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Janelle Monae Is Hitting the Road for The Age of Pleasure 2023 North American Tour: See the Dates

Janelle Monáe is gearing up to take her forthcoming album, The Age of Pleasure, on the road. The singer revealed details for a 2023 North American tour on Wednesday (May 31).

The star will kick off the 26-date trek on Aug. 30 at WAMU Theater in Seattle, and will make stops in Atlanta, Chicago, Toronto, Boston, New York City and more before wrapping up in Inglewood, Calif., at the YouTube Theater on Oct. 18. 

Tickets for the Age of Pleasure tour will go on sale in a Verizon presale beginning Thursday, June 1, at 10 a.m. local time. General onsale for the tour will begin starting Wednesday, June 7, at 10 a.m. local time on Ticketmaster.com. 

The Age of Pleasure will arrive on June 9 via Atlantic Records. In an interview with Rolling Stone, the singer explained that the record is inspired by the sounds of the Black diaspora of then and now.

“It was inspired by all of my friends, my community of folks who are from South Africa, Ghana, Nigeria, the Caribbean, Atlanta, L.A., Chicago,” she said. “Seeing all of us together in our Blackness, in the love that we had in our eyes for each other. People from the continent f–k around with trap from Atlanta. You know what I’m saying? I love how the diaspora — we talk to each other.”

See the official poster and the full list of dates for the Age of Pleasure tour below.

AGE OF PLEASURE TOUR DATES: 

  • Wed Aug. 30 – Seattle, Wash. – WAMU Theater
  • Thu Aug. 31 – Vancouver, BC – UBC – Doug Mitchell Thunderbird Sports Centre
  • Sat Sep. 2 – Portland, Ore.  – RV Inn Style Resorts Amphitheater
  • Wed Sep. 6 –Salt Lake City, Utah – The Complex
  • Thu Sep. 7 – Morrison, Colo. – Red Rocks Amphitheatre
  • Sat Sep. 9 – Kansas City, Mo. – The Midland Theatre 
  • Mon Sep. 11 – Minneapolis, Minn. – Armory
  • Wed Sep. 13 – St. Louis, Mo. – Stifel Theatre
  • Thu Sep. 14 – Chicago, Ill. – Byline Bank Aragon Ballroom
  • Sun Sep. 17 – Boston, Mass. – MGM Music Hall at Fenway
  • Mon Sep. 18 – Philadelphia, Penn. – The Met
  • Wed Sep. 20 – Montreal, QB – Mtelus
  • Thu Sep. 21 – Toronto, ON – Massey Hall 
  • Sun Sep. 24 – Washington, D.C.  – The Anthem*
  • Tue Sep. 26 – New York City, N.Y. – Radio City Music Hall
  • Thu Sep. 28 – Brooklyn, N.Y. – Kings Theatre 
  • Mon Oct. 2 – Charlotte, N.C. – Skyla Credit Union Amphitheatre 
  • Tue Oct. 3 – Nashville, Tenn.  – Ryman Auditorium
  • Wed Oct. 4 – Birmingham, Ala.  – Avondale Brewing Company
  • Fri Oct. 6 – Atlanta, Ga. – Fox Theatre Atlanta
  • Mon Oct. 9 – Dallas, Texas – The Pavilion at Toyota Music Factory
  • Tue Oct. 10 – Houston, Texas – Bayou Music Center 
  • Wed Oct. 11 – Austin, Texas – Moody Amphitheater
  • Sun Oct. 15 – Phoenix, Ariz. – Arizona Financial Theatre
  • Tue Oct. 17 – San Francisco, Calif. – Bill Graham Civic Auditorium
  • Wed Oct. 18 – Inglewood, Calif. – YouTube Theater

SZA Reveals Why She Got a Brazilian Butt Lift

SZA has always had a distinct sense of style, often seen in loose-fitting streetwear with her lush curls completing the relaxed, girl-next-door look.

In a new interview with Elle, the “Kill Bill” singer revealed that her favorite accessory is a lesser known aspect of her look. “I treat my butt like a purse,” she says, adding that she’s had a Brazilian butt lift done. “It’s just there to enhance whatever else. And that’s why I paid for it, because it works all by itself.”

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However, she explained that her decision to undergo the procedure was completely her own. “I always wanted a really fat a– with less gym time,” she told the publication. “I didn’t succumb to industry pressure. I succumbed to my own eyes in the mirror and being like, No, I need some more a–.”

