Music News

Katy Perry Voted for Rick Caruso in L.A. Mayor Race, Here’s Why Some Fans Are Angry About It

Katy Perry raised some Katy Kats’ eyebrows on Monday (Nov. 7) when the singer posted a thumbs-up picture from the voting booth in California in which she is smiling after voting for longtime republican-turned-democrat Rick Caruso in the bruising race for Los Angeles mayor. “I am voting for a myriad of reasons (see the news) but in particular because Los Angeles is a hot mess atm,” Perry wrote in the caption, which featured a series of hashtags, including one hyping billionaire real estate developer Caruso while adding the lengthy “#doyoubutjustuseyourvoteok.”

According to the Los Angeles Times, Caruso cut into Rep. Karen Bass’ lead in the days leading up to Tuesday’s (Nov. 8) vote, after spending $26 million on attack ads that sowed doubt about the six-time congresswoman, who the paper said had garnered “overwhelming support” among the city’s strong liberal voting base; the Times noted that Caruso had spent nearly $100 million on the race to date.

Perry — who performed at democrat Sen. Hillary Clinton’s DNC gathering in 2016 — joined Kim Kardashian, Snoop Dogg, Gwyneth Paltrow, new Twitter boss Elon Musk and Guardians of the Galaxy star Chris Pratt in backing Caruso, a move that rubbed some commenters the wrong way given her past support for reproductive rights; Caruso has donated to anti-abortion organizations and politicians in the past and reportedly pledged $1 million to support abortion rights proposition, but has yet to donate any of those funds.

The businessman-turned-politicians has also been criticized for his time as Chairman of the Board of Trustees for USC during the time that gynecologist George Tyndall was allowed to leave the university in the face of dozens of accusations of sexual misconduct. The L.A. Times reported last month that investigators questioned Caruso in 2020 about what information the university had about Tyndall and that the candidate “refused to answer many questions, on the advice of USC’s legal team.”

Diplo headlined a Caruso-sponsored get out the vote campaign event on Friday at the El Rey Theatre along with Sofia Reyes; the event was put on by Billboard parent company Penske Media Corporation.

While Perry turned off comments on her socials, that didn’t stop a slew of unfavorable reactions to the post about Caruso, who changed his party affiliation a month before entering the race. A spokesperson for Perry had not returned requests for comment at press time.

“This just shows you just how bad things have gotten. That a celebrity would not only vote R — but then publicly post it is something else. You could say the energy is shifting,” read one reaction, with another commenter writing, “katy perry tweeting out a pro-choice video while voting for rick caruso would be objectively hilarious if it wasn’t painfully dumb.”

“As much as the right try to spin it, Katy Perry voting for Rick Caruso is not an indication of anything other than a rich white woman voting for a fake democrat who will ultimately have no effect on the quality of her life but will worsen the lives of many others,” read a fiery tweet. One person weighed in by focusing more on the candidates than Perry’s celebrity. “Katy Perry voting for Rick Caruso for LA Mayor is incredibly disappointing,” they wrote of the seeming missed opportunity to support the candidate who could be the city’s first female mayor. “Please vote Karen Bass a community oriented politician not a businessman with a redundant platform on homelessness and and a history of donating to anti-choice orgs and initiatives.”

Caruso went viral last month after a mayoral debate when he insisted he wasn’t white, but Italian, which he equated with being “Latin.” The odd answer came after an anchor from Telemundo noted that the city’s next mayor could be either “an African-American woman or a white man,” to which Caruso replied, “I’m Italian,” a statement that NBC news said drew “harsh reaction, from scorn to mockery.”

Some of the comments aimed at Perry got a bit personal, with a fan asking why the singer voted so “openly” for Caruso, besides her claim that L.A. is a “hot mess.” “You have a voice. You don’t owe it to anyone but I’ve followed you through all your political stands,” they said. “We marched in the same Women’s March together.. what’s the logic?”

Bass has also garnered support from some A-listers, including John Legend, Steven Spielberg, Ariana Grande and Donald Glover, among others.

Check out Perry’s voting photo and some of the reactions below.

