Music News

Lily-Rose Depp Gets ‘Brainwashed’ by The Weeknd in Official ‘The Idol’ Trailer: Watch

With The Idol‘s release less than a week away, HBO Max and The Weeknd have now dropped the highly anticipated show’s official trailer — and it’s steamy.

In the minute-and-a-half preview, viewers get a glimpse into how the “Blinding Lights” popstar’s character, a nightclub owner-turned-cult leader named Tedros, steadily takes over the life and career of Lily-Rose Depp’s co-starring character, a rising pop star named Jocelyn, throughout the series. “You’re the American dream,” he tells her in a voiceover in the trailer, which dropped Tuesday (May 30), over clips of the two making out and dancing under club lights. “Rags to riches. Trailers to mansions. You are f–king Jocelyn.”

“He’s brainwashed her,” says a concerned, offscreen voice later on, followed by a creepy clip of The Weeknd’s Tedros cackling.

“You’re not a human being. You’re a star,” he then tells Jocelyn at the end of the new trailer, which also includes scenes of the pair engaging in Fifty Shades of Grey-esque foreplay that Tedros insists will help her become a better performer.

Co-created by The Weeknd and Euphoria‘s Sam Levinson, The Idol made its world premiere last week at Cannes Film Festival, where it received a standard five-minute standing ovation from the audience but was afterward tanked by largely negative early reviews. The musical drama, which is billed as the “sleaziest love story in all of Hollywood,” will become available for streaming on HBO Max — now known as just Max after a recent name change — on June 4.

Suzanna Son, Rachel Sennott, Troye Sivan, Dan Levy, Mike Dean, Moses Sumney, Da’Vine Joy Randolph, Hank Azaria, BLACKPINK’s Jennie and more are also in the show’s cast, though the new trailer includes less of their characters than previous The Idol teasers.

Watch the new official trailer for HBO’s The Idol above.

Gorillaz Is Headed on The Getaway Tour With Kaytranada, Lil Yachty & More

Gorillaz is heading out on the road for a special tour this fall. On Tuesday (May 30), the group announced The Getaway 2023 tour, which is scheduled to take place in September.

The limited run of shows will take place across four dates in the United States — as explained in the tour’s official description “On The Run… One Band, One Bus, Four Cities…” — and will see the virtual group — which consists of members 2-D, Murdoc Niccals, Noodle and Russel Hobbs — traveling to Los Angeles, Austin, Chicago and Boston from Sept. 10 to 19. The group will play the BMO Stadium, Q2 Stadium, Credit Union 1 Amphitheatre and Fenway Park, respectively.

KAYTRANADA, Lil Yachty and Remi Wolf will be supporting Gorillaz on all four dates of the limited tour run. Tickets will be available via Live Nation through a presale beginning at 10 a.m. local time on Wednesday (May 31). General onsale tickets for the tour will begin on Friday, June 2, at 10 a.m. local time at Gorillaz.com.

The Getaway tour comes on the heels of Gorillaz’s back-to-back performances at Coachella in April. The trek follows the quartet’s 2022 World Tour led by Damon Albarn and a 14-piece live band, which featured multiple guest performers.

See the full list of dates and the official tour announcement in the video below.

‘The Getaway’ Shows Fall 2023

  • Sun Sept. 10 – Los Angeles, Calif. – BMO Stadium
  • Wed Sept. 13 – Austin, Texas – Q2 Stadium
  • Sat Sept. 16 – Chicago – Credit Union 1 Amphitheatre
  • Tue Sept. 19 – Boston – Fenway Park

Sam Smith Has a New Collaboration Coming With Anitta: ‘We Connected Immediately’

Sam Smith may have declared that “I’m Not Here to Make Friends” — but that doesn’t mean they can’t work with rising Latin superstar Anitta.

