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Erykah Badu Says This Is What Politicians Really Mean When They Say ‘Woke’

Erykah Badu wishes conservative politicians would just say what they really mean when they invoke the word “woke” to describe progressive policies and practices they are railing against. In an interview with MSNBC’s Ari Melber on Tuesday night (March 28), the singer who sang about staying informed, educated and tuned-in on her 2008 song “Master Teacher” told the host that she can easily read between the lines of what those who rail against the word are really saying.

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Badu said that the album that “Teacher” appeared on, New Amerykah Part One (4th World War), was an example of the thoughtful, spiritually zoomed-in singer zooming out at what was going on in the world. But, she added, it had “no solutions… it’s just what I’ve observed.” And while Badu said she was happy to state what the problems were, “Master Teacher” was really part of “start[ing] a lot of stuff.”

In the song, Badu sings, “Even though you go through struggle and strife/ To keep a healthy life, I stay woke (I stay woke).” Melber then played a super-cut of talk show hosts, activists and musicians — including Donald Glover/Childish Gambino singing “I stay woke” from his 2016 song “Redbone” — using the term. Among those invoking it in a pejorative light in the montage were former president Donald Trump, who warned against what he described as, “woke fascism that will destroy our nation,” and Republican Florida Gov. Ron DeSantis, who last year told a crowd, “we will never, ever surrender to the woke mob… Florida is where woke goes to die.”

Mincing no words, Badu told Melber, “I think they mean Black… yeah… it’s just another way to say ‘thug’ or something else, right?” Asked how she feels about the hijacking of the term, a non-plussed Badu said, “it is what it is. It doesn’t belong to us anymore. Once something goes out in the world it take a life of its own.”

The term has its origins in the racial justice movements of the early 1900s as a reminder to the Black community to be conscious and alert to social and racial inequality and injustice. Badu helped bring it to the masses with her song and again in 2012 when she used it in a tweet in support of Russian agit-punk activist band Pussy Riot. “After that, woke took off,” she said of the term that has gained mainstream usage over the past few years in connection with the Black Lives Matter and social justice movements.

“I can tell you what it means,” Badu said. “it just means being aware… being in alignment with nature, because if you’re in alignment with that you’re aware of everything that’s going on.” But, she added, that awareness is not limited to the political arena, but also encompasses your personal health, relationships, home, car and sleep.

Check out Badu’s interview with Melber below.

Rihanna Shows Off Baby Bump & ‘Drive-Tru’ Pasta Dishes

Rihanna‘s belly is currently home to Baby No. 2 and some delicious pasta. In a pair of Tuesday (March 28) Instagram Stories, the pop star showed off both her baby bump and her Italian dinner for the night.

Ri, who appears to be craving some pasta during her pregnancy, first snapped a picture of a perfect-looking spaghetti dish, followed by a photo of what looks to be half-eaten gnocchi. In both photos, her uncovered tummy pokes into the frame, giving fans a peek at the Fenty mogul’s high-profile second pregnancy.

“Drive-tru,” she labeled the first pasta dish. The second snap was accompanied by an emoji of a mama bottle-feeding a baby.

The little one on the way will be Rihanna’s second child with A$AP Rocky, with whom she shares a 10-month-old son. The “Love On the Brain” singer first announced her second pregnancy in the most Rihanna way possible: by wordlessly debuting her bump to more than 118 million viewers at the beginning of her Super Bowl Halftime Show performance in February.

It was the first of several A-list events attended by Rihanna and her baby-to-be. Earlier in March, she stepped out with A$AP at the 2023 Academy Awards, again showing off her bare baby bump in a shawl and low-waisted skirt. The couple adorably posed for a few photos together, some of which captured the sweet moment Rocky cradled his partner’s baby bump. The superstar also performed her new song “Lift Me Up” from Black Panther: Wakanda Forever at the ceremony; the track was nominated for best original song, but lost to RRR‘s “Naatu Naatu.”

The only person missing from the growing family’s big night out was Ri’s son, who apparently wasn’t too happy to be left at home that evening. The nine-time Grammy winner posted an adorable photo of her baby boy shedding some tears before the Oscars, captioning her Instagram post, “my son when he found out his sibling is going to the Oscars and not him.”

