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Music News

Page: 24

Trending on Billboard

GloRilla has defeated a lawsuit that accused her of stealing a social media personality’s viral catchphrase “all natural, no BBL” for her 2024 song “Never Find.”

The federal copyright case was filed this summer by Natalie Henderson, aka @slimdabodylast on Instagram, who claims she coined the catchphrase referencing “Brazilian butt lift” surgery. Henderson says GloRilla (Gloria Woods) stole the phrase for her lyric “All natural, no BBL/ Mad hoes go to hell” on “Never Find,” a bonus track off her debut album Glorious.

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GloRilla’s lawyers denied any infringement and argued that nobody can copyright a “cliched” expression like “all natural, no BBL.” But it doesn’t look like a court will have to decide these substantive questions; Judge Lance M. Africk dismissed Henderson’s lawsuit on Friday (Nov. 21) based on geographical technicalities.

The suit was brought in Henderson’s home state of Louisiana, but the judge ruled that wasn’t enough to establish jurisdiction over GloRilla, a Georgia resident, or the various label defendants also named in the lawsuit — California-based Universal Music Group and Warner Chappell, Tennessee-based CMG and New York-based BMG.

Henderson tried to argue that jurisdiction was established by GloRilla doing business in New Orleans, including by attending the 2025 Super Bowl and performing at the city’s Smoothie King Center when she opened for Lil Baby’s It’s Only Us tour in 2023 and Megan Thee Stallion’s Hot Girl Summer tour in 2024. But Judge Africk was not convinced.

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“Plaintiff’s claims do not arise out of or result from defendant Woods’s concerts or personal appearances in Louisiana, particularly when plaintiff has not made any allegations that ‘Never Find’ was ever performed in Louisiana,” wrote the judge.

Judge Africk similarly rejected Henderson’s contention that the case could be brought in Louisiana because “Never Find” was distributed in the state. He noted that the song was available worldwide — and also pointed out a major hole in Henderson’s argument.

“Plaintiff relies on her counsel’s purchase of a copy of defendant Woods’s album Glorious on vinyl at a New Orleans record store as evidence that defendants ‘specifically targeted consumers in Louisiana,’” wrote the judge. “However, ‘Never Find’ was not included on the vinyl that plaintiff’s counsel purchased, as it was only released as a bonus track on an exclusive digital version of the album Glorious.”

The lawsuit was dismissed without prejudice, meaning Henderson can attempt to refile the lawsuit in a different state if she so chooses. Her lawyer did not immediately return a request for comment on Friday, and neither did GloRilla’s reps.

This isn’t GloRilla’s first time defeating a copyright infringement lawsuit. Another case, which alleged her hit songs “Tomorrow” and “Tomorrow 2” sampled a decades-old hip-hop track without permission, was also dismissed out of New Orleans federal court last year for jurisdictional reasons.

GloRilla was sued again a year ago alongside Megan Thee Stallion, Cardi B and Soulja Boy for supposedly sampling the 2008 Plies song “Me & My Goons” without clearance on their collaboration “Wanna Be.” That case was voluntarily dropped in March.

Some of the tunes feature the pop superstar, others ended up as vault tracks when she released her Taylor’s Versions.

11/21/2025

Trending on Billboard

Mumford & Sons and Hozier’s “Rubber Band Man” completes a speedy four-week trip to No. 1 on Billboard’s Adult Alternative Airplay chart, rocketing six spots to the top of the Nov. 29-dated list.

The collaboration completes the fastest rise to No. 1 since The Black Keys’ “Beautiful People (Stay High)” took four frames to reign in February 2024.

Hozier earns his quickest coronation, exceeding the five weeks it took for his “Too Sweet” last year and the Mavis Staples-featuring “Nina Cried Power” in 2018. As for Mumford & Sons’ best, “I Will Wait” and “Believe” each needed only three weeks to lead in 2012 and 2015, respectively.

Hozier now boasts eight No. 1s. Mumford & Sons nab their sixth.

Most No. 1s, Adult Alternative Airplay:14, U213, Coldplay11, Dave Matthews (solo and with Dave Matthews Band)11, Jack Johnson9, The Black Keys8, Death Cab for Cutie8, Hozier8, John Mayer8, The Lumineers

“Rubber Band Man” is Hozier’s sixth No. 1 in a row, tying him with U2 for the longest streak in the chart’s nearly 30-year history. His run began in 2023 with “Eat Your Young.” U2 linked its six straight leaders in 2001-05.

Mumford & Sons last topped Adult Alternative Airplay with their Pharrell Williams collaboration “Good People” in April 2024. (In between, they hit Nos. 2 and 3 with “Rushmere” and “Caroline,” respectively.)

Concurrently, “Rubber Band Man” leaps 16-10 on Alternative Airplay, becoming Mumford & Sons’ 12th top 10 and Hozier’s third. On the all-rock-format, audience-based Rock & Alternative Airplay chart, the song holds at its No. 7 best with 3.6 million audience impressions in the week ending Nov. 20, a gain of 7%, according to Luminate.

The track placed at No. 28 on the most recently published, multimetric Hot Rock & Alternative Songs tally (dated Nov. 22, reflecting data Nov. 7-13). In addition to its radio airplay, it drew 1.6 million official U.S. streams and sold 1,000 downloads in that span.

“Rubber Band Man” is the lead single from Prizefighter, Mumford & Sons’ sixth studio album, due Feb. 13, 2026. Their LP Rushmere debuted and peaked at No. 3 on the Top Rock & Alternative Albums chart this April and has earned 98,000 equivalent album units to date.

All Billboard charts dated Nov. 29 will update Tuesday, Nov. 25, on Billboard.com.

Trending on Billboard Foo Fighters earn their 13th No. 1 and second this year on Billboard’s Rock & Alternative Airplay chart, as “Asking for a Friend” leads the survey dated Nov. 29. The song reigns with 5.7 million audience impressions in the week ending Nov. 20, a boost of 6%, according to Luminate. “Asking for […]

Trending on Billboard Good news! This week is closing out with bunches of new music releases, including the long-awaited soundtrack to Wicked: For Good. Arriving one year after the first half of the Wicked music dropped alongside the first movie in November 2024, the Part 2 soundtrack hit streaming services on Friday (Nov. 21) via […]

Trending on Billboard Ice-T was having a little too much fun messing around with AI and had a laugh at putting all of “the Ices” of hip-hop together in one photo. The 67-year-old posted an AI-generated picture featuring himself in a Yankees fitted cap next to Vanilla Ice, Ice Cube and Ice Spice hitting an […]

Trending on Billboard Keep it 100 on the land, the sea, the sky — and the ice. Ahead of the 2026 Winter Olympics, two British skaters shared a mesmerizing routine set to Taylor Swift‘s “The Fate of Ophelia,” proving that showgirls can shine on frozen stages too. In a clip shared by the Olympics’ official […]

This week in dance music: Fred again.. played the first North American set in his 10 shows/10 songs/10 cities run, Dom Dolla told Billboard that “My head’s definitely spinning a bit, but I’m having so much fun along the way,” ahead of the ARIA Awards in Sydney on Nov. 19, where the producer became the […]

Trending on Billboard

Olivia Dean took a couple minutes out of her day on Friday (Nov. 21) to put Ticketmaster, Live Nation and AEG Presents on blast for the resale ticket prices to her 2026 North American tour.

Tickets to Olivia Dean’s The Art of Loving Tour went on sale to the general public on Friday and quickly sold out in minutes.

With some resale prices climbing into the thousands of dollars, the “Man I Need” singer voiced her disgust with Ticketmaster, Live Nation and AEG Presents in an Instagram Story.

“@Ticketmaster @Livenation @AEGPresents you are providing a disgusting service,” she wrote. “The prices at which you’re allowing tickets to be re-sold is vile and completely against our wishes. Live music should be affordable and accessible and we need to find a new way of making that possible. BE BETTER.”

Dean added in a separate IG Story that her team was looking into the matter. “I’m sorry that there seems to be an issue with ticket re-selling and pricing. My team are currently looking into it,” she continued. “It is extremely frustrating as the last thing I want is for anyone to be scammed or overcharged for our show. Please be wary buying tickets in the comment sections as it is most likely a scam.”

Ticketmaster later reshared the singer’s Instagram Story that called out the company, writing on its own account: “We support artists’ ability to set the terms of how their tickets are sold and resold. @oliviadeano, we will cap resale prices on our site at face value and hope other resale sites will follow.”

The ticket company explained in a July blog post how its Face Value Exchange works, and how it tries to give fans the “best chance to buy tickets at the original price set by artists.”

Billboard has reached out to Ticketmaster, Live Nation and AEG Presents for comment.

Olivia Dean’s 2026 tour kicks off in the U.K. and Europe, beginning with Glasgow, Scotland, in April, and wraps June 20 in Dublin. Her U.S. summer trek is slated to kick off in San Francisco on July 10, and she’ll be making stops in Los Angeles, New York City, Atlanta, Toronto, Las Vegas, Boston, Houston and finish up in Austin on Aug. 28. The Art of Loving Tour’s NYC dates include four shows at Madison Square Garden.

Dean had been opening for Sabrina Carpenter on the final leg of the singer’s Short n’ Sweet Tour, and announced her own North American headlining trek earlier in November.

The British pop star has gained significant momentum in recent months, following her Saturday Night Live debut Nov. 15, and her subsequent trip to Australia, where she performed a show in Sydney and at the 2025 ARIA Awards.

Dean currently has four tracks on the Billboard Hot 100, including “Man I Need” sitting at No. 5. The 26-year-old’s The Art of Loving album is also slotted at No. 5 on the Billboard 200 dated Nov. 22.

Trending on Billboard HARDY cracks the top 10 of Billboard’s Country Airplay chart for a fifth time as “Favorite Country Song” surges 12-7 on the list dated Nov. 29, up 17% to 20.5 million in audience Nov. 14-20, according to Luminate. The track, which HARDY cowrote alongside six others, including Nate Smith, reaches the region […]