Elsewhere in the interview, she elaborated on making her own decisions when it comes to her life and her music, and why she never focuses on being popular. “I try not to care too much because I really had some deep disappointments when I would just be so invested. But I can’t invest because none of it is real. Even if I win a bunch of Grammys, that s— doesn’t matter. It would be so cool,” she says. “But also I would not be surprised at all if I didn’t win any [more]. Because that’s just how s— goes. But that’s why the tour matters to me. ‘Cause it’s like, No, we packed out these stadiums all over the country and that was real. That’s why I can’t let up, because at the end of the day it was like, yeah, [whatever haters say] is good and well, but just make sure you add, we have sold-out dates in all arenas. Make sure you tell them that we sold out the Forum twice and we could have done it four times. Make sure you tell them that I was in the air, and that my mic was on.”

The singer unveiled her long-awaited sophomore album, S.O.S., in December, and it immediately debuted at No. 1 on the Billboard 200, her first chart-topper. With more than 400 million streams in the U.S. during release week, S.O.S. became the second-largest streaming week for a female artist and third-largest of 2022 among all albums.

Dolly Parton Earns 3 New Guinness World Records Titles

Over the past 56 years since Country Music Hall of Fame member Dolly Parton issued her debut album, she has become one of the world’s most beloved — and awarded — artists.

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Parton now adds to her immense accolades with three new Guinness World Records titles. During a recent presentation, Parton was honored for the most studio albums released by a female country singer (65 projects, starting with 1967’s Hello, I’m Dolly through her 2022 album Run, Rose, Run), earning the most top 10 entries on the Top Country Albums chart as a female artist (48 entries), and for being the female artist with the longest span of No. 1 hits on the Top Country Albums chart (43 years, 156 days).

”Celebrating the longevity and success of Dolly Parton’s remarkable career with three more Guinness World Records titles was incredible. Dolly isn’t just a legend … she is officially amazing!” adjudicator Michael Empric said via a statement.

The first of Parton’s eight No. 1 hits on Billboard’s Top Country Albums chart was New Harvest…First Gathering, released on May 14, 1977. Her most recent chart-topper was A Holly Dolly Christmas, released Oct. 17, 2020.

On Dec. 3, 2022, Diamonds & Rhinestones: The Greatest Hits Collection debuted at No. 4, making it her 48th top 10 entry on the Top Country Albums chart. Parton’s first top 10 with Porter Wagoner was the Just Between You and Me album on March 9, 1968. Her first top 10 entry as a solo artist was with My Blue Ridge Mountain Boy on Dec. 13, 1969. Parton’s numerous hits over the years have earned her the most top 10 entries on the Top Country Albums chart (female).

Parton shared via a statement, “I am humbled every time I receive a new Guinness World Records title. I share these three new honors with my fans, who have allowed me to enjoy such a long career.”

Dolly Parton also holds the following Guinness World Records titles:

  • Most decades with a top 20 hit on the U.S. Hot Country Songs chart (6)
  • Most No. 1 hits on the U.S. Hot Country Songs chart by a female artist (25)
  • Most decades on the U.S. Hot Country Songs chart (female) (7)
  • Most hits on the U.S. Hot Country Songs chart by a female artist (109)
  • Longest span of No.1 hits on the U.S. Hot Country Songs chart (35 years 26 days)
  • First country singer to be nominated for the EGOT
  • Most Grammy nominations for a female country artist (51)

Enrique Iglesias, Ricky Martin & Pitbull Announce the Trilogy Tour: Here Are the Dates

Global superstars Enrique Iglesias, Ricky Martin and Pitbull are going on tour … together.

The three hitmakers announced dates for their North America Trilogy Tour, which is set to kick off Oct. 14 in Washington, D.C. The 19-date arena trek — produced by Live Nation — will make stops in major cities such as New York, Miami, Houston and Las Vegas before wrapping up Dec. 16 in Vancouver, B.C.

“It’s a true honor to tour with Enrique and Ricky, 2 music icons who broke global music barriers for our culture and open doors for someone like myself,” Pitbull (born Armando Christian Perez) said in a statement. “We’re excited to take The Trilogy tour around the world and give our fans the time of their Trilogy lives, Dale!”

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“I am incredibly excited to be going on tour with my friends Pitbull and Ricky,” added Iglesias. “The Trilogy Tour will be an amazing experience for ALL of our fans. It’s going to be a once in a lifetime tour.”

Ricky Martin echoed his tour mates excitement: “Going back on the road with not only Enrique, but now with Pitbull, it’s very exciting. This tour will be a wild party from beginning to end so get ready, it’s going to be epic!”

According to the press release, the artists will be delivering “three unique headlining sets.”

