuel’s Kentucky Derby Party is returning to Louisville this year with Shaboozey headlining the event, Billboard can exclusively reveal. The exclusive, invite-only event is set to take place May 2 at Paristown Arts and Entertainment District in Louisville, Kentucky. “I’m hyped to be part of the Derby this year,” Shaboozey said in a statement. “It’s […]

The death toll from the roof collapse at the Jet Set club in Santo Domingo in the Dominican Republic has climbed to more than 113 people. According to the Associated Press, the iconic venue was packed with “musicians, professional athletes and government officials,” when dust from the ceiling began to fall into attendees’ drinks before the entire roof collapsed.
In addition to the scores of dead buried under concrete slabs, authorities said more than 255 were injured. Merengue superstar and concert headliner Rubby Pérez — who was on stage performing when the ceiling collapsed — was among the dead, according to emergency operation director Juan Manuel Méndez, who said the 69-year-old singer’s body was found early Wednesday morning (April 9). The collapse happened roughly an hour into Pérez’s midnight performance.

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Pérez’s official Instagram posted a tribute to the late singer on Wednesday morning honoring the beloved star born Arturo Pérez in Hato Mayor. “It is with deep sorrow that we announce the passing of our beloved Rubby Pérez. We sincerely appreciate all the love, support, and solidarity we have received from his family, friends, and fans during this difficult time. His musical and personal legacy will live forever in our hearts. May his soul rest in peace.”

As of press time rescue teams from Puerto Rico and Israel had arrived to help local authorities, who said they were still searching for any potential survivors, with Méndez telling the AP that “as long as they report that there is a missing person, we will be there.”

Among the dead were two former Major League Baseball players, pitcher Octavio Dotel and Dominican star Tony Enrique Blanco Cabrera. An Instagram tribute to seven-time MLB All-Star Dotel from the Ministry of Sports and Recreation read: “We deeply regret the passing of former Major Leagues and Immortal of Dominican Sport, Octavio Dotel, 51. His legacy on and off the field leaves an indelible mark on national baseball history. Peace to his soul and strength to his family and loved ones.” Dotel pitched for 13 teams during a 15-year MLB career, including a pennant-winning season in 2011 with the St. Louis Cardinals.

The Ministry’s tribute to Blanco, 44 — who played in the outfield and as a first and third baseman, spending eight years in the minors, as well as one season with the Washington Nationals (2005) and 16 years in the Japanese baseball league — read, “We deeply regret the passing of former Major Leagues and Immortal of Dominican Sport, Octavio Dotel. His legacy on and off the field leaves an indelible mark on national baseball history. Peace to his soul and strength to his family and loved ones.”

Among the other reported victims were Nelsy Cruz, the governor of the northwestern province of Montecristi, and sister of seven-time MLB All-Star Nelson Cruz, who called DR President Luis Abinader from underneath the rubble to alert him of the disaster and later died at a hospital. The AP reported that Pérez’s saxophonist Luis Solís, who was on stage during the collapse, also died.

The Jet Set club issued a statement on Tuesday morning, sharing condolences to the families of those killed and injured in the roof collapse. “Last night, a tragedy struck that has deeply shaken the hearts of everyone who is part of Jet Set and all Dominicans. The loss of human lives leaves us in a state of profound sorrow and grief,” the venue wrote on Instagram. “In this difficult moment, our prayers are with each of the affected families. We share their pain as if it were our own, as we too are in mourning. We are working fully and transparently with the competent authorities to assist the victims and clarify what happened … We join the country in expressing solidarity during this unexpected and painful situation.”

At press time authorities were still investigating the cause of the roof collapse. Only 32 people have been identified in what is being described as one of the worst disasters to hit the Dominican Republic.

