Music News

Lily-Rose Depp Loves ‘SNL’ Star Chloe Fineman’s Smoking Hot Impression of Her ‘The Idol’ Character

If imitation is truly the sincerest form of flattery, then Lily-Rose Depp is loving everything Chloe Fineman is doing. The star of the controversial HBO music biz drama The Idol proclaimed herself a big fan of the master SNL impressionist’s take on the series’ chain-smoking, micro-bikini-wearing protagonist, Jocelyn after Fineman posted a killer clip sending up the show’s dark vibe.

“I’m loling ???? ….. and ur makeup looks bomb,” Depp wrote in comments on a clip Fineman posted on Thursday (June 8) in which she mocks Jocelyn’s copious cig-smoking habit and the (spoiler alert) final image from the pilot of the troubled pop star’s head enveloped inside a red scarf.

“My audition for THE IDOL (must have got lost in the mail),” Fineman captioned the clip she made in the midst of the Hollywood writer’s strike that has put SNL — and everything scripted in TV and movies — on ice. “Music should sound like a slut, or a whore,” Fineman says in her finest disaffected vaguely Valley Girl accent as Jocelyn while puffing on four skinny cigarettes and wearing a frilly red robe in a sharp send-up of the show’s firmly male-gaze vibe.

“Anyway, I met this guy last night, his name is Tedros… he was dressed in a bat cave, but I think he’s gonna, like, change my career,” Chloe-as-Jocelyn confesses about The Weeknd‘s (who now goes by his given name, Abel Tesfaye) creepy, duster-wearing cult-leader character in the HBO series that debuted last weekend.

In a brilliant spoof of the final scene from episode one — in which Tedros convinces Jocelyn to put a red scarf over her head, secured by tying a belt around her neck as a prompt to find her truest, sexiest voice — the mock Tedros says, “now sing like you can f–k!”

That’s all the motivation Fineman needs to belt Cher’s “Believe,” while polishing off four more smokes and doubling down on the Tedros’ mandatory sex quotient, saying, “music should sound like it’s poly, or bi… like music doesn’t have a gender, it just f–ks, you know?” She then screeches Natasha Bedingfield’s “Pocket Full of Sunshine” and Jewel’s “Hands” from beneath the scarf before slipping into something way less comfortable — Jocelyn’s barely-there bikini — for a hilarious run through the choreo for “the song I hate.”

As promised, Tesfaye — a co-creator of the series — dropped two more songs from its soundtrack on Friday (June 9), Jocelyn’s vapid-on-purpose, good-girl-gone-freaky single “World Class Sinner/I’m a Freak” (aka the song she “hates”) and the ominous score piece “The Lure.”

Those songs follow on the heels of “Double Fantasy,” featuring Future and produced by Mike Dean and “Popular,” featuring Madonna and Playboi Carti.

Watch Fineman’s video and listen to the songs below.

Matchbox Twenty’s ‘Light’ Shines in Top 10 on Album Sales Chart

Matchbox Twenty returns with its first studio album in a decade, as Where the Light Goes debuts at No. 2 on Billboard’s Top Album Sales chart (dated June 10). The set marks the group’s sixth top 10-charting effort on the tally and its second-highest charting title ever, second only to the No. 1 North (the band’s last studio set) in 2013.

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Light bows with 12,000 copies sold in the United States in the week ending June 1, according to Luminate.

Also in the top 10 of the new Top Album Sales chart, Taylor Swift’s Midnights rushes 10-1, logging its 14th nonconsecutive week atop the list after new deluxe editions and a color vinyl variant of the album were released. Midnights sold 196,000 copies in the week ending June 1 (up 1,529%) – the largest sales week of 2023. With a 14th week at No. 1, Midnights surpasses the Frozen soundtrack (13 weeks at No. 1 in 2014) for the most weeks atop the chart since Adele’s 21 spent 24 nonconsecutive weeks at No. 1 in 2011-12.

Plus, the soundtrack to the live-action The Little Mermaid film swims 41-6 on Top Album Sales (9,000; up 172%).

Billboard’s Top Album Sales chart ranks the top-selling albums of the week based only on traditional album sales. The chart’s history dates back to May 25, 1991, the first week Billboard began tabulating charts with electronically monitored piece count information from SoundScan, now Luminate. Pure album sales were the sole measurement utilized by the Billboard 200 albums chart through the list dated Dec. 6, 2014, after which that chart switched to a methodology that blends album sales with track equivalent album units and streaming equivalent album units. For all chart news, follow @billboard and @billboardcharts on both Twitter and Instagram.