See the photo below:

Tyler, the Creator Battles His Alter Egos & Shortcomings in New ‘Sorry Not Sorry’ Video

After announcing that he would unleash “a collection of songs that didn’t make the original album,” Tyler, the Creator begins the race to Friday’s upcoming deluxe release of Call Me If You Get Lost: The Estate Sale with his new video for “Sorry Not Sorry.”

In the self-directed visual, Tyler embarks on an extensive apology tour, realizing how his faults harmed his romantic interests, family and fans. In the clip, he’s isolated on a farm and battling various alter egos, including his famed Flower Boy and IGOR personas.

“I’m sorry, I don’t wanna link/ and small talk over dinner, I don’t even drink/ Can’t guilt trip me, I’m ice cold, roller rink,” he cleverly raps. Tyler’s candor gets dicier when he spits, “Sorry I’m not empathetic/ Sorry you think I’m pathetic/ Sorry I don’t want a broke down/ Sorry I don’t know your pronouns/ I don’t mean no disrespect, but we just met.”

Later, one of Tyler’s alter egos erupts on his Call Me When You Get Lost persona, Tyler Baudelaire. He throws many punches until he bloodies up Baudelaire to conclude the thrilling video. 

“Sorry Not Sorry” is the second video released this week following “DOGTOOTH.” Both songs will be on Tyler’s upcoming deluxe, release Call Me If You Get Lost: The Estate Sale, dropping this Friday (March 31). The initial effort debuted in 2021 and topped the Billboard 200, becoming his second No. 1 album. Influenced by DJ Drama’s revered Gangsta Grillz series, CMIYGL featured Pharrell, Lil Uzi Vert, YoungBoy Never Broke Again and more. 

Watch his new video above. 

Afrobeats Fresh Picks of the Month: Tiwa Savage, Adekunle Gold, Tay Iwar, Amaarae & More

March is coming to an end, and with it comes another installment of our Afrobeats Fresh Picks column, an endeavor that is heating up along with the weather.

At this point in the year, a quarter of the way through, there are already a handful of contenders for songs that will define the summer and carry us through all of 2023. But there’s also still plenty of room to pad out those playlists and a lot more music coming down the pipeline — including full albums from many of the artists who have been steadily building through singles in the first few months of this year.

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The stars have been shining brighter together lately, from Major Lazer and Major League Djz‘s international alliance to the electric duo of Adekunle Gold and Zinoleesky to the triple team up of Tiwa Savage, Ayra Starr and Young Jonn — in fact, this month’s edition features half collaborations and half solo tracks. Even songs we’ve previously featured, Libianca‘s “People” and Victony and Tempoe‘s “Soweto,” have added illustrious guests to new versions of their original tracks: Ayra Starr and Omah Lay on the former as well as Don Toliver and Rema on the latter. But there are plenty of solo gems from the likes of Amaarae, Bella Shmurda and Lil Kesh on the playlist, too, with plenty more deserving tracks just missing the cut.

Here, we’ve highlighted 10 of our favorite new Afrobeats (and related) songs that have come out roughly within the last month. Check out our latest Fresh Picks, and cue up our Spotify playlist below as you’re reading along.

Adekunle Gold feat. Zinoleesky, “Party No Dey Stop”

Adekunle Gold makes sure the “Party No Dey Stop” in his new up-tempo, Afropop single, which also marks his debut under Def Jam Recordings. Apart from his new major label deal, AG Baby flexes his co-sign from Oluwa (which means God in Yoruba) and his riches on the vivacious beat, co-produced by Kel-P and Monro, which ensures the vibes are not just immaculate but also eternal. He reflects on relying on God’s grace and having a good time alongside his fellow Agege native Zinoleesky, who’s featured on the track. “The world should be expecting madness from that guy – he’s so good,” Gold recently told Billboard. “I reached out to him, and then we got in the studio. In a matter of hours, we wrote his verse together and it was a banger.”  

JayO, “22”

Rising North London-born, Nigerian singer JayO is the ultimate charmer in his sensual single “22,” which has an all-too-fitting Feb. 22 official release date. While scintillating snippets had been swarming TikTok before then – with “22” garnering almost 300,000 user-generated videos to date on the platform – the full 2-minute, 22-second single captures JayO’s explicit desires with a girl who’s (you guessed it) 22 years old and “too hot to handle,” as he croons over the lush R&B piano loop and sizzling percussion. While JayO can’t keep his hands off this girl, our ears can’t get enough of this song.  

