Music News

Cardi B Offers an Update & Advice on Her Court-Ordered Community Service: ‘Obey the Law’

Cardi B is doing the time. Three days after getting the deadline for her court-ordered community service — assigned to her as part of a plea deal stemming from a 2018 strip club altercation — extended until March 1, the 30-year-old rapper posted a small update on Twitter.

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True to Cardi fashion, the post had an element of fun: The “WAP” musician shared a mirror selfie with one hand on her hip, making a funny faux-stern face at the camera. “Second day of community service……,” she wrote Friday (Jan. 20). “Obey the law.”

With long acrylic nails, a chic pink sweater and Tabi luxury split-toe boots, it certainly doesn’t look like Cardi is heading out to do something like, say, clean up trash from the side of the road. But this is the woman who raps “Bodak Yellow” and “I Like It,” so she very well could be putting in some elbow grease while being effortlessly glam.

Cardi was originally assigned the community service after pleading guilty in September to two misdemeanor charges stemming from a 2018 incident in which she was involved in a physical fight with female bartenders at Angels Strip Club in Queens, New York. The deadline for her to complete the 15 days of service had been Tuesday (Jan. 17), at which point she hadn’t completed a single hour, a spokesperson for the Queens District Attorney told People.

Luckily, she was given a month and a half extension by the Queens County Criminal Court. And based on her tweet, it looks like she’s putting in the work.

“Personally and professionally, Cardi is dedicated to community service and charitable endeavors,” her attorney said in a statement to People after she received the extension. “She therefore appreciates the court giving her until March 1 to complete her community service commitment in Queens, New York.”

See Cardi’s post about community service below:

Miley Cyrus‘ ’Flowers‘ Just Broke Spotify’s One-Week Streaming Record

She can buy her own flowers and set her own records! Miley Cyrus broke the Spotify record for the most-streamed song in a single week on Thursday (Jan. 19) thanks to her latest hit “Flowers.”

After the streamer shared the news on its social channels, the superstar took to her own Instagram Stories and Twitter to react. “Thank you so much @Spotify and my amazing fans,” she wrote, using a red heart emoji to communicate her gratitude for all the support the song has received.

So far, the lead single off the upcoming Endless Summer Vacation has bowed at No. 1 on the ARIA Singles Chart in Australia and No. 2 on the U.K. Official Singles Chart. The song will make its official mark on the Billboard Hot 100 when the coming week’s charts are unveiled on Monday (Jan. 23), though Billboard readers already voted it as their favorite new release last week.

“Flowers” has also received a resounding stamp of approval from none other than Gloria Gaynor. “I’m in Nashville working on new music and just heard, ‘Flowers,’ for the first time @MileyCyrus,” the disco icon tweeted. “Your new song carries the torch of empowerment and encourages everyone to find strength in themselves to persevere and thrive. Well done Miley!”

In addition to flipping Bruno Mars’ 2014 single “If I Was Your Man” on its head, part of the song’s appeal comes from the litany of potential Easter eggs pointing to its narrative being about Cyrus’ relationship with ex-husband Liam Hemsworth, from her choosing to release the track on his 33rd birthday to a reference to the Woolsey Fire that burned down the couple’s Malibu home back in 2019 tucked into the lyrics.

Check out Spotify’s announcement of Miley’s new record and read her sweet reaction:

Selena Gomez Shoots Down The Chainsmokers‘ Drew Taggart Dating Rumors: ’I Like Being Alone Too Much’

You might not want to start workshopping ship name combos for Selena Gomez and Drew Taggart (Drewlena? Gogart?) just yet. A couple days after rumors began to swirl that the Only Murders in the Building star was dating the Chainsmokers musician, Gomez took to her Instagram Stories to set the record straight.

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“I LIKE BEING ALONE TOO MUCH,” she wrote Thursday (Jan. 19), according to Entertainment Tonight. “#iamsingle.” The 30-year-old “Rare” singer had written the message over a black and white hilltop nature landscape, though she reportedly deleted the post quickly after uploading it.

Before Gomez shut it down, speculation over her possible courtship with the “Closer” musician had started making rounds a few days prior, when the pair was spotted bowling together in New York City. Photos of the bowling alley hangout were published on Page Six, which reported that the two had been seen “making out” and interacting with fans.

The dating rumors were ill-timed, however, as they surged just days after Taggart and his Chainsmokers bandmate Alex Pall raised eyebrows with a revelation that they had joined in on threesomes together in the early days of their career. “They were never planned,” Pall recalled of those days on Alex Cooper’s Call Her Daddy podcast.

