Music News

50 Cent Says Kanye West Entering a ‘Dangerous Area’ With Antisemitic Comments

50 Cent is the latest artist to speak out about Kanye West’s recent spree of antisemitic hate speech. In an appearance on Hot 97’s Ebro in the Morning show on Tuesday (Oct. 19), Curtis said that Ye is flirting with treacherous territory with the comments the rapper/entrepreneur has made in a series of interviews in which he has repeatedly amplified antisemitic tropes.

“I think he’s in a dangerous area,” 50 said. “I forgive him for the things that he said, because I’ve already identified when something’s going on that I don’t understand.” 50 said that such outrageous, button-pushing behavior has become the norm for Ye, pointing to the provocative “White Lives Matter” shirt West has worn recently as another example of his desire to provoke.

“There’s nothing for me to say about it, though. I watch it take place and I just look and I go, ‘Okay… yeah,’ that’s just him doing what he does. What Kanye would do,” 50 said. “Even the original Trump support thing was a little out there for me. Everybody looks at things, they navigate things differently. One week it’s, ‘I don’t want my kids raised by a white woman,’ and the next week it’s ‘I wanna go home.’ So you don’t know exactly what he means… Crazy’s unpredictable, unpredictability’s entertaining.”

But, 50 added, when you start to get into “certain areas,” it become harder to have compassion for what Ye is saying, because “he’s not crazy where he doesn’t know what he’s saying. He knows exactly what he’s saying.” In July 2020 West’s ex-wife, Kim Kardashian, opened up about his struggle with bi-polar disorder in a series of lengthy Instagram Stories.

“He is a brilliant but complicated person who on top of the pressures of being an artist and a black man, who experienced the painful loss of his mother, has to deal with the pressure and isolation that is heightened by his bi-polar disorder,” she wrote, noting that it was the first time she had addressed how his bipolar disorder impacted their family life. “Those who are close with Kanye know his heart and understand his words some times do not align with his intentions.”

As someone who is known for speaking his mind very directly, 50 was asked how he handles his business when he feels wronged and considers burning everything to the ground to make a point. Curtis told the Ebro crew that he thinks what’s motivating Ye’s recent behavior is “coming from business. The Gap deal falling apart and him being angry with Adidas,” he said of two of Ye’s recent fashion collaborations melting down after disagreements over designs, business plans and West’s allegations that his Yeezy brand retail roll-out did not take place as expected.

If it was him, 50 said he’d work to reinvent those deals in a new way, instead of focusing on “venting.” Taking a step back, 50 speculated that Ye’s recent outbursts are in the vein of attention-seeking “look at me” behavior, before suggesting that West is also struggling to retain his music audience. “You can’t have [fame] forever. It’s hip-hop. You can have a moment, you can have a run. But you can’t have it forever. It’s not possible,” he said.

Ye’s antisemitic comment have been widely panned by a number of fellow artists, even as he is reportedly in talks to buy the conservative social media site Parler, a popular destination for supporters of former president Donald Trump and, according to NPR, “a hotbed of vaccine misinformation, bigotry and right-wing conspiracies.”

Watch 50’s interview below.

BTS Continues Its Aerial Yoga Adventures in Special ‘Run BTS’ Episode: Watch

BTS continues to soar to new heights — both in international success and fitness endeavors. The K-pop group picked up where it left off in the special Run BTS episode, which sees members Jin, Suga, J-Hope, RM, Jimin, V and Jung Kook giving the aerial silks a try. In part two of the special episode, shared on Tuesday (Oct. 18), the septet decided to give a new set of elegant poses a test run now that they’ve found confidence in the craft.

The beginning of the episode sees the Bangtan Boys looking up the poses they wish to try during the aerial class. Where the first part saw the members struggling to get the hang of the silks, they now fly through the poses and even show off for the other members, doing ab crunches while suspended in the air and climbing the silks as if they were ropes.

“I don’t think you you guys are in your right mind,” Suga tells Jung Kook and Jimin, to which Jin adds, “You are doing real workouts.”

After their shenanigans ceased, each member hit the poses they selected from the beginning of the episode, and later went into doubles poses for fun. With their confidence in aerial yoga at an all time high, the BTS members shared they will continue their practice in a third installment of the Run BTS episode.