Ed Sheeran joined Jimmy Fallon for the latest “Subway Busking” bit on Tuesday night’s (April 8) Tonight Show. As usual, there were costumes involved in a vain attempt to throw commuters off the scent. In this case, the pair went with an emo theme, with both men wearing all-black outfits and slouchy grey beanies accented […]

Legendary Latin artists Vicente Fernández and Freddy Fender are among this year’s inductees into the National Recording Registry, a prestigious honor from the Library of Congress. Fernández’s ranchera anthem “El Rey” and Fender’s bilingual country crossover hit “Before the Next Teardrop Falls” join a select group of recordings recognized for being “culturally, historically, or aesthetically […]

As Ed Sheeran readies the release of his forthcoming eighth album, he’s revealed that fans won’t be left waiting too long between singles for fresh material given the record’s “broad” range of sounds.

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Sheeran’s comments were made during his appearance on the latest episode of Call Her Daddy, where he spoke with host Alex Cooper about his lyrics, his favorite memory of Taylor Swift, and the embarrassing story of being caught naked in a hotel lobby. 

The conversation also switched to the discussion of Sheeran’s new music, which includes the recently-released single “Azizam,” which will feature on his forthcoming album Play. While a release date for the record is yet to arrive, Sheeran used his appearance on Call Her Daddy to talk about the music that is still to come in the near future.

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“My idea was because the album is so broad, I didn’t want to just be like, ‘Here’s the single. Here’s the album,’ so there’s music coming every sort of two, three weeks,” he explains. “So there’s ‘Azizam’ now, there’s a song called ‘Old Phone’ that comes out in a couple of weeks, and then after that there’s another song coming. 

“We shot all these videos and I’m less about single moments and more about, I want people to sort of feel the breadth of the record and I’m very confident that one of the songs will work, but it’s more about just putting ’em out and letting people hear some of the record before it’s out rather than what I’ve done before, which is just like, ‘Here’s my first single. Here’s the album,’ and yeah.”

While Sheeran has already given fans a preview of “Old Phone” by playing it live on The Tonight Show, Cooper also queried the English musician as to how his new music differs compared to what he had released on previous albums.

“It’s definitely different. I think I’ve been more explorative with this album,” Sheeran explained. “I kind of had an attitude of ‘Why the f–k not?’ and not really felt like I have to be in a box of being a singer-songwriter, of like, ‘I have to do this or I have to do that,’ and I lived in India for a little bit and worked with a load of Indian musicians and producers and blah, blah, blah. 

“I made a song like ‘Azizam’ with Ilya who’s Persian and that’s in that world and ‘Old Phone’ I think is more in a Nashville country world and there’s just lots of different moments on the record, and the record is called Play and therefore it has to be playful. It has to be celebratory.”

Sheeran’s forthcoming eighth LP follows on from the release of his two 2023 albums, − and Autumn Variations, which peaked at No. 2 and No. 4 on the Billboard 200, respectively. They were his first records not to peak atop the chart since the release of his 2011 debut, +, and were followed in November 2024 with the standalone single “Under the Tree,” as featured in the Netflix film That Christmas.

As Sheeran explained during his chat with Cooper, the general vibe of Play is set to be far different to what what had arrived on his most recent albums.

“I released two albums that kind of, well, one was the sort of main album and one sort of came off the back of it, but they were both very depressing about quite hard hitting subjects, very muted,” he added. 

“I still think they’re beautiful records, but I feel like coming out of that, of you know, going through grief and all that sort of stuff coming out, I needed to have something that felt bright and colorful and playful and that’s where doing St. Patrick’s Day, playing at Tootsie’s in Nashville, doing the New Orleans thing, the whole record just has to feel like fun and exciting.”

Weeks after rumors spread that Californian experimental hip-hop trio Death Grips had split, the band have now taken to social media to deny these claims.
Reports of the band’s initial breakup surfaced in early February, when a supposedly leaked message from producer Andy Morin appeared online, with the musician confirming, “yeah it’s over,” before placing the blame on vocalist MC Ride (whose real name is Stefan Burnett).

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“Stefan doesn’t want to do any more,” the message read. “But truthfully none of us can ever predict what will happen with the group.” At the time, no public statement from the notoriously media-shy band was issued.

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However, on Tuesday (April 8), the group took to their semi-active Instagram account to share their first post since October 2023, confirming that Death Grips is still very much a going concern.