SEVENTEEN’s former No. 1 SEVENTEEN 10th Mini Album: FML rises 5-3 (12,000; down 26%), the Guardians of the Galaxy, Vol. 3: Awesome Mix Vol. 3 climbs 9-4 (10,000; down 15%), SZA’s SOS falls 3-5 (10,000; down 65%), LE SSERAFIM’s Unforgiven jumps 12-7 (9,000; down 3%), TOMORROW X TOGETHER’s The Name Chapter: Temptation bumps 15-8 (8,000; up 1%), Ed Sheeran’s chart-topping (Subtract) ascends 13-9 (7,000; down 25%) and (G)I-DLE’s I Feel falls 7-10 (nearly 7,000; down 59%).

In the week ending June 1, there were 1.802 million albums sold in the U.S. (up 0.3% compared to the previous week). Of that sum, physical albums (CDs, vinyl LPs, cassettes, etc.) comprised 1.358 million (down 5.4%) and digital albums comprised 443,000 (up 23.5%).

There were 602,000 CD albums sold in the week ending June 1 (down 3.6% week-over-week) and 747,000 vinyl albums sold (down 6.5%). Year-to-date CD album sales stand at 14.520 million (up 4.1% compared to the same time frame a year ago) and year-to-date vinyl album sales total 20.335 million (up 24.7%).

Overall year-to-date album sales total 42.929 million (up 9.1% compared to the same year-to-date time frame a year ago). Year-to-date physical album sales stand at 35.084 million (up 15.1%) and digital album sales total 7.846 million (down 11.5%).

Niall Horan’s ‘The Show’ Has Arrived: Stream It Now

Niall Horan is welcoming you to The Show. The crooner unveiled his much-anticipated third studio album on Friday (June 9).

“This album is a piece of work I’m so proud of and now it’s time to pass it over to you to go and make it your own,” Horan wrote on Instagram when announcing the album back in February. “Thank you so much for being there for me all this time and I can’t wait to share the next couple of years of this new era with you. I’ve missed you all so much. It’s good to be back.”

The 10-track album features previously released singles “Heaven” and “Meltdown,” as well as new tracks including “You Could Start a Cult,” “Must Be Love” and “Science.” The Show follows the former One Direction star’s sophomore album Heartbreak Weather in 2020.

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In addition to his win as coach on season 23 of The Voice, Horan revealed that he’s heading out on tour in support of The Show in 2024. The Show Live On Tour will kick off in Belfast, Ireland, on Feb. 21, and will continue throughout the U.K. and Europe until March 27. Horan will then head over to Australia and New Zealand before heading to the U.S. on May 29, starting with a stop in Hollywood, Fla. Horan will make his way through gigs in Philadelphia, New York, Nashville, Toronto and more cities before concluding the tour in Phoenix on July 31.

Listen to The Show in full below.

BTS Unveils New Single ‘Take Two’: Stream It Now

BTS is celebrating 10 years since their debut with a gift to fans.

The superstar group unveiled their newest single, “Take Two,” on Friday (June 9), which is a nod to BTS’ “second chapter” and an “ode to their fans,” affectionately called ARMY, according to a statement from HYBE.

Before the song was even released, “Take Two” topped Billboard’s Hot Trending Songs chart, ruling the June 10-dated list despite not yet being available commercially. The song marks the group’s fourth No. 1 on Hot Trending Songs since its 2021 inception and BTS’ first since “Yet to Come” in June 2022. “Take Two” is also BTS’ second song of 2023 as a group, following “The Planet,” which appeared on multiple Billboard charts dated May 27, including Digital Song Sales, where it bowed at No. 6.

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“Take Two” comes just a week before BTS 10th Anniversary FESTA is set to take place on June 17 in Seoul, South Korea. The event celebrating the date of the group’s debut (June 13, 2013) at Yeouido, Seoul, will be open to the public. Beyond their success as a group, it’s been an exciting few years for the BTS boys individually as well, as all seven members of have now scored solo hits on the Billboard Hot 100.

Listen to BTS’ “Take Two” below.

Sam Smith & Madonna Bring the Heat on Steamy New Single ‘Vulgar’: Stream It Now

When introducing Sam Smith and Kim Petras at the 2023 Grammys, pop icon Madonna offered a thought to the audience watching at home: “If they call you shocking, scandalous, troublesome, problematic, provocative or dangerous, you are definitely on to something.” 

