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R.E.M. have released a five-track benefit EP featuring three remixes of their landmark 1981 debut single, “Radio Free Europe,” ahead of Saturday’s (May 3) World Press Freedom Day. The collection also features the song’s original b-side, “Sitting Still” and instrumental “Wh. Tornado,” a cassette-only song that is being issued on digital and vinyl for the first time. The Radio Free Europe 2025 EP is a commemoration of the 75th anniversary of the Radio Free Europe/Radio Liberty services (RFE/RL), the broadcasting groups that have delivered uncensored news, analysis and cultural programming in a variety of languages in places lacking a free press since 1949.
The special package includes a never-before-released 2025 remix of “Radio Free Europe” by the band’s longtime collaborator, producer Jacknife Lee, as well as a 1981 remix of the song by the band’s original producer, Mitch Easter. RFE/RL currently broadcast in 27 languages to 23 countries to an audience of nearly 50 million people in places where a free press is either illegal or under threat, often serving as the only line to the outside word for people living under onerous government censorship.
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“Whether it’s music or a free press – censorship anywhere is a threat to the truth everywhere. On World Press Freedom Day, I’m sending a shout-out to the brave journalists at Radio Free Europe,” said singer Michael Stipe in a statement. The band’s effort comes one day after a federal appeals court in Washington ruled that, for now, the Trump administration can continue to withhold money from the RFE/RL — as well as Radio Free Asia and Middle East Broadcasting Networks — temporarily reversing two earlier lower-court rulings that stopped the White House from cutting off funds from the outlets as part of its wide-ranging DOGE cost-cutting measures.
DOGE boss and Tesla/Space X CEO Elon Musk has been unequivocal in his disdain for the services, writing in February on X, “shut them down… Europe is free now… nobody listens to them anymore… it’s just radical left crazy people talking to themselves.”
“Radio Free Europe’s journalists have been pissing off dictators for 75 years. You know you’re doing your job when you make the right enemies. Happy World Press Freedom Day to the ‘OG’ Radio Free Europe,” added bassist Mike Mills in a statement. While the band’s members did not directly reference the Trump administration’s efforts to defund the organizations, RFE/RL president and CEO Stephen Capus was more direct in his praise for the song and the group’s efforts to help shine a light on the services’ vital work.
“To me, R.E.M.’s music has always embodied a celebration of freedom: freedom of expression, lyrics that make us think, and melodies that inspire action,” said Capus. “Those are the very aims of our journalists at Radio Free Europe — to inform, inspire, and uphold freedoms often elusive to our audiences. We hold dictators accountable. They go to great lengths to silence us — blocking our websites, jamming our signals, and even imprisoning our colleagues.”
In an interview with CBS Mornings on Friday, Stipe said the band decided to honor the services because “we love journalism, we love freedom of speech… and we love the world.”
Stipe told CBS that when he got the call from the imperiled service asking for some help he said there was no hesitation at all. “It’s important to democracy and a fight against authoritarianism that they remain.” All of the proceeds from vinyl sales of the new remix will go to Radio Free Europe, which is still waiting for its frozen April and May funding as it soldiers on with is rapidly dwindling reserves.
The new EP is being released through Craft Recordings and was overseen by Easter, who first recorded the band at his Drive-In Studio during their first-ever road trip to a professional studio in April 1981; that original session produced “Radio Free Europe,” “Sitting Still” and the instrumental “Wh. Tornado.” In 2009, “Radio Free Europe” was inducted into the Library of Congress’s National Recording Registry.
Fans can stream and download the EP today and pre-order a limited-edition 10-inch orange vinyl pressing due to ship on Sept. 12 here. You can also click here to make a tax-deductible donation to RFE/RL here.
Listen to the jaunty Jacknife Lee remix and the full EP below.
Dolly Parton got choked up while talking about her late husband, Carl Dean, during an on-camera interview two months after the businessman’s death.
While speaking about the 40th anniversary of her Dollywood theme park on TODAY Friday (May 2), the country superstar became visibly teary-eyed as soon as host Savannah Guthrie asked how Parton has been doing since Dean died at age 82 on March 3. “Oh, you know what, I get very emotional when people bring it up,” she began.
“But we were together 60 years,” Parton continued. “I’ve loved him since I was 18 years old. It’s a big adjustment, just trying to change patterns and habits. I’ll do fine, and I’m very involved in my work, and that’s been the best thing that could happen to me. But I’ll always miss him, of course, and always love him.”
She added, “He was a great partner to me.”