“Despite rumour and hearsay, we remain active as Death Grips,” a message signed by Burnett and drummer Zach Hill read in the post, with the text itself written in marker atop a framed artwork. Notably, the statement lacked Morin’s signature, potentially suggesting that the group will continue as a duo in the future.

Death Grips first formed in Sacramento, CA in 2010, with Burnett, Hill, and Morin sharing their debut EP Exmilitary in April 2011. The group found wider fame thanks to the release of debut album The Money Store the following year, with positive reviews accompanying its appearance in the top 20 of the Heatseeker Albums and Rap Albums charts, and a placing of No. 130 on the Billboard 200.

Following a handful of other releases, Death Grips announced their initial split in July 2014, claiming “We are now at our best and so Death Grips is over,” and withdrawing from a planned tour supporting Nine Inch Nails and Soundgarden.

Despite this apparent breakup, the planned second half of their The Powers That B album followed in 2015, with the group returning to the live stage soon after. Further albums and EPs have since followed, though Death Grips have not performed live since an appearance at 2023’s Austin City Limits festival, and have announced no further live shows.

Cardi B is sending her love to the Dominican Republic after the tragic collapse of the Jet Set nightclub roof in Santo Domingo left at least 66 people dead and more than 160 injured, at the time of publication. The rapper, whose father is Dominican, wrote a message of mourning to her BG Secret Society […]

On April 2, NAQT VANE released their new concept EP, NV. This is NAQT VANE’s first concept EP with its new lineup after welcoming Yunoa. The EP has a total of seven songs, including solo songs “C” and “O” by Yunoa and Harukaze and an “NV Series” of reinterpreted NAQT VANE songs. What kind of spirit and message have they poured into the “NV” concept EP? Billboard Japan talked at length with the two, hot off their nationwide tour, about this and about their thoughts on the tour.

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04/08/2025

You just finished your first nationwide tour as a team of two vocalists, performing eight shows in four cities. What did you think of it?

Harukaze: At first, I thought that it would feel like long, but once we actually started performing, it was over in the blink of an eye. We had a blast performing, and I still feel a little wistful that we’ve already finished all eight shows.

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Yunoa: It went by so fast. It was my first time performing in a solo show from the very start, and my first time touring. So I was really nervous going in, but once we started, I had so much fun. I still can’t believe it’s over, and I’m looking forward to going out on tour again.

On the tour, you represented yourselves as the “sun and moon,” and you had different set lists for your daytime and nighttime shows. How do you feel about that contrast of your individual characters as sun and moon?

Harukaze: During this one meeting we had about the tour, the conversation turned to how to showcase the “pair” aspect of NAQT VANE, now that we have twin vocalists. We wrote down keywords that represented our own individuality and unique characters. One of the things that came up was this concept of “sun and moon,” and we thought that conveyed the concept the clearest. They stand in contrast with each other, but both are essential, and when you have the two of them together, something magical happens. They’re like us in all kinds of ways.

It’s been 10 months since you formed this new lineup, which features your contrasting characters, and now you’ve finished a tour. Have there been any changes during this time?

Harukaze: When we changed to a twin vocal lineup, I knew from the start that it would open up a new path before us. Now, after finishing the tour, we’ve become absolutely essential to each other. We each produced our sun and moon shows, and in both shows, there were parts where we were able to shine because of each other’s presence.

Yunoa: For me, the tour impressed on me again just how fun it is to sing with Harukaze. Also, I didn’t know that I could spend so much time with someone else while always being comfortable staying true to myself. It was such a fun experience. I discovered something new about myself, that I didn’t have any problem being with others. Now I want to always stay close to these people I love so much.

Now you’ve released the “NV” concept EP, which includes “C” and “O,” solo songs that Hiroyuki wrote for the tour. I’d like to start out by asking about these solo songs. Yunoa, how did you feel when you first heard the music Hiroyuki wrote for “C?”

Yunoa: Usually, when I’m working solo as Yunoa, I write my own lyrics, but with “C,” I thought about my own traits and features, wrote them down, and had the lyrics written based on them. There were several parts where the lyrics I received perfectly conveyed what I was thinking. I didn’t feel over-pressured by “C.”

What did you think of the title?

Yunoa: It’s the shape of a crescent moon. I really liked the simplicity of that.

Right. So the same is true for “O?”

Harukaze: It’s the shape of the sun. It forms a set with “C.” When I got the lyrics, I also felt like it had really captured the message that I was trying to convey. My life motto is “I want people to smile,” and that was reflected in the line “Give me a smile.” I didn’t get any instructions to sing in a certain key or in a certain way, but the song has a lot of technical parts which Hiroyuki has complimented me on in past recordings. There are two NAQT VANE anthems, “Beautiful Mess” and “VANE,” and it’s really easy to picture singing them along with audiences.

You use a lot of different vocal tones in your singing, don’t you?

Harukaze: I’d talked to Hiroyuki in the past about how whenever I go in to record vocals, I want to take on new challenges. On NAQT songs, I added twists at the end, or I envisioned different peoples’ vocal tones when I recorded the chorus. I’d think about trying to be a specific type of singer, or I’d try singing in a super low, older man’s voice. I tried out all kinds of different voices, like 15 different people. They’re all in there, and that whole process of including those playful elements in the recording process was a new challenge for me.

You also recorded newly reimagined NV versions of songs from your first album, this time with twin vocals. What song made a particular impact on you?

Yunoa: “Ditty – NV.” There’s a rap part in it that just slaps. It just busts out right from the start. It’s so fast, I can’t even mentally keep up with what I’m saying. You’ve got to hear it.

Harukaze: But you sound like you’re having so much fun in that part. You’re really vibing!  It comes across so clearly. Part of it might be because the song itself is so fun.

Yunoa: It’s probably the most danceable song.

Harukaze: And it has a sense of playfulness. It’s so fast, and your rap part gets me fired up, too. I was surprised to see how much a song could change. The original was already playful, but having two people sing it instead of one makes it so much more exciting.

How did you feel after getting all seven songs ready for the release?

Yunoa: Really happy. I’ve been a member of NAQT VANE for less than a year, so it’s tremendously exciting to see my own name on a CD for the first time. Our new twin vocal lineup is used to its fullest, and we each have our own solo songs, so the EP highlights the qualities of both approaches. When I saw the samples of the finished EP, I was really impressed. The jackets are all unique variants, each with its own pattern, and each comes with a puzzle piece. The contents of the EP are so cute. There are so many special things about the CD, and more than anything I feel happy and a bit awed that so much is being done on my first ever CD.

Harukaze: I think the new EP packs in the true essence of NAQT VANE. This may be how some people discover us. We want to show our new lineup, and I hope that the EP is a breath of fresh air for everyone preparing for a new beginning [this spring]. The “NV” means both “NAQT VANE” and “New Version,” but it has another meaning, too: “Newborn Vibes.” Vibes are a really important part of the project, so we want to share these new vibes with all our VANEs.

What kind of “New Versions” do you see for the future?

Yunoa: We want to get bigger and bigger. We want more people to discover NAQT VANE. Everyone says we’re at our best in our live shows, so I want everyone to come see us perform live. We want to play in even bigger venues, filling domes.

Harukaze: We want to play at huge venues, and we also want to perform around the world. Our overseas fans send us messages asking when we’ll perform in their countries, so I hope we can really extend our overseas reach and perform in different countries, bringing out each of our own best qualities.

Do you have any closing message for your overseas listeners?

Yunoa: I think there are a lot of people in countries like the U.S. who share the same vibes as us. I’m sure they’d love us if they heard us, so please give us a listen. Then come to our show and go crazy on the dance floor.

Harukaze: When I was in high school, I spent three and a half years living in Vancouver, Canada, and then I went to university for four years in L.A. My dream is to return to Canada and America to put on shows. When I go back, I want to give back to all my old friends and all the people who’ve supported me. We’re going to be communicating more with our overseas listeners, so I hope everyone checks out what we have to say!

—This interview by Atsuo Nagahori first appeared on Billboard Japan