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Martin Garrix’s AREA21 Live Project to Release Full-Length Performance Film: See an Exclusive Preview

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Beyond being a globally beloved dance music producer, Martin Garrix can also really shred on the guitar. It’s a skill the Dutch artist been putting to work with AREA21, his live project alongside Detroit-born rapper-singer-producer Maejor.

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Now the citizens of Earth can experience more from the group via the upcoming debut of Live on Planet Earth. This performance film from AREA21 will feature Garrix and Maejor playing with a full band on elevated scaffolding ensconced by dazzling pyrotechnics. Live on Planet Earth will expand the AREA21 backstory, exploring the duo’s journey to Earth and adjacent alien themes. (And yes, they perform in space suits.)

This 46-minute show is premiering April 5 on Hulu in the United States, Star+ in Latin America and Disney+ under the Star banner in all other territories.

‘’We’ve always been dreaming of having AREA21 on stage with a band,” Garrix said in a press release. “The music on the album has been made with a lot of live instruments like real bass, real drums, so it’s amazing to be able to put that into a full live performance now.’’

“This is the beginning of an evolution of the music and sounds of AREA21,” added Maejor. “It’s a great opportunity to show different sides of the project and introduce people to things they haven’t seen from us yet.”

The film will come alongside the Live on Planet Earth album, released on all streaming platforms in tandem with the premiere and featuring the music heard in the performance. The projects follow AREA21’s 2021 debut album Greatest Hits Vol. 1.

Elsewhere in the Garrix universe, the producer will play Ultra Music Festival in Miami this weekend and continue his Las Vegas residency at Omnia and Wet Republic through the summer, in addition to other global dates.

Watch Billboard‘s exclusive preview of Live on Planet Earth below:

Here’s Your First Look at Jason Isbell’s HBO Documentary ‘Running With Our Eyes Closed’

In the HBO Original documentary Jason Isbell: Running With Our Eyes Closed, the multiple Grammy-winning artist strips down the recording process, but also reveals struggles outside of the studio. 

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“When I have a hard day I can’t just go home and have a drink. There’s no escape for me,” says Isbell, who has been sober for a decade, in this first look at the film’s trailer.

The film, directed by Sam Jones, largely chronicles Isbell recording his 2020 album Reunions with his band, The 400 Unit,  and takes its name from a song on the critically acclaimed set. The documentary, which debuts on HBO and streamer HBO Max on April 7, also shows Isbell, like many of us, figuring out how to navigate demons the pandemic lockdown conjures up.

Also weighing in is Isbell’s wife and frequent collaborator Amanda Shires, an acclaimed artist in her own right. “Most people don’t go to work with their wife,” states Isbell, as Shires gives him feedback on how to approach some of his material and he pushes back. “You’re fighting with all these voices inside your head,” she declares.

He also examines the creative process and, as he notes, “Once you write a song, your mind isn’t focused on creating, your mind is focused on re-creating. You can only create something once and if the tape’s not rolling, you’re just sh– out of luck.”

While focusing on the making of Reunions, the documentary also examines Isbell’s childhood in rural Alabama and his years with the Drive-By Truckers. In addition to Isbell and Shires, the film includes interviews with musicians Chad Gamble, Sadler Vaden, Jimbo Hart, Derry DeBorja and Patterson Hood; producer Dave Cobb; and manager Traci Thomas.

Jason Isbell

Courtesy of HBO Max

HBO Documentary Films made Running in association with Ringer Films, Duplass Brothers Productions and Beware Doll / GraySky. It is the latest installment of the Bill Simmons-created Music Box series, which focuses on pivotal moments in music.

The documentary’s release comes as Isbell and The 400 Unit prepare to release their latest album, Weathervanes, on June 9 via Southeastern Records/Thirty Tigers

Niall Horan Gets Serious Goosebumps Over Katie Beth Forakis’ Haunting Justin Bieber Cover on ‘The Voice’

It was fitting that during Tuesday night’s (March 21) final round of season 23 blind auditions on The Voice Katie Beth Forakis sent chills through the studio with her haunting cover of Justin Bieber‘s “Ghost.” The final single from JB’s 2021 Justice album was center stage as the Tennessee grad student performed a bare bones rendition of the synth pop single that ended up drawing two chair turns.

