Music News

Kanii’s ‘Exiit’ Enters Top Dance/Electronic Albums Chart in Top 10

Kanii’s Exiit arrives at No. 10 on Billboard’s Top Dance/Electronic Albums chart dated July 1. The eight-track set earned 4,000 equivalent album units in the June 16-22 tracking week, according to Luminate.

It’s the first appearance on any Billboard album chart for the TikTok-fueled Kanii, whose “Heart Racing” with Riovaz and Nimstarr, reached No. 13 in early June on the multimetric Hot Dance/Electronic Songs chart.

Previously, Kanii’s “I Know” hit No. 19 on Hot Rap Songs, No. 29 on Hot R&B/Hip-Hop Songs and No. 90 on the Billboard Hot 100 in April. Kanii hit a No. 15 high on the Emerging Artists chart the same month.

“This is truly insane,” the Washington, D.C.-based teen told Billboard upon learning of his recent Hot 100 bow. “To see my creation thrive and prosper this early in my career, I am forever grateful for this accomplishment.”

‘Smash’-ing Start

Pet Shop Boys also debut on Top Dance/Electronic Albums, as Smash: The Singles 1985-2020 opens at No. 14 (3,000 units). It’s the pair’s 16th appearance on the survey, tying for the sixth most dating to the chart’s 2001 inception; among duos or groups, the tandem trails only The Happy Boys (18).

The set – also new at No. 4 on the Official U.K. Albums Chart – expands Pet Shop Boys’ Billboard chart history to beyond 37 years, as the act first reached rankings in March 1986 with its eventual Hot 100 No. 1 classic, “West End Girls,” the first song on the new collection of remastered songs.

New Top 10s

Elsewhere, TELYkast and Georgia Ku’s “You Got Me” rises 11-8 on Dance/Mix Show Airplay. The fourth top 10 for each act is drawing core-dance airplay on Music Choice’s Dance/EDM channel, iHeartRadio’s Evolution network and SiriusXM’s BPM, among other outlets.

Plus, Sigala.’s “Feels This Good” featuring Mae Muller, Caity Baser and Stefflon Don pushes 12-9 on Dance/Mix Show Airplay. It’s the seventh top 10 for Sigala. and the first for each featured act. (The Dance/Mix Show Airplay chart measures radio airplay on a select group of full-time dance stations, along with plays during mix shows on around 60 top 40-formatted reporters.)

Shania Twain, Brad Paisley, Coi Leray & More Added to CNN’s The Fourth in America Lineup: Exclusive

CNN is gearing up to show their patriotism for the Fourth of July in their annual The Fourth in America special, and the network revealed exclusively to Billboard on Thursday (June 29) that Shania Twain, Brad Paisley, Coi Leray and Ludacris have been added to the jam-packed lineup.

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They join previously announced performers Alanis Morissette, The All-American Rejects, Darius Rucker, Demi Lovato, Duran Duran, Flo Rida, Leon Bridges, Post Malone, Sheryl Crow, Smash Mouth, Zac Brown Band, The Plain White T’s and more. The United States Air Force Band will also deliver a special ensemble performance.

The event comes just weeks after CNN’s Juneteenth: A Global Celebration for Freedom concert which featured performances by Chlöe Bailey, Nelly, Big Freedia, Kirk Franklin and more.

The Fourth in America broadcast will feature coast-to-coast fireworks shows taking place in cities across the country, including Boston, Chicago, Fort Lauderdale, Houston, Jacksonville, Nashville, Niagara Falls, New Orleans, New York City, Philadelphia, St. Louis, San Diego and Washington DC.

The special will be hosted by CNN’s Dana Bash, Boris Sanchez, Victor Blackwell and Cari Champion, and will be streamed live starting at 7 p.m. ET for pay TV subscribers via CNN.com and CNN OTT and mobile apps under “TV Channels,” or CNNgo where available on Tuesday (July 4). The special will simulcast on CNN International.