The new installment of Run BTS arrives after Big Hit revealed that Jin will be the first of the group to sign up for South Korean military service. “Jin will initiate the process as soon as his schedule for his solo release is concluded at the end of October. He will then follow the enlistment procedure of the Korean government,” the label said in a statement. “Other members of the group plan to carry out their military service based on their own individual plans.” The statement also added that the group will reconvene around 2025, after each members’ respective drafts are over.

In the meantime, the next part of “Fly BTS Fly” is set to arrive next week, and will first air through Weverse and VLive, before arriving on YouTube. Watch the newest installment of Run BTS below.

Taylor Swift Unveils More Lyrics in Nashville & Brazil at Stroke of Midnight, Just Like ‘Clockwork’

Swifties have just two more days to wait until the release of Taylor Swift‘s Midnights, and the pop star is building up the anticipation by offering them sparse clues and details to find. That includes cryptic billboards she’s started placing in partnership with Spotify in random cities across the world, programmed to reveal one lyric at a time from the new record, always at 12 a.m. sharp.

One of two new lyric reveals went live via a billboard placed in a São Paulo, Brazil, train station at midnight local time (11 p.m. ET), showcasing in bright purple lettering and the lyric: “Just like clockwork, the dominoes cascaded in a line.”

A second billboard popped up an hour later (12 a.m. ET) on the side of Nashville’s 1720 West End building, displaying the words “Did you ever have someone kiss you in a crowded room?”

“Now I’m standing alone in a crowded room… in Nashville,” read a post about the second billboard on Spotify’s official Twitter account, referencing a lyric from Swift’s Speak Now track “Story of Us.”

Swift first began hiding Midnights lyrics in plain sight on Monday (Oct. 17), when she and Spotify staged an electronic billboard in the mecca of electronic billboards: New York City’s Times Square. At the stroke of midnight, a massive vertical sign on one end of the plaza lit up with the lyric “I should not be left to my own devices.”

Next, the singer-songwriter unveiled a billboard in London revealing just five words of a Midnights song:  “I polish up real nice.”

These metropolitan lyric reveals are just one of several ways Swift has been teaming up with Spotify during the rollout of Midnights, her 10th studio album arriving Friday (Oct. 21). The 11-time Grammy winner has also been sharing exclusive videos with her fans via the music streaming service explaining her sources of inspiration for the record; “self-loathing,” “fantasizing about revenge,” “wondering what might have been” and “falling in love” make up the topics of four of the five total videos that have been uploaded to the Midnights Spotify pre-save page so far.

Come midnight Thursday morning (Oct. 20), fans may very well have another lyric billboard to pore over — only time will tell. It is, however, confirmed that a teaser for Midnights will air during the third quarter of Thursday Night Football that same day.

See Taylor Swift’s new lyric reveal billboards in Nashville and São Paulo below:

Car Seat Headrest Cancel West Coast Tour Over Health Issues: ‘My Body Lack the Basic Levels of Functionality’

Car Seat Headrest singer Will Toledo told fans on Tuesday (Oct. 18) that he is unable to embark on the band’s planned West Coast U.S. tour and an appearance at this weekend’s When We Were Young festival due to what he described as ongoing serious health issues.

“After another month of struggling to regain my health, I am currently forced to face the fact that my body lacks the basic levels of functionality necessary to leave the house most days, let along embark on a tour,” Toledo wrote in a note to fans.

Though the 30-year-old singer did not specify what is ailing him, he said as a result of his illness they’ve been forced to pull out of the all-star When We Were Young event at the Las Vegas Festival Ground (Oct. 22, 23, 29) slated to feature sets from Paramore, My Chemical Romance, AFI, Hawthorne Heights, Jimmy Eat World, Bright Eyes, The Linda Lindas, Manchester Orchestra, The Used and many more.

“We are unfortunately forced to pull out of the When We Were Young festival dates and cancel our upcoming California tour,” Toledo noted of scheduled October dates in Pioneertown, CA (Oct. 20), Los Angeles (Oct. 25), San Diego (Oct. 26) and Santa Ana (Oct. 27). Refunds for the headlining dates will be available at point of purchase.

The band also pulled out of the Frantic City Fest in New Jersey on Sept. 24 citing unspecified “continued health issues as well as a planned Sept. 2 slot at Out of Space in Evanston, Illinois due to a rebound case of the post-COVID condition “histamine intolerance,” which Toledo said involves “heavy nausea, fatigue, dizziness and a ‘buzzing’ nervous system.”