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“Youngblood thinks there’s always tomorrow,” Forakis crooned in a silvery falsetto as first-time judge Niall Horan said, “Ohh, I like that.” As she continued, Horan continued to get lost in the spare piano arrangement and Forakis’ gentle vibe as he ooh’d and aah’d his way through the performance.

But it was Kelly Clarkson who smashed the button 45 seconds in, followed quickly by Horan. Soon-to-depart judge Blake Shelton kept his powder dry and flashed a quizzical look at the camera while fellow first-timer Chance the Rapper closed his eyes and seemed lost in the moment, but not lost enough to turn around.

When Forakis, 25, hit a run of feathery “ooh-ooh-ooh”s Clarkson seemed convinced her turn was warranted, saying, “Wow. It’s like an angel!” Horan was equally shook, shivering and murmuring, “oh my God!” and rubbing his arms to show off his goosebumps as Clarkson delivered a final verdict: “that was pretty.”

Forakis teared up after the final note, as Horan told her, “I honestly didn’t even know I could have hairs on my cheeks,” alluding to his apparent full-body shivers. Niall told her that as soon as Forakis opened her mouth he thought, “all right, great song choice.” And though he expected her to follow Bieber’s lead and “go off and take it to a bigger place,” she kept it at a low boil that appealed to him.

“There’s nothing sweeter than when someone comes in and plays a piano version of what is a massive pop song and completely controls their falsetto for effectively 90 seconds,” he said. Dubbing her rendition “fairy tale stuff,” Niall told Forakis he had one spot left on his first-ever team, then offered her a slot. Chance complimented Forakis’ floor-length orange wrap dress, but noted that his team was full while complimenting her vocals.

Clarkson, who also had a spot to fill, told Forakis she did exactly what the talk show host singer loves to do on her daily Kellyoke segments by taking a song people know and doing it differently, while praising Beth’s “heartfelt” tone.

Watch Forakis on The Voice below and find out whose team she ended up on.

Ana Bárbara Becomes First Regional Mexican Songwriter to Receive Icon Award at 2023 BMI Latin Awards

It was a night of firsts at the BMI Latin Awards, which took place March 21 at the Beverly Wilshire Hotel in Los Angeles.

Mexico’s Ana Bárbara, the dynamic singer known as the Grupera Queen, became the first regional Mexican songwriter to ever receive a BMI Icon Award.

And Edgar Barrera, the prolific songwriter who seamlessly navigates between genres, was given the first ever Impact award for his remarkable presence and influence across the charts of many genres.

The evening — hosted by BMI President/CEO Mike O’Neill and BMI Vice President, Creative, Latin Jesus Gonzalez — was also evening of encores. Tainy won the contemporary songwriter of the year award for the second year in a row, and Horacio Palencia also repeated his regional Mexican songwriter of the year award, this time tying with Edgar Barrera. Sony Music Publishing, home to Tainy and Barrera, took home the contemporary Latin publisher of the year award, marking the seventh time in 10 years that it does so.

Universal Music Publishing Group won Regional Mexican publisher of the year, and the smash “Pepas” — performed by Farruko and written by Víctor Cardenas VIIC, IAMCHINO, Axel Quezada “Ghetto” and Keriel K4G Quiróz — was named contemporary Latin song of the year. “Jugaste y Sufrí” by Daniel Balderrama Espinoza won the Regional Mexican song of the year.

But the belle of the ball was undoubtedly Bárbara. The Mexican singer, resplendent in a shimmering dress with a pink feathered skirt, delivered a set of her own compositions, backed by a her band and ending with “Lo Busqué,” during which she accompanied herself on guitar. The performance was a reminder of just how prolific Bárbara has been in her 30-year career, placing 16 hits on Billboard’s Hot Latin Songs chart and 14 on the Regional Mexican Airplay chart.

“Songwriting was something I didn’t always speak about,” Bárbara told Billboard earlier. “I was always shy about my songwriting, from the time I wrote [her first major hit] ‘Quise Olvidar,’ because composing wasn’t common among women. Now, I believe in all my songs, and I believe they’re all for me.”

Her inspirations, said Bárbara, were the greats of Mexican music, including José Alfredo Jiménez; Joan Sebastian and Marco Antonio Solís, who both mentored her; and Ana Gabriel, also a singer and composer.

Now, Gabriel is also inspiring a new generation, as evidenced by the opening number of the night, a tribute to her music performed by young Mexican singers Adriana Ríos, Alisun Solís, Angélica Gallegos and Lupita Infante.

Ed Sheeran Has 5 More Albums Planned, Including a ‘Perfect’ Posthumous One He’s Already Working On

Some people make afterparty plans, Ed Sheeran makes after life ones. The singer told Rolling Stone that he’s already begun working on his final album. Though his upcoming May 5 release (Subtract) will square the circle on his cycle of five mathematically themed studio albums, Sheeran said he’s sketched out his next five releases, as well as a posthumous collection that will be constantly updated during his life.

Sheeran, 32, told RS, “I want to slowly make this album that is quote-unquote ‘perfect’ for the rest of my life, adding songs here and there. And just have it in my will that after I die, it comes out.”

The singer also revealed that while working with his pal Taylor Swift’s recent collaborator The National’s Aaron Dessner on Subtract, the duo produced enough material for another album. After picking 14 tracks for the final maths album, Sheeran said he pulled three others that felt “too joyous” after realizing they felt like the start of a different musical journey.

“It was very quickly seen that we were making two different things,” Sheeran said, adding that he and Dessner then wrote an entire second album together that the in-demand producer is mixing right now. At press time no release date, or title, has been announced yet for that collection, with Sheeran explaining, “I have no goals for the record. I just want to put it out.”

Sheeran will, however, pull the curtain back on his journey to stardom, personal life and musical inspiration in the upcoming Disney+ docuseries Ed Sheeran: The Sum of It All. The four-part series due out globally on May 3 is described as the story of “how an unlikely child with a stutter rose to fame to become one of the biggest global music superstars and how his chart-topping hits were born.”

The Disney+ original series will feature exclusive content from Sheeran’s personal archive, interviews with his loved ones and intimate performances. “I’ve always been very guarded in my personal and private life; the only documentary I’ve ever made has been one that focused on my songwriting,” Sheeran said in a press release. “Disney approached me to make a four-part documentary, and it felt like the right time to open the door and let people in. I hope people enjoy it.”

Sheeran’s will drop his new single, “Eyes Closed” on Friday (March 24), which RS described as being built “around a pinging pizzicato riff that builds to an octave-jumping chorus as big as anything in Sheeran’s catalog.” The magazine quoted lyrics including, “I’m dancing with my eyes closed/ ’Cause everywhere I look I still see you… I pictured this month a little bit different/ No one is ever ready.”

Tekashi 6ix9ine Hospitalized After Attack in Gym Sauna in Florida

Controversial rapper Tekashi 6ix9ine was reportedly hospitalized on Tuesday (March 21) after an alleged attack inside a South Florida gym. According to WPTV, an attorney for the 26-year-old “Stoopid” MC born Daniel Hernandez said he was beaten up in a gym sauna by “three or four thugs.”

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Lawyer Lance Lazzaro told the station that Hernandez suffered cuts to his face and bruises in the incident. “Employees heard the disturbance and the perpetrators fled,” Lazzaro said. “Police in South Florida were called and he [Hernandez] was transported via ambulance to a local hospital.”

At press time it was unclear what injuries Hernandez sustained and if he was still hospitalized. TMZ posted video of the alleged attack, in which an unidentified man can be seen punching and kicking Hernandez as the rapper struggles to evade the blows on the floor of what looks like a bathroom. Lazzaro told TMZ several men began attacking Hernandez — who did not have any security with him — without warning, with police and EMS responding to the scene before transporting the rapper to an undisclosed hospital.

The site posted pictures of Hernandez’s swollen, bloodied face and reported that he also suffered injuries to his back, ribs and jaw. At press time Lazarro could not be reached for comment on the incident. In the video, a bald man can be heard saying, “take a picture, I’m gonna be famous now,” as he grabs Hernandez by the hair while another man kicks him.

The unidentified person filming the video assures Hernandez “I’m a fan, homie,” as the rapper, his face dripping blood, exits the bathroom saying, “ya’ll jumped me, man.”

Speaking to TMZ, Lazarro said he is working on getting his client some protection given the rapper’s legal history; Hernandez was granted early release from federal prison in April 2020 following his arrest and sentencing to two years behind bars a year earlier on 9 charges, including drug trafficking, racketeering and firearms offenses tied to his involvement with the Nine Trey Bloods street gang. The rapper’s sentence was shortened after he cooperated with the feds in their cases against his former associates.

An Australian Senator Wore a Tame Impala Shirt In Parliament House

Tame Impala got an unexpected shout-out when senator David Pocock wore a branded band tee for an impromptu interview in Parliament House.

Pocock, a former captain of the Wallabies, Australia’s national men’s rugby union team, spoke to media in Canberra’s halls of power, fronting the scrum in a black, Tame Impala number.

Politics is no ordinary contact sport. When footage went wide of the independent senator rocking the Western Australian psychedelic-pop act, criticism rained down from the right-wing Sky News, the domestic affiliate of Fox News, which blasted Pocock for not wearing a “collared shirt.”

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“I’d come straight from an early morning game of tennis to celebrate 100 years of Tennis ACT and agreed to do a door stop (not a prearranged interview) in the hallway on the way out of the Press Gallery after a morning radio interview,” was Pocock’s response. “Great to see the big issues being reported,” he fired back.

Pocock is something of a renaissance man. Born in Zimbabwe, he represented Australia at the highest level of rugby, with 83 Tests to his name, and is a three-time nominee for world player of the year. He holds a Master of Sustainable Agriculture from Charles Sturt University, and campaigned for conservationism and social justice when he chose to retire from professional sports. He went on to run a successful campaign in 2022 for one of the Australian Capital Territory’s two Senate seats, and is now considered one of the most powerful people of Australia’s federal parliament.

Tame Impala frontman Kevin Parker got a feel for life as an elite rugby player when, in recent weeks, he fractured his hip. To correct the injury, the production whizz underwent surgery to have screws and rods inserted into his femur, the strongest bone in the body.

In better news for Parker, his band Tame Impala released “Wings of Time,” on March 10, a soundtrack to Dungeons & Dragons: Honor Among Thieves, and he collaborated with Gorillaz on “New Gold,” which appears on Cracker Island, a recent No. 1 on the Official U.K. Albums Chart.

NCT DREAM Talk U.S. Tour, New Music & Why ‘Everything Comes With Timing’ for ‘7DREAM’

When NCT DREAM made their live Stateside return last August as one of KCON’s most anticipated performers, a quiet moment when youngest member Jisung sang just two words from the boy band’s debut single “Chewing Gum” saw the Crypto.com Arena audience erupting into shrieks. It was a quick-but-telling indication of the local interest in the young boy band that made its Billboard 200 debut last year without a proper label deal.

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While last summer’s festival appearance only included five of the seven NCT DREAM members, the entire DREAM crew is now gearing up for a proper visit to America.

On Tuesday (March 21), NCT DREAM dropped the English version of their nostalgic hip-hop single “Beatbox” before heading out on another string of dates in The Dream Show2: In a Dream world tour that includes seven arena shows in April. While many K-pop acts quickly make their way to the U.S. for concerts and opportunities — including NCT counterparts NCT 127, who began promoting in the States heavily after one year together — NCT DREAM is playing across the U.S. more than six and a half years after their debut. While it may have felt like a long wait, the band says the timing for the next step of their “journey” was important and they’re considering all aspects to make the next legs of the world tour special.

NCT DREAM’s Mark, Haechan, Renjun, Jeno, Chenle, Jaemin and Jisung tell Billboard that their newest English song not only was a present for the overseas fans they’re visiting, but also delivered a fresh musical experience for the band too. As the septet hint that more English tracks are on the way, and add they are “actively participating” in their forthcoming studio album due later this year, the focus right now is showcasing the onstage synergy of these seven — or “7DREAM,” as they call themselves.

Read more from the 7DREAM guys, including thoughts on their latest music, touring aspirations, messages for NCTzen fans, and what’s next for NCT DREAM.

Congratulations on the recent news of your growing world tour and English single “Beatbox.” You debuted in 2016; why is now the right time to focus some of your time on the west? 

MARK: Everything comes with timing. This year, we are touring on a scale like never before and felt it’d be good to release an English single since we’re meeting fans around the world. We can’t wait to further continue our journey with all of our fans. 

How was the experience of recording this new version of “Beatbox”? Is this indicating more English music from NCT DREAM? 

RENJUN: It felt like we were recording a new song when working on the English version of “Beatbox” so it was quite fun. I tried to record in a way that’d suit the vibe of the track, and I believe this version shows NCT DREAM’s own colors well so I hope everyone enjoys!  

HAECHAN: It’s been a year since we worked on this track again so I feel like we did better with recording this round. The demo track was actually in English; the vibe we first got when listening to it combined really well with NCT DREAM’s to give this version its own sense of uniqueness. And I hope people will look forward to hearing more of NCT DREAM’s English tracks!  

What should fans expect from the U.S. leg of the The Dream Show2? Will you prepare special stages, or do you want to keep the current show intact? 

JENO: This U.S. tour will be a chance for fans to learn more about NCT DREAM. We are also working hard to make sure that our shows are a place of interaction with our fans. We’ve only performed in the U.S. twice before, so it’ll be exciting to get to see different locations, stay longer and meet more of our international fans. 

JAEMIN: I hope fans are excited for not only the “Beatbox” English version but all the stages we’ve prepared! Lots of work went into preparing to finally meet our U.S. NCTzens—we hope they are equally as excited to see NCT DREAM. 

This is your first time performing your own concerts in America and you’re playing arenas. Is anyone surprised by the demand for NCT DREAM in the States?

CHENLE: It’s mind-blowing to see so many people show their love and support, and I cannot express enough how thankful we are.  

JISUNG: This is the first time after the pandemic that we’re going to the U.S. as “7DREAM,” so it hasn’t quite hit us yet but I’m sure the moment we see our fans up close, it’ll sink in. 

MARK and HAECHAN, you’ve had some experience with NCT 127 promoting across the U.S. Did you share any advice with the other members?

MARK: The only advice I told them was how hard we’re going to work. [Laughs] Despite my experience with NCT 127, promoting for NCT DREAM is a new beginning and experience for all the seven of us. The only thing I had to discuss with our members was to be ready to work extra hard, and to try our best to interact with our fans as much as we can. 

HAECHAN: I just hope everyone enjoys the moment. It’s our first time in the U.S. as 7DREAM and I’m sure people are excited as well, but it’s important that we enjoy it ourselves so that we can create those memories for our fans.  

Anything you’re particularly excited about seeing during the tour?

JENO: I’m most excited to hear the cheers of our NCTzens in all the countries and cities we’ll be going to.  

CHENLE: I am looking forward to showing the amazing stages we’ve prepared to all the NCTzens that’ll be coming to see us! I’m also excited to be going to California because I’m a big Stephen Curry fan! We haven’t had much time to explore the U.S. so even the thought of simply being in California is exciting.  

NCT DREAM has been so busy! You released Candy for the holidays, your first Japanese single “Best Friend Ever” at the top of 2023, there are Asia, Europe and now U.S. tour dates; when are you finding the time to relax and rest? 

RENJUN: Even when we’re busy with several activities, it’s always a good time because it’s spent with my members so even working feels like fun — that in itself sounds like healing to me!  

JISUNG: When we have a lot of schedules, there are times when we aren’t able to rest as much but I’m the kind of person who gains more energy from staying active. I do make sure to relax and take care of myself though on days that are less busy. 

What else can we look forward to in 2023? We’ve seen a studio album on the schedule for you. Are there any spoilers you can share? 

JAEMIN: We are actively participating in our upcoming full-length album and working very hard to bring out the best. I hope people will be able to see just how much we’ve put into it when the album comes out.

Anything else to add for Billboard readers or U.S. fans? 

MARK: NCT DREAM is here to see you guys!!! Thank you to all the fans that waited so patiently for us to come—can’t wait to show you NCT DREAM and how we really care about our time here in the west. See you, guys! 

Megan Thee Stallion Rocks Rainbow Leggings While Snapping Pics With Fans at Super Nintendo World

Super Nintendo World has officially arrived at Universal Studios in Hollywood, and Megan Thee Stallion was spotted enjoying the video game-themed fantasy world this week.

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In photos shared by fans on Twitter, the “Savage” rapper is gorgeous in rainbow leggings and a black crop top, with her thick, natural hair framing her face. She’s seen smiling and greeting fans before snapping photos with them.

Super Nintendo World opened at Universal Studios’ Hollywood location in February and is inspired by the world of Mario, Luigi and Princess Peach, Mushroom Kingdom. The interactive land features rides like Mario Kart: Bowser’s Challenge and fun activities like dining at Toadstool Cafe and shopping at the 1-UP Factory.

Earlier this month, Meg teased a new album at the Vanity Fair Oscar party. When asked by Entertainment Tonight about the prospect of new music, the rapper cheekily replied, “Oh I am, new album, f–k y’all hoes, bye!” before sauntering off with a laugh.

While she did not offer any more details, a new full-length would serve as a follow-up to her 2022 sophomore effort Traumazine, which debuted at No. 4 on the Billboard 200 and contained hit singles “Sweetest Pie” with Dua Lipa, “Plan B,” “Pressurelicious” featuring Future, “Her” and the Key Glock-assisted “Ungrateful.”

Taylor Swift’s Eras Tour Starts With Supersize Setlist, Stunning Stage & Surprise Songs

Ever since Taylor Swift announced The Eras Tour back in November, fans have had a lot of questions. The biggest one: With six albums released since her Reputation Tour back in 2018, how could she possibly do each project justice in a limited setlist?

Well, after she kicked off the first two tour dates on Friday and Saturday in Glendale, Ariz. — or Swift City, ERAzona, as it was ceremonially renamed — we discovered that the setlist wasn’t so limited after all. Over the course of the three-hour-plus concert, Swift performs all or portions of 44 songs.

Taylor Swift performs onstage for the opening night of

The 13 Best Moments From Taylor Swift’s Eras Tour Kickoff

On the new Billboard Pop Shop Podcast (listen below), Katie & Keith are talking all about the much-anticipated tour launch, thanks to on-site reporting from founding Pop Shop host Jason Lipshutz. Plus, we’re looking ahead to our own Pop Shop field trip for this weekend’s Las Vegas dates.

Also on the show, we’ve got chart news on how Rema and Selena Gomez hit the top 10 on the Billboard Hot 100 together with “Calm Down,” how Miley Cyrus’ “Flowers” is back at No. 1, how both Miley and TWICE make splashy debuts in the top three on the Billboard 200 albums chart, and how women dominate the top of the Billboard 200 in a way we haven’t seen in over a decade.

The Billboard Pop Shop Podcast is your one-stop shop for all things pop on Billboard’s weekly charts. You can always count on a lively discussion about the latest pop news, fun chart stats and stories, new music, and guest interviews with music stars and folks from the world of pop. Casual pop fans and chart junkies can hear Billboard’s executive digital director, West Coast, Katie Atkinson and Billboard’s senior director of charts Keith Caulfield every week on the podcast, which can be streamed on Billboard.com or downloaded in Apple Podcasts or your favorite podcast provider. (Click here to listen to the previous edition of the show on Billboard.com.)