Music News

BTS’ Jin Prepping Second Solo Album, ‘Echo’

BTSJin is gearing up to release his second solo album. The singer announced on Monday (April 14) that Echo, his follow-up to last year’s solo debut, Happy, is due out on May 16. “Aiming to connect on a deeper level with fans through music, Echo offers Jin’s perspective on universal life experiences, capturing everyday emotions with warmth and sincerity,” reads a statement announcing the project. At press time no additional information was available about Echo.

“Built on dynamic band sounds, the album showcases his versatile vocals across a spectrum of moods and styles,” the statement continued. “It reflects a deeper layer of vocal maturity and personal storytelling that underscores Jin’s evolving artistry.”

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When he’s not in the studio working on solo material, Jin has been expanding his acting portfolio, recently appearing on Netflix’s Korean variety show, Kian’s Bizarre B&B. In November, Jin dropped a new version of the Happy b-side “Falling” featuring additional vocals from ONE OK ROCK singer Taka as the follow-up to the official album singles “I’ll Be There” and “Running Wild.”

Jin was the seventh, and final, member of BTS to release a full solo project. His second album will drop as ARMY eagerly await word on when the full band will reunite. BTS has been on indefinite hiatus since June 2022 to allow its members to complete their mandatory South Korean military service, with originally stated plans for the outfit to re-assemble sometime this year. At press time no additional information was available on when the reunion will take place.

RENZO Delivers Standout Billie Eilish Cover on ‘The Voice’

RENZO continued to prove why he’s one of the most unique vocalists on The Voice this season, earning a spot in the Playoffs after a powerful performance of Billie Eilish’s “Happier Than Ever” during Monday night’s Knockouts episode (April 14).

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Paired with fellow Team Legend artist Nell Simmons, who performed Chaka Khan’s “Sweet Thing,” RENZO delivered a gripping, emotionally nuanced version of the 2021 hit.

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Following the performance, coach John Legend praised Nell’s performance as “poised” and “perfection,” but ultimately chose RENZO to move forward.

“Happier Than Ever” was the title track from Billie Eilish’s sophomore album, which debuted at No. 1 on the Billboard 200 in 2021. The song itself peaked at No. 11 on the Billboard Hot 100 and earned Grammy nominations for Record of the Year, Song of the Year, and Best Pop Solo Performance.

RENZO’s raw vocal style brought new weight to the song’s emotional arc, which shifts from gentle melancholy to full-throttle anguish. His performance left the coaches visibly moved, and the audience responded with raucous applause.

Later in the night, Team Legend’s Olivia Kuper Harris also earned a spot in the next round with a sultry rendition of Donna Summer’s “Last Dance,” narrowly edging out Jacquelyn George, who tackled JoJo’s “Too Little Too Late.”

Over on Team Bublé, Adam David took on Allen Stone’s “Unaware” and impressed coach Michael Bublé and winning over Carlos Santiago, who performed Calum Scott’s “You Are the Reason.” In another pairing, Jadyn Cree’s performance of Avril Lavigne’s “Keep Holding On” earned her a spot in the Playoffs, with Bublé noting her voice “cuts through.”

Meanwhile, Team Kelsea’s Knockout between Jaelen Johnston and Hailey Wright saw both artists step up. Hailey brought crowd-pleasing energy to the Patsy Montana classic “I Want to Be a Cowboy’s Sweetheart,” but Jaelen’s take on Noah Kahan’s “Dial Drunk” ultimately secured his win.

The night closed with a dramatic decision on Team Adam, where Conor James’ rendition of Alphaville’s “Forever Young” narrowly beat Darius J.’s high-energy take on Estelle’s “American Boy.” However, Kelsea used her steal to bring Darius onto her team, saying, “I’ve been waiting for this for so long.”

With RENZO’s Knockout victory, Team Legend’s updated lineup heading into the Playoffs includes Ari Camille, BD.ii, Bryson Battle, Olivia Kuper Harris, and RENZO — a stacked roster for the live shows.