It’s not the first time the three musicians will go on tour with each other. In 2017, Enrique Iglesias and Pitbull went on tour with CNCO as the opening act. The trek grossed $38 million and sold 415,000 tickets, according to Billboard Boxscore numbers. Four years later in 2021, Iglesias teamed up with Ricky Martin — and Sebastián Yatra as the tour’s opener — on a tour that grossed $35.2 million and sold 312,000 tickets.

For the Trilogy Tour, fans can register now through June 4 for the Verified Fan presale. According to Live Nation, selected fans will then receive an access code will be able to participate in presale starting June 7. The general on sale will begin June 9 at 10 a.m. local time on Ticketmaster.com.

See the tour dates below:

  • Oct. 14 – Washington, D.C. – Capital One Arena
  • Oct. 17 – Toronto, ON – Scotiabank Arena
  • Oct. 20 – Montreal, QC – Bell Centre
  • Oct. 21– Boston, MA – TD Garden
  • Oct. 26 – New York, NY – Madison Square Garden
  • Oct. 28 – Brooklyn, NY – Barclays Center
  • Nov. 1 – Chicago, IL – United Center
  • Nov. 3 – Detroit, MI – Little Caesars Arena
  • Nov. 9 – Orlando, FL – Amway Center
  • Nov. 10 – Miami, FL – Kaseya Center
  • Nov. 17 – Dallas, TX – American Airlines Center
  • Nov. 18 – Houston, TX – Toyota Center
  • Nov. 19 – San Antonio, TX – AT&T Center
  • Nov. 24 – Las Vegas, NV – T-Mobile Arena
  • Nov. 25 – Phoenix, AZ – Footprint Center
  • Nov. 30 – Los Angeles, CA – Crypto.com Arena
  • Dec. 6 – San Jose, CA – SAP Center
  • Dec. 8 – Seattle, WA – Climate Pledge Arena
  • Dec. 10 – Vancouver, B.C. – Rogers Arena

‘Some Like It Hot’ Tops 2023 Drama Desk Awards With 8 Wins

A musical based on the classic 1959 Billy Wilder film Some Like It Hot was the top winner at the 67th Annual Drama Desk Awards, which were announced on Wednesday (May 31). The show — for which Mariah Carey is one of the producers — won eight awards, including outstanding musical and outstanding lyrics for Scott Wittman and Marc Shaiman.

Two other musicals, a revival of Stephen Sondheim‘s Sweeney Todd and the new Shucked, also won multiple awards. Sweeney Todd won three awards – though, curiously, it lost outstanding revival of a musical to Parade, which won no other awards.

Shucked won two awards – outstanding music for country hit-makers Brandy Clark and Shane McAnally and outstanding featured performance in a musical for Alex Newell.

Musicals winning one award each — apart from Parade — were New York, New York and a revival of Into the Woods.

The 2023 Drama Desk Awards will take place at Sardi’s Restaurant in New York on Tuesday, June 6, from 3 to 6 p.m. ET. Tony and Emmy winner Mandy Patinkin and two-time Obie Award winner Kathryn Grody will co-host the ceremony.

The Drama Desk Awards will be presented five days before the Tony Awards are broadcast on CBS. The Drama Desk Awards differ from the Tonys in several respects.

  • All four performance categories are “gender-free” – their term for “gender-neutral.” Each of these categories had twice as many nominees as the former gendered categories; each have two winners.
  • The Drama Desk Awards are the only major New York City theater awards for which productions on Broadway, Off-Broadway, and Off-Off Broadway compete against each other in the same categories.
  • The Drama Desk Awards are bestowed by critics, journalists, editors and publishers covering theater.

Shows with 21 or more unique live performances were eligible.

The Drama Desk was founded in 1949 to bring together critics and writers in an organization to support the ongoing development of theater in New York. The organization began presenting awards in 1955.

Here are all the nominees in musical categories – as well as the nominees in one category dedicated to plays – outstanding music in a play. Winners are marked.

Outstanding musical

  • & Juliet
  • Between the Lines
  • F*ck7thGrade, The Wild Project
  • Shucked
  • WINNER: Some Like it Hot
  • White Girl in Danger, Vineyard Theatre and Second Stage Theater

Outstanding revival of a musical

  • A Man of No Importance, Classic Stage Company
  • Into the Woods
  • Merrily We Roll Along, New York Theatre Workshop
  • WINNER: Parade
  • Sweeney Todd

