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(G)I-DLE Open Up About Pressures Ahead of ‘Nxde’ Release & The Teamwork Guiding Them Today

From a profane, punk-rock single to a modernized opera aria inspired by Marilyn Monroe — not to mention, a world tour in between — (G)I-DLE has made 2022 their year to show the ways they are shaking up norms in the K-pop scene with the perspective to refresh everything they previously knew.

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While more than a year without new music in the fast-moving K-pop scene is risky for a younger group like (G)I-DLE, the outfit spent most of 2021 focusing on their individual careers with solo albums, acting, TV work, overseas trips and more. When they returned in March this year, the group could have opted for something safe—this comeback made all the more complicated following member Soojin’s departure in August 2021—and rehashed an easy return to the top of the charts. Their electro-pop collab with Madison Beer “Pop/Stars” was (G)I-DLE’s first No. 1 on World Digital Song Sales, plus all five of their past EPs have charted on World Albums since their first appearance in 2018—they knew what worked.

Instead, (G)I-DLE looked in a new direction with bolder messages and sounds and, as they say, begin “starting from scratch” again.

Full-length album I Never Die from March was centered around songs meant to inspire confidence to break prejudices. (G)I-DLE leader Soyeon spoke to the heart of the LP’s message like the the hard-hitting rock-pop single “Tomboy” (with its “Yeah I’m f—ing tomboy” hook) alongside tracks like “Never Stop Me.” At the same time, members Yuqi and Minnie contributed in production and songwriting across other tracks. “Tomboy” resulted in the group’s biggest hit in Korea to date, helped them reconnect with fans across the world during their Just Me ( )I-dle World Tour that ran from June to October, and attempt to break records again with their next step.

For the newly released I Love EP, Soyeon, Minnie and Yuqi are once again all over the album credits that explore the concept of love by being, literally, stripped down to one’s most genuine self, and incorporating inspiration from Kurt Cobain’s famous quote, “I’d rather be hated for who I am than loved for who I am not.”

Ahead of the release of I Love, (G)I-DLE opened up more the honesty that comes from such punk inspirations. “‘Nxde’ uses the word ‘nude’ metaphorically to explain the genuine and confident side,” Soyeon explained. “The word ‘nude’ can be perceived as a provocative word, and people may think, ‘Why is it ‘nude’? Isn’t it too explicit?’ But when I thought of the word ‘nude,’ I thought of my true self, not an undressed version of me…your true self isn’t you with makeup on but your bare face is. You don’t call it ‘makeup-less face.’ It’s just a face. I think that’s how I saw ‘nude,’ wearing the real version of yourself.”

Miyeon added, “Just like the name itself, this album is an album that only talks about love. And the one who receives love can be our family, friends, or one of the many kinds of love out there. So we left the object blank [in I Love] on purpose because we respect all those kinds of love.”

(G)I-DLE also pointed to starlets like Marilyn Monroe as another point of inspiration. “When Marilyn Monroe was active as a star, she was the blonde beauty, being consumed as a sex symbol,” Soyeon says of the Hollywood icon. “I heard that she was actually very intelligent and into books, especially philosophical ones. The standards change with time. Nowadays, if you carry designer-brand bags, then people would judge you by your looks. Each era has a different stereotype.” While Miyeon added, “Regardless of positive or negative stereotypes, you can’t judge a book by the cover.”

The group’s messages are connecting more than ever: I Love became (G)I-DLE’s first album to enter the Billboard 200, debuting at No. 71, after nearly four-and-a-half years into their careers. The six-song also starts at No. 9 on Top Album Sales (dated Nov. 5) with 10,000 copies sold, according to Luminate.

Read on for more reflections from Soyeon, Minnie, Yuqi, Miyeon and Shuhua on their rebuilding process, reuniting with worldwide fans, and continuously pushing each other to the next big step.

First, I want to congratulate you on how successful things have been since the I Never Die album. Have you had a moment to think about why you’re connecting so well with the audiences? 

Soyeon: I think what we presented with this album was very bold and audacious for a K-pop group, which is why a lot of people loved it. It was very honest too. 

Minnie: I Never Die was the first full album—many fans were waiting for this album for so long because we hadn’t made a comeback in a year and a few months.

Do you feel a sense of relief about the fact that it did well? You’ve shared that it was a tumultuous journey to get here. What’s your mindset these days?

Soyeon: I’d have to say “no” right away. Because now that we’ve brought ourselves back to this position, we want to make sure what we present next is also just as amazing, just as fresh and surprising to the audience. 

Yuqi: No one knew how pressured we were at the time because (G)I-DLE always looks like we are strong and really stable in our team, but we were apart for about a year. We separated to our countries to do personal activities. So when we came back to Korea, we got together and just said, “Wow.” We didn’t realize how strained we were at the time. We came back thinking this was our last time together—that’s how strained we were at that time.

Minnie: We put everything into it. 

Yuqi: No one knew it because we always look so strong and like nothing happened, but it actually wasn’t like that. And life is like that! [Laughs] Life is about challenges, life has ups and downs, but if you give up, everything will just end. Actually, our fans were our kind of energy at that time too because everyone was waiting for us and we couldn’t just give up. So, we just put everything into it and just didn’t want to let down the people loving and supporting us.

What does that look like when you say you put everything into it? Lots of rehearsing? Late nights in the studio?

Yuqi: It’s not only about the physical practicing, but a collective feeling. We were apart for a long time, but when we just gathered up again, I could feel the vibe and strength everyone gave. That’s teamwork. That’s just called teamwork because everyone has the same goal, they have the same dream they are trying to achieve, so I just feel “That’s (G)I-DLE.” It’s our teamwork, right? It’s mental, not physical. I think the mental had to be super different.

Minnie: But even the choreography, we’re always brainstorming, like, “Oh, should we do this or that?” We want to pick best version of everything.

Soyeon: And “Tomboy” has the censored beep, right? But there were many different versions of the beep. And also, aside from “Tomboy,” there were a lot of other candidates, many other candidates for the lead single. I had a lot of thoughts on how should we approach this single and what kind of song do we do for this type of track? I worked on the songs with the mindset, “Oh, maybe I should try this genre for the type of music. Maybe I should talk about this or try this kind of concept.” We also did additional recordings a thousand times; we were very careful when making a decision. 

The sound of “Tomboy” was striking. This harder, punk sound wasn’t expected and I’m curious how you decided to go that way to make such a long-awaited comeback?

Soyeon: I grew up listening to a lot of punk rock, I liked Avril Lavigne a lot too. I had always thought that I want to try pop-punk, or like teen rock, kind of music at some point. With this group comeback, I wanted to do something that no one else has done so I thought this was the time to give that genre and that kind of sound a try.

Yuqi: I’m a super fan of rockers and in my solo album, I did a rock too so I was super excited about the track the first time. 

Minnie: I think we all love “Tomboy” and its style. It’s very challenging for us to try a new style too, but we enjoyed preparing for it.

How was the U.S. leg of your Just Me ( )I-dle tour?

Soyeon: Since this is our first U.S. tour, we’re really happy and grateful to meet our Neverland, our fans, in the U.S. for the first time. Although this is our first time touring the U.S., we’re amazed by how the fans will sing along to everything and enjoy everything. It’s been just great for us to feel all our fans’ excitement and passion.

Minnie: We went to cities like Dallas, Houston, Chicago and, except for New York and San Francisco, it was the first time we visited these cities so it was all very new.

Miyeon: I like to capture my own moments in each of the cities because all the cities are so different and I want to enjoy all the different vibes. That’s why fans saw so many of my updates through social media every day.

You describe the “Tomboy” single as taking on a new persona. Do you embrace different personas on tour?

Yuqi: Before, we just attended KCON or joined another concert with the other artists, but this is the first time for us to have a full concert. So, we can show the title track [singles], b-side tracks, and other genres. We’re doing rock, ballads or hip-hop for the first time and I think our fans will feel, “Oh, it’s so fresh for seeing idols in this kind of music genre.” We all do the raps in “My Bag,” you know? It’s the first time we’re doing something like that and it’s very fresh. But we can also have an emotional mood like when we sing a lot of ballads whenever we hold a concert in Seoul. I think it’s a good to show a lot of different sides to our fans. 

Soyeon: I think rather than seeing it as a new persona of us, I think that the lyric “just me I-DLE” [from “Tomboy”] is real. We had never shown people this side of (G)I-DLE before, but it’s our true selves, and we’re just being honest with what we’re doing.

I also liked how you spoke about how you want to be “I-DLE,” with not as much focus on the “G.” There’s your lyric, too: “It’s neither man nor woman, just me I-DLE.” I’d like to hear more about the inspiration behind that.

Soyeon: As you know, the “G” represents yeoja, or “girl” [in Korean], right? We came from a mindset that we do not want to conform to any kind of social boundary or prejudice. It doesn’t just have to do with gender but that was one of the easiest ways of showing that mindset, especially since we have the “G” in our names. That’s just one of our ways of showing that we don’t want to be stuck in any boundaries, regardless of gender—and not just gender but prejudices in general.

Artists are opening up when they’re more comfortable using gender-neutral pronouns for themselves and in their lyrics. When there can be certain expectations of girl groups, is this a related idea?

Soyeon: We’re very aware of gender-neutral terminology, but what we’re doing now isn’t primarily because we want to find a gender-neutral term but it’s more of trying to make a genre of our own. We want (G)I-DLE to be a genre of our own, regardless of gender, age, anything.

Minnie: And we respect everything.

Does being on tour help you find more of the (G)I-DLE genre?

Soyeon: We are fascinated by how we can still interact and communicate with their audience when we’re singing in Korean so we’ve felt that music does not have any language boundaries. 

Yuqi: When I do the concerts, I receive a lot of different responses from our fans. Different countries have different cultures, as we know, so maybe when I do it in Korea, the Korean fans have certain kinds of responses for us. But when we do this in America, I can get to a part like, “Oh, they are more excited about this part.” So I can get inspiration actually to make my music more fun and have more of those “killing” parts.

Miyeon: The hotel that we were staying in New York is right in front of where we did our flash mob a few years ago. So, we looked back at that moment and thought a lot. That was a big motivation for us to come back to New York, see that spot, and think back to our rookie days.  

Minnie: Because at that time, we were a very new group with only one single and one mini album. But now we are having a world tour, which is like, “This is crazy.” It’s a big dream come true.

We met for Billboard then. Can you think back to that time and remember your mindset?

Minnie: We were such rookies and so young.

Yuqi: Yeah, we were such rookies but super excited to be here for the first time in New York City. We had our very first flash mob, I think we did a cover “Fake Love”? We had the BTS cover and we didn’t perform “Hann,” right? Because we were preparing for our “Hann” comeback.

Minnie: But we’re happy to be back.

This tour is about old material, new material, everything, including “Hann.” How was it been preparing specifically all these songs as five now? 

Soyeon: We had to practice our blocking—all the movements, transitions, and everything—from scratch. So our mindset was, “Okay, we’re starting from scratch…again.” That’s how hard we worked for it and we wanted to show a new side of (G)I-DLE by preparing this way. 

Shuhua, I’ve seen you taking up many more lines now too, specifically. How has your experience been? 

Shuhua: Aside from all the group practices, I also dedicated a lot of my time doing individual practice. I would have private lessons with our teachers and share ideas to think, like, “How can I put my style into this? What kind of gesture should I do to make this my style?” I practiced a lot with that mindset for this tour. 

You’ve all worked on your own in 2021. How does that contribute to your group work as (G)I-DLE this year?

Minnie: I went to Thailand where I had some time promoting solo and I started to realize again how important and how precious that I have my members by my side. When I have to do everything on my own, it’s hard and tiring. I think it was a good experience to try things on my own, but when I came back to Korea and I met them, I was like, “Oh yeah. I feel like I’m home.” 

Soyeon: There is no time where we are not working on new music so we’re always thinking about the next album and the new music. We want to present a new kind of fun and new message with I Love and “Nxde.”

Anything else to add right now?

Yuqi: (G)I-DLE never die.