The Voice Season 27 continues Mondays on NBC.

‘I’m a Big Fan’: Jelly Roll Praises Olivier Bergeron’s Cover on ‘American Idol’

Olivier Bergeron brought the judges — and much of America — to the brink of tears on American Idol Monday night (April 14), performing Jelly Roll’s “I Am Not Okay” with vulnerability and raw conviction.

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The 22-year-old Canadian contestant, who grew up in a French-speaking community in New Brunswick, explained before the performance that music isn’t just a dream for him, it’s a lifeline.

“It’s very hard to be a dreamer where I’m from,” he said in a pre-performance package. “It’s an emergency. I need to be a singer. That’s the only thing I can do. I just want to show to everyone in my hometown that when you believe in something, it’s possible.”

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Bergeron took the stage at Disney’s Aulani Resort in Hawaii for the Top 24 round of Season 23, pouring emotion into every line of the Jelly Roll ballad. The artist-in-residence himself was in the audience, and deeply moved by what he witnessed.

“I know what it’s like to be untrained and overwhelmed and just singing from the bottom of my soul with every part of me shaking,” Jelly Roll told Bergeron after the performance. “I see it and I feel it on you. To be a kid that hardly speaks English, to be coming over here and kicking this much butt already, I am a big fan and I am your family.”

The performance quickly became one of the standout moments of the night as voting opened for viewers to help determine who advances to the Top 20.

Other memorable performances during the night included Drew Ryn’s moving rendition of Avril Lavigne’s “I’m With You,” Thunderstorm Artis’ soulful take on Bob Marley’s “Is This Love,” and Mattie Pruitt’s full-circle moment singing Katy Perry’s “Wide Awake.”

Voting for American Idol remains open until 6 a.m. ET on Tuesday (April 15). The Top 14 will be revealed live next Monday, following a three-hour Easter special featuring performances by CeCe Winans, Jelly Roll with Brandon Lake, and more.

Rivers Cuomo Confirms Weezer Are Working on a Film

Weezer have used their last-minute appearance at Coachella to reveal to fans that the band are currently working on a movie.

The Los Angeles rockers were added to the Saturday (April 12) lineup of the festival’s first weekend, joining the bill following cancellations from FKA Twigs and Anitta due to “ongoing visa issues” and “unexpected personal reasons,” respectively. Ed Sheeran was also added to the festival, though he will appear on the second weekend, performing on Saturday afternoon (April 19).

Appearing just days after the wife of bassist Scott Shriner sustained non-life-threatening injuries during a bizarre run-in with Los Angeles Police Department (LAPD) officers that ended in a dramatic shootout, the group’s 12-song set featured no material released past 2008. However, just before performing 1994’s “Undone – The Sweater Song,” frontman Rivers Cuomo revealed the band have been active in the world of film lately.

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“We’ve been busy making the Weezer movie back in LA the last couple weeks,” Cuomo told the crowd. “But when Coachella called us up, said, ‘Hey Weezer, could you guys make it out for a surprise appearance?,’ we’re like, ‘Heck yeah!’ It feels so good to be here with you guys and let out these emotions.”

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According to further information shared by fans online, members of the Weezer fan club had received correspondence alerting them that the band would be “doing a private filmed merchandise signing for a select few fans, for a TBA video.” Additionally, it was noted that “selected participants will need to sign a release and NDA prior to arriving,” with a shoot date of April 21 being mentioned.

Elsewhere, fans on X (formerly Twitter) had also shared a photo of a “Notice of Filming” that had appeared in Los Angeles for a scripted feature film. The film, which listed a title of Weezer: Security Threat, also named Watch Me Unravel LLC as the production company (which adopted its moniker from a lyric in “Undone – The Sweater Song”), and alerted those in attendance that that the three day shoot from April 7-9 would feature “simulated bullet effects,” “atmospheric smoke,” and more.

