Music News

J-Hope Drops Teaser Trailer for ‘J-Hope IN THE BOX’ Documentary

J-Hope unveiled the first look at his upcoming documentary J-Hope IN THE BOX on Thursday.

“The start of this project?” the K-pop idol asks as the 30-second clip starts. “People in the world don’t know what kind of music J-Hope of BTS makes… I come out of the box and I want to welcome the larger world.”

The documentary promises to follow the BTS rapper through the release of his debut solo album Jack in the Box, including his historic, headlining performance at Lollapalooza 2022 last August. All of his BTS bandmates make an appearance in the trailer as well, posing for a photos together as J-Hope’s single “Arson” plays over the scene.

J-Hope IN THE BOX is set to premiere on Weverse and Disney+ around the world on Feb. 17, though ARMY and other fans will be able to start pre-ordering the music film one week earlier on Feb. 10.

Upon its release last summer, the old-school hip-hop-leaning studio set — which was preceded by lead single “More” — landed at No. 5 on Billboard‘s Top Album Sales chart and also scored J-Hope a top 20 hit on the Billboard 200 at No. 17.

At the time, the rapper confessed to NME that he was “a bit worried at first, because the Jack in the Box album contains my story and what I really wanted to do…I’m very grateful and feel motivated. So, for those who supported my music, I want to try many different things with my music, and show them all going forward.”

Since then, he’s performed a medley of Jack in the Box tracks at the 2022 MAMA Awards, appeared on New Year’s Rockin’ Eve to ring in the new year and most recently sat front row with Jimin at Paris Fashion Week.

Watch the teaser for J-Hope’s IN THE BOX documentary below.

Paul van Dyk Announces Genre-Blending VENTURE X Project: Fans ‘Deserve More Than a Top 10 Dance Chart Set Played From a USB Stick’

Paul van Dyk may have made his name as a trance artist, but his interests and skills extend well beyond the genre. Now, he’s demonstrating how far.

With his new VENTURE X project, the German pioneer is eschewing genre purity and simply playing what he thinks sounds best, with an upcoming tour finding van Dyk fusing progressive, trance and techno.

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“I try to stay curious and open-minded about new sounds, artists, and labels – always have,” van Dyk tells Billboard. “Different aspects of music, its genres and colorations of sound have always been part of my sets. With VENTURE X I take this approach even further, the set will be defined by itself.”

These VENTURE X shows launch on February 17 in Toronto, with the tour then hitting New York City, Montreal, Pontiac, Denver, Portland, San Francisco, and Austin. On the road, van Dyk hopes to satisfy audiences “in a way they didn’t know was possible. I do believe electronic music enthusiasts deserve more than a top 10 dance chart set played from a USB stick.”

For the tour, van Dyk’s setup will feature instruments, computers, and sequencers, a set that “enables me to find the right level of energy at any given moment throughout the set, as everything is basically live sequenced and played. And while some fans can get prickly about crossing sounds, he’s got “no worry that genre purists will be alienated, quite the opposite. There’s so much great music out there and my job as a DJ is to introduce it to you. That’s how I see it, at least. Otherwise, I’d feel like a jukebox.”

Indeed, genres hardly matter as van Dyk, who’s been making music for three decades, points out that genre names, sounds, and meanings keep changing anyways. “When I started DJing, all electronic music was called techno…. What was called progressive house some 20 years ago, would probably be called melodic techno these days. There are amazing releases on Drumcode that could easily fit in the trance genre and sometimes what is called techno sounds like chill out to me.”

VENTURE X’s call to arms anthem, itself not falling into one tidy genre-box, is also out today (Jan. 27.) It finds van Dyk collaborating with progressive house duo Weekend Heroes and singer/songwriter Christian Schottstaedt, who together deliver a dark voyage of a track that serves as the project’s thesis statement

“I like the proggy, deeper stuff, but with a tougher approach as you can hear,” van Dyk says. “[Making this music] feels very natural and organic.”

Paul van Dyk

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Rihanna Is ‘Pre-Gaming’ the Super Bowl in Sporty Savage X Fenty Collection

We’re less than three weeks away from the highly anticipated Rihanna concert, a.k.a the Super Bowl LVII halftime show, and the “Love on the Brain” singer is getting fans hyped for her upcoming performance on Friday (Jan. 27) with a new teaser video.

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In the clip shared to Twitter, RiRi strikes a number of poses in an oversized jersey and sweatpants from her new “Game Day” Savage X Fenty collection. “Pre gaming in @SavageXFenty,” she captioned the post.

The sporty Savage X Fenty drop features 17 styles, from hoodies to boxers, sweatpants, two-tone varsity jerseys, beanies, bandanas and tube tops, with sizes ranging from XXS to 4X. There’s also a white graphic tee with the important message: “Rihanna Concert Interrupted by a Football Game, Weird But Whatever.”