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As Parton mentioned, she and Dean had been a couple since she was 18 — in fact, they first met the same day the “9 to 5” singer moved to Nashville to pursue a career in music. They got married in Georgia in 1966.
At the time of Dean’s death, Parton released a simple statement asking for privacy, writing, “Words can’t do justice to the love we shared for over 60 years.”
Three days later, she thanked family, friends and fans for sharing their messages of condolences, and wrote on Instagram, “He is in God’s arms now, and I am okay with that. I will always love you.”
Dean was famously private, preferring to stay far out of reach of his wife’s spotlight. But while he was rarely spotted by the public, Parton once again mentioned how she’s received “so many cards, letters, flowers, from all over the world” in light of his passing on TODAY.
“I had no idea Carl Dean was so famous,” she said with a laugh.
Watch Parton’s full interview above.
Green Day got their star on the Hollywood Walk of Fame on Thursday (May 1), with former MTV VJ Matt Pinfield serving as emcee for the ceremony in his first public appearance since suffering a massive stroke in January.
Dressed in rock-appropriate black leather motorcycle jackets — except for drummer Tre Cool, who opted for a traditional suit and tie — the band were introduced by an emotional Pinfield. Making his way to the stage holding a cane, Pinfield said, “What an honor it is to be here today with these three guys that I love. Love their music and love them as people.”
Praising them as “one of the greatest live bands in the world,” Pinfield honored the trio’s breakthrough 1994 classic, Dookie, which he said, “made so many young people pick up guitars, bass, and drums, and want to sing and write songs. And that is what rock ‘n’ roll, punk rock is all about. That beauty, that love, a passing on of that gift. And that’s the thing that’s so special about Green Day and why it’s such an honor to be here today.”
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The ceremony also featured a speech from Green Day’s longtime producer Rob Cavallo, who recalled hearing a demo of “Longview” in 1993 and thinking, “this is the greatest band I have ever heard.” Next up was Deadpool actor Ryan Reynolds, who jokingly called himself “the modern face of punk.” The star nodded to the band’s earliest days, when they were known as “Blood Rage” and “Sweet Children.”
He also told a story about being in the edit for the Deadpool & Wolverine movie a few years ago and how he imagined a poignant end credit sequence he wanted to express “warmth, gratitude and love.” Then, Green Day’s 1997 classic “Good Riddance (Time of Your Life)” came on and he realized he had his tune. “I’ve always loved this song. It isn’t just a song because anything that endures the way that this song, along with so many that these gentleman have blessed is with in the world, they endure because they’re a feeling as much as they are a story,” he said.
Reynolds said he wanted to thank singer Billie Joe Armstrong, bassist Mike Dirnt and Cool for letting him use the song, so he found Armstrong’s number after the singer had attended a screening. “It’s cheating to use that song. You could set my colonoscopy to that song and people will weep,” he joked.
Earlier this week, Pinfield said he was “slowly but surely” recovering from the stroke he suffered on January 6 and looking forward to Thursday’s event. “Slowly but surely recovering.. lots of physical therapy.. Fighting my way back!!” he told fans in an update on his health last week. “One day at a time.”
The ceremony ended with the group taking the stage and Armstrong thanking his family and shouting out his mom, saying the Walk of Fame hoopla was like her “Super Bowl,” but also like “being at your own funeral.” He also thanked all the fans who buy their records and come to their shows, while Dirnt shouted out Armstrong’s mom for taking him in when he was a teen and his own mom for making him believe he could do anything.
“I hope everybody comes here and takes pictures for as long as you want to and as long as you can. We’ll never say thank you enough,” Dirnt said, getting choked up. Cool also thanked the fans who showed up and closed down the street for the event, as well as his bandmates, who he sweetly hugged. When the star was finally revealed, Green Day had an unexpected, surprise guest in the form of Public Enemy hype man Flavor Flav, who ran up at the last minute and got down on the ground next to Cool so he could appear in the official pictures.
The Flav crash came two weeks after the rapper hopped on stage with the band on their second Coachella weekend on April 19 dressed as their iconic dirty drunk bunny mascot.
Watch the full Green Day Walk of Fame ceremony and some highlights below.
People watching the 67th annual Grammy Awards, which aired three months ago today, contributed nearly $10 million for Los Angeles wildfire relief efforts. MusiCares reports that that money has made its way to recipients across the region, helping both music professionals and the broader local population affected by the horrific event.