Minnie: We’re back! We’re all back. We were so happy to have a world tour finally and very touched and happy to meet our fans in the States in person. Thank you for always waiting and supporting us. We will never let you down, and we’re back again with a new album, so please continue to stay tuned.

Shania Twain Says a Collaboration With Harry Styles ‘Would Be My Dream’: ‘Magic Will Happen, I’m Sure’

Shania Twain is clearly a big Harry Styles fan — so much so that she hopes to work with the former One Direction member on some music in the future, when the time is right.

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The country singer — who previously joined Styles onstage at Coachella in April to perform “Man! I Feel Like a Woman” and “You’re Still the One” — sat down on the Monday episode of TalkShopLive with TV personality Nancy O’Dell to talk about her forthcoming album, Queen of Me, the amount of music she’s sitting on and a possible Styles collab.

“I went up onstage with Harry Styles [at Coachella]. He invited me on his stage, which was so wonderful and [he’s a] lovely, lovely person. I want to say lovely kid, but I mean he’s not a kid anymore, is he? He’s a man,” she said of the “Watermelon Sugar” singer. “[A collaboration] would be my dream, yes. He’s busy making movies right now. I would love that. Put it out there! Make it happen, absolutely. And magic will happen, I’m sure.”

As for Twain’s latest album Queen of Me, she told TalkShopLive that the pandemic allowed her a significant amount of time to step back and write. The lockdown period was a prolific one for the singer, who says she developed multiple albums’ worth of material during the Queen of Me writing sessions.

“The COVID period gave me more time than I expected,” Twain said. “So I basically wrote four albums worth of music. This is just the beginning. I was so productive, I wrote a lot of music. So it was very difficult to narrow it down to what would then be this album, Queen of Me, but, of course, once I determined the real focus of the sentiment of the album, what I want to express personally out there right now, which is the Queen of Me message, be the queen of yourself, the boss of you and take responsibility for the good and the bad and everything that comes in between, so the songs naturally fell into place after that, once I had a good beginning, which was the title.”

When asked to clarify if it’s “truly” four separate albums from Queen of Me, Twain said: “Oh yes. Definitely.” Those albums will sadly not see the light of day anytime soon. “I think we’re going to have to wait for awhile. It’s going to be well over a year because I still have a tour coming up, I’ve got so many projects,” Twain added. “I’d say well over a year. Could be a couple years.”

Queen of Me will be released via Republic Nashville on Feb. 3, 2023. Watch Twain talk about the record and the Harry Styles collab in the video above.

Recording Academy CEO Harvey Mason jr. on 2023 Grammy Nominations: ‘I Love the Diversity’

This year’s rollout of the Grammy nominations was much smoother than last year’s. Last year, on the eve of the nominations announcement, the Academy expanded the number of nominations in each of the Big Four categories from eight to 10. Recording Academy CEO Harvey Mason, jr. was concerned that hip-hop representation in the Big Four categories was light and saw that it would improve if they went a little deeper.

There were no frantic, last-minute moves this year. The Academy continues to have 10 slots in each of the Big Four categories, something Mason likes and plans to continue. Mason spoke with Billboard on the eve of this year’s nominations announcement.

What did you think of the nominations?

I love the diversity. I love the range of different genres; the fact that we have six or seven different genres in the general field categories – in the Big Four categories – is crazy. We have almost 50% gender parity, which is great to see. I love that people of color are over 50%, which is exciting. In general, I thought the voters did great work.

I’m pleased that the voters are doing the due diligence to really give music a fair listen. You see some music that’s very popular. You see some other music that is not as popular but [is] just as great. You see younger, older – just a lot of variety.

Mary J. Blige has two of the Big Three nominations, which is a little surprising for a veteran artist. What’s your take on that?

It’s a tribute to her obvious talent; her long-standing career. She’s been putting out great music for such a long time and she’s so well-respected. I’m really happy that voters are acknowledging her work this year.

Steve Lacy also has two of the Big Three nominations, but he wasn’t eligible for best new artist because he had been nominated previously. What do you think of that rule?