DAWN’s ‘Dear My Light’ Shines Beauty on K-Pop Stars Sharing Relationships: ‘I Want to Be a Cure’

Unlike their western counterparts, K-pop artists intentionally steer clear of any news or discussions regarding relationships. Dating within the realm of Korean idols remains a controversial subject and in 2018, DAWN found himself embroiled in a dating “controversy” with a senior artist from his record label—an incident that could have spelled the end of his career.

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Today, however, that very experience is shaping his most impactful music to date.

Following the infamous expulsion of DAWN and his then-girlfriend HyunA from Cube Entertainment after going public with their dating news (despite a wave of international media attention and fan support for the relationship that put the contract break on temporary hold), the then-24-year-old boy band member embarked on a solo journey. He became the first male artist to join PSY at his newly established P NATION label.

His second act delivered experimental pop and hip-hop singles like “Money,” “Dawndididawn” and “Stupid Cool,” with his relationship put on fully creative display with a joint EP with HyunA, titled 1+1=1

By the end of 2022, both DAWN and HyunA decided to end their contracts with P NATION as well as their six-year relationship.

Now, DAWN’s personal and professional transformations have paved the way for his Act III, which commences with his latest single “Dear My Light.”

Now signed with the burgeoning hip-hop label AT AREA founded by production duo GroovyRoom (who have produced everyone from Korean hip-hop legends like Dynamic Duo to trending idol groups like (G)I-DLE and OnlyOneOf), DAWN has found a new home to build a dedicated creative team so “more people to understand me as a person better.”

With more music in the works, DAWN’s inaugural step with AREA through “Dear My Light” discards K-pop’s signature glossy veneer and unveils an acoustic-led and emotionally charged letter to his ex. This production is not the only thing stripped down as DAWN exhibits candidness through the lyrics that speak directly to his experiences with the K-pop industry and HyunA. Ironically enough, despite cultural norms prohibiting K-pop stars from dating freely, “Dear My Light” has emerged as DAWN’s most successful chart hit in Korea thus far.

Reflecting with Billboard from the comfort of his Seoul bedroom, DAWN opens up about this new chapter, the raw experiences charged into his new single and what lies ahead.

Billboard: You had a busy end to 2022 and start to 2023 with new professional and personal changes. First and foremost, how are you feeling these days?

DAWN: When I left P NATION, I had about four to five months where it was a time to recharge and also kind of rethink and plan out what I wanted to be and how I wanted to define myself as an artist. There were two things that came up as goals: One was trying to have my own artistic team and create a creative crew that I can work with. Another thing was finding a label that can really understand how and who I envision myself as as an artist. And, now, I feel confident that I’ve accomplished both so I’m very happy and continuing to work with that.

The music industry can be challenging and this was another significant shift for you. People can get disheartened or broken down by the industry. Did you ever consider leaving music or does it remain your core focus?

Sometimes I do think about not pursuing music anymore because in the back of my mind, I’m always [thinking], “Until when can I really do this? Is there an endpoint to this? Will I be able to continue?” I think that when listeners feel what I’m doing in terms of music is not trendy or I’m not putting out good quality of music, I feel like maybe that’s the time when I stop but, obviously, I don’t want to. That’s why I’m always putting in the effort to look for something new, trying to learn and be inspired because being inspired by something is also a big part. So, that’s also why I created our team because I felt like I could be inspired from other boundaries of art too—not just other musicians, but from paintings, a tattoo, graphic design. I obviously don’t want to stop, but I think about it and I’m doing everything I can to continue to deliver good-quality music.

What was the process in creating and finding this team with your new label, AT AREA? I don’t know if I’ve heard of a K-pop artist making an art team in this way. 

I started in K-pop and there’s a lot of visual effects to the music. So, when the music comes out it’s very important to think about how we’re going to maximize the content creatively and visually. When a song comes out, you have to think about the artwork, the video and photos—I think K-pop is an interactive content and art form. With AT AREA, I obviously wasn’t only talking about the music with them, but I started sharing my ideas with them and creating an art team was one way for more people to understand me as a person better since the team would understand my stories the best. I feel very comfortable and safe brainstorming on how my music will be seen; I’ll talk about different styles like, “I want to be seen this way for this kind of music.” The synergy is really, really great now and I have the right partners for each aspect of my music.

