Music News

Billie Eilish Says Writing for ‘Barbie’ Soundtrack Pulled Her Out of Feeling ‘Uninspired’ & Self-Doubt

You might just have Barbie to thank for Billie Eilish‘s next album. In a new interview following the release of the 21-year-old pop star’s Barbie film soundtrack single “What Was I Made For?,” Eilish confessed that the project, which dropped with a self-directed music video on Thursday (July 13), pulled her and brother/producer Finneas out of a brutal writing slump plagued by self-doubt.

“Honestly, we were in a period of time where we were both… like through this last winter, we’ve both been incredibly uninspired,” Eilish told Zane Lowe for Apple Music 1. “And we’ve still been working and trying to make stuff. And honestly, that song was the first thing we’d written in a minute. Even though we were coming up with ideas and coming up with this and that, I remember after we wrote that first half, I go, ‘I think we still got it.’”

The “Bad Guy” singer also shared that the writing process began with director Greta Gerwig treating her and Finneas to a special viewing of a rough cut of Barbie at the Warner Brother Studios. The very next day, the brother-sister musicians weren’t having any success in writing music independent of the film — but when they on a whim shifted into writing what would become “What Was I Made For?” from Barbie’s perspective, their writer’s block immediately dissipated.

“We were really in a zone of feeling like we lost it and feeling like, man, I don’t know if we can do this anymore,” she added. “Barbie and Greta just pulled it out of me, I don’t know,” Eilish said. “Those first couple lyrics, ‘I used to float, now I just fall down,’ just came right out.”

One of the most inspiring things to come out of the writing process, Eilish added, was how a song written strictly from the point of view of Margot Robbie’s titular character in Barbie somehow came full circle, with the “Happier Than Ever” artist realizing that she related to the lyrics without even trying to.

“I did not think about myself once in the writing process,” the Grammy winner explained. “I was purely inspired by this movie and this character and the way I thought she would feel, and wrote about that. And then, over the next couple days, I was listening and I was like, girl, how did this … honestly, and I really don’t mean this to come off a conceited way at all, but I do this thing where I make stuff that I don’t even know is … like I’m writing for myself and I don’t even know it.”

“It is one of the most incredible things I get to experience in my life,” Eilish continued. “Dude, the next week I was playing it in the car all day and playing it for everybody. And I was like, ‘This is exactly how I feel. And I didn’t even mean to be saying it.’ It was truly the trippiest thing I’ve ever experienced in my life. I was like, oh, I absolutely was writing about myself, but I was thinking about myself from a third person.”

Watch Billie’s interview with Apple Music 1 above.

Fall Out Boy’s Update of Billy Joel’s ‘We Didn’t Start the Fire’ Hits the Hot 100

Fall Out Boy reaches the Billboard Hot 100 as a lead act for the first time since 2016, as its update of Billy Joel’s “We Didn’t Start the Fire” debuts at No. 94 on the July 15-dated tally.

The reimagination bows with 4.7 million official U.S. streams, 767,000 radio audience impressions and 9,000 downloads in the June 30-July 6 tracking period, according to Luminate.

It’s Fall Out Boy’s first entry on the Hot 100 as a lead act since “Irresistible,” which spent its final week on the survey dated March 5, 2016, after peaking at No. 48 that January. Since then, the band made the list with one track: featured on Lil Peep and ILoveMakonnen’s “I’ve Been Waiting,” which reached No. 62 in April 2019.

Fall Out Boy now boasts 21 charted Hot 100 hits, dating to its first in 2005, paced by the No. 2-peaking “This Ain’t a Scene, It’s an Arms Race” in February 2007.

Concurrently, Fall Out Boy’s “We Didn’t Start the Fire” vaults 44-6 on Hot Rock & Alternative Songs in its second week on the chart after debuting via a partial week of streams, sales and airplay on the July 8 ranking (as the song was released June 28). It also debuts at Nos. 3 and 5 on the Hot Alternative Songs and Hot Rock Songs lists, respectively.