Millie Bobby Brown‘s Dream Role Is Britney Spears: ‘I Could Tell Her Story in the Right Way’

If there’s a short list of actresses who might play Britney Spears in a biopic someday, Millie Bobby Brown wants on it. In a Monday (Nov. 7) interview on The Drew Barrymore show, the 18-year-old actress confessed that her dream role is none other than the “Toxic” singer.

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“I want to play a real person,” she told Barrymore, who’d asked what was on the Enola Holmes star’s career bucket list. “I think for me … Britney, it would be Britney Spears.”

Brown was first launched into superstardom in 2016 when she debuted as fan-favorite character Eleven on Stranger Things, which is easily one of Netflix’s most successful original shows to date. That means she became internationally famous at just 12 years old, an experience she thinks would help inform her potential portrayal of Spears, who herself was just a teenager when debut single “Baby One More Time” blew up.

“I think her story, first of all, resonates with me,” the Emmy nominee told Barrymore, who is, of course, also familiar with the reality of being a child star. “Growing up in the public eye, watching her videos, watching interviews of her when she was young.”

“I mean, same thing with you, I see the scramble for words,” added Brown. “And I don’t know her, but when I look at pictures of her, I feel like I could tell her story in the right way — and hers only.”

If a Britney biopic doesn’t pan out, though, there is another pop star who’d love to be portrayed by the Godzilla actress. Earlier this year, Halsey gave MBB her stamp of approval during an appearance on The Tonight Show after Fallon pointed out how similar the two of them look.

“Millie would be great,” the “Without Me” singer said. “But I don’t really think I’m famous enough to cast Millie … It’s kind of uncanny how much we look alike. It’s like, ‘Oh no, we actually just look like sisters.’”

And while Halsey may not think they’re famous enough to book Brown, the Florence by Mills founder doesn’t seem to agree. Posting a clip of the Fallon interview on her Instagram story, she simply wrote: “Sooooo down.”

Taylor Swift Becomes First Act to Spend a Full Year at No. 1 on the Billboard Artist 100

Taylor Swift marks yet another milestone on the latest Billboard Artist 100 chart (dated Nov. 12) as she becomes the first artist to spend a full year at No. 1.

She tallies a record-extending 52nd week atop the chart (non-consecutively), thanks to the second-week success of her latest album Midnights. The LP adds a second week at No. 1 on the Billboard 200 with 342,000 equivalent album units earned, according to Luminate. That’s the largest second-week total for an album since Adele’s 25 drew 1.162 million in its second frame on the chart dated Dec. 19, 2015.

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The album’s 342,000 units is also the third-biggest of the year, after the set’s first week (1.578 million) and the opening week of Harry Styles’ Harry’s House (521,000).

Meanwhile, all 20 songs from Midnights (13 from its standard version and seven from its “3am Edition”) rank on the Billboard Hot 100 chart for a second straight week, led by “Anti-Hero,” which tallies a second week at No. 1, followed in the top 10 by “Lavender Haze” (No. 6), “Midnight Rain” (No. 7) and “Bejeweled” (No. 9).

Swift has now led the Artist 100, Hot 100 and Billboard 200 simultaneously for 12 total weeks (dating to the Artist 100’s launch in 2014). Only Drake has spent more time ruling all three charts at the same time: 16 weeks.

Most Weeks at No. 1 on the Artist 100, Hot 100 & Billboard 200 Simultaneously

  • 16, Drake
  • 12, Taylor Swift
  • 9, Adele
  • 5, The Weeknd
  • 2, Ariana Grande
  • 2, Ed Sheeran
  • 2, Harry Styles
  • 1, Beyoncé
  • 1, Justin Bieber
  • 1, BTS
  • 1, Camila Cabello
  • 1, Future
  • 1, Kendrick Lamar

Also in the Artist 100’s top 10, The Beatles re-enter at No. 3, sparked by their re-released 1966 album Revolver, which re-enters the Billboard 200 at No. 4. Rihanna returns at No. 6 as her new single “Lift Me Up” launches at No. 2 on the Hot 100, and BTS’ JIN re-enters at No. 10, thanks to his solo single “The Astronaut,” new at No. 1 on Digital Song Sales, among its other chart entrances.

The Artist 100 measures artist activity across key metrics of music consumption, blending album and track sales, radio airplay and streaming to provide a weekly multi-dimensional ranking of artist popularity.