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The “something” that Madonna is now “on to” is a new song with Sam Smith. “Vulgar,” out now (Friday, June 9) via Capitol Records, is a pulsating dance anthem aimed at taking back the titular adjective for your own pleasure. Each of the pair offers their own breathless, spoken-word interpretations of fierce indulgence of the song’s verses, with Smith proudly proclaiming that “you know you’re beautiful when they call you ‘vulgar.’”

On the track’s chaotic chorus, the bass and beat picks up as a swirl of strings play an entrancing melody to lure listeners even further in. As if to accentuate the point, as the song comes to a close, Madonna accosts the listener: “Do you know how to spell my name? B-I-T-C-H,” she snarls. “Go f–k yourself, you heard me, b—h, say our f–king names!”

“Vulgar” comes after a few weeks of teasing from the pair. Smith first teased the team-up in a social media clip, with the pair each chanting “Sam and Madonna” over and over again. In announcing the single last week, the duo offered some new branding for their team-up, restyling their names together simply as “S&M.”

Both Smith and Madonna are currently ramping up their live schedules; after finishing up the European leg of their Gloria Tour, Smith is bringing their show stateside starting on July 25. Meanwhile, Madonna’s long-awaited Celebration Tour is set to kick off this summer, starting at Rogers Arena in Vancouver, B.C., on July 15.

Stream Sam Smith and Madonna’s “Vulgar” below:

Takeoff’s Mother Sues Owners of Venue Where Migos Member Was Killed

Seven months after Migos rapper Takeoff was shot to death in a Texas bowling alley, his mother, Titania Davenport, has filed a wrongful death suit against the venue.

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Davenport filed the lawsuit on Wednesday (June 7) against the bowling alley’s property owners as well as several LLCs connected to the business. The complaint alleges that despite being notified of the private party where Takeoff (born Kirsnick Khari Tiquon Ball) was shot prior to it taking place on Oct. 31, 2022, the defendants “failed to provide proper and adequate security for the event.”

“Defendants breached their duty owed to Kirsnick Khari Tiquon Ball by failing to exercise ordinary care to keep the premises safe,” the lawsuit states. It continues that the venue was rented by the family of music executive J. Prince for an “after hours” event “with potentially many artists, popular athletes and public figures [in attendance].”

Takeoff died at the downtown Houston venue around 2:50 a.m. on Nov. 1, when investigators said someone started shooting, causing guests to flee the area. During the melee, Takeoff was shot in the head or neck by a “stray bullet,” according to his record label Quality Control Music. Takeoff’s uncle Quavo, also a member of Migos, was with his nephew when the tragedy took place and was heard in video footage pleading for help. Takeoff was pronounced dead at the scene.

The suit points to alleged negligence on the part of the defendants, claiming they “provided no screening mechanisms, no after-hour controls or security measures, and no enforcement of rules or industry standards to deter crime against their invitees.”

“As a proximate and foreseeable result of Defendants’ negligence, Kirsnick Khari Tiquon
Ball sustained catastrophic personal injuries, endured conscious pain and suffering, experienced mental anguish, became aware of his impending death, wrongfully died, and suffered other damages as will be proven at trial,” the complaint continues.

In total, the lawsuit refers to 18 separate instances of alleged negligence, including not providing “adequate and appropriate security personnel” and “negligently misrepresenting to invitees that the property was safe.”

Davenport, who is listed on the complaint as the administrator of Takeoff’s estate, is seeking at least $1 million.

Representatives for defendants 810 Billiards & Bowling, LVA4Houston Greenstreet, Lionstone Partners, Midway Companies and Cushman & Wakefield of Texas did not immediately respond to Billboard‘s requests for comment.

Kang Daniel Talks English Single ‘Wasteland,’ World Tour Reflections Ahead of Summer Album

Kang Daniel‘s last trip to the U.S. took place in February 2020, just as COVID-19 concerns were truly taking hold worldwide and would soon put live-music experiences on hold for the foreseeable future. The K-pop superstar was preparing the second EP of his solo career—one of his four color-themed EPs he released from 2019-2021—sharing that there was “so much [he] prepared this year to show people.” Even if a global pandemic slowed travel, it didn’t affect the star’s ambition. 

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Daniel pushed on into more music, acting and hosting these past years while balancing duties as CEO of his KONNECT Entertainment. Only in 2023 was he able to finally come back stateside with a show that finally saw his long-awaited concert dreams coming true.

“It might sound a little silly, but when you lose something you understand how precious it is, right?” Daniel says during some downtime after touring the Empire State Building in New York. “For me, it was the performances and my shows. I really wanted to do a tour and I really wanted to get to my fans overseas.”