MusiCares has distributed $6,125,000 to more than 3,100 music professionals across Los Angeles. In addition, $3,969,005 has been directed to three community-based organizations: California Community Foundation, Direct Relief and Pasadena Community Foundation.
In addition to the $10 million contributed by Grammy telecast viewers, MusiCares and the Recording Academy raised another $16 million during Grammy weekend thanks to the MusiCares Fire Relief campaign and the annual Persons of the Year gala, which this year honored the Grateful Dead. MusiCares has allocated $6 million of that $16 million to long-term fire relief efforts, while the other $10 million from Persons of the Year gala will be used for MusiCares’ year-round mission delivery.
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“The music community does amazing things when it comes together,” Harvey Mason jr., Recording Academy and MusiCares CEO, said in a statement. “This outpouring of love and support was humbling, whether it was performing or participating on the show, making contributions or donating their time and items for fundraisers. We are grateful for this amazing community and the Grammy viewers who felt inspired to give.”
Laura Segura, executive director of MusiCares, added: “What moved us most in the days following the Grammy telecast wasn’t just the scale of support, it was the spirit behind it. Thousands of people gave what they could, and together, their generosity became a lifeline for those in crisis, which reached far beyond our industry. That’s why we partnered with trusted community organizations who are helping Angelenos across the region access the care, resources and support they need to rebuild.”
MusiCares reports that the median contribution during the Grammy telecast was $53.50.
The Grammy telecast, which was held less than a month after the wildfires broke out on Jan. 7, included several segments dedicated to raising awareness of the crisis. Two of the night’s performances were specifically inspired by the events – Dawes’ opening performance of Randy Newman’s “I Love L.A.” and Bruno Mars and Lady Gaga bypassing their own nominated smash “Die With a Smile” to perform the Mamas & the Papas’ “California Dreamin’.”
While MusiCares responded within days of the fire’s outbreak to provide immediate assistance, the long-term needs of music professionals are only now coming into sharper focus. From loss of work and instruments to the emotional toll of displacement and trauma, the wildfire tragedy continues to affect lives. MusiCares continues to provide aid through customized case management, mental health support and financial assistance to those with lasting need.
MusiCares Fire Relief funding comes from multiple sources, of which the Grammy telecast was the largest. Fire Relief distributions are made as part of an independent and confidential client case management model overseen by MusiCares. MusiCares expects many more millions to be distributed over the coming year as they continue to serve the fire victims.
To address the broader community impact beyond the music industry, MusiCares and the Recording Academy partnered with three organizations already embedded in the neighborhoods hardest hit by the fires. Here are quotes from leaders in those organizations on the status of recovery efforts.
California Community Foundation (CCF)
“Recovery isn’t just about rebuilding homes,” said president and CEO Miguel Santana. “People who lost their homes also lost schools, churches, stores — the places that connected them to their neighbors to form the community they treasured. As we bring activity back to places like a park, a church, or a school, people can re-connect as a community. Those chances to be together can give people strength and hope as they continue the difficult process of rebuilding their individual lives.”
Direct Relief
“Recovery from wildfires involves more than rebuilding physical infrastructure—it requires addressing complex social challenges such as housing instability, food insecurity, and healthcare disparities,” said Dr. Byron Scott, CEO. “Community health centers and free and charitable clinics serve as vital anchors, providing not just medical care but comprehensive support including mental health counseling, housing assistance, and nutritional services.”
Pasadena Community Foundation (PCF)
“Nonprofits in Pasadena, Altadena, and Sierra Madre have been our partners on the ground for more than 70 years,” said Jeannine Bogaard, VP of community impact. “Throughout the last three months, PCF has seen these organizations meet the moment in countless ways—disbursing cash assistance and emergency supplies, securing stable housing, addressing the unique challenges of older adults, rescuing and tending to lost and injured pets, and so much more.”
For more information on the MusiCares Los Angeles Fire Relief Effort or to donate, visit www.musicares.org.
On Friday (May 2), the TODAY show announced the 30th-anniversary lineup for its Citi Concert Series on TODAY, with outdoor performances on the way from Kelly Clarkson, Jonas Brothers, Blake Shelton, Cynthia Erivo and more.
Clarkson will kick things off next week with a Rockefeller Plaza concert on Tuesday, following the release of her new single “Where Have You Been.” The rest of the 2025 roster includes Blake Shelton (May 13), Sebastián Yatra (May 30), Cynthia Erivo (June 6), Ciara (July 11), Zac Brown Band (July 25), Jonas Brothers (Aug. 8) and Role Model (Aug. 29).