I’m glad to hear that because “Dear My Light” is very different from the music we’ve heard in the past. Starting with the sound, what made you want to take this almost musical shift?

The change and transition happened very naturally from leaving P NATION. Although I left under good terms, one of the reasons why I did was because I knew I wanted to show a new side of myself as an artist. So, I don’t want to describe this as a “new” path for me really because I don’t see it as a transition but simply a change in my mindset.

Even the artwork for “Dear My Light” feels like a change from your past work, almost like a new artist, so it’s really exciting but you say it’s a transition?

Apart from the piercing, I guess my new mindset is that before it was very focused on talent. I would say, “I can dance like this, I can sing like this and I can perform like this” so I was very focused on that. But now I’ve changed to wanting to showcase more of who I am as a person. As in, “This is a type of story that I want to tell you and inspire you.” I want to talk more about myself and send a message, “This is my voice and I want to tell my stories more.”

You’ve shared how “Dear My Light” is about your relationship with HyunAwhich was very brave to not shy away from and put into a song. What more can you share about the song in terms of your history together?

I can confirm that it is about my past relationship, but I want to add that it would be odd for me to deny that because, as an artist, I want to talk about what I’m going through now. So, I’d be lying because that is what I went through, that’s what I’m going through and that’s how I’m feeling. So, I’m confirming it is about that and the song is my story.

Do you have a favorite lyric?

It’s a part of the first verse, the [English translated] lyrics of, “Met you when you were most beautiful/ I could go through anything no matter what anyone said.”

Is that line referencing when things were unclear after you left Cube Entertainment?

It is referencing back to that time when I left the company and there were a lot of different comments, media, stories, a lot of talking happening. There was a lot of backlash from that, but also a lot of people worried about us and, of course, a lot of people supporting us too. I was also very young at the time. But if I think back to it now, I feel like that was such a hard time but I remember that even though it felt like the whole world was against us and we could really go through it because we had each other and because we loved each other so much—that was what kind of helped us get through it.

Thank you for sharing that. I loved the chorus’s last lines, “It’s okay if I lose everything/ As long as I can see you dazzling.” There’s a sense of being selfless even if you’re hurting. What inspired that?

It’s a pretty direct reflection of how I was feeling when I was in love and I still believe that that’s the right way to love because I heard someone say once that if I really love someone, then your brain oddly makes you think that your lover is actually you. So, you start cherishing them like you’re cherishing yourself. And so I believe that what I do for my partner is essentially what I’m doing for the two of us so that’s kind of my selfless attitude when I think about relationships.

Something that I thought was interesting was that HA:TFELT, or Yeeun from Wonder Girls, co-wrote Dear My Light” with you. She also came from an idol group background and could show herself and her stories more as an artist. Was there any connection or common ground that you guys found together?

So, I’m not very good with words. [Laughs] Expressing myself and my emotions into words is very challenging sometimes. One of the challenges was, “How can I write my emotions in a beautiful way?” And HA:TFELT has been a friend ever since me and HyunA were in a relationship so she’s kind of seen the whole process of our history. And she’s an amazing writer too. So, I really wanted to work with her; there was a really good synergy between us writing this.

The artwork and concept photos are very powerful too I loved all the styles in “Dawndididawn” and “Stupid Cool,” but this feels like one, straightforward concept. What are the artwork aspects representing here too?

I think fashion is not just the wardrobe or what I’m wearing, but I use it as a tool to express myself. That’s why I think there’s consistency because me, as a person, doesn’t change. So, I feel very confident that it looks coherent together. In terms of the artwork and the photos itself in “Dear My Light,” it’s a song about the progression of a version of myself that was in a dark space finding a person, finding the light, and progressing into a more positive person that feels brighter. That’s why you see thorns around the neck and a hole in my heart on his chest; all of that expresses the void that I felt during my dark times, but the music video shows that void fills up and the same progression that the song portrays.

Is there anything that you want people to know who listen and connect to the song personally?

For people who either parted ways from their partners or are going through a dark time in their lives, I want those people to know that if you look around, there are people that can really shed light on them.. There are people who really love them and I really believe that. Through this song, I also want to be that for them and reassure listeners that maybe this song could be the light, or if you really look around there’s someone who could be that for you. I want to be a cure for those who need it sort of.

Anything else to share as you continue on this new chapter?

For my fans and listeners, I always aspired to make music that inspires others. Now with AT AREA, I have already written a lot of my stories and will continue to write more. I’m looking forward to people listening to that music and I’ll keep working very, very hard.

Kourtney Kardashian Shares New Pregnancy Photos & Travis Barker Says They Already Have a Name

Travis Barker and Kourtney Kardashian shared a new pregnancy photo shoot on Wednesday (June 28), posting six new pics of Kardashian’s baby bump in solo and couple shots.

Kardashian wears a baby-blue lycra turtleneck dress-and-pants combo in the photos, with the skintight silhouette showing off her growing belly. The photos were taken in front of a swimming pool, with half the pics featuring the Blink-182 drummer in a beanie and white tank top holding on to his pregnant wife.

The couple announced their baby news earlier this month when Kardashian held up a “Travis I’m Pregnant” poster in the crowd at Blink-182’s concert at Los Angeles’ BMO Stadium. The sign was a reference to Blink’s “All the Small Things” music video, in which a random fan holds up the same poster in the crowd. On Saturday, they revealed the baby’s sex in an Instagram video, with Barker offering up a drumroll before a stream of blue confetti and streamers shoots into the air, confirming that the pair is having a baby boy.

It sounds like that’s not all the couple knows about their future baby either. Along with a winking emoji, Barker commented on the new baby bump photos: “I already know his name.” Kardashian is wearing the same baby-blue outfit in the gender-reveal video as she is in the new photo shoot.

This will be the first baby for Kardashian and Barker, who confirmed they were married on May 16, 2022, before hosting a lavish wedding in Italy on May 22, 2022. Their wedding was documented for the Hulu series Til Death Do Us Part: Kourtney & Travis.

Both have children from previous relationships: Kardashian has son Mason, 13, daughter Penelope, 10, and son Reign, 8, with ex-boyfriend Scott Disick, while Barker has son Landon, 19, daughter Alabama, 17, and stepdaughter Atiana, 24, with ex-wife Shanna Moakler.

See the new photos here.

XG Talks Alphaz Fanbase, Being a Global Girl Group & Making U.S. Debut: Watch

Since the group’s 2022 debut, XG has been making waves in Korea, Japan and the United States. The septet — which consists of members Jurin, Cocona, Chisa, Hinata, Maya, Juria and Harvey — is gearing up to keep the global domination going with the release of its forthcoming album GRL GVNG on June 30, but before then, the girls caught up with Billboard News to discuss the past year as a group, meeting fans for the first time, and their ongoing docuseries.

XG performed at the Head in the Clouds Festival in New York last month, and had the chance to meet members of their dedicated fan base for the first time. “It was such an incredible moment getting to meet our U.S. Alphaz for the very first time as well as performing in the U.S. for the very first time. The energy was amazing, we had so much fun. We felt so alive after the whole performance and we were really grateful that we had the opportunity and it was an amazing experience,” Maya explained.

Hinata also shed light on the group’s first fan meeting experience in Japan, adding, “We were really welcomed by a lot of Alphaz and even showed us cards saying ‘Welcome back, XG!’ It was really heartwarming, and we were grateful for that. We had an amazing and exciting performance, so it was really great.”

XG takes fans on the journey of its formation in the docuseries XTRA XTRA, shedding light on how all of the members got so close. According to Jurin, the girls in the group have a name for that bond. “We express the relationship between the seven of us as ‘Hesono O’ in Japanese. It represents a connection that continues and symbolizes a family tied by an umbilical cord,” she said. “I think the backstory to that phrase is revealed in the documentary, so we hope the Alphaz can pick up on that.”

While XG is just getting started, they have a clear goal in mind for the future and their plan to reach new fans. “We are Japanese, based in Korea, singing in English. We understand that it makes us a unique group. Our goal is to reach as many people as possible, so we learned English and Korean,” Jurin added. “We have a strong desire to reach out to a lot of people and we hope that we can accomplish our goals.”

Watch XG’s full interview with Billboard News in the above video.

Colleen Ballinger Defends Herself Against Child Grooming Accusations With a Ukulele Song

Colleen Ballinger, YouTube star and creator behind comedy persona Miranda Sings, took to YouTube on Wednesday (June 28) to share a long-awaited video in response to accusations from fans that she engaged in toxic, inappropriate parasocial relationships with underage fans and groomed them.

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However, the 10-minute video was a bit unusual in comparison to other celebrity statements after a controversy, as she chose to express her thoughts with a 10-minute song performed on ukulele.

“A lot of people are saying some things about me that aren’t quite true. Doesn’t matter if it’s true, though, just as long as it’s entertaining to you, right?” the 36-year-old content creator sang in the clip posted to her Colleen Vlogs channel. “You guys having fun? All aboard the toxic gossip train, chugging down the tracks of misinformation. The toxic gossip train.”

Throughout the video, Ballinger did admit to having “weird” relationships with her fans earlier in her career but “for what it’s worth, I never had any bad intentions but I do feel like s—.”

Allegations surrounding Ballinger’s behavior with her fans first began in 2020, when YouTuber Adam McIntyre made a video claiming that the comedian had a personal friendship with him while he was just a teenager and she was in her 30s, adding that at one point, she sent him lingerie as a joke. At the time, Ballinger responded to some of his allegations in a video.

However, the allegations resurfaced just a few weeks ago when another YouTuber, KodeeRants, who defended Ballinger against McIntyre in 2020, alleged that Ballinger privately shared screenshots of messages with McIntyre in a fan group chat. She also showed screenshots in her now-deleted video, in which Ballinger asked the group of fans their “favorite position,” among other inappropriate questions.

Ballinger did not address KodeeRants’ claims in her response song, which you can watch below.

Billie Eilish, BLACKPINK’s Jennie & More Set for Dua Lipa’s ‘At Your Service’ Podcast

Dua Lipa announced the third season of her popular podcast, Dua Lipa: At Your Service, on Wednesday (June 28) with a slew of star-studded guests.

Billie Eilish, BLACKPINK’s Jennie Kim, You star Penn Badgley, drag superstar Sasha Velour and relationship expert Esther Perel are all set to join the podcast as guests this season, which kicks off on June 30 with Chicken Shop Date host Amelia Dimoldenberg as guest.

“I have had the privilege of learning from so many incredible individuals and sharing their remarkable stories over the course of the first two seasons of At Your Service,” Lipa said in a press statement. “We’re taking the same approach with season three, while also diving deeper into specific themes tailored to each guest. I can’t wait for you all to hear my conversation with Amelia all about shooting your shot and seeing an idea through from conception to execution.”

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It’s a busy year for Lipa, who is set to star as Mermaid Barbie in Greta Gerwig’s highly anticipated Barbie movie, which hits theaters July 21, which also stars Margot Robbie as the iconic doll and Ryan Gosling as Ken. She offered the disco-pop anthem “Dance the Night” for the film’s soundtrack as well.

You can listen to all previous episodes of At Your Service, along with new episodes every Friday, wherever you listen to podcasts.

Quando Rondo Bonds Out of Jail After Arrest on Drug & Gang Charges in Georgia

SAVANNAH, Ga. (AP) — Rapper Quando Rondo has bonded out of jail after he was indicted on drug and gang charges in his hometown of Savannah.

Court records show a judge granted a $100,000 bond for the 24-year-old rapper, whose given name is Tyquian Terrel Bowman. He was released Monday, according to the Chatham County Sheriff’s Office.

A grand jury indicted him along with 18 others on June 14. The indictment charged Bowman with four counts, including being a manager of an illegal street gang known as “Rollin’ 60s.” Other charges allege Bowman conspired with others to distribute marijuana and to buy pills of the opioid hydrocodone.

His lawyer Jonah Pine said he is “extraordinarily grateful” that the rapper has been released on bond and declined to comment further.

The rapper’s singles “I Remember” and “ABG” led to a deal with Atlantic Records, which released his debut album, QPac, in 2020. His follow-up album, Recovery, came out in March.