In a new cover story on Anitta for Harper’s Bazaar, Smith confirmed that the pair are working on a new song together. “Anitta’s energy is amazing,” they said. “We connected immediately, and it just made the collaboration feel so special that there was genuine friendship there.” Smith went on to praise Anitta’s “clear vision” as an artist, while the outlet described the upcoming song as a “lusty duet” between the pair.

Commenting on her upcoming new music, Anitta added that she planned to use her crossover success in pop music to make songs that more directly represent her as a person. “I got big enough for people to pay attention to what I’m doing, so it’s a good moment for me to drop this album [that’s] finally something I believe and something I think, ‘OK, that is me,’ ” she said. “Now that I got this attention, I can really be myself.”

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Anitta is not the only artist that Smith will be collaborating with. In a mysterious tweet last week, the “Unholy” singer teased an audio clip that simply stated the words “Sam and Madonna,” leaving fans to wonder what the pair of pop stars were planning something together.

Meanwhile, Anitta also opened up to Harper’s Bazaar about her goals following her recent split with Warner Music after tweeting that she would have “auctioned off her organs” to get out of her contract. “I want to build a whole strategy because I don’t want to leave that in my label’s hands,” she said of her forthcoming album, which will be released under her new deal with Republic Records. “All the others I was leaving at their hands. That’s why it didn’t go that well … But this I want to go massive. So I’m going to do it myself.”

Matty Healy Addresses Controversial Podcast Comments About Ice Spice: ‘It Doesn’t Actually Matter’

Matty Healy made a lot of people upset after he laughed at racist, body-shaming comments about Ice Spice in recent podcast appearance. But now, he thinks the controversy “doesn’t actually matter.”

“Nobody is sitting there at night slumped at their computer, and their boyfriend comes over and goes, ‘What’s wrong, darling?’ and they go, ‘It’s just this thing with Matty Healy,’” the 1975 frontman told The New Yorker in a Monday (May 29) profile. “That doesn’t happen.”

“You’re either deluded or you are, sorry, a liar,” he continued, addressing fans who claimed to be offended by the remarks. “You’re either lying that you are hurt, or you’re a bit mental for being hurt. It’s just people going, ‘Oh, there’s a bad thing over there, let me get as close to it as possible so you can see how good I am.’ And I kind of want them to do that, because they’re demonstrating something so base level.”

The controversy in question went down in February when Healy went on The Adam Friedland Show to promote The 1975’s latest album, Being Funny In a Foreign Language. After bringing up that Ice Spice had once said she was a big fan of the band, the show’s hosts proceeded to make jokes about the “Princess Diana” rapper sounding like an “Inuit Spice Girl” and a “chubby Chinese lady.” They went on to mockingly imitate Chinese and Hawaiian accents, and joked about what Healy should say when sliding into Ice Spice’s DMs. The podcast episode has since been removed from Apple and Spotify.

Healy later half-apologized for laughing at and engaging with the hosts’ remarks during a 1975 concert in Auckland, New Zealand. “I just feel a bit bad, and I’m kind of a bit sorry if I’ve offended you,” he said onstage. “Ice Spice, I’m sorry. It’s not because I’m annoyed that me joking got misconstrued. It’s because I don’t want Ice Spice to think I’m a d–k. I love you, Ice Spice. I’m so sorry. I don’t want it to be misconstrued as mean.”

Since then, Ice Spice has teamed up with Taylor Swift — whom Healy is rumored to be dating — for a blockbuster remix of the pop star’s Midnights track “Karma.” When announcing the remix, the pop superstar said of the rising star, “I’m a massive fan of this brilliant artist and after getting to know her I can confirm: she is THE ONE to watch.” The two have since released a joint music video for the project, and the “Munch” artist also joined Swift onstage for three nights in a row at MetLife Stadium to debut the remix live at the Eras Tour.

While some fans may be questioning the motives behind the remix, Jack Antonoff — who has collaborated with both Swift and The 1975 — he’s standing by Healy. “I think Matty is a deeply sincere person, who can, at different points, be misunderstood because of how much he enjoys a bit,” Antonoff said in the New Yorker piece. “If you don’t know him, if you don’t get him, because you’re not really tuned in to the work, you might assume a cynicism that is literally not there.”