“It was also the days when we used to have to share hotel rooms,” he continued. “In Europe they have the two beds, they don’t even split them apart … so it’s almost by force that we were forced into these scenarios.”

Though she may not be dating anyone at the moment, it’s not like Gomez doesn’t have anything going on right now — she’s started working on season three of Only Murders and recently teased that her new album is in the works.

Here’s Fall Out Boy’s Plan to Fill Guitarist Joe Trohman’s Slot During His Break: Exclusive

As Fall Out Boy gear up to promote their upcoming eighth studio album, So Much (For) Stardust (March 24), the veteran emo rockers are down one crucial member. Following this week’s announcement that co-founding guitarist Joe Trohman is taking an indefinite hiatus due to mental health issues, the group performed as a power trio.

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During Wednesday night’s Jimmy Kimmel Live! appearance to play the album’s first single, the supercharged “Love From the Other Side,” singer Patrick Stump played electric guitar alongside bassist Pete Wentz and drummer Andy Hurley, with Trohman’s bouncy, high-energy presence noticeably missing; the band has played without Trohman on stage before when the guitarist suffered a back injury. Though no tour dates have been announced yet for the band’s Stardust era, a source close to FOB tells Billboard that there is tentative plan in place to deal with Trohman’s absence.

As of now, the source says that Trohman’s longtime guitar tech will be “filling in and providing support” for any promotional appearances and any yet-to-be-determined future tour dates. In fact, the tech has already appeared with FOB whether you realized it or not, playing some of Trohman’s parts offstage during recent promo gigs.

Trohman plays on the new album but will not participate in promotion around the project. The guitarist has been with the band since its early 2000s formation in the suburbs of Chicago, alongside singer Stump, Wentz and Hurley. In an Instagram post on Wednesday he said, “Without divulging all the details, I must disclose that my mental health has rapidly deteriorated over the past several years. So, to avoid fading away and never returning, I will be taking a break from work which regrettably includes stepping away from Fall Out Boy for a spell.” 

As for whether he plans to return, the 38-year-old guitarist said, “Absolutely, one-hundred percent. In the meantime, I must recover which means putting myself and my mental health first.”

‘Women, Power, Freedom’: Hear a New Electronic Compilation From 12 Iranian Female Producers

Since Iranian uprisings against the country’s oppressive regime began last fall, one silver living is that the music of Iranian artists is being noticed and listened to by a global audience.

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Two of these artists, producers AIDA and Nesa Azadikhah, have curated Woman, Life, Freedom, a 12-song compilation of original electronic music from female Iranian artists released on Friday (Jan. 20) via Apranik Records, founded in 2022 as a response to the protests.

“Woman, Life, Freedom” is the slogan for this movement, which began upon the murder of 22-year-old Iranian woman, Mahsa Amini, by the country’s morality police on Sep. 16, 2022. The global outpouring from around the globe in the wake of these protests have has found its way into all art forms, with music arguably at the forefront.

The Islamic Republic of Iran’s punishment of its people through imprisonment, sentences and executions — including that of high-profile individuals such as rapper Toomaj Salehi — is motivating artists to create. Featuring female Iranian producers TK SarrSew, MENTRIX and Sharona Lico as well as AIDA and Azadikhah, Woman, Life, Freedom ranges in style from electro to breaks to techno, ambient and experimental. The tracks are bold and unapologetic, with topics and inspiration wholly tied to the current situation in Iran.

AIDA and Azadikhah represent the far ends of the Iranian population spectrum. AIDA is an Iranian producer living abroad, with her international perspective and strong roots to her ancestral country both reflected in her music. A DJ/producer who’s equally skilled in playing traditional Iranian instruments, Azadikhah lives in the capital city of Tehran, creating within the confines of a regime which believes in the silencing of women, particularly in song.

“The theme of this collection is power, defiance, and ferocity and can be heard across all of the tracks,” AIDA and Azadikhah share in a statement. “This is the energy with which Iranian women continue to push for freedom. We dream of a future where women and girls can openly and safely practice, grow, and shine within arts, especially electronic music.”

Proceeds from the not-for-profit compilation will benefit charities aimed at helping women who are struggling in Iran. The first of these Iran-based organizations specifically aids women and children recovering from domestic violence, addiction, homelessness and societal distress.

Listen to and purchase Woman, Life, Freedom via Bandcamp.

Vanessa Hudgens Is ‘Crying’ Over a Joke About Austin Butler’s ‘Elvis’ Voice

The mysterious state of Austin Butler‘s voice has been the source of much online speculation lately, and now Vanessa Hudgens is chiming in on the topic.