While few details have been officially released by Weezer, it makes them the third Californian band to be the focus of an off-kilter film project in recent years. While Stockton’s Pavement are set to be the focus of the genre-defying Pavements from director Alex Ross Perry, Rodeo trio Green Day are in the process of filming New Years Rev, which is inspired by the group and their years of living in a tour van.

Barry Manilow Announces Final North American Concert Tour

Veteran performer Barry Manilow will be taking a break from his ongoing Las Vegas residency over the coming months to embark upon a final run of North American concert dates.

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Dubbed “The Last Concerts,” Manilow’s upcoming run of arena shows will launch in late May and run until early June, before a return to his ongoing residency precedes another batch of newly-announced dates in July. Those dates will again be followed by a return to Las Vegas, and a handful of holiday shows in December.

“I couldn’t be more thrilled to visit these great cities of which I have so many fond memories,” Manilow said in a statement. “Each one is special to my touring history.”

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News of the “Copacabana” singer’s upcoming North American dates comes just a few months after he announced a lifetime residency at his longtime home, the Westgate Las Vegas Resort & Casino.

Manilow launched his “The Hits Come Home” residency at the Westgate Hotel in 2021, marking the third Vegas hotel at which he had a residency. He had previously set up shop at the Las Vegas Hilton from February 2005 to December 2009, and he followed with his “Manilow Paris Las Vegas” at the Paris Hotel & Casino at Las Vegas from March 2010 to December 2012.

His current run of residency dates see him booked until Dec. 13, though he will perform five shows for Manilow’s A Gift of Love VII concerts at Palm Desert’s McCallum Theatre only days later. Find tickets here.

Barry Manilow – The Last Concerts 2025

May 23 –  PPG Paints Arena, Pittsburgh, PA
May 24 –  Wells Fargo Center, Philadelphia, PA
May 27 –  Amica Mutual Pavilion, Providence, RI
May 28 –  TD Garden, Boston, MA
May 30 –  Bell Centre, Montreal, QC
May 31 –  Scotiabank Arena, Toronto, ON
June 03 –  Little Caesars Arena, Detroit, MI
June 04 –  Van Andel Arena, Grand Rapids, MI
June 05 –  Rocket Mortgage Fieldhouse, Cleveland, OH
July 11 –  Spokane Arena, Spokane, WA
July 12 –  Climate Pledge Arena, Seattle, WA
July 14 –  Maverik Center, West Valley City, UT
July 15 –  ExtraMile Arena, Boise, ID
July 16 –  Moda Centre, Portland, OR
July 18 –  Oakland Arena, Oakland, CA
July 19 –  Golden 1 Center, Sacramento, CA

Elton John & Brandi Carlile’s ‘Who Believes in Angels?’ Makes Top 10 Debut on the Billboard 200

Elton John and Brandi Carlile’s first collaborative album, Who Believes in Angels?, debuts at No. 9 on the Billboard 200 chart dated April 19, marking the 22nd top 10 for John and fourth for Carlile.

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John earned his first Billboard 200 top 10 more than 54 years ago, with his self-titled album on the Jan. 30, 1971-dated chart. A living soloist last logged a longer top 10 span on the Oct. 16, 2021-dated survey, when Tony Bennett’s Love for Sale, with Lady Gaga, debuted at No. 8. It gave the then-95-year-old Bennett a 59-year top 10 stretch, dating to I Left My Heart in San Francisco in October 1962.

As for Carlile, she notched her first top 10 on the Billboard 200 in 2012 with Bear Creek, which debuted and peaked at No. 10 on the June 23, 2012-dated list.

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Who Believes in Angels? earned 40,000 equivalent album units in the United States in its opening week (April 4-10), according to Luminate. The album’s sales (36,500) were bolstered by its availability across seven vinyl and five CD variants, including signed versions.

The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. The new April 19, 2025-dated chart will be posted in full on Billboard‘s website on April 15.

The new album also takes a bow atop both the Top Rock Albums and Top Rock & Alternative Albums charts, while also opening in the top 10 on Top Album Sales (No. 2), Indie Store Album Sales (No. 2) and Vinyl Albums (No. 3).