Beyonce Salutes Tina Turner With Performance of ‘River Deep – Mountain High’: Watch

Beyonce has paid musical tribute to her late idol, Tina Turner.

The “Single Ladies” singer used the platform of her Renaissance tour of the U.K. to remember Turner, who passed away last Wednesday (May 24), aged 83.

Wearing an all-blue ensemble, with matching gloves, Beyonce performed a stripped-back cover of Ike & Tina Turner’s 1966 hit “River Deep – Mountain High,” originally produced by Phil Spector.

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On this occasion, Bey didn’t attempt to match Turner’s high-energy version, instead reimagining the song as a power ballad.

Beyonce’s gave her salute to the “Nutbush City Limits” star Monday night (May 29) at north London’s Tottenham Hotspur Stadium, the first of a five-night stand.

Next stop on the Renaissance World Tour: Barcelona’s Estadi Olímpic Lluís Companys on June 8.

Bey, like so many artists, was heartbroken when news of Turner’s death reached her.

“My beloved queen. I love you endlessly,” reads a message Beyoncé posted to her website. “I’m so grateful for your inspiration, and all the ways you have paved the way. You are strength and resilience. You are the epitome of power and passion. We are all so fortunate to have witnessed your kindness and beautiful spirit that will forever remain. Thank you for all you have done.”

Inspiration became collaboration, when the pair joined forces at the 50th annual Grammy Awards in 2008. On that occasion, the superstar artists performed “Proud Mary,” Ike & Tina Turner’s 1971 cover of the Creedence Clearwater Revival classic.

Three years before that, Beyoncé had performed the same song solo at the 2005 Kennedy Center Honors, in honor of Turner.

Bey spoke fondly of Turner when her tour paused last week at Paris’ Stade de France. “I just want to take a second and honor Tina Turner,” she told the crowd. “If you’re a fan of mine, you’re a fan of Tina Turner. I wouldn’t be on this stage without Tina Turner, so I want you guys to just scream, so she can feel your love. I feel so blessed that I was allowed to witness her brilliance.”

Watch fan-filmed footage of Bey’s musical tribute to Turner below.

Taylor Swift Tells Phoebe Bridgers She’ll Miss Their ‘Dressing Room Heart to Hearts’ After New Jersey Dates

Taylor Swift‘s Eras Tour runs through August, but this past weekend’s shows at MetLife Stadium in East Rutherford, New Jersey, marked the last dates featuring her friend Phoebe Bridgers as one of the opening acts.

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“Yeahhhh so the last three nights were a dreamscape and totally overwhelming,” Swift said of her MetLife concerts in a Monday (May 29) post on Instagram, where she shared a handful of new concert photos. “I love every single one of you who came to those 3 shows in Jersey, all 217,625 of you.”

“@phoebebridgers, I’ll miss you out here my dude, thanks for the duets and the dressing room heart to hearts,” she wrote, adding an emoji of two pink hearts to her message.

In addition to having her own set as an opener on The Eras Tour, Bridgers joined Swift onstage to perform their from-the-vault duet “Nothing New” at the past 10 dates.

“You are my hero,” Bridgers said Sunday night before they sang the Red-era song together. The pair shared a sweet hug, and Swift said, “Thank you for being the friend that you’ve been to me. This is really something we could’ve written in a note to each other,” she joked, “Just be like, ‘Thank you for being a friend that I will never ever stop confiding in and trusting. I love you with everything,’ but yeah, this is the last time we’re gonna get to sing together on this tour.”

In her Instagram note on Monday, Swift also wrote, “I was so excited to welcome @owennmusic to the Eras Tour! And @icespice i love youuuu and I’m still buzzing from getting to sing with you all three nights! This tour has become my entire personality. See you soon Chicago!”

See Swift’s latest post on Instagram.

Beyoncé Praises Blue Ivy’s Surprise Appearance at Paris Concert: ‘I’m So Proud and Thankful’

Beyoncé is beaming with pride after sharing the stage with Blue Ivy.

Queen Bey took to social media on Sunday (May 29) to reflect on her 11-year-old daughter’s surprise appearance at the superstar’s Renaissance tour stop in Paris just days earlier.

“My beautiful first born,” Beyoncé wrote on Instagram alongside a photo and videos of Blue Ivy’s unforgettable cameo. “I’m so proud and thankful to be your mama. You bring us so much joy, my sweet angel.”

During the Grammy winner’s packed show at Paris’ Stade de France on Friday (May 26), Blue Ivy stunned concert-goers by making a surprise appearance during the dance breakdown for her mom’s Lion King track “My Power” and “Black Parade.” Dressed in coordinating silver jumpsuits, Blue Ivy joined Bey onstage and kept up flawlessly with the choreography.

“Give it up for Blue,” Beyoncé told the cheering crowd after her daughter’s performance.

Beyoncé wasn’t the only one celebrating Blue Ivy’s concert appearance in Paris. Bey’s mom and the Blue’s grandmother, Tina Knowles-Lawson, also took to social media to share her excitement.

“Last night I saw my beautiful grandbaby (11) dance in the front of almost 70 thousand people !” Knowles-Lawson captioned a video of Blue Ivy on Instagram. “She killed it and was as cool as a cucumber! Blue Ivy Carter No Fear.”

Beyoncé’s long-awaited Renaissance World Tour launched on May 10 in Stockholm, Sweden, with a jaw-dropping, three-hour showcase featuring dozens of career-spanning hits. The trek is in support of her 2022 album, Renaissance, which topped the Billboard 200 albums chart upon its release and won the Grammy Award for best dance/electronic album. 

See Beyoncé’s proud post about Blue Ivy on Instagram below.

Jewel’s Unique Take on National Anthem at Indy 500 Draws Mixed Reaction

Jewel‘s unique performance of the U.S. national anthem at this year’s Indianapolis 500 has left many fans divided.

On Sunday (May 28), the singer-songwriter delivered an acoustic rendition of “The Star Spangled Banner” ahead of the annual Indy 500 at the Indianapolis Motor Speedway.

Wearing an all-white outfit with a checkered flag tucked beneath her cowboy hat, Jewel gently plucked away at her guitar while crooning a soulful rearranged version of the classic tune.

The Utah native delivered a similar rendition of the national anthem prior to the 2023 NBA All-Star Game in Salt Lake City in late February.

Jewel’s “Star Spangled Banner” performance at the Indy 500 drew a mixed reaction from onlookers on social media.

“Jewel butchered the national anthem at the Indy 500. People were trying to sing along but couldn’t because of the way she sang it. What a shame,” one person wrote on Twitter.

Another shared, “jewel’s national anthem for indy 500 might be the worst anthem rendition to date.”

Others, however, praised the performance. “Jewel just did the best national anthem I’ve ever heard in my life I’m not exaggerating,” a viewer tweeted.

Another added, “Jewel singing the national anthem at the Indy 500 is a thing I didn’t even know I needed.”

Jewel’s latest album, Freewheelin’ Woman, was released in 2022 through her own Words Matter Media.

Watch Jewel sing the national anthem at the Indy 500 below, and see the mixed reactions to her performance.

Morgan Wallen’s ‘One Thing’ Has Most Weeks at No. 1 for a Country Album in Over 30 Years

Morgan Wallen’s One Thing at a Time spends a 12th week in a row, and in total, atop the Billboard 200 albums chart (dated June 3) – the most weeks at No. 1 for a country album in over 30 years. As the album surpasses the 11-week reign of Taylor Swift’s Fearless in 2008-09, Wallen’s set has the most weeks at No. 1 for a country album since Billy Ray Cyrus’ Some Gave All, which notched 17 weeks, all consecutively, atop the list (June 13-Oct. 3, 1992-dated charts). (Country albums are those that have charted on, or are eligible for, Billboard’s Top Country Albums chart.)

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One Thing at a Time earned 129,000 equivalent album units in the United States in the week ending May 25 (down 4%), according to Luminate.

One Thing at a Time continues to have the most weeks in a row at No. 1 since the Titanic soundtrack ruled at No. 1 for 16 consecutive weeks in 1998 (its entire run at No. 1, Jan. 24-May 9 of that year). The last album to spend at least 12 weeks in total at No. 1 was Bad Bunny’s Un Verano Sin Ti, which notched 13 nonconsecutive weeks atop the list in May-October 2022.

One Thing at a Time debuted at No. 1 on the Billboard 200 chart dated March 18 and has yet to yield the top slot. As it has now spent its first 12 weeks at No. 1, One Thing at a Time is just the second album to rule for its first 12 weeks on the chart, after Stevie Wonder’s Songs in the Key of Life logged its first 13 weeks at No. 1 (of a total of 14 weeks in the top slot) in late 1976 and early 1977. (For context, today, it’s common for albums to debut at No. 1. However, before 1991, when the Billboard 200 began utilizing Luminate’s electronically monitored tracking information, only six albums debuted at No. 1, including Songs In the Key of Life.)

Wallen has now spent a total of 22 weeks at No. 1 across his two chart-topping albums (One Thing at a Time, with 12 weeks, and his last album, Dangerous: The Double Album, with 10). Among acts with the most weeks at No. 1 this decade (2020-onwards), Wallen pulls further ahead of the act with the second-most weeks at No. 1 in that span of time – Taylor Swift, with 20.

Notably, Swift’s most recent No. 1, Midnights (which spent five weeks atop the list in late 2022), was reissued in multiple formats on May 26 (on vinyl, CD, digital download and via streaming services), with some iterations containing additional bonus tracks. The sales and streaming impact of those new variations will be reflected on next week’s Billboard 200 chart, dated June 10.

Also in the top 10 of the new Billboard 200 albums chart, Dave Matthews Band earns its 14th top 10-charting effort with the debut of Walk Around the Moon at No. 5. Plus, Ghost logs it fourth top 10, and second in a little over a year, as its new five-song covers set Phantomime bows at No. 7.

The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. The new June 3, 2023-dated chart will be posted in full on Billboard‘s website on May 31 (a day later than usual due to the Memorial Day holiday in the U.S. on May 29). For all chart news, follow @billboard and @billboardcharts on both Twitter and Instagram.

Of One Thing at a Time’s 129,000 equivalent album units earned in the week ending May 25, SEA units comprise 121,000 (down 3%, equaling 162.52 million on-demand official streams of the set’s 36 songs), album sales comprise 6,000 (down 30%) and TEA units comprise 2,000 (up less than 1%).

SZA’s chart-topping SOS jumps 5-2 with 77,000 equivalent album units earned (up 52%) following the album’s release on CD and vinyl on May 19. The set sold 29,000 copies across all formats (physical and digital) – up 22,963% from a negligible sum the previous week. SOS was released on Dec. 9, 2022, via streaming services and to purchase as a digital download album.

Swift’s Midnights falls 2-3 with 58,000 equivalent album units (down 4%), while Wallen’s Dangerous climbs 6-4 with 47,000 units (down 2%).

Dave Matthews Band achieves its 14th top 10-charting album on the Billboard 200 as its new studio effort Walk Around the Moon debuts at No. 5. It’s the act’s first new studio set since 2018. The new album earned 44,000 equivalent album units in its first week. Of that sum, album sales comprise 40,000 (making it the top-selling album of the week), SEA units comprise 4,000 (equaling 5.45 million on-demand official streams of the set’s songs) and TEA units comprise a negligible sum. The album’s first-week sales were supported by multiple vinyl editions, including exclusive color variants for the band’s fan club and webstore, Barnes & Noble, independent record stores and Target.