After releasing his first full-length album, The Story, and touring it through North America, Europe and Asia on his First Parade world tour, Daniel kickstarted a new era with the surprise, Mad Max-esque “Prequel” trailer that showcased a cinematic story as a backdrop to the K-pop star’s upcoming album. Combining his music with an epic, blockbuster production is another example of the ambitious, multifaceted artist he strives to not only be in the K-pop industry but recognized as such around the world.

“There’s a long history of pop culture and such diverse performances and shows in the U.S.,” he explains. “Everybody knows it all over the world. I want to be recognized as an artist through my shows in the U.S.”

After finally bringing his shows to America and beyond, Kang Daniel’s forthcoming album REALIEZ drops on June 19. Led by his first original English solo single, “Wasteland,” and its intensely eerie “Music Sequence” visual, the superstar’s ambition and goals seem on track to be recognized by his biggest audience ever. Read on for more from Kang Daniel on “Wasteland,” his reflections from his world tour, his personal advice and more.

Congratulations on the release of “Wasteland” ahead of your REALIEZ album. Why was this the right song to start your new era?

I think “Wasteland” is a song that expresses the betrayal of a firm faith and the moment of realizing it. The lyrics are all in English, signaling the beginning of a new narrative to more people and it seems that people can be more immersed in the cinematic concept, so it was released as a pre-release single.

This is your first music since your First Parade world tour that hit Europe, the U.K and U.S. Going back for a moment, tell me about your mindset when you were touring the States for the first time as a soloist?

The most important thought I had was, “I must do a show.” In my career as an artist, the most important part is being on the stage because that’s where I belong, that’s where I have the most fun and I want to share that with my fans. So, I’m very excited to have been in the US, we visited a lot of cities across the nation and it required a lot of preparation internally and for my stages as well. And it’s not only about the tour, but I get to explore these new cities and I get inspiration from that.

Do you like exploring the different cities or do you need to rest at hotels during touring?

I love to explore new places. For example, after checking into the hotel [in New York], I just went out by myself—went to a local restaurant and had dinner. Nowadays, I’m really into workouts so the gym is where I spend most of my time. So it’s like, “Okay: explore then workout.” Balance.

The tour centers around your first full-length album, The Story. Before officially moving from that era to REALIEZ, how do you reflect on such a significant project?

I think: “Finally, I was able to publish my first full-length album.” You know, it’s something we can hold onto as an artist; it’s a lifetime experience. For some artists, it might take, like, up to 10 years, right? But for me, since my debut, since I started collecting the music even, I really wanted to do, and just the fact that I was able to have my own [full-length] album in my lifetime was meaningful enough. 

A title like “The Story” reaches very wide. What does it mean to you and does it still hold the same meaning as when you first titled the album?

When I had to come up with a title, I had a lot of pressure and I had to give a lot of thought to it because it’s almost like a collection of different dramas, with various genres, like, “How am I supposed to put everything into one word?” And in terms of genres, we describe it as “various,” but we can also say it’s kind of all over the place at the same time. So I just thought, “Okay, so far the life I’ve lived, and the music I’ve listened to, and it all comes into the word ‘story.’” it’s the story that I can share with my other fans and it’s just another story I can share with everybody and I story that I can love. And that meaning has stayed true even now. 

There are some great lyrics to songs you wrote for The Story. “Parade” feels like a mature and empowered mindset behind it. What’s the s sentiment behind these lyrics?

So, you mentioned the word mindset and I just wanted to express [myself], not in an overly expressive manner but calmly. I mean, people might think I have a special life just because I’m an artist but I’m just a human being like other people, you know? So, rather than working so hard to come up with “cool lyrics,” I just wanted to be honest with my feelings.

People can work all through the night and when you see the sunrise, you know, “Oh, yes, I’ve worked really hard,” and then you go back home. That’s the feeling that I wanted to share.

That’s your vibe, I think—larger than life on stage or on camera but humble and friendly in person. So, what’s the meaning behind a song like “Loser” where you’re almost speaking to yourself like a main character in a movie?

When I was young, I didn’t have a lot of friends, and once you fight with one of your closest friends, you don’t have anyone else to play with, you know what I mean? You can play with other friends, but they’re not the same. Even if you go to the playground or play games, something is missing. So, in the song, I am the main character per se, and I wanted to look back at it as an adult. Childhood is also still part of your story.

The lyrics in “How We Live” featuring sokodomo are really powerful. Where or from what experience did that inspiration come? 

Beer pong. [Laughs] So, the behind-the-scenes story is kind of based on conversations I had that night over drinks had with friends You know, if you’re watching people play beer pong at an Irish bar—some people are drunk, some are throwing up, but they’re all ultimately fine and it’s just their life. But I think the story’s point is that I fell asleep while my friends were drinking, but I woke up because they were so loud. I was like, “Hey, stop…” and they told me, “It’s not that bad, just have your drink.” Just trust yourself; trust your situation.

“Parade” was the name of the world tour, and to me is like an anthem for all individuals, freaks, losers, all kinds of people. You say, “Leave us alone and we’ll be fine.” Was that the idea you wanted to base the tour around? 

The lyrics of “Parade” have a deep connection to my life. For me, happiness is the most important, and work, money and life are all separate. But in Asia, and especially Korea, everyone is overworked—I have to overwork myself too sometimes—and it’s not like you get paid overtime. There’s not really overtime [in Korea] but there’s so much pressure. So, you have to finish your work even if they don’t pay you extra and sometimes I’m like, “What the heck? You know what, it’s not that important.” It’s my life and it’s not my life to just work…happiness is what’s important and rather than trying to convince people by a basic message, I just wanted to give them a suggestion. So how about this [“Parade” theme]? That’s why the music video is in an office.

You re-released the album as The Story : RETOLD with the new single “Nirvana.” What does that word mean to you?

Kurt Cobain. [Laughs] Yeah, Kurt Cobain because Nirvana is one of my favorite rock bands. When I was working on the track, I tried other words on the topline, but nothing really worked out. And “Nirvana” really fit well. But once I said, “Okay, this is going to be the title” then I finished the rest of the song.

What’s your favorite Nirvana song? 

“Smells Like Teen Spirit.” Classic.

You’ve done a lot of great collaborations recently: Jessi, pH-1, Chancellor, 220 KID and Willim. What do you look for in a collaborator these days?

I guess you are kind of asking about the motivation, but I’m not really sure. It’s not about the outcome that I’m looking for, but I just enjoy the process—it’s fun. For example, Jesse, I, her let’s together, you know, and K one was recommended by the team. And then I was like, “Okay, it’s a good fit and I wanted to give it a try.” So, in terms of collaboration, the most important thing is that I need to have fun. Yeah. And when I’m having fun, the song comes out really nice. So, I’m not looking to have a big plan of “I’m gonna show this part” or “I want to do this concept with this person,” it’s the fun during the process and the song itself.

You’ve also been doing so many things beyond music lately, like acting, your first Japanese release, and hosting shows as the MC. Was there any big lesson you took from the opportunities?

Actually, I learned a lot from those experiences, so it’s not possible to take one word or lesson to describe what I learned, but I think the main keywords are about diversity within myself. Take, for example, this table, I only used to see the top part of it, but now I can also see the legs and the other parts of it. So I can apply that to my music. I was working on my new album and it was really fun. I haven’t said this yet, but I think a lot of people are really going to like it.

What can you tell us about the new album REALIEZ that we haven’t seen yet through “Wasteland”?

The album is about the process of realizing the truth hidden in lies on the theme of a dystopian world in a cinematic form. There are a total five songs, including “Wasteland,” in this album and it’s a story of gaining enlightenment through uncovering truth from lies and a story about the realization to face our whole self. Depending on the listener, different endings can be imagined, so, I’m looking forward to it.

Your KONNECT Entertainment has grown greatly since you last visited America with several great artists signed. I always ask K-pop company CEOs if they have professional plans or any reflections on their artists.

So, I don’t take care of their schedules, but when they need help, I try to set up a separate meeting with them so that I can refer somebody they need or make sure they have better connections. I’ve been having planning conversations with different companies and collaborators, some that are unexpected.

To wrap up, I always really admire your mindset, and you seem in a good place right now. Do you have any words for those who may be having a tough time or how to keep yourself physically, mentally and emotionally healthy?

Oh, thank you. Emotionally, let’s say, we don’t really know what’s behind the door until we open it. I’ve been in that place in my dark times and, actually, what scares us is not what’s behind the door, but it’s the action we have to take to open the door, you know? Because once we open it, there’s nothing really scary or severe. And I really hope it’s the same for everybody else, but happiness is ultimately most important, and that’s what I want to share most.