Check out Toledo’s note below.

Jack Black Rocks Terminally Ill Teen‘s World With ’The Legend of the Rent’ Performance

Jack Black made a 15-year-old fan’s day by giving him the most rocking of surprises. While hosting this year’s Layla Paige and Friends Walk for TinityKids Care charity event to raise funds for a hospice program that provides end-of-life care for children in the L.A. area, Black met terminally ill superfan Abraham, whose favorite movie happens to be Black’s 2003 musical comedy School of Rock.

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After finding out that Abraham’s favorite song from the film was “The Legend of the Rent,” Black bent down, held the teen’s hand and belted out a bit of the tune, crooning, “In the end of time/ There was a man/ Who knew the road/ And the writing/ Was written on the stone.” Abraham nodded and smiled as Black not only sung the tune, but also scatted the guitar part, which the teen then repeated back to him.

Black played hapless teacher Dewey Finn in the movie, which earned him an MTV Video Music Award for best comedic performance and a Golden Globe nomination for best actor in a comedy/musical. The annual walk celebrates the life of Layla Paige, a two-year-old who died of an incurable brain disorder who received treatment at TrinityKids Care. “Not only did they take care of Layla, but provided incredible emotional support to her parents and brother Luke,” Black said in a video promoting the walk.

Black comedy rock duo, Tenacious D, are slated to rock New Year’s Eve at the Theater at Virgin Hotels Las Vegas on Dec. 30 and 31st.

Check out the footage of the inspiring moment uploaded by Upworthy below.

R. Kelly’s Former Business Manager Seeking $850K in Attorney’s Fees After Acquittal

R. Kelly’s former business manager asked a federal judge to award him $850,000 in attorneys fees after a jury acquitted him during the same trial in Chicago at which the R&B singer was convicted of child pornography charges.

Derrel McDavid’s attorney wrote that deserves to recoup the legal fees after enduring a “frivolous, vexatious and bad faith prosecution over which he prevailed.” Attorney Beau Brindley filed the 18-page request with U.S. District Judge Harry Leinenweber late Monday (Oct. 17), the Chicago Sun-Times reported.

A federal jury last month convicted Kelly of producing child pornography and enticing minor girls for sex, but found Kelly and McDavid not guilty of conspiring to rig a 2008 trial in which Kelly was acquitted on state child pornography charges. A third co-defendant, Milton Brown, was acquitted of receiving child pornography.

Such motions are exceedingly rare and do not often succeed, in large part because defendants who are acquitted of criminal charges do not have a right to compensation. In his motion, Brindley said prosecutors knew the testimony of two key witnesses was “necessarily incoherent.”

“This is, by definition, a reckless disregard for the truth, which constitutes a frivolous and vexatious position by the government,” he wrote. “This entitles Mr. McDavid to reasonable attorney’s fees.”

During the trial, prosecutors maintained there was compelling evidence that McDavid was aware that Kelly was producing child pornography and that he sought for years to conceal evidence of what Kelly was doing.

Brindley said McDavid still owes $600,000 in legal fees and “must now liquidate real property and other assets in an attempt to pay.” Brindley also wrote that he and others spent at least 1,220 hours working on the case and that adds up to about $65,000 less than what a “reasonable market rate” of $750 an hour would cost a client.

Kelly has not yet been sentenced in the Chicago federal case, but he was sentenced earlier this year to 30 years in prison for a federal conviction in New York on racketeering and sex trafficking charges.

Bebe Rexha ‘Shocked But Grateful’ for Global Success of ‘I’m Good (Blue),’ Hints at Mystery Album

In a sea of out-of-left-field hit songs this year (Kate Bush, anyone?), David Guetta and Bebe Rexha‘s “I’m Good (Blue)” stands out as one of the most unpredictable.

Guetta and Rexha’s throwback dance-floor filler interpolates Eiffel 65’s 1999 novelty hit “Blue (Da Ba Dee)” (itself an unexpected success story), and as Rexha tells Katie & Keith on the Billboard Pop Shop Podcast (listen to the new episode below), the collab was actually made years ago and then unearthed by savvy fans.