Republic Records Has Longest Streak for a Label Atop Billboard 200 Albums Chart in 25 Years

For the last 16 weeks, one label has topped the Billboard 200 – Republic Records. That marks the longest streak for any label at No. 1 since 1998, when the Titanic soundtrack kept the Sony Classical label afloat at No. 1, also for 16 weeks.

Republic has led the chart since the March 18-dated tally, when Morgan Wallen’s One Thing at a Time (released via Big Loud/Mercury/Republic) debuted at No. 1. That album spent 12 weeks in a row at No. 1, and then stepped aside on the June 10 and 17 charts when Taylor Swift’s Midnights (on Republic) returned to the top and Stray Kids’ 5-STAR (JYP/Imperial/Republic) debuted at No. 1, respectively. One Thing at a Time then returned to No. 1 for the last two weeks (June 24 and July 1 charts). 

Sony Classical was the last label to rule the Billboard 200 for 16 straight weeks – and it did so with just one album: the Titanic soundtrack. From the Jan. 24 through May 9, 1998-dated charts, the Titanic album sailed at No. 1 (the entirety of its run in the top spot). 

Republic could capture a 17th straight week at No. 1 on the Billboard 200 (on the July 8 chart, the top 10 of which is slated to be announced Sunday, July 2). The last label to hold the No. 1 spot for 17 weeks was Mercury, in 1992, when Billy Ray Cyrus’ Some Gave All logged 17 consecutive frames at No. 1 (June 13-Oct. 3, 1992, the entirety of its weeks at No. 1).

Mercury Records was founded in 1945 and continued to operate as a label until the late 1990s. It was reactivated in 2007 but went dormant again in the mid-2010s. Most recently, in 2022, it was relaunched as an imprint of Republic Records. As for Republic, the company debuted as a label in 1995, co-founded by brothers Avery and Monte Lipman. Today, they are Republic’s chief operating officer and chief executive officer, respectively.

If Republic can manage a 17th and then an 18th week in a row at No. 1 on the Billboard 200 (on the July 15 chart), it would mark the longest reign for a label since Capitol claimed the top slot for 18 straight frames with M.C. Hammer’s Please Hammer Don’t Hurt ‘Em in 1990 (on the July 7-Nov. 3, 1990-dated lists). Please Hammer spent a total of 21 nonconsecutive weeks at No. 1.

One Thing at a Time recently made news as the album with the most total weeks at No. 1 on the Billboard 200 (14) since Adele’s 21 (released via XL/Columbia Records) collected 24 nonconsecutive weeks at No. 1 in 2011-12. That 24 weeks in the lead for 21 were pieced together through 10 different stays atop the list, none of which were long enough to give XL or Columbia 16 weeks in a row atop the list.

Tom Holland & Zendaya Sing ‘Love on Top’ to Each Other at Beyonce’s Renaissance Tour

If Zendaya and Tom Holland weren’t already the cutest couple in Hollywood, they proved that title even further in an adorable fan-captured video from Beyoncé’s Renaissance tour stop in Warsaw, Poland, on Tuesday night (June 27).

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In the clip, Bey is seen onstage performing her 2011 hit, “Love on Top,” as Zendaya and Holland are seen at the bottom of the screen, smiling and serenading each other with the chorus: “Baby, it’s you / You’re the one I love / You’re the one I need / You’re the only one I see.”

Holland and Zendaya have been dating for at least two years, and grew into a romantic relationship as they starred alongside each other in the Spider-Man films.

Earlier this month, The Crowded Room actor took part in a Buzzfeed series in which he answered 30 questions as quickly as possible, and brought up the Euphoria star several times. He admitted that she was his childhood celebrity crush — Zendaya starred in Disney Channel’s Shake It Up from 2010 to 2013 — and that she’s also the last person he sent a meme to. “It’s nonstop,” he said. “She sends me too much. I can’t keep up because I delete my Instagram for days at a time. I download it to post, then I have to check my messages and I’ll have hundreds and hundreds of things from her.”

See their swoon-worthy moment at Bey’s concert below.