The newly rebranded Apple Music Super Bowl Halftime Show, which is being produced by DPS with Roc Nation, will take place on Feb. 12 in Glendale, Arizona.

According to WWD, the singer will also launch a three-day “Game Day” pop-up shop in Los Angeles from Jan. 27-29 where customers will be able to shop the entire collection in a football-themed store. As is customary, new mom Rihanna is keeping details of her halftime extravaganza under tight wraps, telling ET in Nov., “I can’t believe I even said yes. It was one of those things that even when I announced it, I was like, ‘OK, I can’t take it back. Now, it’s like final.’ The Super Bowl is one of the biggest stages in the world, it’s an entertainer’s dream to be on a stage like that,” she added. “But it’s nerve-racking. You want to get it right. You know, everybody’s watching. And they’re rooting for you. And I want to get it right.”

Mariah Carey Can’t Get Enough of ‘Lambs Serving Justice’ for ‘It’s a Wrap’ With TikTok Challenge

Let her take a breath and regain her composure. Mariah Carey is feeling the love after seeing the flood of reactions to her “It’s a Wrap” challenge from the Lambily.

The Elusive Chanteuse initially launched the TikTok challenge on Jan. 15 by lip-syncing her way through a sped-up version of the Memoirs of an Imperfect Angel fan favorite while flanked by a bevy of backup dancers in the snow, inspiring Lambs across the globe to join in on the fun.

“Battery about to die.. just watched hundreds of videos of IT’S A WRAP ON TIKTOK!!! I can’t even know what to say!!!” she tweeted Thursday in reaction to the outpouring, later adding, “”Lambs serving justice..it’s a WRAP!” while retweeting one fan’s recreation of her lip sync.

One fan page in particular tweeted that after the challenge, “It’s a Wrap” notched its “biggest update ever on Spotify yesterday, gaining a massive 243 THOUSAND streams.” While Mimi originally included the kiss-off on her 12th studio album in 2009, she later collaborated with Mary J. Blige on a duet version of the song, which appeared as a bonus track on the deluxe version of 2014’s Me. I Am Mariah…The Elusive Chanteuse.

The living legend’s revisiting of “It’s a Wrap” comes on the heels of yet another iconic Christmas season, which saw “All I Want for Christmas Is You” return to No. 1 on the Hot 100 for the fourth year in a row.

Next up, Carey is set to headline the 2023 edition of Lovers & Friends in Las Vegas along with Missy Elliott, Pitbull, Usher, Christina Aguilera and more.

Check out Mariah’s original “It’s a Wrap” challenge as well as some of her best reactions to the Lambs below.

Kelly Clarkson ‘Finally’ Covers This CeCe Peniston Hit

Kelly Clarkson turned her Kelly Clarkson Show into a club on Friday (Jan. 27), delivering the ultimate dance floor hit for her popular Kellyoke segment.

Backed by her My Band Y’all, the OG American Idol winner performed and upbeat cover of CeCe Peniston‘s “Finally,” flawlessly executing all the runs and high notes while rocking a paisley printed dress and cozy brown cardigan.

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The track, released in September 1991 as Peniston’s debut single from her 1992 album of the same name, peaked at No. 5 on the Billboard Hot 100 songs chart, and remained on the tally for a total of 33 weeks. Meanwhile, over on the Dance Club Songs chart, “Finally” hit No. 1 for two weeks in October 1991.

Clarkson’s daily mini-performances have become so popular since The Kelly Clarkson Show first began in 2019, she released an EP featuring recordings of six Kellyoke-ified songs over the summer. Her standout cover of Whitney Houston’s “Queen of the Night” was one of them, along with Billie Eilish’s “Happier Than Ever,” The Weeknd’s “Call Out My Name” and more.

Watch Kelly Clarkson’s cover of CeCe Peniston’s “Finally” below.

Paramore Earns Its First Alternative Airplay Chart No. 1 With ‘This Is Why’

After more than 15 years of appearing on the Billboard rock radio charts, Paramore is No. 1 for the first time.

“This Is Why,” the lead single from the band’s upcoming album, lifts to the top of the Alternative Airplay list dated Feb. 4.

Paramore claims its second radio No. 1 overall, following the three-week reign of “Ain’t It Fun” on Adult Pop Airplay in 2014.

Paramore first ranked on Alternative Airplay in 2007 with “Misery Business,” which peaked at No. 3 that October. It stood as the band’s top-charting song on the survey for over 15 years until “Why.”

In between “Misery” and “Why,” Paramore charted 10 titles. In all, the trio boasts six top 10s, with those two tracks sandwiching “Crushcrushcrush” (No. 4, 2008), “Decode” (No. 5, 2009), “Ignorance” (No. 7, 2009) and “Brick by Boring Brick” (No. 9, 2010).

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Paramore’s 15-year, six-month and one-week streak from its first Alternative Airplay appearance to its first No. 1 is the lengthiest since Stone Temple Pilots went a record 17 years and two weeks between “Plush” in 1993 and “Between the Lines” in 2010.

Concurrently, “Why” remains at No. 11, after reaching No. 9 in January on Adult Alternative Airplay, having become the band’s first entry on the tally.

On the all-rock-format, audience-based Rock & Alternative Airplay chart, the song rises 5-4 with 3.6 million audience impressions, up 7%, according to Luminate. It rose to No. 3 in early January.

Elsewhere, “Why” has hit No. 15 on the multi-metric Hot Rock & Alternative Songs chart. It placed at No. 39 on the Jan. 28-dated list with 1 million official U.S. streams, in addition to its airplay, Jan. 13-19.

This Is Why, Paramore’s sixth studio album, is due Feb. 10.

Sam Smith, Rosalia, The Kid LAROI & More: What’s Your Favorite New Music of the Week? Vote!

Happy new music Friday! This week’s round up of fresh tunes includes material from Sam Smith, one of 2022’s biggest hitmakers; Rosalía, a formidable force in the Latin pop space; and The Kid LAROI, who previously dominated the Billboard Hot 100 with a global smash.

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Smith’s highly anticipated album Gloria is led by the sizzling No. 1 single “Unholy” featuring Kim Petras, which served as a window into Smith’s newfound voice. At the core of every track on the record is Smith embracing their newfound freedom, as seen in the sexually liberated anthem “I’m Not Here to Make Friends” and more vulnerable, confessional songs such as “Perfect.”

Latin pop star Rosalía switched things up with the release of “LLYM.” The Max Martin-assisted track sees the “Despechá” singer trading her native Spanish for English; she sings in a luscious falsetto and explores how disingenuous fake affection can be, and yet, craves it anyway. “I don’t need honesty/ Baby, lie like you love me, lie like you love me,” Rosalía pleads on the track.

After releasing introductory single “Can’t Go Back to the Way It Was” for his debut studio album, The Kid LAROI came back on Friday with the release of “Love Again.” Instead of a larger than life single, LAROI follows in the footsteps of his own breakthrough hit “Without You,” making himself vulnerable while pondering resolution in a relationship.

Chlöe, Zach Bryan and Lil Yachty also return with offers. With so many options, we want to know: Which release was your favorite? Vote in our poll below.

Nick Cannon Shows Off TikTok Dances With Dem Babies

Daddy duty. Nick Cannon hopped on TikTok recently to dance it out with his two oldest kids, Monroe and Moroccan.

In one clip, the host of The Masked Singer bounces around in Dem Babies’ playroom to a sped up version of Chris Brown‘s 2005 debut single “Run It!” as his twins with ex-wife Mariah Carey dance alongside him — that is, until he accidentally knocks both over with a well-placed booty bump. “Blooper,” he captioned the video, using a laughing emoji and the hashtags “#fyp #funny #blooper #fail.”

In a second video, Monroe lip-synchs and dances to The Starrkeisha Cheer Squad’s “Petty song” as text on the screen reads, “You act just like your dad.” As she struts off the screen, Cannon appears, showing off his moves. “We petty!” he captioned the video with a laughing-crying emoji.

The singer-actor closed out 2022 by welcoming his 12th child, daughter Halo Marie Cannon. The baby girl was his second with model Alyssa Scott following son Zen, who died in late 2021 at five months after battle with brain cancer.

Throughout the second half of the year, Cannon also added Legendary Love with Bre Tiesi, Onyx Ice with LaNisha Cole, Rise Messiah with Brittany Bell and Beautiful Zeppelin with DJ Abby De La Rosa to his ever-growing brood. When asked by Andy Cohen about whether a vasectomy was in his future during CNN’s “New Year’s Eve Live” special, the TV personality laughed off the possibility and joked, “My body, my choice!”

While Roc and Roe continue to gain half-siblings by the near-dozen, they kept busy during December by taking part in Carey’s series of “Merry Christmas to All!” holiday concerts in Toronto and New York City, as well as her CBS special. Monroe even took to the stage to duet with her mom on “Away in a Manger” for the shows.

Watch Cannon’s cute TikTok videos with Dem Babies below.

The National’s Bryce Dessner Opens Up About Collaborating With Taylor Swift: ‘We’re All Big Fans’

The National is gearing up to release their ninth studio album, First Two Pages of Frankenstein on April 28, and the band’s Bryce Dessner sat down with Hanuman Welch for ALT CTRL Radio on Apple Music 1 this week to discuss the project.

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Most notably, Taylor Swift is featured on The National’s “Alcott,” which will be included on the forthcoming album. The National previously worked with Swift on Evermore‘s “Coney Island,” and Bryce’s brother Aaron Dessner frequently collaborates with the 11-time Grammy winner. “We’re all big fans of Taylor, and she’s been really generous with us, inviting us to be part of ‘Coney Island,’” Bryce shared. “And obviously my brother’s worked with her a lot, and I’ve done a bunch of orchestration for her albums.”

He continued, “‘Alcott’ is a song that she co-wrote with Matt [Berninger], where she co-wrote the lyrics. It’s really amazing to hear her, the way she was able to take what Matt had done and then reinvent the song, and it’s really a special song.”

As for the inspiration behind The National’s literary album title, Bryce explained that Berninger came up with the name, after the frontman went through a pause in creativity. “I think he was just blocked about what he wanted to sing about, lyrics weren’t coming,” he shared. “And typically in the past, he’ll pick up favorite books, and so apparently he picked up Frankenstein, the [Mary] Shelley book — people know the film and some people don’t realize it’s based on a book — and that helped him get out of his, somehow opened a door for him. I’m not sure why, maybe thinking about monsters or something. But, it helped open the flood gates and in the later stages of the album, he started writing really quickly.”

Listen to the full interview on-demand on Apple Music here.

There’s Now an Electronic Remix Package of Iranian Protest Anthem ‘Baraye’

On Feb. 4, the evening prior to the 65th Grammy Awards, the Recording Academy will award its first-ever award for song for social change at the Special Merit Awards Ceremony. The frontrunner to receive this award is considered to be “Baraye,” a Farsi language protest song by 25-year-old Iranian musician Shervin Hajipour that received a reported 95,000 of the 115,000 submissions for this category.

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Hajipour wrote “Baraye” using words from internet posts Iranians wrote about the uprisings in that country in the wake of the murder of 22-year-old Mahsa Amini at the hands of Iran’s morality police. (The crime was her purported lack of appropriate head covering.) Posted on Sep. 28, less than two weeks after Amini’s death, it quickly went viral, becoming the anthem for the global protest movement sparked by her death. Hajipour, who lives in Iran, was arrested by the Islamic regime the day after posting the song. He was released on bail the following week and is currently awaiting trial.

“Baraye” has been covered by numerous artists, including a rendition in English by Iranian singer Rana Mansour and another from Coldplay, who performed “Baraye” at a November stadium show in Argentina, with accompaniment by Iranian actor Golshifteh Farahani. Designer Jean Paul Gaultier used it to soundtrack his runway show at Paris Fashion Week earlier this month.

Today (Jan. 27) Iranian-German DJ/producer Human Rias is taking “Baraye” a step further with a six-track remix package. This project, Baraye the Remixes for the People of Iran is the inaugural release on his newly minted 7Rituals label. Proceeds from the project will go to a foundation benefitting Iranians.

The first of these remixes is done by Rias himself and taps into his instinct for dancefloor heat via precise drum work and a percolating trance rhythm. He slots Hajipour’s heart-wrenching words neatly into his rework, retaining all the sorrow and hope of the original vocal, bolstering it with uplifting atmospherics and occasional effects-treated snippets of Hajipour voice. Listen to this remix below.

Subsequent remixes from the project will be released every Friday. A stunning version from Berlin titan Jan Blomqvist drops on Feb. 3, followed by Hamburg-based duo ANDATA (who are also partners in the project’s associated merchandise through Customised Culture), PEGAH, American producer RSRRCT, and ending with Berlin-based pair Victor Ruiz & Tao Andra on Mar. 3. As there is no official studio recording of “Baraye,” and therefore no stems available, remixers worked with what was available online, altogether delivering a powerful package that expands the song’s reach into the global electronic scene.

Rias’ idea for the package was sparked when Blomqvist posted his version of the song to Instagram last November. “The idea is to help put Iran and [its people’s] suffering into the public eye, to ensure that the world is exposed to what is happening,” Rias says of the project. “What better [way] to do this than [by using] my resources the best way I know how, through our global electronic music platform?”

Berlin-based artist PEGAH was also a huge part of the inspiration for the remix package. Rias explains: “She approached me at one of my parties in Munich, where I could truly see her passion and her hurt as a fellow Iranian, and it was clear it was important to have her involved as well.”

“I didn’t really choose the remixers based on who they are — but rather their sound, and music that I personally love,” he continues. “Having more artists on this means we have more diversity, and that’s important to expand across genres. I hope everyone finds a remix that works for their sets, enabling more of our colleagues to play this song.”

Like all Iranians and their supporters, Rias awaits the announcement of the Special Merit Award with bated breath. “In a way, it makes Iran be seen again by the West, which has led to a massive surge in global support,” he says. “That brings me to tears, and also leaves me speechless that the rest of the world has united to support.”