Amaarae, “Reckless & Sweet”

Amaarae delivers a “Reckless and Sweet” yet slightly savage offering from her forthcoming sophomore album Fountain Baby. The Ghanaian Afropop singer draws in (and calls out) her money-hungry admirer with the siren-like hook “Call me when the money come, come, come, come, come/ To the money I’ma run, run, run, run, run,” which sounds just as mesmerizing and attractive as Amaarae’s spending habits. Nothing less is expected from the “SAD GIRLZ LUV MONEY” hitmaker, whose irresistible swagger can be found in the latest Mugler x H&M campaign or front row during Milan Fashion Week as she also builds up her name in the neighboring fashion world, where she can further relish in opulence.  

Tay Iwar, “Healing”

Nigerian alté singer Tay Iwar provides himself with a musical antidote from a previous, harmful relationship on “Healing,” his first single of 2023. His hypnotizing, digitized “healing from your stress” hook floats above a bubbling percussive pattern that can wash anyone’s worries away with the simple press of the play button. But for Iwar himself, his healing journey doesn’t just involve uncomfortable revelations as to what went wrong, but also “[killing] all of my worries with champagne.” After being featured on “True Love” from Wizkid’s critically acclaimed Made in Lagos and co-writing/co-producing Burna Boy’s standout “Alone” from the Black Panther: Wakanda Forever soundtrack, Iwar continues to show his fans that he can lend his talents to the biggest stars while also being a star in his own right.  

Major Lazer & Major League Djz feat. Brenda Fassie, “Mamgobhozi”

American EDM DJ trio Major Lazer and African DJ/producer duo Major League Djz join forces on their new amapiano album, Piano Republik. On the single “Mamgobhozi,” the late Queen of African Pop Brenda Fassie’s vocals come to life, via a sample of her 1997 hit “Vuli Ndlela,” adding an honorable touch to a project dedicated to celebrating the amapiano sound traveling across the globe from its native South African townships. “Brenda Fassie was not only an icon, but she inspired many Black South Africans to be their authentic selves,” Major League Djz say in a press statement. “’Vuli Ndlela’ is undoubtedly one of Brenda Fassie’s best bodies of work, holding the title of ‘Song of the Decade,’ and a song we heard playing at every South African wedding and home then and now … Her music catalog speaks for her long after she has left us, a true force.” 

Tiwa Savage, Ayra Starr & Young Jonn, “Stamina”

Young Jonn has been on a hell of a run with his singles of late — see “Mood” and “Currency” previously — and this track sees him sandwiched in between two fantastic singers from two different generations in Tiwa Savage and Ayra Starr. Those two have been on hot streaks of their own lately — witness Tiwa on the “Who Is Your Guy?” remix with Spyro and duetting with Asake on “Loaded” earlier this year, while Starr has one of the biggest songs out in “Rush” and another one growing in prominence with “Sability.” Is that enough reason to listen to this? If not, take our word for it: It’s great. Treat yourself.

Bella Shmurda, “Ara (Gen Gen Tin)”

Almost ominous in its opening notes, the latest single from Bella Shmurda quickly opens up (through the production of Larry Lanes) into one of the most infectious hooks of the year so far, propelled by its call and response. And, yes, there’s a dance challenge, so go check that out too. And while we’re here, check out that new track he dropped with Nasty C, the “Philo” remix — but good luck getting “Ara” out of your head first.

Khaid & Boy Spyce, “Carry Me Go”

Last month we included Khaid’s sweet ode “Jolie” on our playlist, and this month we’ve got another one from the young Nigerian singer with an innate knack for melody and inviting hooks. Here, the collaboration with Boy Spyce somehow turns those melodies up a notch, with the track steadily building and layering into a full-on choir production, taking the song into the stratosphere.

Jaido P & Fireboy DML, “One of a Kind”

Fireboy dropped a pair of red-hot features this month, between this one and Peruzzi’s “Pressure,” but there’s something about the melding of his voice with the more streetwise rapping of Jaido P, each of them switching back and forth between Yoruba and English, that sets this one apart from the rest of what’s coming out right now. You could easily see this one going off in the U.K. at the drop of a hat.