Jennifer Lopez Had No Problem Taking Ben Affleck’s Last Name: ‘I’m Proud of That’

You can keep calling Jennifer Lopez by her birth name, but as far as “Jenny From the Block” is concerned, she’s Jennifer Lynn Affleck from now on, thank you very much. “People are still going to call me Jennifer Lopez. But my legal name will be Mrs. Affleck because we’re joined together. We’re husband and wife. I’m proud of that. I don’t think that’s a problem,” the actress/singer tells Vogue magazine in a Dec. cover story about her decision to take the last name of husband actor Ben Affleck after their wedding this summer.

When the writer joked that given her boss status as dancer-turned-singer-turned-actress-turned-mogul and female empowerment icon, wouldn’t it be more appropriate for Batffleck to take her name? “No! It’s not traditional. It doesn’t have any romance to it,” said Lopez, 53. “It feels like it’s a power move, you know what I mean? I’m very much in control of my own life and destiny and feel empowered as a woman and as a person. I can understand that people have their feelings about it, and that’s okay, too. But if you want to know how I feel about it, I just feel like it’s romantic. It still carries tradition and romance to me, and maybe I’m just that kind of girl.”

The news about Lopez’s name-change slipped out in a fly-by moment near the top of the profile, when the writer noted that on the set of her upcoming Netflix sci-fi drama, Atlas, they spotted a green neon sign in her on-set private tent that was a gift from the crew which read “Mrs. Affleck.”

The story also touches on the walls Lopez has had to build around herself over the past quarter century after initially charging into the spotlight with a Jenny From the Bronx attitude that made her believe she could say or do anything. But after the torrent of racist and sexist blowback she endured during her first go-round with Affleck, 50 — which ended in 2004 with their broken-off engagement — Lopez said round two came with some well-earned wisdom.

“We were so young and so in love at that time, really very carefree, with no kids, no attachments. And we were just living our lives, being happy and out there,” she said of their two-year run from 2002-2004, which came after the end of her year-long second marriage to former back-up dancer Cris Judd. “It didn’t feel like we needed to hide from anybody or be real discreet. We were just living out loud, and it turned out to really bite us. There was a lot underneath the surface there, people not wanting us to be together, people thinking I wasn’t the right person for him.”

Because of the intense scrutiny, Lopez said she put up a kind of “force field” around herself, which caused her to become “very guarded because I realized that they will fillet you. I really wish I could say more. I used to be like that. I am like that. But I’ve also learned.” The reunion was not a surprise, certainly not to Lopez, who suggested to the writer that she’d always secretly kept a love light burning for the actor. Their second take seemingly kicked off when she got an email from Affleck shortly after her busted engagement to baseball player Alex Rodriguez was announced in March 2021 in which the Tender Bar star gave her a head’s up that he highly praised her in a quote for a magazine about his ex-love.

That reach-out began a slow-rolling back-and-forth that rekindled their relationship, in private, of course. “Obviously we weren’t trying to go out in public,” she said. “But I never shied away from the fact that for me, I always felt like there was a real love there, a true love there. People in my life know that he was a very, very special person in my life. When we reconnected, those feelings for me were still very real.”

Her 12-year trip back to Affleck had begun before the reach-out, though, following the 2012 dissolution of her 10-year marriage to singer Marc Anthony — with whom she shares twin children — when she released a few poorly selling albums and took a gig as a judge on American Idol to pay her bills. The job turned out to be a prescient move that helped revive her career, even as it made Lopez realize what she’d been missing.

“It was like, Oh! That’s all I had to do this whole time was be myself? Although it was a competition, it was a reality show,” she said of her first time keeping it real on TV. “Up until then we only had what the media was telling you about me. I loved meeting the kids because I so identified with their dreams — I just loved it. There were a lot of things that people saw through that show, but more than anything I think they saw my heart, that I was a cool, funny person, that I was a nice person. No matter how many awards shows you do or late-night talk show couches you sit on, people feel like you’re putting something on. With a reality show, you can’t hide behind a script or a four-minute interview. You’re out there.”

To be clear, Lopez wouldn’t recommend her twisted romantic path with Affleck for everyone. “Sometimes you outgrow each other, or you just grow differently. The two of us, we lost each other and found each other,” she explained of their unpredictable path. “Not to discredit anything in between that happened, because all those things were real too. All we’ve ever wanted was to kind of come to a place of peace in our lives where we really felt that type of love that you feel when you’re very young and wonder if you can have that again. Does it exist? Is it real? All those questions that I think everyone has. You go through all these relationships, and you’re searching and you’re connecting and you’re disconnecting with people, and you’re like, God, is this just what life is? Like a carousel, roller coaster, carnival ride? And then it settles. But the journey to that is the mystery for everybody.”

In a rare public statement, Affleck said that the way Lopez has stayed the same over the years is almost as important to him as how she’s changed and evolved in the past two decades. “There is something innately, magically kind and good and full of love at the heart of who Jennifer is. That’s exactly the person I remember from 20 years ago,” he said. “Maybe she sees all the changes she’s made, whereas when I see her, mostly I just see someone who has retained, against the odds, the thing about her that always made her the most incredible to me: a heart that seems boundless with love. She is my idea of the kind of person I want to be.”

The piece also notes that Lopez is working on her first new album in nearly a decade, an as-yet-untitled work that is described as a “kind of bookend to This is Me … Then,” the 2002 album she released during the early days of her first Affleck romance. The collection is described by Lopez as the “most honest” work she’s ever done, “kind of a culmination of who I am as a person and an artist. People think they know things about what happened to me along the way, the men I was with — but they really have no idea, and a lot of times they get it so wrong. There’s a part of me that was hiding a side of myself from everyone. And I feel like I’m at a place in my life, finally, where I have something to say about it.”

The tracks on the album, whose release date has not yet been revealed, are described as “plaintive, confessional songs, reflections on the trials of her past, upbeat jams celebrating love and sex.”

Check out the Vogue cover below.

Jennifer Lopez Vogue

Jennifer Lopez on the cover of Vogue.

Annie Leibovitz/Vogue

Shania Twain Still Can’t Believe ‘Man! I Feel Like a Woman!’ Is Billboard’s No. 1 Karaoke Song: ‘I Would Never Have Imagined That’

Man! Shania Twain is still in disbelief that her signature hit, “Man! I Feel Like a Woman!,” took the top spot on Billboard‘s 100 Greatest Karaoke Songs of All Time list, so much so that on her Tuesday (Nov. 8) appearance on The Jennifer Hudson Show, she had to share a few more thoughts on earning the honor.

Hudson asked the country singer how it feels to crown the list, to which Twain replied, “I think that is so cool. Certainly I would never have imagined that, that I would ever have the best karaoke song in the world, but I enjoy the compliment and I can just imagine … every person in the world can sing that song with an exclamation mark. It’s just a statement, kind of feel-good song.”

Twain shared her initial reaction about being No. 1 on the Billboard list — in which she beat out hits from Billy Joel, Destiny’s Child, The Killers, Cher, Queen, Carrie Underwood and more — following its publication in October.

“I think @billboard just crowned me the Queen of Karaoke?!” Twain tweeted on Oct. 6 along with surprised and crying-laughing emoji. “Seriously though, it’s really really cool to see the life that ‘Man! I Feel Like A Woman!’ has taken on and I’m just obsessed with you all…,” Twain added.

“Man! I Feel Like a Woman!” charted on the Billboard Hot 100 in 1999. The song went on to spend 28 weeks on the all-genre chart and peaked at No. 23.

Watch Twain talk about “Man! I Feel Like a Woman!” topping Billboard‘s list above.

Ryan Reynolds Says Taylor Swift Isn’t in ‘Deadpool 3,’ But He ‘Would Do Anything for That Woman’

As of right now, Taylor Swift isn’t going to be making a cameo in the next Deadpool movie — but never say never. Ryan Reynolds, who stars in the franchise’s titular role, gushed about the pop star in a Tuesday (Nov. 8) interview and said that the door is always open for her to join the cast.

“Are you kidding me?” the actor told Entertainment Tonight at a red carpet event for his new film Spirited when asked whether he’d consider casting Swift. “I would do anything for that woman. She’s a genius.”

Reynolds and Blake Lively, his wife and fellow Hollywood superstar, have been friends with the 11-time Grammy winner for years. Swift famously included each of the names of the couple’s three daughters — James, Inez and Betty — in her Folklore single “Betty,” and featured an audio clip of James’ voice in her Reputation track “Gorgeous.”

Last year, the “Anti-Hero” singer even went trick-or-treating with the Reynolds-Lively clan dressed up as a squirrel. And in 2016, she borrowed Reynolds’ actual Deadpool suit for her Halloween costume.

With Swift being such a close family friend, it’s basically a given that the Free Guy star, Lively and their three children (soon to be four!) are loving Midnights just as much as the rest of the world. Reynolds told ET that they’re “obsessed” with Swift’s newest record, which has sold nearly 2 million album units and has set unprecedented chart records since dropping Oct. 21.

“Oh my God, yes,” Reynolds said. “All of us, whole house, I’m not kidding. I love it so much. I do, Blake does, my daughters. We love it. Obsessed.”

He’d also spoken about his family’s love for Swift with SiriusXM’s Jess Cagle a day prior, confessing that he’d be joining Lively and the kids for a “Midnights dance party” on the porch right after the interview concluded. “That’s like a religion in our house,” he shared.

“I think what’s most exciting for them is that for the longest time, they just thought Taylor’s like an aunt, like a friend of Mommy and Daddy that’s very, very close, almost family,” Reynolds added. “And then they went to a concert one day and were like, ‘Oh, oh this isn’t a hobby.’”

Check out Ryan Reynolds’ SiriusXM interview below.

Takeoff’s Public Funeral to Be Held at Atlanta’s State Farm Arena

The funeral for Migos member Takeoff will take place on Friday (Nov. 11) at State Farm Arena in Atlanta. According to a release announcing the Celebration of Life, it will take place at noon, with free tickets available to Georgia residents only beginning Tuesday (Nov. 8) at 2 p.m. through Ticketmaster: there is a two-ticket maximum, the tickets are non-transferrable and guests must enter the venue together. Takeoff ( born Kirshnik Khari Ball), 28, was gunned down at 810 Billiards & Bowling in Houston, Texas in the early hours of Nov. 1 at an afterparty he attended with his uncle and Migos bandmate, Quavo.

The Rev. Jesse Curney III, senior pastor of New Mercies Christian Church will deliver the eulogy at the service, according to ATL radio station V-103. Guests are encouraged to arrive early, with doors slated to open an hour before the funeral.

According to TMZ, in a statement, Curney said, “I was really sad to hear the news. Kirsnick has been a faithful member since he was ten years old. He and his family were active and avid supporters of the church and the community as a whole.” The public memorial will have a strict no photo/no video policy, with all devices subject to gate check in Yondr bags prior to entering the arena. The rapper’s family requested that in lieu of flower or gifts, donations should be made to The Rocket Foundation, recently established to support programs supporting community-based solutions to prevent gun violence.

Friend and collaborator Drake announced on Monday that he was postponing his planned show at Harlem’s Apollo theater to mourn Takeoff. “The Apollo show has been moved to allow us to pay respect to our dear friend this weekend,” the superstar wrote on his Instagram Stories beneath an updated poster announcing the new dates of Dec. 6 and 7. “We have added a second date for the fans.”

Last week, Drake memorialized the late Migos rapper — who was gunned down at a Houston bowling alley in the early morning hours of Nov. 1 — during the album release party for Her Loss, his new collaborative LP with 21 Savage.

“I’d just like to send our deepest condolences from the family to the entire QC, to our brother Quavo, to our brother Offset, to the friends and loved ones of the legendary, unprecedented Takeoff — a guy that I knew for a long, long time,” he said, adding, “I always talk about the fact that this was one family. My friends in the music industry are not friends, they’re family. So, our deepest condolences — tragic loss for all of us and, you know, a dark cloud over this business that we love so much.”

Takeoff was killed by “penetrating gunshot wounds of head and torso into arm” according to a report from the Harris County coroner’s office. He was hit when shots rang out during an early morning private afterparty attended by several dozen people, where he was pronounced dead at the scene.

In addition to the many heartfelt eulogies from fellow musicians, Takeoff was honored in a funeral service and afterparty in the Grand Theft Auto community that took place on Monday.

Check out images from the GTA funeral below.

In Demand: How Tom Kitt Became One of the Busiest Creatives on Broadway

If you’ve seen a musical — or, well, anything involving music onstage or onscreen — in the past decade or so, chances are high that Tom Kitt had something to do with it.

The composer, lyricist, musical director, music supervisor, arranger and orchestrator has inhabited one or more of those roles for projects as diverse as Grease: Live!, the Pitch Perfect films (yes, you have him to thank for the “riff-off”), the musical adaptations of Bring It On, SpongeBob SquarePants, Jagged Little Pill and American Idiot. In 2009, he won a Tony Award for his score for the musical Next to Normal, which in 2010 also won the Pulitzer Prize for drama, and though he’s comfortable writing in any number of idioms, he’s become especially well known since then for his keen understanding of how to organically integrate pop and rock sounds into a theater setting.  

Right now, Kitt is, as usual, juggling multiple high-profile projects. Most notably, he wrote the score and, with Cameron Crowe, co-wrote the lyrics for the new musical adaptation of Crowe’s beloved film Almost Famous, which just opened on Broadway. He’s brought his vocal arranging expertise to the buzzy new dance musical Only Gold (playing off-Broadway at MCC Theater through Nov. 27) featuring the music of singer-songwriter Kate Nash. And in between, he managed to write a showstopper for a true icon — Elmo — in the new off-Broadway Sesame Street the Musical.  

Kitt describes juggling his myriad projects with trademark calm. “Theater is the ultimate collaborative art form,” he says. “You’re always serving many other visions — it’s just a question of what you’re bringing to the project. As long as you’re in an exciting creative world, these [different] things can feed one another, and I don’t feel overwhelmed in any way.” Having worked on shows that have run the gamut of Broadway success, he has a healthy sense of the business’ realities, and has learned how to keep his creative priorities straight. “What’s most important is I’m expressing myself in ways that feel profound and exciting to me,” Kitt says. “I came into this art form so inspired by all the people currently writing, the legends who wrote for the theater. I wanted to be part of that history and hopefully have people say that Tom Kitt musicals have been a part of their life in important ways.” 

Almost Famous.

Casey Likes and Solea Pfeiffer in Almost Famous.

Matt Murphy

Almost Famous  

Though Kitt studied economics in college he dreamed of becoming a singer-songwriter and was heavily influenced by classic 1970s albums like Born to Run, Goodbye Yellow Brick Road and Piano Man —touchstones that came in handy for the moment in which Almost Famous takes place. “I get to now live in that sensibility as a composer and arranger,” Kitt says. The Almost Famous score is mostly Kitt’s original music but does incorporate iconic songs from the movie like Elton John’s “Tiny Dancer,” and Kitt’s job, in part, was “to make it feel like one voice, one score.”  

While it may be Crowe’s first time as a Broadway lyricist, Kitt describes him as a natural. “Cameron already is a poet, a lyricist, just in terms of what he’s put into the world,” Kitt says, adding that the lines from Crowe’s movies are themselves “earworms.” As a writing team, “we found our groove right away,” Kitt continues. Crowe would send Kitt the starting thoughts for a song in various forms, and Kitt would start composing from there, with the two “batting it back and forth ‘til we both felt like we were saying what we wanted to say.”  

Starting with Next to Normal, and in the years since, Kitt says, he’s learned that while pop music often adheres to a defined form, in theater a pop song needs to serve the plot above all, providing the audience with new information. “It’s about really keeping yourself honest and not just saying, ‘I’m gonna write a pop song and It’s gonna adhere to this form,’ so we feel like we’re building something and don’t stay in the same place, or get there too early.” 

Only Gold 

Choreographer and director Andy Blankenbuehler is a longtime friend of Kitt’s; the two collaborated on Bring it On: The Musical (a now cult-favorite that opened on Broadway in 2012). This past summer, Blankenbuehler asked Kitt’s recommendation on a vocal arranger for Only Gold, and he volunteered his own services. “Kate Nash is a brilliant writer,” Kitt says. “Her songs are filled with visceral energy and beauty, and you can see how they’re going to be theatrical.”  His duties for the show mostly happened before he got into rehearsal with Almost Famous. Blankenbuehler broke down the show by song, filling Kitt in on who would be available to sing each and what kind of tonality he wanted from the vocal arrangements. “I had great guidance going in, and then you hear it in the room and discover new things,” Kitt says.  

only Gold

Jacob Guzman, Ahmad Simmons, Ryan VanDenBoom, Voltaire Wade-Greene, Hannah Cruz, and Reed Luplau in MCC Theater’s 2022 Production of ONLY GOLD

Daniel J. Vasquez

Sesame Street the Musical 

In recent years, Kitt has composed for Sesame Street: he wrote a song for Cookie Monster called “If Me Had a Magic Wand,” and a spoof of a famous song from Stephen Sondheim’s musical Sunday in the Park With George called “Look I Made a Splat.” The call for Sesame Street the Musical came through his agent, and it was fairly simple. “They said, ‘We want to craft a big 11 o’clock-style number for Elmo,” Kitt recalls, “and I knew it was a song about imagination.” He thought about the sensibility of classic Sesame Street songs like “Sing,” and asked himself, “What’s something expressive in that world for me to write?” The end product channels the sweetly melodic, anthemic feel of the classics Kitt wanted to channel, but he didn’t hear Elmo sing it until opening night of the show, “and it was everything I hoped it would be. I mean, who doesn’t want to write a song for Elmo? I jumped at the chance.”  

Post Malone Officiates Fan Wedding at Seattle Show: ‘In the Eyes of Space, I Declare These Two Lawfully Wedded’

Post Malone is seriously stacking up the side hustles. After helping a couple with their gender reveal during a Tulsa tour stop on his Twelve Carat Tour last month, Posty was at it again over the weekend when he stepped in to officiate an onstage wedding during a Saturday tour stop in Seattle.

Couple Jana and Randy’s friend Heidi Lavon posted video of the blessed event that appeared to take place near the end of the show, with the couple nervously exchanging vows and then Malone pronouncing them universal partners in his own unique way: “You may kiss your partner right now… In the eyes of space, I declare these two lawfully wedded,” the rapper enthused while raising the newlyweds’ hands in triumph as audience members howled in the background.

“Dude, I am shook, Post Malone married my best friends yesterday,” Lavon said in a TikTok video that featured footage of the on-stage nuptials. “But it doesn’t end there,” Lavon added in her clip. “We need everybody’s help to see if we could get Posty to come to the wedding in March.”

During a meet-and-green last month, Malone helped a couple with the gender reveal for their baby after they asked him to open an envelope taped to one of his posters. “You want me to just tell you?” Post asked them, before confirming, “You didn’t see it? Y’all didn’t see it?” He then opened the envelope and his jaw dropped as he excitedly help up a piece of paper that read “It’s a girl!”

“You’re going to be a girl dad!” the star — who welcomed his first child, a daughter, earlier this year –sweetly told the father-to-be. Malone will wrap up the North American swing of his Twelve Carat Tour in Los Angeles at Crypto.com Arena on Nov. 16 before heading overseas in December for a run of shows in the Middle East.

Check out images from the wedding below.

8 Can’t-Miss Moments From Rihanna’s ‘Savage x Fenty Show Vol. 4’

If Rihanna‘s Super Bowl halftime show is going to be anything like her Savage x Fenty Show Vol. 4, then viewers are bound to break a sweat.

Rihanna, who’s also the fashion show’s executive producer and creative director, assembled an all-star team of models, actors and musicians on the 87-acre South Coast Botanic Garden in Palos Verdes Estates, California, for the event. But this isn’t some typical runway walk in the park. The latest installment of Savage x Fenty plays out like a wildly entertaining fever dream that’ll keep us wanting to relive it night after night.

Savage x Fenty Show Vol. 4 will premiere Wednesday on Prime Video, where Navy stationed in more than 240 countries and territories can tune in from around the world. And the latest Savage x Fenty collection — with all-inclusive sizing that ranges from 30A to 42H/46DDD for bras and XS-4X/XS-XXXXL for underwear, sleepwear and loungewear — will be available for purchase at the Amazon Fashion store and at Savage X Fenty on Wednesday, the same date the show airs.

Here are the eight can’t-miss moments from the Savage x Fenty Show Vol. 4.