It all started when an Instagram user named Ryan Scott reposted a Page Six interview with the Elvis star’s voice coach on Thursday (Jan. 19), claiming the deep, gravelly twang the actor has adopted since filming the biopic is “genuine” and may just well be permanent. “He went to the Lady Gaga school of Oscar campaign acting,” Scott quipped.

Hudgens, who dated Butler for nearly a decade from 2011 to 2020, not only noticed the post, but reacted. “Crying,” the High School Musical alum wrote succinctly in the comments section.

Needless to say, fans and followers have pinpointed a noticeable change in Butler’s voice since he wrapped the Baz Luhrmann-helmed film, even digging up old clips from red carpets and other interviews to dissect the differences.

However, Butler’s transformation into Elvis Presley has earned him a flood of critical acclaim and awards show accolades. So far, the actor has raked in the Golden Globe for best performance by an actor in a drama film, as well as nominations for BAFTAs and SAG Awards.

He also addressed the chatter around his voice in the Globes press room after his win, telling the assembled press, “I don’t think I sound like him still. But I guess I must because I hear it a lot. I often liken it to when somebody lives in another country for a long time. I had three years where that was my only focus in life, so I’m sure there’s just pieces of my DNA that will always be linked to him.”

Check out the Instagram post about Butler’s voice and Hudgens’ comment below.

Here’s Why (Sigh) ‘Pee Diddy’ Is Trending

You’ve heard of Diddy, P. Diddy, Puffy and Puff Daddy. Now, get ready for Sean Combs’ newest nickname — no, seriously, get ready, as in, brace yourselves — Pee Diddy.

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Your eyes do not deceive you. The 53-year-old rapper and record producer’s newest nickname is 100% inspired by a very different type of … ahem … No. 1 than what’s found on the Billboard charts. The phrase “Pee Diddy” has been trending atop Twitter since Combs’ girlfriend, City Girls’ Yung Miami, revealed Thursday (Jan. 19) that she enjoys a “golden shower.”

“It say take a shot if you like golden showers — I do,” the 28-year-old “Act Up” rapper said on her REVOLT talk show Caresha Please while playing a drinking game with guest Trina. “It’s fun. You know when you’re drunk … you can pee on me in the shower … it just depends on how the night flowing.”

Though she didn’t name names, it didn’t take long for fans to associate Yung Miami’s … um … appreciation for water sports with Diddy, whom she’s been confirmed to be dating since last summer. It also didn’t take long for a “golden” pun opportunity to occur to the good people on Twitter, which has been absolutely flushed with slightly vulgar posts and memes about “Pee Diddy,” a not-so-subtle twist on P. Diddy.

Watch her full interview below, and see the best tweets about and reactions to “Pee Diddy” below:

First Spin: The Week’s Best New Dance Tracks From Yaeji, Illenium, LP Giobbi, Skrillex & More

This week in dance music: Leading New York dance promoter Teksupport partnered with ArtsDistrict Brooklyn for a 20-show series launching this weekend with sets from Nina Kraviz and Magdalena, Lightning In a Bottle dropped the lineup for its 20th anniversary festival this May in SoCal, Skrillex shared a message on his 35th birthday reflecting on the “toughest year of his life,” movement in the Bassnectar camp seemed to suggest an impending direct-to-fans comeback, Skrillex, Flowdan and Fred again.. unleashed the “Rumble” in the top 10 of Billboard‘s Dance/Electronic Songs chart (the chart on which Elvis and Britney Spears’ “Toxic Las Vegas” also debuted this week), and we got the inside scoop oh how ODESZA scored two of the summer’s biggest headlining slots.

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And guess what. We’ve got more. Let’s dig in.

Yaeji, “For Granted”

To overthink is to get on a mental hamster wheel, simultaneously sprinting and stuck in place. Yaeji shares such a state of mind on her new single, “For Granted.” On the track, she seems to ruminate on her success: “I don’t even know/ Am I saying thank you?/ Am I enjoying it too?/ Am I taking it for granted?” she asks. Her coo-like vocals are hushed and strangely comforting, while the production, initially sparse, slowly builds into an elastic (yet still mellow) beat. After looping the same verse and chorus a few times, she finally reaches a breakthrough — “I stopped the thinking/ Let it rest and I’ll flow” — unleashing a furious wave of drum & bass in a moment of ultimate catharsis. “For Granted” is the lead single from Yaeji’s upcoming album With A Hammer, out April 7 via XL Recordings. — KRYSTAL RODRIGUEZ

Illenium feat. Nina Nesbitt “Luv Me a Little”

Perpetual favorite Illenium continues his reign over the biggest, most epic (and most epically emotional) realm of the dance kingdom, elevating that status today (Jan. 20) with a new power anthem, “Love Me a Little.” Featuring the rich, exquisitely pretty voice of Scottish singer Nina Nesbitt, the song takes it time warming up, starting with a music box feel and then launching off for the heavens with a big drop more than a minute in and lyrics to belt along with throughout. The track is the latest from Illenium’s self-titled album, coming in April, and comes with the announcement of a 33-date North American and European tour — which will see Illenium on the road from late May through the end of the year. — KATIE BAIN

Kaleena Zanders feat. Shift K3y, “Vibration”

Lots of folks have sought inspiration from the buzzsaw synth sound of ‘90s Euro-House anthems, but where so many sound like copies, Kaleena Zanders’ latest single with production from Shift K3y feels like the honest continuation of that powerful vibe. “Vibration” is electrifying and uplifting, the kind of jam you can ugly dance to while cleansing your soul. 

“This might be one of my favorite songs that I’ve ever put out,” Zanders says. “The message of the song is exactly the kind of music I want to put out into the world. I always write from a space of healing. This is love and vibration, but soul and rave AF!”

It’s a big moment for Zanders, whose booming vocals fit perfectly over Shift K3y’s pumping beat. His songs were some of the singer-songwriter’s favorites when she first got into the electronic scene.

“Through the years by way of my good friend AC Slater, I got to know Shift K3y, and he’s one of the most smoothest, tender and talented dudes in the game,” Zanders says. “Making this track in London came effortlessly and natural. The energy in the room was super high with the help of, my now friend, writer/singer/DJ Alex Mills. We had loads of laughs and fun little kid-like moments that made everyone comfortable to create. I’m so freaking happy this song is out! I hope the world loves it too!” – KAT BEIN

Walker & Royce, Just What the World Needs EP

Brooklyn-L.A. duo Walker & Royce are back on their Rules Don’t Apply label with a new EP, and they didn’t come alone. The EP, a two-tracker called Just What the World Needs, features collaborations with Mindchatter and VNSSA (with whom they previously teamed on “Rave Grave” and “Word”). Mindchatter collab “Same Way Down” goes introspective, with Mindchatter’s airy vocals rising from an abyss of swelling, trance-y synths and a rumbling bassline, while the VNSSA-featuring “Outer Space” aims for 3:00 a.m. afters delirium with driving percussion, trippy lazer-like synths dipped in acid and altered, otherworldly vocals. Just What the World Needs arrives a week before Walker & Royce head out on their U.S. tour, hitting Detroit, Queens, San Francisco and more. — K.R.

Jerry Garcia, “The Wheel” (LP Giobbi Remix)

They say that success is a function of opportunity meeting preparation, and we can’t think of a more apt descriptor for Garcia (Remixed), an official edit of Jerry Garcia‘s 1972 debut solo album from lifelong Deadhead LP Giobbi. Taking on classics like “Deal” and “The Wheel,” the producer — along with fellow psychedelic enthusiasts including DJ Tennis and Le Chev — bring Garcia’s already sublime work to a place of true sunshine daydreams, translating Garcia and The Gratefel Dead for house heads and surely bringing some new fans to the family in the process.

“Getting to remix Jerry Garcia’s entire first album is one of the coolest things I will ever be a part of,” LP says. “Being raised by Deadheads, Jerry felt like a part of my family growing up. I’ve known his voice intimately since the womb and to this day his voice is synonymous with home. Getting to sit in the studio and listen to his creations and pull them apart and appreciate every part of them in a new way was beyond a dream come true. I felt so connected to my family, where I came from and where I’m going through this process.” – K. Bain

Sohmi, “Only One”

Close your eyes, take a deep breath, and let the absolutely perfect groove of Sohmi’s “Only One” wash over you like a melodic baptism. The L.A.-based producer/DJ had a massive 2022, and this silky-smooth single released on the artist’s own label, Permission (via Thrive), is a flag in the sand that says Sohmi shall conquer 2023 as well. She also started the year by playing six shows in four cities in one 72-hour period, so perhaps she too needs to sit back, listen to “Only One” and catch some relaxation. This absolutely delicious tune is the second single from Sohmi’s forthcoming EP Recital. Let it soothe your soul with every listen. – K. Bein

Skrillex feat. Bobby Raps, “Leave Me Like This”

Fred again.. may not have a credit on the new Skrillex track, but the fact that he and Skrillex have been spending loads of time together is easily apparent on this one, via the incorporation of Fred’s style of melodic earworm vocals and a general atmosphere of emotional house frenzy. That vibe shifts into full Skrillex gear around the one-minute mark, with a buzzy bass layered over vocals from Minnesota singer Bobby Raps. In a moment of delicious homage, Skrill even samples his own all-time classic “Scary Monsters and Nice Sprites,” with its iconic “OH MY GOD” drop placed into the new song as it moves into its third and most overtly D&B-oriented movement. “Leave Me Like This” is of course the latest in January’s blitz of new Skrillex material, all of which is leading to his first new album in nine years, the release date for which has not yet been announced. — K. Bain

Trippie Redd Surprise Drops New Album ‘Mansion Musik’ With Features From Lil Baby, Future & More: Stream It Now

Surprise! Trippie Redd just dropped a brand new album titled Mansion Musik, on Friday (Jan. 20).

Mansion Musik, according to an official press release regarding the album, is an an ode to Chief Keef’s 2018 Mansion Musick mixtape. Keef had his fair share of involvement on the project and served as Redd’s executive producer for the new studio set, and also features as an artist on tracks “Atlantis” and “Rock Out.”

In addition to the Keef collaborations, Redd’s Mansion Musick is stacked with collaborations. Lil Baby and Future team up with the rapper on “Fully Loaded,” Travis Scott makes an appearance on “Krzy Train” and Juice WRLD makes a posthumous feature on “Knight Crawler.” Other rappers on the project include DaBaby, Lil B, Rich the Kid, Nardo Wick, Kodak Black, G Herbo, Summrs, Rob 49, Ski Mask the Slump God, LUCKI and more. Mansion Musick‘s title track, “Van Helsing,” “Free Rio” and “Killionaire” are the only songs in which Redd is solo.

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Mansion Musik is the follow up to Redd’s 2021 album, Trip at Knight. It peaked at No. 2 following its August 2021 release on the all-genre Billboard 200 chart, where it spent a total of 27 weeks. The project’s singles — “Miss the Rage” featuring Playboy Carti, and “Holy Smokes” featuring Lil Uzi Vert — reached the Billboard Hot 100, charting at Nos. 11 and 50, respectively. “Rage” spent 11 weeks on the tally, while “Smokes” spent three.

Stream Mansion Musik below.

Zach Bryan Ties Record for Most Weeks Spent at No. 1 on Country Songwriters Chart

Zach Bryan spends a 31st total week at No. 1 on Billboard’s Country Songwriters chart (dated Jan. 21), tying Ashley Gorley for the most weeks spent on top since the chart’s launch in 2019.

Bryan, who has ruled for the past 23 consecutive weeks, matches the mark on the strength of five writing credits on Billboard’s Hot Country Songs chart, led by his breakthrough single “Something in the Orange.” The track tallies a third week at No. 1 on Hot Country Songs, as it reaches the top 10 of the Billboard Hot 100, rising 11-10.

Here’s a look at all five of Bryan’s songwriting credits on the latest Hot Country Songs chart, all of which he wrote solo and recorded, and which contribute to his placement on Country Songwriters:

Rank, Title:

  • No. 1, “Something in the Orange”
  • No. 27, “Oklahoma Smoke Show”
  • No. 32, “Burn, Burn, Burn”
  • No. 41, “Sun to Me”
  • No. 45, “The Good I’ll Do”

As Bryan ties Gorley for the most weeks logged at No. 1 on Country Songwriters, here’s an updated look at the artists with the most weeks spent on top:

Most Weeks at No. 1 on Country Songwriters:

  • 31, Zach Bryan
  • 31, Ashley Gorley
  • 18, Blanco Brown
  • 15, Luke Combs
  • 14, Morgan Wallen
  • 13, Taylor Swift
  • 10, Josh Thompson
  • 9, HARDY
  • 8, Josh Jenkins
  • 7, Josh Osborne
  • 5, Laura Veltz

On Billboard’s Country Producers chart, Joey Moi continues his domination as he extends his record-run at No. 1 to 91 weeks. He sports seven production credits on Hot Country Songs, via Morgan Wallen’s “You Proof” (No. 2), “Wasted on You” (No. 5) and “Thought You Should Know” (No. 6); HARDY’s “Wait in the Truck,” featuring Lainey Wilson (No. 11); and Wallen’s “One Thing at a Time” (No. 21), “Tennessee Fan” (No. 26) and “Days That End in Why” (No. 38).

The weekly Country Songwriters and Country Producers charts are based on total points accrued by a songwriter and producer, respectively, for each attributed song that appears on the Hot Country Songs chart. As with Billboard’s yearly recaps, multiple writers or producers split points for each song equally (and the dividing of points will lead to occasional ties on rankings).

The full Country Songwriters and Country Producers charts, in addition to the full genre rankings, can be found on Billboard.com.