Lil Kesh, “Good Bad Boy”

As mentioned in a previous column, Lil Kesh had one of the hands-down best songs of 2022 with “Don’t Call Me,” alongside Zinoleesky. “Good Bad Boy” has a completely different feel, incorporating horns and a back-and-forth bridge supported by rapped verses that pile on top of one another, creating an energy that propels the track forward. Kesh is one of the more elastic vocalists around right now, mixing in all kinds of styles, melodies and flows — sometimes even into the same line of a verse — and that’s all on display here.

The Best Moments From Every Episode of ‘Daisy Jones & The Six’

The world’s biggest rock band to never exist finally came to life this spring, thanks to a gorgeous 10-part Amazon Prime Video mockumentary filled with yearning, angst and lots of sex, drugs and rock n’ roll. After four years of existing solely in the minds of enchanted readers since Taylor Jenkins Reid’s best-selling novel of the same name was published in 2019, Daisy Jones and The Six at last gave not only a visual, but a crystal clear sound, to the most deliciously dramatic bunch of musicians since Fleetwood Mac (one of the book’s core inspirations, naturally).

Released a few episodes at a time throughout the month of March alongside an official album, Daisy Jones stars Riley Keough as the titular musical powerhouse alongside Sam Claflin as Billy Dunne, the gruff frontman of Pittsburgh amateur rockers-turned-global sensations, The Six. Filling out the cast are Camila Morrone as Camila Alvarez (Billy’s devoted wife), Suki Waterhouse as Six keyboardist Karen Sirko, Will Harrison as guitarist Graham Dunne, Josh Whitehouse as bassist Eddie Roundtree and Sebastian Chacon as drummer Warren Rojas.

At the heart of the book and show is Daisy’s relationship with Billy: cosmic, destructive, euphoric and heartbreaking to watch through the eyes of Camila, who sticks by her husband through the worst of it. It’s constantly a war between the lure of soulmates and the necessity of true love, a theme that refracts in different ways through the side stories of characters such as Karen, Graham and disco singer Simone Jackson (Nabiyah Be), all of whom must choose between love and fame at some point.

Though Daisy Jones is full of great moments, Billboard has narrowed down the most meaningful ones from each of the 10 episodes. See them in order below, but be warned that if you haven’t watched the series yet, spoilers are ahead!

Christina Aguilera Focusing on Women’s Sexual Wellness as Chief Brand Advisor for Playground Intimacy Products

Christina Aguilera has long been an advocate for female empowerment. But in her new role as co-founder and chief brand advisor for the sexual wellness brand Playground, the singer is hoping to de-stigmatize the conversation around intimacy via a range of products that includes scented personal lubricants with names such as “Love Sesh,” “Date Night” (champagne & vanilla scented) and “Mini Escape” (coconut & sandalwood).

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“Sex is an essential part of our overall wellness, and @hello.playground is here to remind you that EVERY part of your body, not just your hair or your face, deserves to be pampered,” Aguilera wrote in an Instagram post announcing her collaboration.

In another post, Aguilera said she’s spent her whole career encouraging everyone, “but especially women,” to feel empowered while owning their sexuality. “The better you feel about yourself, the better you can live your life and own EVERY capacity of it!” she wrote. “I am so proud to be a co-founder of @hello.playground an amazing women-owned brand that’s committed to making sexual wellness products more accessible and ✨FUN✨ for all!”

The products from the woman-owned brand — which also include the musk and oxwood-scented “After Hours” lubricant — can be ordered discreetly from home. In a statement on their site, the company promises that their “full-sensory” products spark “all five senses and multiple erogenous zones — enhancing your mood, mind and libido. Intentionally designed for a woman’s unique needs and desires, our proprietary formulas contain innovative biotech formulations and chemistry-enhancing ingredients.”

The plant-based products feature natural ingredients, are pH-balanced, vegan and 100% transparent, so users can see what they are putting into their bodies. They are also sustainably sourced, with bottles and caps that are made of 50% post-consumer recycled plastic and boxes made from 30% post-consumer waste.

Check out Aguilera’s post below.

Ms. Lauryn Hill, Megan Thee Stallion to Headline 2023 Essence Festival

In honor of HipHop50, ESSENCE Fest looks to have a splashy return this year in New Orleans, with Ms. Lauryn Hill and Megan Thee Stallion headlining this year’s festivities, Billboard can exclusively report.

On June 29-July 3, ESSENCE Fest will be a rap-centric event, with Hill performing her landmark 1998 solo album The Miseducation of Lauryn Hill. The five-time Grammy Award-Winning femcee will be celebrating the 25th anniversary of her game-changing debut effort. As for Megan Thee Stallion, the slot marks another major headlining performance, as she will embark on her first concert this year at March Madness Music Festival in Houston this Friday (March 31). Megan will also take her talents to the West Coast later this year as she’ll co-headline L.A.’s Pride in the Park.

The 2023 ESSENCE Fest will also feature sets from Wizkid, Monica, Coco Jones, and Kizz Daniel for their Festival of Culture stage. There will also be a special performance curation by Doug E. Fresh while DJ Spinderella, DJ Kid Capri, and DJ Clark Kent will hit the turntables during the weekend’s festivities. Another noteworthy milestone that will be marked over the weekend is the 30th anniversary of So So Def, which will be spotlighted in a performance from label owner Jermaine Dupri and Friends.

Music lovers can also enjoy some laughs in the evenings, with Deon Cole, Affion Crockett, Spice Adams and Janelle James hosting nightly activations.

“For nearly three decades, the ESSENCE Festival of Culture has been an international and joyful gathering that empowers community throughout the global Black diaspora,” says newly-appointed Vice President of ESSENCE Festival of Culture, Hakeem Holmes. “As the nation’s largest festival by per day attendance, it continues to be a crown jewel of Black culture and plays a pivotal role in the amplification and celebration of the contributions of the Black community through business, music, and more. As we gear up to celebrate the ’50th Anniversary of Hip-Hop’, we couldn’t think of a better way to honor the contributions that genre has made on global culture and the impressions that these artists and their deep musical catalogs, which we all know so well, have been ingrained into the fibers of our day to day lives. This year, we are excited to have everyone join us in celebrating 50 years of musical excellence, experiencing our diverse daytime and nighttime offerings, and in highlighting the importance of Black economic inclusion.”

More acts will be added to the lineup soon.

Tom Morello Says Future of Rage Against the Machine Touring Unclear: ‘I Know As Much As You Do’

Even Tom Morello isn’t sure when, or if, Rage Against the Machine will go back on the road. In a new interview with Rolling Stone, the guitarist said that after the Rock and Roll Hall of Fame nominees were forced to cancel their planned 2022 European fall tour due to the serious foot injury suffered by rapper/singer Zack de la Rocha on the second show of their North American tour things were thrown into a state of flux that continues to this day.

Asked if the tour could be re-booted once Zack is healed up, Morello said, “We’ll see. If there is to be any more shows, we will announce it as a band. I don’t know. I know as much as you do, honestly. Right now we’re in a time of healing.”

Rage’s eagerly anticipated reunion tour hit a snag in Chicago on July 11 when de la Rocha suffered a severe tear of his left Achilles tendon four songs into the set. He soldiered on through the rest of the North American dates by rocking out while sitting down on the band’s first extensive tour since their last reunion wrapped in July 2011.

Morello said the energy on stage during the dates that went off was “great,” which he knew it would be from the moment they got back together to practice. “I knew pretty early on in rehearsal that we were going to sound fu–in’ great,” Morello said. “We’d never sounded better. It was a reaffirmation of the power of Rage Against the Machine, and the transcendence of Rage Against the Machine as a live act.”

Ironically, he added, he had just recovered from a ruptured Achilles before the tour and was on crutches in rehearsals, so when he saw de la Rocha go down in Chicago he knew it was bad. “I recognized the gait,” he said. “But Zack toughed it out that night. And for the next 17 shows, he was more compelling as a frontman sitting on a box in the middle of the stage than 99 percent of the frontmen in the history of all time.”

As for why the European dates had to be scotched after Rage successfully toured the U.S., Morello said it was doctor’s orders. “I don’t know all the details, but there’s dangers of flying. There’s danger of blood clots and all that,” he said. “I wasn’t in the room. But it’s not the optimum care to be on the road with a newly-ruptured Achilles.” The injury also resulted in the band cancelling their planned 2023 North American tour.

Morello also weighed in on the band’s fifth nomination for the RRHOF, saying he’s a “big proponent” of the Hall. “I like the idea there’s somewhere on the planet that celebrates music,” he said. “The thing I share, with many fans of many bands, is that if the Rock Hall is going to be inducting artists of so many diverse genres, there are a lot of artists from multiple genres that deserve to get in. It would be a great place to be. I certainly think Rage Against the Machine, among a lot of other bands, deserves to be in the Rock and Roll Hall of Fame.”

The guitarist also touched on the controversy over the “awful idea” of dynamic ticket pricing, saying that every ticket for the shows they played cost $125, except for the 5-10% that were dynamically priced; Morello said the band “gave away every cent” over $125 on those tickets to charities in the respective cities, with a total of $6-$7 million raised on the entire tour.

As for the most pressing question: is Rage on yet another open-ended hiatus? Morello said the current state of Rage is “there is no term. Rage Against the Machine is like the ring in Lord of the Rings. It drives men mad. It drives journalists mad. It drives record industry people mad,” he said. “They want it. They want the thing, and they’re driven mad. If there are Rage shows, if there are not Rage shows, you’ll hear from the band. I do not know. When there is news, it will come from a collective statement from the band. There is no news.”

Faced with endless re-iterations of the “will Rage tour again/Is Rage on hiatus again?” question, Morello practiced his principled group’s steadfast omerta and declined to elaborate, offering up a perfectly zen answer to the thorny question: “We just don’t operate like other bands.”

LØREN Talks His First U.S. Performance, Working With BLACKPINK & More

LØREN finally brought his alternative rock energy to the United States this month, when he took the stage at SXSW. To celebrate, he joined Billboard‘s Tetris Kelly to chat about his music, production and more.

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“It was wild,” he said of his first U.S. performances. “If I’m being honest, I haven’t done that many shows in Korea. I honestly didn’t know what to expect from the crowd, if they were going to like it, so it was kind of nerve-racking at first. It was great to get this reassurance that whatever I’m trying to do, does move people to a certain point.”

He also shared the inspiration behind his intense “Folks” music video, in which the singer is shot in the chest. “It comes down to how people are so quick to judge you based on things that are just out there,” he explained. “I wanted the video to portray that even if you’re just trying to be yourself, you’re still going to get attacked and there are all these things that are going to get in your way.”

While LØREN is an incredible solo artist, he’s an equally talented producer and songwriter who has worked with other popular Korean acts like BLACKPINK. “When I was a producer, I didn’t know what to expect. You just write beats or tracks hoping that they’re going to go somewhere,” he shared of the experience working with the girl group. “With BLACKPINK, they needed a certain set of lyrics that are both in tune with how the song was written originally and how it’s going to sound in Korean. I don’t want to flatter myself, but I think what I did fit that role.”

He added, “I’ve been a fan even pre-debut, so it’s been a dream to work with them and interact with them musically, whether it be the Instagram Live with Rosie or being in the studio with them, hearing their stories and whatnot.”

Watch Billboard‘s full interview with LØREN above.

Boygenius Announces North American Headlining Tour in Support of ‘The Record’: See the Dates

Boygenius are hitting the road. On Tuesday (March 28), the supergroup made up of Lucy Dacus, Julien Baker and Phoebe Bridgers announced their upcoming headlining tour of North America.

The nationwide trek will start with a show on April 12 at the Pomona Theatre in Los Angeles. The concert serves as a precursor to the band’s stop at the Coachella Valley Music and Arts Festival, which they’re slated to play Saturday (April 15 and April 22) before headliners BLACKPINK turn the Indio, Calif.-based fest into BLINKCHELLA for the night.

Following Weekend 2 at the Empire Polo Club, the threesome’s tour will pick back up in the month of June, with intermittent stops in Phoenix, Pittsburgh and Toronto through the summer. Eventually, the 14-date journey will conclude with a show at Red Rocks Amphitheatre in Colorado on Aug. 5.

Carly Rae Jepsen, Broken Social Scene, Bartees Strange, Claud and Illuminati Hotties are all confirmed as opening acts on select dates of the tour. Meanwhile, Boygenius will also be touring in tandem as headliners for the inaugural traveling Re:Set Concert Series during the month of June along with LCD Soundsystem and Steve Lacy.

Each of the shows throughout the summer will be in support of the band’s long-awaited debut album The Record, which is set to be released Friday via Interscope Records — the same day tickets for the tour go on sale to the public. Leading up to the full-length’s drop, the indie rockers have already unveiled the tracks “$20,” “Emily I’m Sorry,” “True Blue” and, most recently, “Not Strong Enough.”

Check out the full list of Boygenius tour dates below