“[David] had played it at a festival after we had cut it, and somebody took a YouTube video of it and posted it,” Rexha recalls. “Then somebody found that and made a remix and posted it to TikTok. Then this big gamer posted it from TikTok, and then it blew up from her page.

“It’s crazy, because you just never know what people want,” she adds. “Everybody was going crazy and being like, ‘We want this song! Why can’t we find it?’ And I was hitting up David [saying], ‘David, people really want this record! We should just put it out!’ At this point, it’s viral on TikTok, and people are asking for it. Let’s just give the people what they want. Let’s not judge it for what it is, and just put it out. It’s just a great, fun record.”

Now that great, fun record is on quite the ride up our charts, climbing 18-16 on this week’s Billboard Hot 100, holding at No. 2 on both the Global 200 and Global Excl. U.S. charts, and spending a fourth week atop Hot Dance/Electronic Songs. Rexha is marveling at the song’s global success and trying to piece together the secret to its popularity.

“Never did I think in a million years that it would be so big,” she says. “I guess people want to feel that 2000s nostalgia, especially after the three years of a pandemic and being cooped in their houses. It brings back that feeling of nostalgia, and it makes you feel kind of warm. I will put my hands up on this one and say I get it, but I’m also confused and shocked, but also very grateful.”

Although Rexha just released her sophomore album Better Mistakes last year, she hinted to fans on Twitter last week that her next project might be out sooner than they think – but she wants to give her hit with Guetta a little space before putting out the “very focused” new project.

“I’m not gonna lie: ‘I’m Good’ has thrown a little bit of a wrench into the whole plan,” she tells the Pop Shop Podcast. “I’m trying to let ‘I’m Good’ have its moment. But the one thing that’s really good about my project is that it does have dance elements to it. It has rock as well as dance elements to it. It’s inspired by one of my favorite female artists of all time. ”

Let the guessing games begin!

Here are a few more hints about the album: “I really spent a lot of time studying this time period and what this artist was saying and how she said it. And then how she said it when she was with her band and by herself, and I really want to make sure that it’s a real artist project. I think it was a natural evolution. I love rock music, and I love dance music. I was like: ‘How can I evolve naturally?,’ because I’m not a child anymore. I’m a grown woman, so this felt like a really great natural growth for me.”

Next up: Rexha will hit the Jingle Ball Los Angeles stage on Dec. 2 at The Forum in Inglewood, Calif.

Also on the show, we’ve got chart news on how Doja Cat gets her sixth top 10 hit on the Hot 100 with “Vegas” while Steve Lacy’s “Bad Habit” holds atop the list for a third straight week. Meanwhile, Glass Animals’ former No. 1 “Heat Waves” marks another milestone in its storied chart career, becoming the song with the most week ever on the Hot 100 — collecting its 91st week on the chart. And, on the Billboard 200 albums chart, Stray Kids notch their second No. 1 album (and second of this year!), while new albums from Quavo & Takeoff, G. Herbo and Charlie Puth all debut in the top 10.

Katie & Keith also take time to chat about all the Grammy controversies that bubbled up after preliminary ballots were sent to voters last week. From Nicki Minaj and Silk Sonic to The Weeknd and Drake, these were the biggest headlines from the ballots.

The Billboard Pop Shop Podcast is your one-stop shop for all things pop on Billboard‘s weekly charts. You can always count on a lively discussion about the latest pop news, fun chart stats and stories, new music, and guest interviews with music stars and folks from the world of pop. Casual pop fans and chart junkies can hear Billboard‘s executive digital director, West Coast, Katie Atkinson and Billboard’s senior director of charts Keith Caulfield every week on the podcast, which can be streamed on Billboard.com or downloaded in Apple Podcasts or your favorite podcast provider. (Click here to listen to the previous edition of the show on Billboard.com.)

Lewis Capaldi Announces New Album ‘Broken By Desire to Be Heavenly Sent’

The king of heartbreak is back. Lewis Capaldi took to Instagram on Tuesday (Oct. 18) to reveal that his sophomore album, Broken by Desire to Be Heavenly Sent will be arriving on May 19, 2023.

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In addition, the star will be embarking on a global tour, which kicks off on January 14 in Leeds, England, and will stretch across Europe until March 15 in Munich, Germany. On March 30, Capaldi will cross the pond to begin his North American tour in Nashville, Tenn., on March 30. His US dates wrap up on May 11 in Houston, Texas, before he heads off to Australia and New Zealand.