More performers will be announced, including concerts through September.
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While TODAY‘s Concert Series has gone through different creative directions in the past three decades, the summer tradition began with the first Rockefeller Plaza concert from Earth, Wind & Fire back in 1995, as Al Roker recalled to Billboard.
“It started with Earth, Wind & Fire literally on the plaza. In the last 30 years, we’ve had musical icons and first appearances of icons-to-be,” Roker tells Billboard exclusively. “It’s been imitated but never duplicated because of the excitement that our plaza audience gives and gets from our concert performances.”
Anyone can attend the famous outdoor concerts — known for attracting fans as far as the eye can see outside TODAY‘s New York studio — by registering for Fan Passes at TODAY.com/Concerts, which allow priority access to the show ahead of General Admission. Viewers can also join the General Admission line the morning of each concert and will be admitted if space permits; the line entrance is located at 48th Street and Rockefeller Plaza.
Find the full lineup below:
May
Tuesday, May 6: Kelly Clarkson
Tuesday, May 13: Blake Shelton
Friday, May 30: Sebastián Yatra
June
Friday, June 6: Cynthia Erivo
July
Friday, July 11: Ciara
Friday, July 25: Zac Brown Band
August
Friday, Aug. 8: Jonas Brothers
Friday, Aug. 29: Role Model
September
TBD
Sir Bob Geldof and the team behind Live Aid will celebrate the legendary charity concert’s 40th anniversary this summer with a series of events including a re-broadcast of highlights from the all-star 1985 shows and a new behind-the-scenes BBC documentary.
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First up will be the release of the original cast album for Just For One Day — The Live Aid Musical on July 11, according to NME. The news was announced on Friday morning (May 2) by Geldof and fellow Band Aid Charitable Trust trustees Midge Ure of Ultravox, as well as Harvey Goldsmith and John Kennedy.
“We couldn’t possibly have known that 40 years down the track, the issue would be as vital or the interest as great,” Geldof said about the announcement of the musical and cast album. “Millions of children today are being forced to starve as an instrument of war, and millions of lives are in peril due to AIDS and because of cuts to international aid.” The original Live Aid shows were seen by nearly two billion people around the world and raised more than $125 million for Ethiopian famine relief.
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The musical will hit London’s West End on May 15 following a sold-out run at the Old Vic Theatre. Just For One Day – The Live Aid Musical (Original Cast Recording) will feature songs from the artists who made history at the dual A-list charity shows held on July 13, 1985 in London and Philadelphia, including Queen, David Bowie, U2, Elton John, Madonna, Bob Dylan, The Who, Geldof’s Boomtown Rats, The Police and many more.
There will also be a special 40th anniversary performance of Just For One Day at the Shaftesbury Theatre on July 13, followed by an afterparty with performances from special guests.
BBC Two, CNN and the BBC iPlayer will celebrate the anniversary with the new three-part behind-the-scenes documentary Live Aid at 40, with exclusive interviews with Geldof, U2’s Bono and Sting that will look at the concert’s impact on music, politics and global awareness about famine between the 1985 original and the 2005 Live 8 reboot, according to Variety; it will air in four parts on CNN as Live Aid: When Rock ‘n’ Roll Took on the World.
In addition, BBC Two will air Live Aid the Concert, a 6.5 hour highlight reel of the two shows with backstage footage and interviews with Bono, Queen guitarist Brian May, David Bowie, Elvis Costello and many more.
Check out a promo video for the musical below.
Ed Sheeran is bringing it all back home to celebrate his upcoming Play album. On Friday (May 2), the singer announced the run of shows in Ipswich this summer, which will have the Ed joined by an all-star roster of support acts as she sets up shop at Suffolk town’s Portman Road stadium, home of his beloved Ipswich Town FC football club.
The shows on July 11, 12 and 13 will find Sheeran joined by, respectively, Myles Smith and Tori Kelly on night one, Busted and Dylan on night two and James Blunt and Maisie Peters on the final evening. Sheeran, who last year bought a minority stake in the football club, posted a promo video on Friday morning cued to his new single, “Old Phone,” in which he toiled at drawing the lines on the venue’s pitch alongside a lengthy essay about what the venue means to him.
“Something incredibly exciting to announce. One of the first ever concerts I went to as a kid was at Ipswich Town Portman Road to see Elton John,” he wrote. “James Blunt opened for him, and I got so obsessed with James’ music, it really shaped me as a singer songwriter from then on. I started doing shows around ipswich as a young teenager, in pubs and bars, then moved to London to ‘make it’ because that’s what you did back then. Then things took off for me and I toured the world, but never ended up playing ipswich really, for whatever reason, but mostly because I lived there and thought if I’m gonna do it, it has to be special.”
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The singer said he first wanted to play Portman Road in 2019 when we wrapped up the Divide tour, but because football season was still in full swing he ended up playing elsewhere. “It’s always been such a dream to play Portman Road that I kept badgering the @ipswichtown team, but because I tour so much and football is very rigid in their schedule I always missed the opportunity to play it,” Sheeran added. “Fast forward to now, having become an investor in Ipswich Town, I got a bit more sway and asked if I could launch my new record there, as a one off weekend of shows, and they agreed. I play all around the world, in such amazing stadiums, but nothing means as much as this one here. This really is a true home coming, and is 3 nights only. It’ll be such a special weekend of shows, with a killer line up (shout out @jamesblunt for coming back and completing the circle).”
You can get early access to tickets by pre-ordering Play from Sheeran’s official store by 3 p.m. BST on Tuesday (May 6). A pre-sale will begin at 10 a.m. BST on Wednesday (May 7), followed by a general on-sale at 10 a.m. BST on Friday (May 9); click here for more information on ticketing.
Sheeran recently announced the details about his upcoming eighth studio album, Play, which is due out on Sept. 12 from Gingerbread Man Records/Atlantic Records. His first full-length LP since 2023’s Autumn Variations will feature the Persian-influenced first single, “Azizam” and nostalgic new song, “Old Phone.”
Check out the poster and video pitch for Sheeran’s Ipswich Town shows below.
We are delighted to announce that @edsheeran will be playing three live shows at Portman Road this summer! 🏟️🎶— Ipswich Town (@IpswichTown) May 2, 2025
Ozzy Osbourne will definitely be on stage at the upcoming Back to the Beginning gig in his hometown of Birmingham, U.K. for what is being billed as Black Sabbath’s final-ever show. But given his recent run of ill health and surgeries, the 76-year-old rock icon said his madcap performance days are definitely over.
Speaking to the Guardian, Osbourne said, “I’ll be there, and I’ll do the best I can. So all I can do is turn up.” The July 5 show at Villa Park is slated to feature a massive roster of metal acts paying tribute to Osbourne and the band’s iconic career, including Metallica, Slayer, Anthrax, Alice in Chains, Pantera, Gojira, Lamb of God, Mastodon and many more.
But after Tool singer Maynard James Keenan recently said that Osbourne — who hasn’t performed a full set since Dec. 31, 2018 — will need “modern miracles” to get on stage given his health issues, Ozzy said he is, indeed dealing with a lot. “You wake up the next morning and find that something else has gone wrong. You begin to think this is never going to end,” he said of a series of health setbacks including a 2019 fall that aggravated a previous spinal injury and required several surgeries, as well as pneumonia and the diagnosis of a form of Parkinson’s.
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Regardless, Osbourne has said he’s begun rigorous training to play the first show by the original Black Sabbath lineup in 20 years, where he’ll appear alongside guitarist Tony Iommi, bassist Geezer Butler and drummer Bill Ward. “I do weights, bike riding, I’ve got a guy living at my house who’s working with me. It’s tough – I’ve been laid up for such a long time,” Osbourne said of his regimen. “I’ve been lying on my back doing nothing and the first thing to go is your strength. It’s like starting all over again. I’ve got a vocal coach coming round four days a week to keep my voice going. I have problems walking. I also get blood pressure issues, from blood clots on my legs. I’m used to doing two hours on stage, jumping and running around. I don’t think I’ll be doing much jumping or running around this time. I may be sitting down.”
Osbourne noted that the reunion concert was originally conceived by his wife/manager, Sharon Osbourne, as “something to give me a reason to get up in the morning.” That said, Ozzy confirmed that he won’t be performing a full set, but “only playing a couple songs each. I don’t want people thinking ‘we’re getting ripped off’, because it’s just going to be… what’s the word? … a sample, you’re going to get a few songs each by Ozzy and Sabbath.”
Among the newly added acts who will be playing a few songs alongside Guns N’ Roses and members of Judas Priest, Limp Bizkit, Smashing Pumpkins, Red Hot Chili Peppers, Megadeth, Ghost and more, according to Sharon Osbourne, are members of Soundgarden and Aerosmith singer Steven Tyler.
Musical director Tom Morello of Rage Against the Machine told the Guardian that there are also “some pretty great surprises that are not posted anywhere [yet].”
The show will raise funds for three charities: Cure Parkinson’s, Birmingham Children’s Hospital and the Birmingham-based Acorns Children’s Hospice.
Maroon 5 has returned with a major pop crossover moment. On Friday (May 2), the Adam Levine-fronted band unveiled their new single “PRICELESS” featuring BLACKPINK’s LISA, released via 222/Interscope Records.
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The track marks Maroon 5’s first-ever collaboration with a K-pop artist and offers a guitar-driven sound that nods to the group’s early 2000s roots, paired with LISA’s confident rap feature. The accompanying music video, shot on 35mm film and directed by Aerin Moreno, draws inspiration from Mr. & Mrs. Smith.
“It’s just a guitar-based song which we haven’t really done in so long. It happened first for us while we were recording the album. I think it’s just the purest and we are so happy to have LISA on it,” frontman Adam Levine said in a statement.
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He added, “The guitar intro is literally me playing into an audio message on my iPhone with an unplugged guitar. I actually got a little emotional recording ‘cause it was sort of reconnecting to our roots, which a lot of our fans have been saying ‘hey we want to hear that sound again.’ It’s been like over 20 years so I think it’s time for that to return.”
Teasers of the track, which Maroon 5 previewed on Instagram in late April, included Levine’s falsetto vocals alongside a rap verse from LISA: “Yeah, talk is cheap boy stop it/ Got my love that’s a real big profit.”
In the days leading up to the confirmation of “Priceless,” Maroon 5 also teased the collab by posting an Instagram photo from behind of the lead singer and a mystery woman standing side by side, gazing out of a floor-to-ceiling window at a cityscapeLISA’s IG Story also featured a clip with audio, showing the K-pop star lying back while seemingly filming a music video.
The single also serves as the first preview of Maroon 5’s upcoming 2025 album, which the band first teased during Levine’s recent appearance on The Tonight Show Starring Jimmy Fallon (April 8).
“PRICELESS” follows Maroon 5’s 2021 album Jordi, which peaked at No. 8 on the Billboard 200. For LISA, the track adds to her growing list of international collaborations as a solo artist, following the success of her 2021 debut single “LALISA” and her ongoing work with BLACKPINK.
Watch the “PRICELESS” video and stream the single now.
A little more than a month since unleashing their collaborative studio album I Said I Love You First, Selena Gomez and Benny Blanco are giving fans another romantic release by way of the record’s deluxe edition.
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The couple have adopted a swift turnaround for the release of the appropriately-titled I Said I Love You First… And You Said It Back, announcing its arrival only two days prior, on Wednesday (April 30).
“The deluxe version of my album with @itsbennyblanco is called I Said I Love You First…And You Said It Back and it’s out this Friday, 5/2!” Gomez wrote on Instagram. “There are some new songs, some favorites you might recognize, and reimagined songs from the original album. Can’t wait for you to hear them!”
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Alongside the original 14-track album, the deluxe version is complemented by an additional eight tracks, featuring unheard tracks, remixes, and collaborations.
These include fresh cuts such as “That’s When I’ll Care,” the Cake-interpolating “Talk,” and the Gomez solo venture “Stained.” Meanwhile, GloRilla is tapped for a remix of “Cowboy” while DJ Sliink offers a new version of “Bluest Flame.”
Gracie Abrams returns for an acoustic version of “Call Me When You Break Up,” and a live Vevo performance of “How Does It Feel to Be Forgotten” also joins the mix. The new set closes out with the dreamy “Guess You Could Say I’m in Love,” a collaboration with Texas shoegaze outfit Cigarettes After Sex.
The pair promoted the new drop by teasing that the video for “Talk” would drop on Thursday night (May 1), encouraging fans to “pick out your prom outfit.”
It arrived just a week after Blanco posted a video on Instagram of the couple going to the mall to get their prom pics taken after revealing that Gomez never got to go to her prom. The video shows Gomez getting ready in a purple ballgown and planting a kiss on her fiancé as they do a classic walk-down-the-stairs dress reveal. In the limo ride to the mall, Blanco excitedly leans out the window of their stretch limo and tells the driver in the lane next to him: “We’re going to prom!”
After first starting dating in mid-2023, Blanco and Gomez got engaged in December last year. In March, they dropped I Said I Love You First, their first joint album as a couple, which debuted at No. 2 on the Billboard 200.
Stream I Said I Love You First… And You Said It Back below.