Its first full week of sales prompts the song to land its first week at No. 1 on Rock Digital Song Sales and Alternative Digital Song Sales as well. It’s the band’s first ruler on both since “Uma Thurman” in 2015.

The new song’s streaming count is also enough to score debuts at Nos. 11 and 20 on Alternative Streaming Songs and Rock Streaming Songs, respectively.

On the all-rock-format, audience-based Rock & Alternative Airplay chart, “We Didn’t Start the Fire” debuts at No. 43. The band’s current radio single, “Hold Me Like a Grudge,” concurrently appears at No. 46, while that song’s predecessor, “Love From the Other Side,” ranks at No. 3 in its 25th week on the survey.

Interest in the new version of “We DIdn’t Start the Fire” also spurs streams and sales gains for Joel’s 1989 original. The song, which topped the Hot 100 for two weeks in December 1989, enters Hot Rock & Alternative Songs, where older songs are eligible to appear if ranking in the top half and with a meaningful reason for their resurgences, at No. 21, thanks to 2.6 million streams, up 44%, and 1,000 downloads sold, a 104% vault.

Thanks to Fall Out Boy’s update, Joel earns his first Hot 100 writing credit since the Glee cast‘s cover of his 1983 hit “Uptown Girl” reached No. 68 in 2011. (Notably, Olivia Rodrigo, new atop the Hot 100 this week with “Vampire,” shouts out Joel and “Uptown Girl” in her No. 3 hit from 2021, “Deja Vu.”)

Fall Out Boy’s edition of the song alters Joel’s original lyrics to include names and events in the news since Joel’s 1989 original, referencing the likes of Y2K, Harry Potter, SpongeBob SquarePants, Stranger Things and Taylor Swift.

In an interview with BBC Radio2, Joel said that he has heard the new verses. “Everybody’s been wanting to know when there’s going to be an updated version of it, because my song started in ’49 and ended in ’89 — it was a 40-year span. Everybody said, ‘Well, aren’t you going to do a part two?’ I said, ‘Nah, I’ve already done part one.’ So, Fall Out Boy, go ahead. Great, take it away.”

Coco Jones Reveals This *NSYNC Member Is Her ‘ICU’ Remix Mystery Artist

The cat is finally out of the bag. After a few days of teasing, R&B star Coco Jones has confirmed that Grammy-winning superstar Justin Timberlake is the mystery artist set to feature on the remix of her hit ballad “ICU.” Jones revealed the news during a red carpet interview with Entertainment Tonight at the 2023 ESPY Awards on Wednesday (July 12).

“I have a very very amazing, talented guy featured on the song,” she gushed. “Justin Timberlake is actually on the the ‘ICU’ remix! It was so amazing watching him just be a creative. We were collaborating on ideas, and I feel like [“ICU”] is nostalgic … so having his voice on it, and that soul, that element he brings … it’s going to be amazing.”

Jones first teased the remix on Monday (July 10) with a photoset that included pictures of a river, a screengrab of a Mickey Mouse Clubhouse episode and a collage of ’90s boy bands.

“ICU” is the second single from Jones’ What I Didn’t Tell You EP. The DJ Camper-produced ballad became the Bel-Air actress’ first entry on the Billboard Hot 100, peaking at No. 63. The song also spent four weeks at No. 1 on Mainstream R&B/Hip-Hop Airplay chart. The steady growth of “ICU” also helped What I Didn’t Tell You reach the top 10 on Heatseekers Albums (No. 6).

Speaking on how the collaboration came to fruition, Jones joked, “Truthfully, I don’t know! I don’t know how this happened. All I can say is [that] he’s such a legend and he really supports me, so I’m really really happy to have this collaboration. I feel like it’s gonna shake y’all up!”

The Disney alum also revealed that she and Timberlake recorded their verses separately, but joined forces in the studio to put some final touches on the remix. “He’s so cool and chill, like me! He gives me ‘I’m doing this for fun, but life is so much bigger.’ He’s a normal human like me.”

The “ICU” remix marks Timberlake’s first musical release of the year. In 2022, the “Mirrors” singer featured on three songs: “Parent Trap” (with Jack Harlow), “Sin Fin” (with Romeo Santos) and “Stay With Me” (with Calvin Harris, Halsey and Pharrell Williams). He has not released a studio album since 2018’s Man of the Woods, which peaked at No. 1 on the Billboard 200.

Jones recently won best new artist at this year’s BET Awards. On Wednesday (July 12), she announced a slew of new dates for her What I Didn’t Tell You Tour.

Check out Coco’s reveal of the “ICU” remix mystery artist with ET below:

Here’s Who Lizzo Thinks Is the ‘Best Rapper Alive’

Lizzo just revealed on her private Twitter account who she thinks is the greatest living rapper. But don’t worry if you’re not one of the 2.3 million followers privy to her posts — Billboard‘s got you covered.

The “About Damn Time” musician tweeted Thursday (July 13) that Lil Wayne, in her opinion, is the “Best rapper alive,” re-tweeting a video of the New Orleans native performing at the 2023 ESPY Awards. Wayne — who also landed on Billboard‘s list of 50 Greatest Rappers of All Timeopened the ceremony Wednesday night (July 12), rapping his 2008 hit “A Milli” as a montage of sports clips played on a big screen behind him.

Lizzo’s followers agreed with her assessment, with several suggesting that the 35-year-old Houston-raised singer should collaborate with Lil Wayne. “Oooo we could really use a strong Houstonian / New Orleans moment from y’all,” replied one fan.

“When you get him on the next album >>>,” wrote another.

This isn’t the first time Lizzo, who keeps her Twitter account locked most of the time as a way of escaping hate messages from non-followers, has sung Weezy’s praises. While walking the 2023 Grammys red carpet in February — at which she took home the coveted record of the year prize — she shouted out “Lil Wayne” in response to a rapid-fire question from an interviewer on the sidelines asking her to name her “favorite rapper of all time.”

Speaking of Lizzo and awards shows, the Yitty founder just found out that her HBO Max special Lizzo: Live In Concert is Emmy-nominated this year. “SHE’S EMMY NOMINATED AGAIN!!!! ?????????????? Thank you,” she shared on Twitter. She also won an Emmy last year for her competition series Watch Out for the Big Grrrls.

Watch Lil Wayne’s ESPY performance below.



Here Are the Lyrics to Fall Out Boys’ Cover of Billy Joel’s ‘We Didn’t Start the Fire’

Fall Out Boy dropped a surprise cover of Billy Joel‘s 1989 Billboard Hot 100 No. 1 hit “We Didn’t Start the Fire” on June 28 featuring the group’s modern update of the Piano Man’s breathless blitz through 20th century history. Out were Joel’s Boomer-skewing stream-of-consciousness lines about such h-bombs, Studebakers, Liberace, Marilyn Monroe, Harry Truman, Doris Day, Einstein, Peyton Place and children of thalidomide.

In were the Chicago emo rockers’ updated references (from 1989 to the present) to Rodney King, deep fakes, Kurt Cobain, Harry Potter, MySpace, QAnon, Ballon Boy, Fyre Fest and Stranger Things, among many others. In a recent BBC Radio2 interview Joel said that he’d heard the new verses and weighed in on the effort. “Everybody’s been wanting to know when there’s going to be an updated version of it, because my song started in ’49 and ended in ’89 — it was a 40 year span,” he said. “Everybody said, ‘Well, aren’t you going to do a part two?’ I said, ‘Nah, I’ve already done part one.’ So, Fall Out Boy, go ahead. Great, take it away.”

If you need a guide to follow along to the lightning-speed tumble of references in FOB’s “We Didn’t Start the Fire,” find the lyrics below:

Captain Planet, Arab Spring
L.A. riots, Rodney King
Deepfakes, earthquakes
Iceland volcano
Oklahoma City bomb
Kurt Cobain, Pokemon
Tiger Woods, MySpace
Monsanto, GMOs

Harry Potter, Twilight
Michael Jackson dies
Nuclear accident
Fukushima, Japan
Crimean peninsula
Cambridge Analytica
Kim Jong Un
Robert Downey Jr., Iron Man

We didn’t start the fire
It was always burning since the world’s been turning
We didn’t start the fire
No, we didn’t light it but we’re tryin’ to fight it

More war in Afghanistan
Cubs go all the way again
Obama, Spielberg
Explosion, Lebanon
Unabomber, Bobbitt, John
Bombing, Boston Marathon
Balloon Boy, War On Terror
QAnon
Trump gets impeached twice
Polar bears got no ice
Fyre Fest, Black Parade
Michael Phelps, Y2K
Boris Johnson, Brexit
Kanye West and Taylor Swift
Stranger Things, Tiger King
Ever Given, Suez

We didn’t start the fire
It was always burning since the world’s been turning
We didn’t start the fire
No, we didn’t light it but we’re tryin’ to fight it

Sandy Hook, Columbine
Sandra Bland and Tamir Rice
ISIS, LeBron James
Shinzo Abe blown away
Meghan Markle, George Floyd
Burj Khalifa, Metroid
Fermi paradox
Venus and Serena

Michael Jordan, 23
YouTube killed MTV
SpongeBob
Golden State Killer got caught
Michael Jordan, 45
Woodstock ’99
Keaton Batman, Bush v. Gore
I can’t take it anymore

We didn’t start the fire
It was always burning since the world’s been turning
We didn’t start the fire
No, we didn’t light it but we’re tryin’ to fight it

Elon Musk, Kaepernick
Texas failed electric grid
Jeff Bezos, climate change
White rhino goes extinct
Great Pacific garbage patch
Tom DeLonge and aliens
Mars rover, Avatar
Self-driving electric cars
SSRIs
Prince and The Queen die
World Trade, second plane
What else do I have to say?

We didn’t start the fire (we didn’t start it up)
It was always burning since the world’s been turning
We didn’t start the fire (we didn’t start it up)
But when we are gone, it will still go on
and on, and on, and on, and on, and on, and on, and on
We didn’t start the fire (fire)
It was always burning since the world’s been turning

Lyrics licensed & provided by LyricFind

Lyrics © Universal Music Publishing Group

Written by: Billy Joel

Here’s the Story Behind Peso Pluma’s Mullet-Like Haircut: ‘My Hair Is My Superpower’ 

Peso Pluma’s haircut sort of just happened.

Before the 24-year-old global star rocked the mullet with a sideburn fade, his previous ‘do was inspired by Justin Bieber. “Think back to when he released ‘Baby,’” the Mexican singer-songwriter tells Billboard during his cover story interview, offering a visual.

But on a trip to Medellín, Colombia, his haircut would take a drastic change. “This barber said he was going to give me a haircut that is very popular in Medellín — he said, ‘Trust me, you’re going to love it.’ I hated it at first,” Peso recalls. “I was like, ‘What did you do?’ My hair is a superpower, so I’m very particular about who cuts my hair. Then I recorded a music video, and when I saw it, I was like, ‘Wait, actually, se ve bien perro [it looks really good].’”

Now, it’s the haircut many teens in the U.S. and Mexico want to get. “The other day, a barber from Mexico City called me and said, ‘Thank you for giving us so much work.’ Apparently, 24 people had requested ‘the Peso Pluma haircut’ in one day,” Peso says.

Born Hassan Emilio Kabande Laija, Peso Pluma – Billboard’s latest cover star – is at the forefront of Mexican music, leading the genre’s seismic growth in the United States and beyond with his signature corridos tumbados. To date, he has more than 700 million on-demand official streams in the United States, according to Luminate, and 18 entries on the Billboard Hot 100. His new album, Génesis, debuted at No. 3 on the Billboard 200 (dated July 1) — the highest rank ever for a música mexicana album on the chart.

“My life has changed a lot,” says Peso, who is currently on his first-ever U.S. tour, which is produced by Live Nation. Amid global stardom, the young artist has also launched his own label, Double P Records, to support young acts. “More than anything, I want them to know that if I could do it, so can they. I’m on this journey with them; we’re paddling together.”

Read Peso Pluma’s cover story here.

Ask Billboard: How Many Songs About Summer Have Been Hits … During the Summer?

Submit questions about Billboard charts, as well as general music musings, to askbb@billboard.com. Please include your first and last name, as well as your city, state and country, if outside the United States.

Or, tweet @gthot20.

Let’s open the latest mailbag.

Hot Fun in the ‘Summer’-time, and Other Times:

Hi Gary,

To add to the many times that the season called “summer” (and “verano” in Spanish) has appeared in the Billboard Hot 100’s top 10, Taylor Swift’s “Cruel Summer” happens to reach the tier during summertime (in the Northern Hemisphere).

It made me wonder: How often are songs with the word “summer” in their titles hits at that most fitting time of year?

Thanks,

Pablo Nelson
Summering in Oakland, Calif.

Hi Pablo,

Fun question. (And per your mention of “verano,” Bad Bunny’s Un Verano Sin Ti topped the Billboard 200 albums chart during spring, summer and fall last year. A man for all seasons, he has charted the set in the top 20 each week since it debuted at No. 1 in May 2022.)



Swift’s “Cruel Summer” was released in summer 2019 and is now a Hot 100 top 10 (and an officially promoted single) in summer 2023.

But a look at all the songs with “summer” in their titles that have hit the Hot 100’s top 10 reveals not such seasonal synchronization.

Here’s a rundown, first, of every Hot 100 top 10 with “summer” in its title that peaked outside of summer, from the first to the most recent:

Peak Date, Peak Position, Title, Artist

  • Sept. 29, 1958, No. 8, “Summertime Blues,” Eddie Cochran
  • Feb. 22, 1960, No. 1 (9 weeks), “The Theme From A Summer Place,” Percy Faith and His Orchestra
  • Oct. 17, 1964, No. 7, “A Summer Song,” Chad & Jeremy
  • Oct. 18, 1969, No. 2, “Hot Fun in the Summertime,” Sly & The Family Stone
  • Nov. 25, 1972, No. 6, “Summer Breeze,” Seals & Crofts
  • Sept. 25, 1976, No. 7, “Summer,” War
  • Sept. 30, 1978, No. 5, “Summer Nights,” John Travolta, Olivia Newton-John & Grease Cast
  • Nov. 19, 1983, No. 9, “Suddenly Last Summer,” The Motels
  • Sept. 29, 1984, No. 9, “Cruel Summer,” Bananarama



  • Feb. 9, 1985, No. 5, “The Boys of Summer,” Don Henley
  • March 26, 1988, No. 2, “Endless Summer Nights,” Richard Marx
  • June 9, 2007, No. 6, “Summer Love,” Justin Timberlake
  • Feb. 20, 2016, No. 6, “Summer Sixteen,” Drake

That makes for 13 songs with “summer” in their names that have peaked in the Hot 100’s top 10 outside of summer.

Now, the Hot 100 top 10s with “summer” in their titles that have peaked in the region during summertime:

Peak Date, Peak Position, Title, Artist

  • June 29, 1963, No. 6, “Those Lazy-Hazy-Crazy Days of Summer,” Nat King Cole
  • Aug. 13, 1966, No. 1 (3 weeks), “Summer in the City,” The Lovin’ Spoonful
  • Aug. 27, 1966, No. 10, “Summertime,” Billy Stewart
  • Sept. 12, 1970, No. 3, “In the Summertime,” Mungo Jerry
  • Aug. 31, 1985, No. 5, “Summer of ‘69,” Bryan Adams
  • Aug. 3, 1991, No. 4, “Summertime,” D.J. Jazzy Jeff & The Fresh Prince



  • Aug. 19, 1995, No. 3, “Boombastic”/”In the Summertime,” Shaggy
  • Aug. 22, 1998, No. 10, “Cruel Summer,” Ace of Base
  • Aug. 28, 1999, No. 3, “Summer Girls,” LFO
  • Sept. 21, 2013, No. 6, “Summertime Sadness,” Lana Del Rey vs. Cedric Gervais
  • July 19, 2014, No. 7, “Summer,” Calvin Harris
  • Aug. 29, 2020, No. 6, “7 Summers,” Morgan Wallen
  • July 15, 2023, No. 7 (to date), “Cruel Summer,” Taylor Swift

That amounts to … also 13! (The number is, of course, synonymous with Swift.)

So, perhaps surprisingly, songs with “summer” in their titles have peaked in the Hot 100’s top 10 during summer exactly half the time. Expanding the scope, and seemingly more expectedly, 17 of the 26 songs above have spent time in the top 10 during the summer.

That nine such songs peaked outside the Hot 100’s top 10 during cooler months also isn’t that shocking, considering that many sport lyrics reminiscing about summer, such as “Suddenly Last Summer,” “The Boys of Summer” and “Endless Summer Nights.”



Meanwhile, Swift scores another Hot 100 record: She now has the highest charting hit called “Cruel Summer.” With its 13-7 jump, it surpasses the No. 9-peaking classic by Bananarama, as well as Ace of Base’s No. 10-peaking cover.

Olivia Rodrigo Earns Her Third Streaming Songs No. 1 With ‘Vampire’

Olivia Rodrigo scores her third No. 1 on Billboard’s Streaming Songs chart thanks to “Vampire,” which debuts atop the July 15-dated tally.

“Vampire” bows with 35.5 million official U.S. streams in its first week, according to Luminate.

It follows similar No. 1 debuts by “Drivers License,” a four-week leader beginning in January 2021, and “Good 4 U,” which crowned the list for eight weeks starting in May 2021.

Between “Good 4 U” and “Vampire,” Rodrigo accumulated eight Streaming Songs appearances, all from 2021 debut album Sour. The top-ranking of those, “Traitor,” debuted and peaked at No. 3 on the June 5, 2021, ranking.

The 35.5 million stream count of “Vampire” is the largest for any song in the U.S. since Morgan Wallen’s “Last Night” earned 36.6 million toward the April 22 survey.

It’s the second-best first-week count for any song in 2023, behind only Miley Cyrus’ “Flowers,” which debuted with 52.6 million streams toward the Jan. 28 list.

Concurrently, as previously reported, “Vampire” debuts at No. 1 on the multimetric Billboard Hot 100, also her third No. 1 and third debut atop the chart, following “Drivers License” and “Good 4 U.” In addition to its streams, the song earned 26.3 million radio audience impressions and 26,000 sales.

It launches at No. 2 on Digital Song Sales and No. 22 on Radio Songs, and it bows at Nos. 17 and 22 on Pop Airplay and Adult Pop Airplay, respectively.

“Vampire” is the lead single from Guts, Rodrigo’s second studio album, due Sept. 8.

Beach Boys Releasing Limited-Edition Official Anthology Book, ‘The Beach Boys by The Beach Boys’

The Beach Boys announced their first-ever official anthology book on Thursday morning (July 13), the 400-page, 60,000-word The Beach Boys by The Beach Boys. The book covers the summer-lovin’ band’s rise from a Hawthorne, CA garage in 1961 to international fame thanks to such indelible sand-and-surf hits as “Surfin’ U.S.A.,” “I Get Around,” “California Girls,” “Fun, Fun, Fun,” “Little Surfer Girl,” “Kokomo” and many more.

“There’s love in the music and people can relate to the love, regardless of whether you’re two years old or 92 years old,” said musical mastermind Brian Wilson in a statement about the book due out in December. “For me, music is about love. Love is the message I want to share. I hope people feel that in my music. That makes the hard work worth it.”

The collection will be limited to 500 copies, with the band’s story told through the words of members Brian Wilson, Mike Love, Al Jardine, Dennis Wilson, Carl Wilson and Bruce Johnston, with rare and classic photographs and rarities; a hardcover edition for bookstores will be issued in 2024.

“I think it’s the heart that you put into what you’re doing that’s important. Each member of the Beach Boys puts their whole heart and soul into what they do, and that is probably the saving grace of the group,” added Brian Wilson in a statement shared by publisher Genesis Publications. “Few families are together spiritually and emotionally over art.”

The book will feature photos from the Capitol Records archive, the band’s archive and members’ personal archives, including outtakes from album sessions for such landmark releases as Pet Sounds and Smile, live shots from their first European tour and the rehearsals for their first live performance of “Good Vibrations.” It will also include other rare objects, including photos of tape boxes, tour posters and programs, handwritten lyrics and notes, newspaper clippings, album ads and studio documents.

“The environment in which we grew up and the things we chose to sing about primarily, which were the beautiful things about growing up in Southern California – the lovely girls, the lovely cars, the lovely weather and the lovely beaches – it was like an endless summer,” said singer Mike Love in a statement.

The book will also feature new text based on extensive interviews with Wilson, Love, Jardine and Johnston done exclusively for the project, as well as archival text from late members Carl and Dennis Wilson. “We were just having fun and it developed into something else. It’s funny. We were really an accident — but a good accident,” said Jardine. “And our first record seemed to be enough for us. We sure didn’t think we’d be recording into the next century.”

A number of contributors who worked with or were inspired by the Beach Boys also participated in the book, including Lindsey Buckingham, Eric Clapton, Elvis Costello, Ray Davies, Bob Dylan, Def Leppard, the Flaming Lips, Primal Scream’s Bobby Gillespie, David Lee Roth, Jimmy Page, Pete Townshend, Radiohead’s Thom Yorke and more.

An 85-copy numbered ArtLuxe edition — which is already sold-out — is hand-signed by Brian Wilson, Love, Jardine and Johnston and is quarter-bound in apple leather and sea blue Toile Ocean cloth; the cloth is woven from 100% recycled plastic gathered from oceans and coastlines. The large-format ArtLuxe edition comes in a handcrafted, cloth-bound solander case finished with screen-printing and foil embossing.

The Beach Boys will also come in a numbered Deluxe edition hand-signed by the living members (limited to 415 copies) and a hardcover Bookstore edition due out in 2024, with more details to be announced soon. A portion of the proceeds from both non-bookstore editions will go to the ocean conservation group the Surfrider Foundation.

Lea Michele Remembers Cory Monteith on 10th Anniversary of His Death: ‘I Hold All of Our Memories in My Heart’

It’s been exactly a decade since the world lost Cory Monteith. And to mark the anniversary of his passing, Lea Michele posted a beautiful tribute to her late co-star and then-boyfriend on Instagram.

“Hey you. 10 years,” the Funny Girl actress wrote Thursday (July 13), captioning an old black-and-white photo of her posing cheek to cheek with Monteith. “It feels like only yesterday that you were here and yet a million years ago all at the same time.”

“I hold all of our memories in my heart where they will stay safe and never forgotten,” the Scream Queens alum continued in her post. “We miss you every day and will never forget the light you … brought to us all. I miss you big guy.”

“I hope you found Taylor [Hawkins] up there and are playing the drums together,” she added.

The Glee actor and drummer was found dead at 31 of an accidental overdose in a Vancouver, B.C., hotel room July 13, 2013; he was last seen alive at around 2 a.m. that morning. Monteith had previously been open about his struggles with substance abuse and addiction, and had checked in to a rehab facility just months before his death.

Up until his death, Monteith was linked to Michele. The pair started dating in 2012 — about three years after Glee premiered.

Michele is now married to entrepreneur Zandy Reich, and the two share a 2-year-old son. She currently stars as Fanny Brice in the Broadway revival of Funny Girl, running through Sept. 3.

See Lea Michele’s post below: