Music News

Neil Young Explains Spotify Beef to Howard Stern: ‘Why Would I Keep it on There When It Sounds Like a Pixilated Movie?’

Neil Young got candid about why he asked that his music be removed from Spotify earlier this year on a Wednesday morning (Nov. 16) interview with SiriusXm’s Howard Stern. The rock icon who has staked his reputation on doing things his way explained to Stern that his objection to being on the streamer was two-fold: the famously exacting guitarist/singer thinks Spotify audio quality is not up to his standard, and he was angered by the COVID conspiracy theories spouted by Spotify’s allegedly $100 million podcast star Joe Rogan.

“I woke up one morning and I heard somebody saying there was some scientists saying something about COVID, or some doctors and they were saying something about COVID and how many people were dying in hospitals and misinformation,” Young said, adding that he immediately thought about the nurses and medical professionals who were “distressed” by what they’d heard on Spotify; Young never specifically mentioned Rogan by name in his comments.

“And I listened to it and they were saying he purposely is saying this stuff that he knows isn’t true about COVID and people were dying,” he said of the misinformation on Rogan’s show about medically dubious COVID therapies. “I just called up my management and said, ‘We’re out of there. Get me off.’ And we’ll be fine, and it was a little shocking because they know all the [streaming] numbers. Who cares? You know, who cares? What’s his name? [Spotify CEO] Daniel Ek? He cares about money.”

Young said he knew Ek initially had good intentions with his service, because they’d met and he [Ek] seemed to be “coming from a good place. But then it just turned into money, money, money, money,” he said. When Stern asked how much money Young left on the table by yanking his tunes from Spotify, the Rock and Roll Hall of Famer said he didn’t know and didn’t care.

“I knew I was gonna do fine. There’s Amazon, there’s Apple, there QoBuz, those are three streaming services that play hi-res,” said Young, who has long fought against what he considers the low-quality fidelity of everything from CDs to digital files. “I think in the digital age we should be able to listen to great stuff, the best that we can get out of digital… Because you’re living off the music, why not pay it some respect and make it sound as great as it does.”

Young said he wasn’t surprised that more artists didn’t join his crusade against Spotify. After Young requested that his catalog be removed from Spotify in January — citing the spread of vaccine misinformation on the Joe Rogan Experience — he wasn’t entirely alone. A handful of artists including India.Arie, Nils Lofgren, Failure, his former CSNY bandmates Graham Nash, David Crosby and Stephen Stills and Joni Mitchell eventually joined his leave-taking.

“The way I look at it, that just turned me off and I made an instant decision — I didn’t think about it at all — just take my music off, we don’t need it. We’ve got all these other places,” Young said of his request. “And it sounds better at the other places. Why would I want to keep it on Spotify when it sounds like a pixilated movie?”

When it came down to it, Young said, he made it very clear: you can have “that guy” or you can have me. “So they chose to have that guy because they’re making millions of dollars off of him and they’ve just given him a whole bunch of money and that I would just eventually roll over and be back,” he said of what he suspected the streamers’ fiscal calculus was. At press time Young’s music was not available on Spotify and he told Stern he’s “never going back there, or anywhere else like it. I don’t have to, I don’t want to. I don’t crave the airplay like that. I don’t really need it, I don’t want it.”

A spokesperson for Spotify had not returned a request for comment at press time.

Here Are the Best Reactions to Taylor Swift’s Eras Tour Ticketmaster Mess

Swifties across North America will forever remember Tuesday (Nov. 15) all too well. After an unprecedented number of fans visited Ticketmaster in the hopes of buying presale tickets for Taylor Swift‘s 2023 Eras Tour online, the company’s website experienced mass outages and extreme delays that caused some to wait for several hours in a virtual queue, just to walk away empty handed.

Naturally, people had some thoughts. Even before the whole debacle was said and done, droves of Swifties took to social media to air out their frustrations with Ticketmaster in hilarious posts, videos and homemade memes. Someone, for example, photoshopped the company’s logo over Tay’s face in the “Anti-Hero” music video, captioned with one of the song’s lyrics: “It’s me, hi, I’m the problem it’s me.”

“Taylor swift walking onto stage with no one in the audience, because that ticketmaster queue never did move,” quipped one fan, sharing a photo of a concert arena, completely empty except for one single person in the audience.

“Being stuck in the ticketmaster queue really has you wondering how different your life you be if you never listened to Our Song on the radio in 2006 that one time,” joked another.

Ticketmaster shared a statement shortly after 1 p.m. ET on Tuesday, about three hours after the East Coast venue presales began. It said that the company wasn’t prepared for the “historically” large demand for tickets, and postponed presales for West Coast venues and Capitol One cardholders scheduled for later that same day.

Many frazzled Swifties felt confused as to why so many presale codes had been sent out if the site wasn’t ready for them all to be cashed in, and couldn’t resist cracking jokes at Ticketmaster’s expense. “Raise your hand if you have ever been personally victimized by ticketmaster,” wrote one fan, quoting Mean Girls and sharing a screenshot from the film.

See more of the best reactions to the Taylor Swift Eras Tour Ticketmaster crisis below.

Travis Scott, Playboi Carti, Future, Lil Wayne Top 2023 Rolling Loud L.A. Lineup

Rolling Loud announced the lineup for the 2023 Rolling Loud California festival on Tuesday (Nov. 15), with a jam-packed roster topped by headliners Playboi Carti, Travis Scott, Future and Lil Wayne. The three-day event will take place in Inglewood, California at the 300-acre Hollywood Park Grounds adjacent to SoFi Stadium from March 3-5.

The first edition of Rolling Loud in the Los Angeles area since 2019 — the event was cancelled in 2020 due to the COVID-19 pandemic and moved to San Bernardino in 2021 — will mark Scott’s first major headlining performance since the Nov. 2021 Astroworld tragedy, where 10 fans died and hundreds were injured in a crowd crush. Among the other acts slated to take the stage at the festival are: Kodak Black, Tyga, Trippie Redd, Dababy, Saweetie, Fivio Foreign, Soulja Boy, Lil Baby, Don Toliver, 2 Chainz, Kevin Gates, Lil Yachy, City Girls, Chief Keef, Lil Uzi Vert, Polo G, Moneybagg Yo and many more.

“Rolling Loud is deeply honored to be the first-ever music festival to take place at the incredible Hollywood Park,” said Rolling Loud co-founders Matt Zingler and Tariq Cherif in August when they announced the L.A. dates. “We’re pumped to return to L.A. and make our debut in Inglewood, such an important neighborhood in rap history. Rolling Loud California 2023 will be an event worthy of its historic location, celebrating the undeniable influence of the West Coast on hip-hop and featuring some of the hottest rappers in the game. Stay tuned for our biggest and best California festival yet!”

Check out the full 2023 Rolling Loud L.A. lineup below.

Isaac Hayes Estate Threatens Legal Action Against Donald Trump For Playing Sam & Dave Song at Campaign Launch

Donald Trump kicked off his third bid for the White House on Tuesday night (Nov. 15) at his Mar-a-Lago estate in Florida and within an hour the twice-impeached one-term former president was already facing his latest threat of legal sanction.

In the midst of a nest of investigations into Trump’s actions before and during his tumultuous four-year term, the estate of late R&B/soul legend Isaac Hayes tweeted that it was exploring its legal options to stop the former reality star from using one of Hayes’ compositions at his campaign events. “Once again, the estate and family of Isaac Hayes DID NOT approve the use of ‘Hold On I’m Coming’ by Sam and Dave by Donald Trump at his 2024 Presidential announcement tonight,” read the tweet.

“We are exploring multiple legal options to stop this unauthorized use,” it warned. Hayes co-wrote the 1966 hit and in a subsequent tweet the estate added, “Stopping a politician from using your music is not always an easy task, but we are dedicated to making sure that Donald Trump does not continue to use ‘Hold on I’m Coming’ by written by Isaac Hayes an David Porter in further rallies and public appearances.”

As he launches his latest attempt to return to 1600 Pennsylvania Ave. in the wake of a middling to poor showing by the large slate of candidates he endorsed in last week’s midterm elections, the warning from the Hayes estate is likely the least perilous legal threat facing the real estate mogul. Trump is facing a Dept. of Justice probe into the large collection of official documents he took from the White House after his failed 2020 re-election bid.

He is also facing two investigations in New York — one civil, one criminal — examining his Trump Organization for allegations of fraud, as well as a probe into his alleged role in the violent assault on the U.S. Capitol by a mob of his supporters on Jan. 6, 2021 and a criminal investigation into his attempts to overturn the 2020 presidential election.

Trump, 76, repeatedly fell afoul of number of musical acts during his first presidential run in 2015-2016, as well as during his term as president and his 2020 campaign when he played their music at his rallies. On his way out of office after being defeated by Pres. Joe Biden, the Village People called out the “bully” ex-president for playing their gay anthem “Y.M.C.A.” one more time against their wishes at his sparsely attended farewell event on Jan. 20, 2021.

For years Trump ignored pleas from a long list of famous acts to cease and desist from using their music during his rallies and political events and in addition to the costumed disco act, the legacy manager for Laura Branigan took issue with Trump playing her hit “Gloria” at his final official appearance as well.

Over the five years of his campaigns and presidency, artists ranging from Adele to Bruce Springsteen, Elton John, R.E.M., Aerosmith, Panic! at the Disco, Guns N’ Roses, The Rolling Stones, Rihanna and the estates of Leonard Cohen, Tom Petty and Prince have vociferously objected to Trump playing their music at his rallies. At press time a spokesperson for Trump could not be reached for comment.

See the Hayes estate tweet below.

Megan Fox Congratulates MGK on Grammy Nomination: ‘You Deserve This’

Megan Fox could not be more psyched for her fiancé Machine Gun Kelly. The actress gushed on Tuesday (Nov. 15) about MGK’s Grammy nomination for best rock album for his Mainstream Sellout album, writing in her Instagram Story, “WOW congratulations to my Grammy-nominated fiancé and hottest Edward Scissorhands cosplayer.”

Over a picture of the smiling rapper/rocker sporting a bunch of barrettes in his bleach blonde hair, she added, “You work harder than anyone I’ve ever known and are twice as talented. You deserve this.”

Kelly celebrated the moment on Instagram, writing, “Call me what you want as long as it starts with ‘grammy nominated’… I LOVE YOU,” he wrote along with a metal salute emoji. In a series of photos, MGK also posted the actual envelope with the rock album nominees, with his nom circled in red alongside albums by the Black Keys, Elvis Costello & the Imposters, Idles, Ozzy Osbourne and Spoon. The slides show also featured a short video of the moment the nomination was announced, in which Colson — holding hands with Fox — absolutely loses his mind and runs screaming across the room.

In another video, he called longtime collaborator Travis Barker and eagerly delivered the news: “Wake up birthday man, we’re nominated for a mother f–king Grammy!”

Some of his Baker’s pals commented on the good news as well, including Avril Lavigne, who wrote, “F–k yeah,” with another friend producer Blackbear adding, “WTF im on a grammy nominated album !!!!!!!!!!!!!!! CONGRATSSSSSSS.” The 2023 Grammy Awards will take place on Feb. 5 at Los Angeles’ Crypto.com Arena.

Check out MGK’s post below.

INXS Fans Mount Campaign For Rock Hall Induction  

Despite their treasure chest of songs, style and, in their late-80s heyday, the ability to fill stadiums a long way from home, INXS is one of many bands waiting for a Rock Hall nod.

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A dedicated group of fans is trying to change that.

change.org petition, simply titled “Induct INXS into the Rock & Roll Hall of Fame,” is well on its way to reaching its target of 15,000 signatures.

At the time of writing, more than 11,000 fans have joined the petition, which declares: “After many years of amazing music and dynamic “live” performances, it’s time to ensure the legacy of one of the greatest bands in the world – INXS!”

The campaign was established by “Team Induct INXS,” comprised of fans Dina Ghram, Shanon Steele and Jim Skivalidas.

“All three of us are big music fans and have a deep appreciation of bands that have touched our lives and inspired us throughout the years,” the trio write in a message to Billboard

“INXS is at the top of all three of our lists – we’ve grown up with them, seen them ‘live’, bought all their albums, and come to think of INXS as a family of sorts.”

Alongside the Rock Hall petition, the team invested in a website at inductinxs.com. “We wanted to make sure that the fans knew we were taking this induct campaign seriously,” they explain.

Despite Australia’s renowned pedigree in rock music, few acts from the great southern land have graduated to the Rock Hall.

The Bee Gees and AC/CD are both immortalized, as is Red Hot Chili Peppers bass player Flea, who was born Michael Balzary, in Melbourne. The Bee Gees, AC/DC and INXS are all members of the ARIA Hall of Fame.

Formed in Perth, Australia in 1977, and fronted by the charismatic Michael Hutchence, INXS kicked on to become one of the most popular alternative rock bands of the ‘80s.