That’s a really tough rule. How do you decide when somebody is considered new and when they’re not? It’s so subjective. We’ll continue to look at all of our rules and keep trying to refine them. We just want to make sure we’re doing the best we can to honor as many excellent artists as possible. We’ll see where this thing goes.

I picture you getting the nominations list each year and thinking, “OK, who’s going to beat us up this year?” Inevitably, there will be somebody.

I’m never happy to hear complaints from people who are unhappy. We want these awards and nominations to really represent the year in music. I want to make sure that we’re being accurate with our nominations.

Again this year, country music is missing from the Big Four categories. A lot of things that could have been nominated just didn’t get there. I’m thinking especially of Miranda Lambert and Luke Combs for album of the year and Lainey Wilson for best new artist. Do you feel that you could strike a better balance there?

We’re going through all our genres and we’re spending great time and care to make sure we are actively recruiting people to come and join us and be a part of what we’re doing. We have to continue to look at everything – membership, nominations, our events, our shows – and make sure we are representative, because we want to represent all music. This is not about one genre versus the other. So, if there’s an area where we’re light, we’re going to catch it.

Let’s talk best new artist. Five female pop singers – Em Beihold, GAYLE, Tate McRae, Lauren Spencer-Smith and Dove Cameron – seemed to have a good shot at a nomination. All were passed over. When you look at the list of nominees in that category, even people who know music will be saying “Who’s that?” in a few instances.

That’s the exciting part of best new artist – you can discover something amazing.

But at the expense of those five women, all of whom had big, recognizable and very good hits.

That category is not a one-and-done situation. There’s an opportunity for many of those to come back into the conversation next year. This year, these are the ones that resonated with the voters. We ask our voters to do a lot of homework. They listen to a lot of music. They’re very contentious with their votes. These are the ones they came up with this year. I think it’s a pretty cool list. We have two jazz artists on that list [DOMi & JD Beck and Samara Joy]. I think that’s very cool.

Drake and The Weeknd declined to submit their albums this year. You put out a statement saying you accepted their decision. What are you doing to reach out to them and bring them back into the fold?

I’m never pleased when somebody chooses not to submit. My hope is that we can continue to do the work; continue to evolve the organization to the point where we continue to attract great people to submit; who want to be a part of the awards process. Of course, I’m always disappointed when some of our biggest and brightest artists aren’t a part of it and we just want to continue to be better, so that everyone feels a part of our organization.

Nicki Minaj expressed her displeasure at “Super Freaky Girl” being moved from rap to pop, where she was less likely to be nominated – and where she wasn’t nominated. Are you comfortable that it was placed in pop?

I’m not comfortable when artists aren’t comfortable. In general, I do feel strongly that the screening committees work extremely hard and were very diligent. We had experts in the room to listen to all the genres and they had to make some really difficult choices. It’s a subjective thing. One person hears [something] as rap, one person hears it as rock, one person hears it as pop. So it’s not easy. I never want us to cause displeasure for an artist. That’s something we try to avoid at all costs. Going forward, we’ll continue to look at that part of our process to make sure we’re getting it right.

How did you think having 10 nominees in each of the Big Four categories worked this year?

I think you’re seeing the diversity that we always hope to have. We get a chance to celebrate more music [rather] than less. That’s always going to make things exciting for us at the Academy. Having the age, race and gender range is something that I love about the general field. I think it’s worked really well so far.

Anything you want to add?

The only thing I would add is my enthusiasm for the show this year. We’re so excited to be back on home court. [The show will return to Crypto.com Arena, formerly Staples Center, for the first time in three years.] It will be great to be in the room with all of these incredibly talent artists, music people, to celebrate each other. This is a time to look across the room and see all these incredible people. Coming out of COVID, coming out of different societal issues that we’re facing, this show to me is the chance to uplift and to start healing some of this. I’m excited to see all these different types of people from every walk of life, every age, every race, in the room or on the stage celebrating each other and celebrating music.

Offset Mourns Takeoff in Emotional Post: ‘Reality Feels Like a Nightmare’

Offset broke his silence on Tuesday (Nov. 15) to publicly honor Takeoff on social media.

“Dear Take, doesn’t feel real posting you like this….This still doesn’t feel like reality. I’ve been searching for the right words to say, but there aren’t any that will suffice. Until we meet again, Rest In Power. I love you,” the rapper captioned the Instagram post dedicated to his late bandmate and first cousin.

At the front of the slideshow of pictures and memories, Offset included a longer letter to Takeoff, who was shot down at a Houston bowling alley in the early hours of Nov. 1. “Dear Take, The pain you have left me with is unbearable. My heart is shattered and I have so many things to say, but I can’t find the words,” he wrote. “I’ve been going to sleep and waking up hoping that all of this is a dream, but it’s reality and reality feels like a nightmare. Every time you would see me, you didn’t give me a dap you gave me a hug.

“I wish I could hug you one last time,” the Migos rapper continued. “Laugh one last time. Smoke one one last time. Perform one last time. I know someone with a soul like yours is in heaven now. I hope you can see how much we love you and miss you. You have left a hole in my heart that will never be filled. Give me strength, give your brothers strength, give your family strength.”

Offset finished the letter by asking his cousin to “throw me a lil sign or a beautiful dream” to let him know he’s still with him.

While Takeoff’s public memorial took place earlier this month at Atlanta’s State Farm Arena, stars like Cardi B, Quavo, Drake and more have also memorialized their fallen friend since his tragic death.

Swipe through Offset’s memories with Takeoff below.

Beyoncé, Adele, Harry Styles Help Columbia Lead All Labels in Big Four Grammy Nominations

With massive successes from superstars Adele, Beyoncé and Harry Styles, Columbia Records landed the most nominations among labels in the Big Four Grammy categories of album, song and record of the year and best new artist. With nine nominations, Columbia was comfortably in first, as all three artists earned nominations for album, song and record of the year.

Columbia’s noms helped parent company Sony Music to lead the charge among label groups, with 16 nominations, besting the Warner Music Group (13), Universal Music Group (nine) and the indie label sector (two). In addition to Columbia, RCA racked up four nominations — Steve Lacy’s “Bad Habit” for record and song; Doja Cat’s “Woman” for record; and Latto for best new artist — while Epic picked up one (DJ Khaled’s “God Did” for song of the year), Sony’s distribution company The Orchard landed another for Bad Bunny’s Un Verano Sin Ti, and Arista picked up one, with Maneskin getting a nod for best new artist.

The second-biggest haul of nominations was for Warner-owned Atlantic, which landed five: a trio for Lizzo, an album nod for Coldplay and song of the year for new artist GAYLE. Three other Warner Music labels picked up two nominations apiece: Warner Records, with two best new artist nominees in Anitta and Omar Apollo; 300, which saw Mary J. Blige pick up noms in record and album of the year; and Elektra, with perennial Grammy favorite Brandi Carlile getting nominated for record and album of the year. (Earlier this year, 300 and Elektra were merged into the new 300 Elektra Entertainment.) Nonesuch also picked up a best new artist nomination with Molly Tuttle, while Bonnie Raitt — who got a song of the year nomination for “Just Like That” — put out her latest album through her Redwing label, which is distributed by Warner-owned ADA.

Within Universal, Interscope grabbed the most nominations — a trio for Kendrick Lamar — while ABBA’s nods in record and album of the year landed two for Capitol through ABBA’s Polar Music. Four other UMG labels also scored one nomination: Def Jam (best new artist, Muni Long), Republic (song of the year, Taylor Swift’s “All Too Well (10 Minute Version)”), Verve (best new artist, Samara Joy) and Blue Note (best new artist, DOMi & JD Beck, in partnership with APESHIT Records.)

Finally, two nominations for best new artist went to acts unaffiliated with the big three labels: Wet Leg, which released its debut album on Domino; and Tobe Nwigwe, whose latest album was put out through his own imprint The Good Stewards.

Gucci Mane Shares Emotional ‘Letter to Takeoff’ in New Video

Gucci Mane is channeling his pain into art with the poignant new video for his track “Letter to Takeoff,” released on Tuesday (Nov. 15).

The song honors his slain friend, who was shot and killed on Nov. 1 at just 28 years old. “Just left another funeral, I shed a tear / I’m still in disbelief, I can’t believe it’s real / I think about the memories, it give me chills / I’m wonderin’ why they left the fake and took the real / Like how the f— we gon’ lose Takeoff / Damn, he didn’t deserve it,” he raps on the track.

Gucci is a longtime collaborator with Takeoff, most recently appearing on the late rapper’s first and only album with his uncle and fellow Migos member Quavo, Only Built for Infinity Links.

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Shots rang out, fatally shooting Takeoff while he was attending a private party at a bowling alley in downtown Houston with Quavo. The musician was killed by “penetrating gunshot wounds of head and torso into arm,” according to a report from the Harris County coroner’s office. A woman and another man were also wounded in the shooting. No arrests have been made.

On November 11, Offset, Cardi B, Drake, City Girls, Chloe Bailey, Justin Bieber and more gathered to remember the beloved artist at a public funeral at the State Farm Arena in Atlanta, near where the late rapper grew up. During the event, Atlanta mayor Andre Dickens honored Takeoff’s family with the city’s highest honor, the Phoenix Award. 

See below for Gucci Mane’s “Letter to Takeoff” video.

Taylor Swift Reacts to ‘All Too Well’ Grammy Nomination: ‘I’ll Go Scream For 10 Minutes Straight’

Taylor Swift knows “All Too Well” what a Grammy nomination feels like, with 42 noms under her belt. But Tuesday’s (Nov. 15) announcement that the 10-minute version of her Red (Taylor’s Version) hit is up for song of the year meant something more to the star.

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Swift took to Instagram Stories following the news to share a screenshot from the song’s accompanying short film, which stars Sadie Sink and Dylan O’Brien. “So many reasons to lose my damn mind today but… All Too Well 10 is the song I’m the most proud of, out of anything I’ve written,” she wrote on top of the photo. “The fact that it’s nominated for Song of the Year at the Grammys, an award I’ve never won, that honors the songwriting… it’s momentous and surreal.”

The 11-time Grammy winner went on to say that she called Liz Rose, who co-wrote the song with Swift, noting that they “reminisced about how we started writing together when I was 14. She believed in me then and we are nominated together now. It’s just so cute I can’t cope.”

Swift concluded her message by writing, “I want to ramble about the magic and mystery of time and fate and reclaiming my art but instead I think I’ll go scream for ten minutes straight. And think about how this wouldn’t have happened without you.”

“All Too Well” was originally featured on Swift’s 2012 album, Red, which was one of the albums that Scooter Braun purchased when buying her her master recordings in 2019. She unveiled the  re-recorded LP, Red (Taylor’s Version), in November 2021, which included the new, 10-minute version of “All Too Well.” The song went on to debut atop the Billboard Hot 100 songs chart.

See the full list of 2023 Grammy nominations here.

Morrissey Says His Upcoming Album ‘Bonfire of Teenagers’ Will Be Delayed

Morrissey issued a statement on Monday (Nov. 14) informing fans that the release of his upcoming album is being pushed back.

Bonfire of Teenagers is no longer scheduled for a February release, as stated by this site,” the singer shared in a note titled “Bonfire Unlit” on his official website. “Its fate is exclusively in the hands of Capitol Records (Los Angeles.).” Billboard reached out to Capitol for comment.

The long-gestating album is meant to serve as a follow-up to 2020’s I Am Not a Dog on a Chain. It was reportedly completed in mid-2021 and features production by Andrew Watt and musical assists from the likes of the Red Hot Chili Peppers’ drummer Chad Smith, bassist Flea and former RHCP guitarist Josh Klinghoffer. Miley Cyrus and Iggy Pop also guest.

Morrissey has already debuted numerous tracks from the yet-to-be-released studio set live at various tour stops this year, including “Rebels Without Applause,” “Sure Enough, the Telephone Rings,” “Kerouac’s Crack,” “I Am Veronica,” “I Live in Oblivion” and “Saint in a Stained Glass Window.”

Speaking of touring, the British alt-rocker’s latest stop at the Greek Theatre in Los Angeles ended abruptly when, according to fans on Twitter, he played a few songs before wrapping things up on account of the unseasonably cold weather. (“So, #Morrissey just walked off the stage at @Greek_Theatre after 30 min. Apparently he was too cold. Meanwhile, it’s in the 50s,” one fan tweeted.)

In 2021, Morrissey’s manager took issue with his portrayal on an episode of The Simpsons, which he deemed “harshly hateful.” The animated series, however, doubled down by releasing a parody single titled “Everyone Is Horrid Except Me (And Possibly You).”

Drake & 21 Savage’s ‘Circo Loco’ Leads Hot Trending Songs Chart for Second Week

For the second week in a row, Drake and 21 Savage’s “Circo Loco” heads up Billboard’s Hot Trending Songs chart, powered by Twitter and sponsored by Xfinity Mobile, crowning the Nov. 19-dated survey.

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Billboard’s Hot Trending charts, powered by Twitter and sponsored by Xfinity Mobile, track global music-related trends and conversations in real-time across Twitter, viewable over either the last 24 hours or past seven days. A weekly, 20-position version of the chart, covering activity from Friday through Thursday of each week, posts alongside Billboard’s other weekly charts on Billboard.com each Tuesday.

“Circo Loco,” from the duo’s new album Her Loss, first topped the Nov. 12 list. The song has been the subject of debate on Twitter due to its lyrics referencing the alleged shooting of Megan Thee Stallion by Tory Lanez in 2020, with the former recently decrying the track.

In all, 10 of the chart’s 20 positions are from Her Loss’ tracklist, reflecting the album’s continued buzz on Twitter. The set concurrently launches at No. 1 on the Billboard 200, while the entirety of the full-length debuts on the Billboard Hot 100.

The week’s highest Hot Trending Songs debut belongs to GloRilla, whose “Nut Quick” starts at No. 2. The dressing down of one of the rapper’s potential flings is one of nine tracks on her new project Anyway Life’s Great, released Nov. 11.

The other non-Drake/21 Savage song in top 10 is Sidhu Moose Wala’s posthumous release “Vaar,” which bows at No. 10. The Indian artist, real name Shubhdeep Sidhu, recorded the song before his May 29 shooting death. “Vaar” is his second posthumous premiere, following “SYL” in June.

Keep visiting Billboard.com for the constantly evolving Hot Trending Songs rankings, and check in each Tuesday for the latest weekly chart.

Gwen Stefani Has a Corny Gift Idea in Mind for Blake Shelton’s ‘Voice’ Retirement

What do you get the guy that already has everything? Gwen Stefani is not entirely sure but has at least one hilarious gift idea in mind for her husband Blake Shelton‘s retirement from The Voice.

Ahead of Monday’s (Nov. 14) live shows on the singing competition, the No Doubt singer caught up with Entertainment Tonight and revealed that staff members on the program have been trying to figure out what to get Shelton after he completes season 23 of The Voice.

“This is crazy ’cause everyone’s coming after me for ideas, ‘What should we do?’ and it’s hard, you know, he has everything,” Stefani told the outlet. “But I think his favorite thing would be a bag of corn, like honestly, he would be so thrilled. Or fertilizer or something like that.”

Shelton announced his departure from the long-running NBC singing competition back in October after serving as a judge for 12 years. The “Boys ‘Round Here” singer, who has been present for all seasons of the show, crowned a champ from his team in eight of the show’s previous 21 seasons. Stefani previously remarked that she feels for viewers of the show in light of his impending departure come season 23. (Shelton will join The Voice veteran Kelly Clarkson for season 23 alongside newcomers Niall Horan and Chance the Rapper.)

“He’s brought so much joy. He’s so talented,” the “Hollaback Girl” singer told Entertainment Tonight last month. “I know people just wait around to laugh and watch him on TV, so I feel sorry for everybody [that] he’s gonna be gone.”

“It’s so weird Blake Shelton is leaving The Voice. I wasn’t ready, you know what I mean? I have to figure out who this new Blake’s gonna be,” she added. “I’m just so proud of him.”