Outstanding lead performance in a musical

  • WINNER: Annaleigh Ashford, Sweeney Todd
  • Nicholas Barasch, The Butcher Boy, Irish Repertory Theatre
  • Sara Bareilles, Into the Woods
  • Andrew Burnap, Camelot
  • Micaela Diamond, Parade
  • Andrew Durand, Shucked
  • Callum Francis, Kinky Boots, Stage 42
  • WINNER: J. Harrison Ghee, Some Like it Hot
  • Jonathan Groff, Merrily We Roll Along, New York Theatre Workshop
  • Somi Kakoma, Dreaming Zenzile, New York Theatre Workshop
  • Lindsay Mendez, Merrily We Roll Along, New York Theatre Workshop
  • Anna Uzele, New York, New York

Outstanding featured performance in a musical

  • Kevin Cahoon, Shucked
  • WINNER: Kevin Del Aguila, Some Like it Hot
  • Robyn Hurder, A Beautiful Noise, The Neil Diamond Musical
  • Mark Jacoby, A Beautiful Noise, The Neil Diamond Musical
  • Tarra Conner Jones, White Girl in Danger, Vineyard Theatre and Second Stage Theater
  • Julia Lester, Into the Woods
  • WINNER: Alex Newell, Shucked
  • Daniel Radcliffe, Merrily We Roll Along, New York Theatre Workshop
  • Phillipa Soo, Into the Woods
  • Mare Winningham, A Man of No Importance, Classic Stage Company

Outstanding direction of a musical

  • Jeff Calhoun, Between the Lines
  • John Doyle, A Man of No Importance, Classic Stage Company
  • Maria Friedman, Merrily We Roll Along, New York Theatre Workshop
  • WINNER: Thomas Kail, Sweeney Todd
  • Jack O’Brien, Shucked

Outstanding choreography

  • Andy Blankenbuehler, Only Gold, MCC Theater
  • Tislarm Bouie, the bandaged place
  • Edgar Godineaux, The Harder They Come, The Public Theater
  • WINNER: Casey Nicholaw, Some Like it Hot
  • Susan Stroman, New York, New York
  • Jennifer Weber, KPOP

Outstanding music

  • WINNER: Brandy Clark and Shane McAnally, Shucked
  • Michael R. Jackson, White Girl in Danger, Vineyard Theatre and Second Stage Theater
  • Tom Kitt and AnnMarie Milazzo (vocal designer), Almost Famous
  • Elyssa Samsel and Kate Anderson, Between the Lines
  • The Kilbanes, Weightless, WP Theater

Outstanding lyrics

  • Brandy Clark and Shane McAnally, Shucked
  • Jonathan Hogue, Stranger Sings! The Parody Musical
  • Michael R. Jackson, White Girl in Danger, Vineyard Theatre and Second Stage Theater
  • Adam Schlesinger and Sarah Silverman, The Bedwetter, Atlantic Theater Company
  • WINNER: Scott Wittman and Marc Shaiman, Some Like it Hot

Outstanding book of a musical

  • Jonathan Hogue, Stranger Sings! The Parody Musical
  • Robert Horn, Shucked
  • WINNER: Matthew López and Amber Ruffin, Some Like it Hot
  • Marla Mindelle, Constantine Rousouli, and Tye Blue, Titanique
  • David West Read, & Juliet

Outstanding orchestrations

  • Bruce Coughlin, A Man of No Importance, Classic Stage Company
  • Jason Howland, Shucked
  • WINNER: Charlie Rosen and Bryan Carter, Some Like it Hot
  • Kenny Seymour, The Harder They Come, The Public Theater
  • Daryl Waters and Sam Davis, New York, New York

Outstanding scenic design of a musical

  • WINNER: Beowulf Boritt, New York, New York
  • David Korins, Only Gold, MCC Theater
  • Scott Pask, Shucked
  • Walt Spangler and Brendan McCann (production props), Stranger Sings! The Parody Musical
  • Michael Yeargan, Camelot

Outstanding costume design of a musical

  • WINNER: Gregg Barnes, Some Like it Hot
  • Tilly Grimes, Shucked
  • Jennifer Moeller, Camelot
  • Clint Ramos and Sophia Choi, KPOP
  • Anita Yavich, Only Gold, MCC Theater
  • Donna Zakowska, New York, New York

Outstanding lighting design of a musical

  • Ken Billington, New York, New York
  • Jeff Croiter, Only Gold, MCC Theater
  • Heather Gilbert, Parade
  • David Grill, Bob Fosse’s Dancin’
  • WINNER: Natasha Katz, Sweeney Todd

Outstanding sound design of a musical

  • Peter Hylenski, Almost Famous
  • WINNER: Scott Lehrer and Alex Neumann, Into the Woods
  • John Shivers, Shucked
  • Joanna Lynne Staub, Weightless, WP Theater
  • Jon Weston, Parade