Killer Mike Talks Getting Personal on ‘Michael,’ Growth of Atlanta Rappers & More | Billboard News

Killer Mike stopped by Billboard News to talk about creating Michael — his most personal album yet — the start of his career, Atlanta rappers such as Latto and Lil Baby, his thoughts on Georgia politics and more!

Killer Mike:
Run the Jewels is the X-Men, right? It’s us as a group — me, El-P, Trackstar. We have this world that’s the uncanny X-Men. Well in my character, you get the superhero of Killer Mike. But there’s still this story that this 9-year-old kid is just a regular human kid.

Hey, what’s up? This is Killer Mike, and this is Billboard News.

Tetris Kelly:
It’s Tetris with Billboard News, hanging out with Grammy-winning rapper Killer Mike. Man, what’s up?

Killer Mike:
Man, trying to get back to more Grammys, man.

Tetris Kelly:
Hey, I like to hear that. I actually think this is the first time I’ve had another Georgia brother on the couch, man.

Killer Mike:
Red Clay brothers, man. Good to be here.

Tetris Kelly:
There we go. I’m happy to have you. We’re gonna get back to Georgia. But let’s jump into this music, right now.

Killer Mike:
Let’s do it, let’s do it!

Tetris Kelly:
So Michael, the album, obviously naming the album that, you know, it’s got to be really personal for you. So why did you decide to name it Michael?

Killer Mike:
It really is. If you look at the cover, it’s a bucktoothed little kid with a halo and some horns popping out. And that really is the spirit of that record. At 9 years old, when I did that school picture, I decided I was going to be a rapper. And there’s something about a kid’s imagination, once he says you can do it, it’s not impossible. But this record is about a 9-year-old Black boy, essentially, grows up in an all-Black enclave in Atlanta, Ga., which is a Black city, in the Deep South. And he blossoms and he and the city and this music all grew up together. And it’s that journey.

So there’s deeply personal records on there like “Shed Tears” that talks about, you know, as a man, you’re going to endure some hardships and pains. And the women who love you — whether it’s your mother, your wife, your lover, your daughters — people cheer for you and sometimes you just got to go in the bathroom and shake yourself up. Let a few tears flow and then go out and conquer the world.

I just wanted people to understand that the superhero Killer Mike created an image of his 9-year-old boy, it was really started by this 9-year-old boy named Michael.

Watch the video above to see what else Killer Mike shares about his new album, the rise of Atlana rappers and more.

Cardi B Pairs Cut-Out Swimsuit With Colorful Hairstyle in New Photos

Cardi B is welcoming summer with her first swimsuit of the season.

The “I Like It” rapper took to Instagram on Thursday (June 8) to show off a sleek white one-piece swimsuit with cut outs on the sides. She paired the look with pink strappy heels and long blonde locks stamped with colorful crosses. “LET ME POP IT OFF,” she captioned the post, before tagging her hair stylist Tokyo Stylez and her makeup artist Erika La’ Pearl.

Cardi is clearly gearing up for a sizzling summer, as she recently teased some exciting things on the way. “You guys can expect a lot from me this summer,” she told Rolling Stone, which added that Cardi was specifically referring to music and other projects. “I promise,” she added.

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New music from the Grammy-winning rapper would be her first proper release since July 2022, when she dropped “Hot S—” with Kanye West and Lil Durk. Last year she also guested on songs by Rosalia, GloRilla and Summer Walker. However, it’s been five years since Cardi unveiled a full-length LP, her debut album Invasion of Privacy which was released in 2018.

Since then, she’s topped the Billboard Hot 100 with two songs: 2020’s “WAP” with Megan Thee Stallion and “Up.”

See her new swimsuit snap below.

Kelis Is Reportedly Dating Bill Murray & Twitter Is So Confused

Kelis’ milkshake brought Bill Murray to the yard.

The 43-year-old “Milkshake” star is dating the 72-year-old Ghostbusters actor, according to a report by The Sun. While the duo have yet to confirm their romance publicly, Murray was spotted watching Kelis’ set at Mighty Hoopla festival in London last weekend and the duo even posed for a photo backstage.

Kelis was previously married to Nas, though their marriage ended in 2009. In 2018, she alleged that he was physically abusive toward her during their five-year marriage, which Nas has since denied. Kelis’ second husband, Mike Mora, died of stomach cancer in March 2022.

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Murray, meanwhile, was married to Margaret Kelly from 1981 to 1996, and later to Jennifer Butler from 1997 to 2008. Butler died suddenly at age 57 in 2021.

Following reports of the unlikely budding romance, fans took to Twitter with all types of reactions, from confusion to memes. See below for some of the best reactions.