John and Carlile ushered in the release of the album with a flurry of media appearances, including CBS News Sunday Morning (CBS, March 30), The Tonight Show Starring Jimmy Fallon (April 3), Saturday Night Live (NBC, April 5) and the concert special An Evening With Elton John and Brandi Carlile (CBS and Paramount+, April 6), along with interviews with Apple Music’s Zane Lowe, NPR and SiriusXM’s The Howard Stern Show, among other outlets.

Meanwhile, the album’s title track extended John’s record for the most top 10s (43) in the history of the Adult Contemporary chart, where it rises to a new No. 9 high on the chart dated April 19.

“Nobody wants another Elton John album like the other 35 [I’ve made],” John recently told Billboard. “This one had to have energy, and it had to have a statement saying: ‘Listen, I’m nearly 78 and I’m gonna be really sounding powerful.’” Said Carlile, “I don’t think it’ll ever really catch up to how incredibly life-affirming this has been for me.”

54 Years of Top 10 Albums: John earned his first Billboard 200 top 10 a little over 54 years ago, when his self-titled album climbed 11-7 on the Jan. 30, 1971-dated chart; it peaked at No. 4 a week later (Feb. 6, 1971). Breaking down John’s 22 top 10s by decade: 13 in the 1970s, two in the 1990s, one in the 2000s, four in the 2010s and two in the 2020s. Who Believes in Angels? is John’s second album with shared artist billing to reach the top 10, following The Union, with Leon Russell, which reached No. 3 in 2010.

John continues to be among elite company of acts with at least 20 top 10-charting albums on the Billboard 200, from March 24, 1956, when the list began publishing on a regular, weekly basis, through the new, April 19, 2025-dated chart. Here’s an updated leaderboard:

Most Billboard 200 Top 10s:
38, The Rolling Stones
34, Barbra Streisand
33, Frank Sinatra
32, The Beatles
27, Elvis Presley
23, Bob Dylan
23, Madonna
22, Elton John
22, Bruce Springsteen
21, Paul McCartney/Wings
21, George Strait
20, Prince

Notably, the Kidz Bop Kids music brand has collected 24 top 10s, in 2005-16, with its series of kid-friendly covers of hit singles. The franchise’s early albums were performed mostly by anonymous studio singers, although later releases focused on branding named talent.

6 Ways LISA & JENNIE Shined (And Silenced Critics) With Their Coachella Solo Sets

Being in one of the world’s biggest girl groups has its fair share of haters, but both BLACKPINK divas came ready to show the world what they could do in the desert.

For some artists, playing Coachella is an undeniable career peak. But it isn’t merely about booking the stage; you have to be prepared to seize the moment and define the narrative of your career.

After performing dazzling sets twice with BLACKPINK in 2019 and 2023, LISA and JENNIE both booked Coachella 2025 as soloists, ready to use the iconic desert festival to prove themselves equally as powerful on their own and what they’ve learned after nearly a decade on the scene. While being part of a K-pop girl group — no matter how acclaimed — inevitably invites skeptics, the powerhouse performers flipped any expectations and took command to turn past critiques into commendation.

LISA hit Coachella’s Sahara stage the evening of the first day of the festival, Friday, to give her biggest and most expansive set since releasing her Alter Ego solo album, which landed in the Top 10 of the Billboard 200 and earned three hit singles on the Hot 100. Lisa showcased herself as a multi-dimensional performer with her show divided into five acts that gave further insight into how the “alter ego” theme played into her music.

Meanwhile, Jennie hit the Outdoor Theatre on the final day of Coachella 2025, Sunday, to show she could evolve from the intimate concert she created with The Ruby Experience concert and now command an entire festival audience. The starlet used her time in the desert to display her singing, dancing and rapping talents and even had a special guest, Kali Uchis, join her halfway through the set.

In the first weekend of Coachella, LISA and JENNIE defined themselves further as artists, leaving critics to marvel at innovative, empowering sets and ultimately reaffirming BLACKPINK’s undeniable status in the ever-evolving world of global pop music.

Check out six of the most special moments from this weekend below.

GloRilla, Summer Walker, Muni Long & More Set for 2025 ESSENCE Festival Stage

GloRilla, Summer Walker, Muni Long, Maxwell and Boyz II Men are among the first wave of contemporary stars and legends announced for the 2025 ESSENCE Festival of Culture. Presented by Coca-Cola, the annual music and lifestyle event will take place July 4-6 in New Orleans.

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In addition to the aforementioned acts, the lineup of headliners and performers includes Davido, Nas, The Isley Brothers, Donell Jones, Buju Banton and New Orleans’ native son Master P. Banton and GloRilla will be making their ESSENCE Festival debuts as well. Grammy-winning songwriter/producer Jermaine Dupri will also curate a tribute to the legacy of multifaceted industry icon Quincy Jones. Titled “ESSENCE Flowers,” Dupri’s special salute will “bring together artists who’ve sampled, studied or shared space with the music titan,” according to the press release announcement.

“We Are Made Like This” is 2025’s theme as the festival celebrates the 55th anniversary of its namesake, ESSENCE magazine. Serving as hosts for the evening series of concerts will be actor/comedian Anthony Anderson and cultural curator Kenny Burns.

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A mix of returning and new lifestyle experiences will round out the weekend’s various offerings. These include the ESSENCE Food & Wine Festival, ESSENCE Film Festival, BeautyCon and ESSENCE Authors.

In celebration of its 30th anniversary last year, the 2024 ESSENCE Festival of Culture featured eight-time Grammy Award winner Usher in a special performance of his classic 2004 album Confessions. Attendees were also treated to performances by Janet Jackson, Victoria Monét, Charlie Wilson, Birdman & Friends Presents 30 Years of Cash Money Millionaires and a tribute to Frankie Beverly & Maze.

Here Are the Lyrics to Kendrick Lamar’s ‘Squabble Up’

When Kendrick Lamar surprise-dropped his GNX album, an immediate standout from the project was “Squabble Up.”

The song topped the Billboard Hot 100, at the same time as GNX debuting atop the Billboard 200 albums chart. The track became Lamar’s fifth Hot 100 No. 1 out of six total, and his third of 2024 – the most among all artists of the year. He previously led in 2024 with “Not Like Us,” for two weeks beginning in May, and “Like That,” with Future and Metro Boomin, for three weeks in April.

Below, find the lyrics to Kendrick Lamar’s “Squabble Up.”

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God knows
I am
Reincarnated, I was stargazin’
Life goes on, I need all my babies (gyah, gyah)

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Woke up lookin’ for the broccoli
High-key, keep a horn on me, that Kamasi
IP, ownership, the blueprint is by me
Mr. Get Off, I get off at my feet
(When I hear music, it makes me dance)
(You got the music, now is your chance)
A yee nigga couldn’t try me in the tri-state
Buddy pass, bet I get him splashed ’til he hydrated
Bounce out, know he spook town, eyes dilated
I got the money and the power both gyratin’

I feel good, get the fuck out my face
Look good, but she don’t got no taste
I walk in, walked out with the safe
Mando, let me know what the play

What the fuck? I got hits, I got bucks, I got new paper cuts
I got friends, I got foes, but they all sitting ducks
Hit his turf and get crackin’, double back like a deluxe
Fifty deep, but it ain’t deep enough
Fuck a plea, there he go, beat him up
Fallin’ from my money tree and it grow throughout the months
Spit a loogie at the camera, speed off, yeah, it’s us

I feel good, get the fuck out my face
Look good, but she don’t got no taste
I walk in, walked out with the safe
Mando, let me know what the play

Squabble up, squabble up
Squabble up, squabble up
Squabble up (mh-mh), squabble up (mh-mh)
Squabble up (mh-mh), squabble up

Hol’ up (hol’ up), where you from? (Where you from?)
Bye, bitch (bye, bitch), I’m finna go dumb (finna go dumb)
Sideways (sideways), bunk skunk (bunk skunk)
Fever (fever), I’m on one (I’m on one)

Thunk, thunk, thunk, thunk, thunk, baby rockin’ it
Quid pro quo, what you want? ‘Cause I’m watchin’ it
Work on the floor, let me know if you clockin’ it
Brodie won’t go, but I know that he poppin’ it
It was woof tickets on sale ’til I silenced it
Pipe down, young, these some whole other politics
Bitch with him and some bitch in him, that’s a lot of bitch
Don’t hit him, he got kids with him, my apologies
Ghetto child, it was Black & Milds with the Smirnoff
Yeehaw, we outside, whoadie ’bout to kill him off
Blaps on blaps, it’s a fact, this a brick of raw
Tell me why the fuck you niggas rap if it’s fictional?
Tell me why the fuck you niggas fed if you criminal?
“Ayy, Dot, can I get a drop?” I’m like, “Nigga, nah”
Ace boon coon from the Westside to Senegal
It’s a full moon, let the (ah) wolves out, I been a dog

I feel good, get the fuck out my face
Look good, but she don’t got no taste
I walked in, walked out with the safe
Mando, let me know what the play

Squabble up, squabble up
Squabble up, squabble up
Squabble up (mh-mh), squabble up (mh-mh)
Squabble up (mh-mh), squabble up

Lyrics licensed & provided by LyricFind
WRITERS
Jack Michael Antonoff, Matthew Bernard, Tony Butler, Mark Anthony Spears, Ruchaun Maurice Akers Jr., Kendrick Lamar Duckworth
PUBLISHERS
Lyrics © Universal Music Publishing Group, Sony/ATV Music Publishing LLC, WHOOPING CRANE MUSIC

Here Are the Lyrics to Ariana Grande’s ‘Twilight Zone’

Ariana Grande’s 2024 album Eternal Sunshine returned to No. 1 on the Billboard 200 albums chart for a third total week at the summit, thanks to project’s deluxe reissue, dubbed Eternal Sunshine Deluxe: Brighter Days Ahead.

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The project featured six new songs, including the emotion-filled “Twilight Zone.”

Below, find the lyrics to Ariana Grande’s “Twilight Zone.”

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Did I dream the whole thing?
Was I just a nightmare?
Different dimensions
Stuck in the twilight zone
Is this a black and white scene?
If so, then I’m in the gray one
Hope you win for best actor
‘Cause I had you completely wrong

Does she know you’re not who you say you are?
‘Cause I might give her a call
Or was I just not me at all?

And it’s not like I’m still not over you
It’s so strange, this I never do
Not that I miss you, I don’t
Sometimes, I just can’t believe
You happened
It’s not like I’d ever change a thing
‘Cause I’m right here where I’m meant to be
Not that I’d call you, I won’t
Sometimes, I just can’t believe
You happened

Were we just mistaken?
Disguised our intentions?
Our nest was a masquerade (masquerade)
Why do I still protect you? (Mm)
Pretend these songs aren’t about you (songs aren’t about you)
Hope this might be the last one
‘Cause I’m not foolin’ anyone (I’m not)

Does she know you’re not who you say you are?
‘Cause I might give her a call
Or was I just not me at all?

And it’s not like I’m still not over you
It’s so strange, this I never do
Not that I miss you, I don’t
Sometimes, I just can’t believe
You happened
It’s not like I’d ever change a thing (not like I’d change a thing)
‘Cause I’m right here where I’m meant to be (ah)
Not that I’d call you (you), I won’t
Sometimes, I just can’t believe (I can’t believe you)
You happened

(Not) it’s not (like) like (I’m) I’m over you
It’s so strange (I don’t miss you)
Not that I miss you, I don’t
Sometimes, I just can’t believe (can’t believe)
(You) you happened

Lyrics licensed & provided by LyricFind
WRITERS
Ariana Grande, Ilya Salmanzadeh, Max Martin
PUBLISHERS
Lyrics © Universal Music Publishing Group