Outstanding music in a play

  • Ben Edelman, Zane Pais, and Sinan Refik Zafar, Letters from Max, a ritual, Signature Theatre
  • Mauricio Escamilla, the bandaged place, Roundabout Theatre Company
  • WINNER: Suzan-Lori Parks, Plays for the Plague Year, The Public Theater
  • Ian Ross, Wuthering Heights, St. Ann’s Warehouse, Wise Children, National Theatre
  • Daniel Schlosberg, Montag, Soho Rep

10 First-Timers on Billboard’s Charts This Week: Ella Langley, Iam Tongi, Megan Danielle & More

Billboard has more than 200 different weekly charts in its menu, encompassing numerous genres and formats.

While established artists often compete for a spot on the Billboard Hot 100 songs chart and Billboard 200 albums ranking, which track the most popular songs and albums of the week, respectively, up-and-coming talents typically start off on genre-specific lists.

Here’s a look at 10 acts who appear on surveys for the first time on the June 3-dated charts.

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Ella Langley

The Alabama native and Nashville-based singer-songwriter, 24, reaches Billboard’s charts for the first time with her debut collection, Excuse the Mess. The eight-track set, released May 19 via SAWGOD Records/Columbia Records, debuts at No. 20 on the Heatseekers Albums chart with 2,000 copies sold through May 25, according to Luminate. The album includes a collaboration with Koe Wetzel, “That’s Why We Fight.” Langley has a slate of shows lined up through the end of the year, including dates opening for Jon Pardi’s Mr. Saturday Night World Tour. She’s previously supported Luke Combs, Randy Houser, Cody Johnson, Elle King and Scotty McCreery, among others.

Iam Tongi

The Hawaii-born Polynesian singer-songwriter (full name William Tongi), 18, and latest winner of ABC’s American Idol, scores his first Billboard chart appearances, thanks to two songs: “I’ll Be Seeing You” and, fittingly, a cover of ABBA’s “The Winner Takes It All.” The former, released May 19 via 19/BMG, debuts at No. 1 on Rock Digital Song Sales, and No. 3 on Digital Song Sales, with 11,000 downloads sold. It also starts at No. 19 on Hot Rock Songs and No. 23 on Hot Rock & Alternative Songs, bolstered by 996,000 U.S. streams. “Winner” debuts at No. 19 on Rock Digital Song Sales (2,000 sold). Tongi, who also arrives at No. 3 on the Emerging Artists chart, was crowned champion of Idol May 21. Also on the season finale, he teamed with James Blunt to perform a duet of the latter’s 2019 track “Monsters.” The performance sparked the original’s 925% vault to 10,000 sold and a No. 4 re-entry on Digital Song Sales.

Megan Danielle

Danielle, 20, from Douglasville, Ga., and runner-up on the latest season of American Idol, achieves her first chart entry with “Dream Girl.” The song, released May 19 via 19/BMG, opens at No. 11 on Country Digital Song Sales and No. 48 on Digital Song Sales with 2,000 downloads sold. Danielle performed it on the season finale of Idol May 21. She also performed covers of Keith Urban’s “God Whispered Your Name” and Journey’s “Faithfully” during the finale, along with a duet version with Lauren Daigle of her current hit “Thank God I Do.” Prior to Idol, Danielle, also new at No. 42 on the Emerging Artists chart, competed on the 18th season of NBC’s The Voice.

Colin Stough

Stough, 18, from Amory, Miss., and who placed third on the latest season of American Idol, hits Billboard’s charts with “I Still Talk to Jesus.” The track, released May 19 on 19/BMG, starts at No. 5 on Country Digital Song Sales and No. 18 on Digital Song Sales with 4,000 downloads sold. He also places at No. 24 on Country Digital Song Sales with his self-released original song “Bad Day” (1,000 sold). Stough performed covers of Keith Urban’s “Stupid Boy,” Chris Stapleton’s “Either Way” and, with Idol judge Luke Bryan, the Pointer Sisters’ “Slow Hand” on the competition’s season finale May 21. Stough also opens at No. 12 on the Emerging Artists chart.

Aron Luix

The 18-year-old Dominican-American urbano artist from New Jersey arrives with his new collaboration with CNCO, “Tu Me Elevas.” The song, released May 19 on Joch Entertainment/Serving Sound/WK Records, debuts at No. 22 on Latin Pop Airplay (176,000 audience impressions). In 2020, Luix released his first song on WK Records, “Inocente,” which was co-written by Maluma. Luix is slated to support CNCO on the group’s Última Cita Tour, which begins June 1.