Capaldi revealed on Instagram that he is signing the first 2000 copies of his album that have been pre-ordered.

The announcement comes just a month after Capaldi welcomed his sophomore album’s era with the emotive “Forget Me” and its ironically goofy music video.

Broken by Desire to Be Heavenly Sent is a follow-up to Capaldi’s debut album Divinely Uninspired to a Hellish Extent, which landed the 26-year-old star his first Grammy nomination for the album’s breakthrough single, “Someone You Loved,” which was up for song of the year at the 2020 ceremony.

The album peaked at No. 20 on the Billboard 200 and spent an impressive 177 weeks total on the chart. “Someone You Loved,” meanwhile, topped the Hot 100 chart for three weeks, and spent 54 weeks total on the chart. Capaldi’s debut album’s second single, “Before You Go,” peaked at No. 9 on the Hot 100 dated September 26, 2020.

‘The Voice’ Contestants Stun With Performance of Lady Gaga’s ‘Paparazzi’

The Voice continued its Battle rounds on Tuesday night (Oct. 18), this time pitting contestants Eric Who and Sydney Kronmiller against each other for a performance of Lady Gaga’s “Paparazzi” that viewers won’t forget. In a promo released on YouTube before the episode, the two singers harmonized perfectly as they competed for judge Camila Cabello’s team. 

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It seems like the “Havana” singer adored the performance and and was thoroughly impressed by each contestant’s very different, but equally stunning renditions of the Gaga classic. “Sydney, I have never heard a voice like yours before,” Cabello told Kronmiller. “Your note choices were so different and weird, and the way you slide in and out of falsetto.” 

She also seemed to enjoy Eric’s boisterous presence adding, “Eric, I saw you really grow as an artist and step into somebody I’m really excited to hear on the radio, see perform in shows.”

Kronmiller’s low vocal range is what really caught the judges’ attention. “The fact that you can do that and still have the higher notes in your register too–you really gave a great performance,” said John Legend of her performance.

And once again, it’s Eric’s stage presence and energy that wowed judges. While Blake Shelton shared he was shocked by Kronmiller’s register, he described Eric as the “happiest person,” telling Cabello he wouldn’t be able to deny the theatrical contestant a spot.

While the judges had a warm reaction to the two, only one can go on to compete on Cabello’s team. Viewers will have to tune into the episode, airing tonight on NBC. Watch the teaser video below.

From Glass Animals to Imagine Dragons, What’s Your Favorite Long-Running Hot 100 Hit? Vote!

Glass Animals‘ “Heat Waves” set a new record this week as the longest-running hit in the history of the Billboard Hot 100. On the chart dated Oct. 22, the No. 1 hit officially surpassed The Weeknd‘s “Blinding Lights” by spending 91 weeks on the tally.

And now that Dave Bayley and his bandmates are the reigning record holders thanks to the remarkable, slow-burning success of their single, we want to know which longtime Hot 100 hit is your favorite.

Of the never-ending cascade of songs that have gone up and down the all-genre tally since its inception in 1958, only 10 have spent at least 68 weeks on the chart — including hits by Imagine Dragons, AWOLNATION, Dua Lipa and more.

Do you prefer “Heat Waves” over “Blinding Lights”? Which gets your blood pumping more: Dan Reynold’s ferocious delivery of “Radioactive” or AWOLNATION‘s glitchy, hard-charging “Sail”? On the pop front, does Dua’s “Levitating” send you soaring or are you still head over heels for Jason Mraz‘s 2008 single “I’m Yours” after all these years?

The oldest song of the ten is actually LeAnn Rimes‘ 1997 country juggernaut “How Do I Live,” which comes tied in seventh place at 69 weeks with The Weeknd and Ariana Grande‘s “Save Your Tears.” (That’s right, the artist otherwise known as Abel Tesfaye is the only musician to have two hits among the longest-running Hot 100 tracks.)

Was OneRepublic‘s “Counting Stars” an unstoppable force on your playlists a decade ago? Or were you busy party rocking to LMFAO‘s “Party Rock Anthem” featuring Lauren Bennett and GoonRock?

While we celebrate Glass Animals’ latest accomplishment, vote for your favorite long-running song on the Hot 100 below.