Dave Matthews Band notched its first top 10 with Crash (No. 2 in 1996) and has earned at least one new top 10 album in every decade since (three total in the 1990s, eight in the 2000s, two in the ‘10s and one so far in the ‘20s). In addition, Matthews himself has three solo top 10s.

Dave Matthews Band is the 11th group to have tallied a new top 10 in each of those four decades, joining AC/DC, Def Leppard, Foo Fighters, Green Day, Marilyn Manson, Megadeth, Metallica, Pearl Jam, Red Hot Chili Peppers and U2.

Swift’s former No. 1 Lover jumps 10-6 with 38,000 equivalent album units earned (up 1%). That’s the highest rank for the 2019 set since that December, sparked by Swift performing songs from it live for the first time on her ongoing juggernaut The Eras Tour.

Ghost’s five-song covers project Phantomime debuts at No. 7 on the Billboard 200 with 36,000 equivalent album units earned. It’s the fourth top 10 for the band, and second in a little over a year, following Impera, which debuted and peaked at No. 2 (March 26, 2022-dated chart).

Of Phantomime’s 36,000 units earned, album sales comprise 34,000, SEA units comprise 2,000 (equaling 2.67 million on-demand official streams of the set’s songs) and TEA units comprise a negligible sum. The set’s first-week sales were bolstered by its availability across a variety of physical formats, including multiple vinyl LPs (including exclusives color variants for independent record stores, Target and Urban Outfitters) and even a cassette tape.

Phantomime boasts covers of Genesis (“Jesus He Knows Me”), Iron Maiden (“Phantom of the Opera”) and the late Tina Turner (“We Don’t Need Another Hero [Thunderdome]”).

Luke Combs’ Gettin’ Old rises 12-8 on the Billboard 200 with 34,000 equivalent album units earned (down 3%), Bad Bunny’s former No. 1, Un Verano Sin Ti, ascends 11-9 with nearly 34,000 (down 4%) and Zach Bryan’s American Heartbreak bumps 15-10 with 32,000 (up 5%).

Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.

Lana Del Rey Delivers Live Debut of ‘Ocean Blvd’ Songs at First Concert in Three-Plus Years

Lana Del Rey returned to the live stage for the first time in more than three years at the MITA Festival 2023 in Rio De Janeiro.

During her headlining set on Saturday (May 27), the alternative-pop princess delivered the live debut of numerous songs from her latest album, Did You Know That There’s a Tunnel Under Ocean Blvd, including set opener “A&W,” “Candy Necklace,” “The Grants” and the title track. Check out some of her performances from the fest here.

Ocean Blvd, Del Rey’s ninth album, debuted at No. 3 on the Billboard 200 albums chart in March 2023. The 16-song set includes guest appearances by Jon Batiste, Bleachers, Father John Misty, Judah Smith, Tommy Genesis, and SYML.

The Brazilian music fest also found the songstress giving first-time performances of “Arcadia” (from 2021’s Blue Banisters) and “Flipside” (from 2014’s Ultraviolence), according to Rolling Stone.

The MITA Festival reportedly marked Del Rey’s first full concert since November 2019. Since then, she’s appeared on such TV programs as The Late Show With Stephen Colbert and The Tonight Show Starring Jimmy Fallon, and made an onstage appearance with Bleachers at High Water Festival in 2023.

Del Rey received the Visionary Award at the 2023 Billboard Women in Music. Speaking at the annual ceremony earlier in early March, the singer admitted to being happy with how it’s all going.

“I don’t exactly have a long-term vision at all, but if you were curious, I am very, very happy,” Del Rey said during her speech. “When I released my first album 14 years ago, the waters were not quite as warm. I’m really happy for everyone who feels like it’s a wonderful time in the culture to be themselves and express themselves. It didn’t feel that way in 2008.”