Mathame

The Italian techno duo — comprised of brothers Amedeo and Matteo Giovanelli — makes its first Billboard chart appearance thanks to its new collaboration with Tiësto, “Feel Your Ghost.” The track, released May 19 through Astralwerks/Capitol Records, debuts at No. 22 on Hot Dance/Electronic Songs with 853,000 official U.S. streams in its opening week. The pair has also collaborated with CamelPhat, Diplo, Lost Frequencies, Moby and ZHU, among others.

The Murlocs

The Australian psychedelic-rock group from Melbourne tallies its first U.S. chart appearance, thanks to Its seventh LP, Calm Ya Farm. The set, released May 19 via ATO Records, arrives at No. 62 on Top Current Album Sales, with 1,000 copies sold in its first week. The band also debuts at No. 32 on the Emerging Artists chart. The act’s fifth LP, Bittersweet Demons, reached No. 6 on the Australia Albums chart in 2021. The Murlocs comprise Ambrose Kenny-Smith (vocals, harmonica, percussion, keys, guitar), Cal Shortal (guitar, vocals), Matt Blach (drums, vocals), Cook Craig (bass, guitar) and Tim Karmouche (keys, guitar, vocals). Craig is also a member of King Gizzard & The Lizard Wizard.

Mandy, Indiana

The Manchester, U.K.-based group arrives with its debut full-length LP, I’ve Seen a Way. Released May 19 on Fire Talk Records, the set opens at No. 92 on the Top Current Album Sales chart with 1,000 copies sold in its opening week. The band previously broke through with its 2021 five-song set titled simply … Mandy, Indiana (whose name was inspired by Gary, Ind.) comprised of Valentine Caulfield (vocals), Simon Catling (synths) and Alex MacDougall (drums).

CJ SO COOL

CJ SO COOL (real name Cordero James Brady), 34, notches his first ­Billboard chart hit as “Tired” debuts at No. 13 on Rap Digital Song Sales. The song, which he self-released in 2018, debuts with 1,000 downloads sold, having been used in over 25,000 clips on TikTok (tied to a meme spotlighting former NFL star Shannon Sharpe in which users tout a long-awaited accomplishment following a series of gaffes). CJ is also a popular YouTuber outside of music, known for recording viral prank videos. His most recent release on streaming services, “Royalty Baby Daddy Diss,” arrived in May 2021.

Bankroll

The Afrobeats/dancehall artist scores his first Billboard chart placement, as “No Love” with Zoey Dollaz debuts at No. 15 on World Digital Song Sales. The track, released in November via ZLE Records, is Bankroll’s first release on streaming services.

Afrobeats Fresh Picks of the Month: Tyla x Ayra Starr, Teni, Kwesi Arthur, Kizz Daniel & More

It’s come to the end of May, which can only mean one thing: Summertime has arrived. And with it, we have a new crop of songs by a slew of African artists that are set to dominate playlists across several continents for the next few months.

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Whether it’s amapiano, Afropop, R&B, neo-soul, highlife or just uncategorizably beautiful music, there’s more that’s come out this month that we could include here. But to try to help you cut through that flood of feel-good vibes, there are a few songs that have particularly caught our ears — by the likes of Teni, Tyla & Ayra Starr, Asake & Olamide, Kizz Daniel, Kwesi Arthur and Oxlade & Flavour.

We’ve highlighted 10 of our favorite new Afrobeats (and related) songs that have come out roughly within the last month. Check out our latest Fresh Picks, and catch a vibe with us by listening to our Spotify playlist below.

Tyla & Ayra Starr, “Girl Next Door” 

Africa’s Gen-Z It-girls Tyla and Ayra Starr come together to caution their wandering lovers not to leave them for the “Girl Next Door” in their first collaboration. Both artists somehow keep their cool, as Tyla touts her many options and Ayra warns, “And you know I won’t waste no time/ I can have another you by 9.” But their passionate plea in the repeating chorus (“Don’t you leave me for the girl next door, girl next door”) revs up the sizzling amapiano-meets-R&B beat (courtesy of producer P.Priime) that’s prime for getting any party started this summer.  

Tay Iwar & Twelve XII, “Undercover Lover” 

Tay Iwar injects his silver-tongued, neo-soul sound into “Undercover Lover,” which finds him and fellow Nigerian artist Twelve XII detailing their dalliance with a beautiful woman. Lyrics like “Somethin’ good for the moment/ Just for the moment” and “Her personality no matter at all/ ‘Cause she’s lookin’ so fine” make it crystal clear they’re not looking for anything serious, and the groovy, atmospheric production further emphasizes the chill vibes.  

Teni, “No Days Off”   

Teni has taken “No Days Off,” as evident by her latest single. The Nigerian artist raps about her homies (Tobi, Bunmi, Brenda and Wale), hometowns (Lagos and Atlanta) and everything else in her life that she’s had to leave to the sidelines for her career. In a press release, Teni explains that “No Days Off” started as a freestyle and “was made everywhere in the world – that’s why it really is called ‘No Days Off.’ It was made in Lagos, it was made in LA, some parts of it were also made in Cape Town.” She invites listeners to her own world by enveloping them in a kaleidoscopic sound comprised of airy synth melodies and frenetic Afropop percussion that will have anyone yelling, “Motherf–ker, will you come on play that sh– back!” by the end of the track.  

Asake & Olamide, “Amapiano”  

Asake links up with his YBNL Nation boss Olamide on this scorching “Amapiano” club banger. He salutes the South African house genre for being a “big vibe” while adding his own spin to it, from the lively violin and saxophone to the larger-than-life crowd vocals. Meanwhile, Olamide flexes his mesmerizing flow when he raps, “One thing I know, I’m happy I know/ Amapiano, all of my P I know.” “Amapiano” will accompany Asake’s previously released singles “Yoga” and “2:30” on his upcoming sophomore album, Work of Art, due June 16 via YBNL Nation and EMPIRE.  

Nonso Amadi, “Paper”

Amadi reflects on his personal and artistic growth “from seeds to a flower, uncoiling naturally for you,” according to a press release, on his debut album When It Blooms. On the highlight track “Paper,” the Canadian-based Nigerian singer makes the case for why he deserves a bigger bag. And regardless of renowned Nigerian producer London’s scintillating, playful percussion, Amadi’s clearly not playing when it comes to his paper as he sings, “Tell me why the hell you calling/ I don’t wanna know what you’re talking/ When I see the cash am all in.”

Iyanya & BNXN, “Sinner”

A seductive song in both lyric and feel, this collab between Iyanya and BNXN has an alluring aspect to it that is hard to get out of your head — and a falsetto hook that is somehow even more of an earworm than the verses, perfect for a late night vibe that still keeps you moving. Also check out BNXN’s single “Pray” — its choral and orchestral feel fills the soul, and it just barely missed out on inclusion here.

Oxlade & Flavour, “OVAMI”

Oxlade already landed a huge hit this year with “Ku Lo Sa,” and “OVAMI” is in a similar vein, with his soulful vocals soaring above the production. Bringing in veteran vocalist Flavour to add a different element to the second verse was another smart move; Flavour had another great song in the last two years with “Levels,” and he fits in seamlessly here. Essentially a love song, it transcends with its irresistible melodies.

Kwesi Arthur, “Penny”

This one from the Ghanaian rapper is a laid back groove about the come up, thinking back to the days when he didn’t have any cash and now looking around and realizing that not only are those distant memories, but that there isn’t really a limit to how far things can go. What makes this one stand out is that the sentiment doesn’t feel flamboyant or boastful, but more matter-of-fact — this is going to happen, but let’s just keep in mind how far we’ve come.

King Promise, “Terminator”

An ode to finding peace in life — despite what the title may imply — “Terminator” is a melting pot of styles and languages, with a simple overriding message clearly articulated in the second verse: “And my happiness comes first/ I never come life to stress, yeah.” The Ghanaian nails the mix of production and lyricism that gets the feel across almost effortlessly — that being the goal, in the end, of course.

Kizz Daniel, “Shu-Peru”

The perennially upbeat Nigerian Afropop singer came through with another fun groove for the summertime, flipping Salt-N-Pepa’s “Shoop” in the process. As a thesis statement for an artist, does it get more appropriate than Kizz singing: “We are the happy people / We are the world”? It fits him perfectly.

Vanessa Hudgens & Fiancé Cole Tucker Perform Adorable Jennifer Lopez Karaoke Duet: Watch

Vanessa Hudgens is in love, for real. In a recent Instagram video, the star gave fans a glimpse into a fun karaoke night with friends, during which she and fiancé Cole Tucker performed an adorable duet of Jennifer Lopez and Ja Rule‘s 2001 hit “I’m Real.”

The video was posted Wednesday (May 31), although it looks like it may have been filmed around Christmas time. The garage in which Hudgens’ get-together took place is decked out with colorful lights, as are the nearby houses. And, while singing into a handheld microphone, the High School Musical actress looks chic in a heavy winter coat.