Across their career, the new wave act sold over 60 million record sales worldwide, according to their label, Petrol, and bagged No. 1s on both sides of the Atlantic.

The rockers scored six U.K. top 10 albums (including a best-seller with Welcome To Wherever You Are from 1992) and five U.S. top 20 albums.

The 1987 album Kick went on to become the group’s highest and longest-charting album in the U.S., with a peak of No. 3 on the Billboard 200. It remained on the survey for 81 weeks, and four of its singles cracked the top 10 on the Hot 100: “New Sensation,” “Never Tear Us Apart,” “Devil Inside” and the “Need You Tonight,” which led the chart.

INXS was inducted into the ARIA Hall of Fame in 2001, four years after the death of Hutchence, aged 37. The band has been eligible for induction into the Cleveland, Ohio-based Rock Hall since 2006, though, to date, their name hasn’t been called. 

Though the surviving members of INXS have called time on touring, a popular podcast, INXS: Access All Areas, led by Haydn Murdoch and Bridgit “Bee” Hewitt, explores the band and their many hits, which include “Original Sin,” “What You Need,” “Don’t Change,” “Burn For You,” and others.

The recently-inducted 2022 Rock Hall class included contemporaries Pat Benatar, Eurythmics and Duran Duran, who tapped Nile Rodgers to produce their 1983 hit “The Reflex” after hearing his slick sonic work on “Original Sin.”

“We are not stopping this campaign until INXS is nominated and inducted,” note Team Induct INXS. “This should have happened years ago.”

Everything You Need to Know About the Music at LA3C Festival

Penske Media Corporation’s new music, art and food festival LA3C is just weeks away, aiming to celebrate the rich culture and diverse communities in the metropolis over a star-studded two-day event.

“This will be the first festival of its kind to fortify a city that combines talent, diversity and culture like no other while engaging with organizations solving some of the city’s pressing challenges,” said LA3C Chief Executive Juan Mora of the upcoming festival in an official statement. “[PMC CEO] Jay [Penske]’s vision and the commitment to positively impact the city of Los Angeles is inspiring. I plan to leverage the expertise of Penske Media’s iconic brands to create an experience for all visitors, and we invite creatives, musicians, and artists to join in our mission.”

Besides performances from Maluma, Megan Thee Stallion, Snoop Dogg, SEVENTEEN and more, LA3C will support the next generations of creative talent in Los Angeles through partnerships with nonprofit arts organizations Heart of Los Angeles (HOLA) and Film Independent.

See below for everything you need to know about the festival celebrating the city of Los Angeles.

Penske Media Corporation is the parent company of Billboard.

2023 Grammy Nominations: Our Fast First Impressions of the Big Four

When the 2023 Grammy nominations were unveiled on Tuesday (Nov. 15), there were a lot of names we were expecting in the Big Four categories, including leading nominees Beyoncé (9), Kendrick Lamar (8), and Grammy faves Adele and Brandi Carlile (7 each).

But there were also some names we weren’t expecting – or hadn’t even seen before, especially in the best new artist field. On the new Billboard Pop Shop Podcast (listen below), Katie & Keith are joined by Pop Shop founder Jason Lipshutz to share our fast first impressions of the top categories: record of the year, album of the year, song of the year and best new artist.

Listen below to get our hot takes:

Also on the show, we’ve got chart news on how Drake and 21 Savage team up for the year’s biggest hip-hop debut as Her Loss starts atop the Billboard 200 and gives Drake his 12th No. 1 album. Plus, Taylor Swift stays put atop the Billboard Hot 100 songs chart with “Anti Hero,” while eight songs from Her Loss start in the top 10.

The Billboard Pop Shop Podcast is your one-stop shop for all things pop on Billboard‘s weekly charts. You can always count on a lively discussion about the latest pop news, fun chart stats and stories, new music, and guest interviews with music stars and folks from the world of pop. Casual pop fans and chart junkies can hear Billboard‘s executive digital director, West Coast, Katie Atkinson and Billboard‘s senior director of charts Keith Caulfield every week on the podcast, which can be streamed on Billboard.com or downloaded in Apple Podcasts or your favorite podcast provider. (Click here to listen to the previous edition of the show on Billboard.com.)

Watch ONEUS’ First Rehearsals for 2023 Reach for Us World Tour: Exclusive

Since ONEUS‘ 2018 debut on the K-pop scene, the boy band has consistently toured across countries like Japan and the U.S., but 2023 will see them meeting more of their fans in their first proper world tour.

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Following the conclusion of their ‘USA Blood Moon’ tour earlier this year, ONEUS revealed the 2023 Reach for Us World Tour with stops announced in Asia, North America, and South America so far. The group will kick the new year off by opening the U.S. leg on January 12, 2023, at New York’s Apollo Theater, before visiting countries like Mexico, Chile, and Brazil in February.

Since wrapping their last U.S. tour in March, ONEUS released two new EPs—Trickster in May and Malus in September—which led to the group’s best album sales yet in Korea. The group’s record label RBW says their return to the States will deliver a mix of ONEUS hits and other pop culture–inspired performances.

“ONEUS is so excited and honored to be coming back to the U.S.,” RBW shares in a statement to Billboard. “The boys have been working hard on giving America the ultimate mix of music, dance, and fashion, including an electrifying Top Gun-inspired dance number and a BLACKPINK cover. The band can’t wait to meet all their American friends and show them they have many musical surprises and even more new moves.”

Take a first look at ONEUS’ rehearsals for Trickster lead single “Bring It On” and 2020 hit “Come Back Home” in the exclusive video below, and then peep the dates and locations for the Reach for Us World Tour below.

ONEUS 1st World Tour Reach for Us dates:

January 12 – New York (Apollo Theater)
January 14 – Washington, DC (The Theater at MGM National Harbor)
January 16 – Atlanta (Coca-Cola Roxy)
January 18 – Orlando (House of Blues Orlando)
January 21 – Madison (Orpheum Theater)
January 24 – St. Louis (The Factory)
January 27 – Dallas Fort Worth (Will Rogers Auditorium)
January 29 – Houston (713 Music Hall)
February 2 – Phoenix (Marquee Theatre)
February 4 – Los Angeles (The Pasadena Civic)
February 7 – Puerto Rico (Coca-Cola Music Hall)
February 10 – Mexico City (Pepsi Center WTC)
February 12 – Santiago (Teatro Coliseo)
February 15 – São Paulo (Audio Club)

ONEUS

ONEUS

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Mora’s ‘Paraíso’ Debuts in Top 5 on Latin Albums Chart

Puerto Rican producer Mora notches his third top 10 on Billboard’s Top Latin Albums chart as his third-studio album Paraíso, debuts at No. 4 on the Nov. 19-dated list. The set was released Nov. 3 via Rimas Entertainment.

Paraíso earned 9,000 equivalent album units after its first full tracking week ending Nov. 10, according to Luminate. Most of the set’s opening sum stems from streaming-equivalent album units. That sum equals 12.8 million official on-demand streams of the album’s songs.

On the multimetric Top Latin Albums chart each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album.

The 26-year-old, born Gabriel Mora Quintero, debuts in the top 10 on Top Latin Albums mirroring his predecessor effort Microdosis. His sophomore studio album likewise launched at No. 4 (April 16-dated ranking) and held in the upper region for two weeks within its 34-week period and counting (No. 44 on the current list). Previously, Mora secured a first top 10 through his album debut Primer Día de Clases (No. 7 high in 2021).

Elsewhere, Paraíso arrives at No. 3 on Latin Rhythm Albums, also his third straight top 10 there. Further, it grants Mora his second and highest entry on Billboard 200, debuting at No. 114.

Unlike Mora’s previous efforts, the 14-track set parades through his usual reggaetón mold, yet it also dives into dance-styled and pop-peppered tunes, products of his long stay in Europe (in support of his last project, Microdosis) induced mainly by Ibiza’s “party vibe,” as he’s referred to. The album features an amalgam of artists: De La Ghetto, Quevedo, Danny Ocean, YOVNCHIMI and paopao.

As Paraíso launches, two of its songs debut on the all-metric Hot Latin Songs chart, which blends airplay, streams and digital sales: “Domingo de Bote” at No. 34, and “Modelito,” with YOVNCHIMI, at No. 42.

“Domingo de Bote” leads in streams, with 1.74 million official on-demand streams in the week. Meanwhile, “Modelito” generated 1.49 million in its first week.

On the Global front, “Domingo” debuts at No. 193 on the Billboard Global Excl. U.S. chart. Meanwhile, “Apa,” with Quevedo,” yields a better start, at No. 132, while locks the album’s only entry on the Billboard Global 200 tally, at No. 198.