As their pals cheer them on, Tucker tackles Ja Rule’s lyrics — “Tired of being alone?/ Sick of arguing on the phone?” — while Hudgens performs Lopez’s lead vocals. “And when I’m feeling sexy/ Who’s going to comfort me?”

“Because im obsessed w me [sic] fiancé and WE’RE REAL,” she captioned the video.

The 34-year-old Spring Breakers star has been dating the 26-year-old baseball player since late 2020 after meeting in a Zoom meditation class, after which Hudgens confessed to having “fully just slid into his DMs.” The pair confirmed their engagement in February this year, with Hudgens posting photos of her ring and writing, “YES. We couldn’t be happier,” on Instagram.

On Valentine’s Day, Hudgens — who was previously linked to Elvis star Austin Butler for nearly a decade — wrote, “What a journey it was to get here but so worth it to get to my forever @cotuck ?.”

See Vanessa Hudgens and Cole Tucker’s karaoke video below.

‘Ted Lasso’ Signs Off With a Little Help From Ed Sheeran Original ‘A Beautiful Game’

Like Ted Lasso, Ed Sheeran is expert at shooting a laser-guided missile straight through your heart. On Wednesday (May 31) the the singer and the Apple TV+ series finally joined forces for a perfectly dramatic, tearjerker collab celebrating the finale of the pandemic breakout hit’s third season.

The episode features a sweeping ballad written by football-mad singer Sheeran entitled, “A Beautiful Game,” in which he waxes nostalgic about beginnings, endings and the triumph of love.

“Though we’ve not reached the end/ We should take some time apart/ Leave here with no regrets/ Knowing we gave our all,” Sheeran sings in the first verse of the tune that appears to point to a definitive end to the Jason Sudekis-led show about a scrappy soccer club that climbs from the depths to the heights thanks to Coach Lasso’s folksy wisdom, unorthodox style and a healthy dose of believe-in-yourself magic.

And while neither Apple nor Sudekis have given a definitive answer about Ted, or the show’s, future, Sheeran’s chorus has the feeling of a bittersweet farewell. “Out of the embers we’ll rise from the ashes/ Write in the stars with our names/ That we are here/ We are bruised, we are damaged/ But the joy was worth the pain/ Wooh, love’s a beautiful game.”Sheeran teased the new song on Tuesday night (May 30) in an Instagram video in which he revealed that he’d been asked to write it more than a year ago.

“I recorded bits of it whilst on tour using crowds from the stadiums that I’ve been playing, and I’m super, super, super proud of it,” Sheeran said. “I love the show. I’ve loved working on this song. I hope you enjoy it — just a bit of fun. Football!”

Listen to “A Beautiful Game” and watch Sheeran’s video below.

The Weeknd Teases New Madonna & Playboi Carti Single for ‘The Idol’ Soundtrack

With just less than a week to go before The Idol premieres on Max, The Weeknd is turning up the promotional heat. On Wednesday (May 31), the “Blinding Lights” singer announced that the accompanying soundtrack for the Sam Levinson-directed drama series would be available for pre-order alongside a new single on June 2.

Titled “Popular,” the new single from The Idol, Vol. 1 features Madonna and Playboi Carti. The new single serves as the first musical release of 2023 for both Madonna and Playboi Carti. “Popular” follows the Future-assisted “Double Fantasy” as the second taste of The Idol soundtrack. Originally released on April 21 as the lead single from the soundtrack, “Double Fantasy” has since peaked at No. 18 on the Billboard Hot 100.

Starring Abel “The Weeknd” Tesfaye, Lily-Rose Depp, Troye Sivan, Jennie Ruby Jane, Moses Sumney and Mike Dean, The Idol explores the dark intersection of popular music, celebrity culture, drugs, sex and contemporary cult aesthetics. The embattled and already controversial series received a standard five-minute standing ovation at the 2023 Cannes Film Festival, and at press time has a score of 25% on Rotten Tomatoes. The Idol marks The Weeknd’s first proper television role, and he is also a credited writer, co-creator and executive producer of the series.

The Weeknd has been a mainstay on the Hot 100 in 2023. This year, he notched a pair of top 10 hits in the No. 3-peaking “Creepin’” (with Metro Boomin and 21 Savage) and “Die for You,” an Ariana Grande-assisted remix of his runaway 2016 hit, which became the seventh chart-topper for both artists. The “Save Your Tears” singer has earned 16 top 10 hits on the Hot 100, and he has sent four titles to the top of the Billboard 200 including Grammy-winning albums such as Beauty Behind the Madness and Starboy.

See The Weeknd’s announcement of the Playboi Carti and Madonna single below: