Music News

Watch Megan Thee Stallion Play a ‘Lady Boss’ in Trailer for A24’s ‘Dicks: The Musical’

After taking some time off to focus on herself, Megan Thee Stallion is steadily returning to the limelight. On Thursday (Aug. 3), Academy Award-winning film production and distribution company A24 launched its trailer for Dicks: The Musical, starring Megan Thee Stallion, Bowen Yang, Nathan Lane, Megan Mullally, Aaron Jackson and Josh Sharp.

Directed by Emmy-winner Larry Charles, Dicks: The Musical is a musical comedy based on Josh Sharp and Aaron Jackson’s off-Broadway musical of the same name. The trailer follows two business adversaries (Sharp and Jackson) who learn that they are are identical twins and try to persuade their divorced parents (Lane and Mullally) to remarry so that they can become a complete family again.

Megan Thee Stallion stars as the twins’ witty foul-mouthed boss in the hilarious new trailer. The trailer also teases “hit songs” such as “Gay Old Life,” “All Love Is Love,” “Out-Alpha the Alpha,” and “The Sewer Song.” Featuring a combination of traditional show tunes with a phallic twist and high-octane fusions of rap and musical theatre, Dicks: The Musical already embodies the eccentric idiosyncrasies of most projects stamped by A24.

Dicks: The Musical will serve as Megan Thee Stallion’s debut film role. The three-time Grammy-winner has appeared on a number of television programs including P-Valley, Saturday Night Live, Good Girls, and She-Hulk: Attorney at Law. Dicks: The Musical is slated for a world premiere at the 2023 Toronto International Film Festival.

Megan Thee Stallion has earned five top 10 titles on the Billboard 200 and three top 10 singles on the Billboard Hot 100, including the No. 1 singles “Savage” (with Beyoncé) and “WAP” (with Cardi B).

Nashville Songwriters Hall of Fame to Induct Keith Urban, Kix Brooks, David Lee Murphy & More

Keith Urban and Kix Brooks are among the five newest hitmakers set to be inducted into the Nashville Songwriters Hall of Fame.

The two country artists — who each wrote several of their own hits — will join the hall alongside fellow inductees Casey Beathard, David Lee Murphy and Rafe Van Hoy.

Since its founding in 1970, the Nashville Songwriters Hall of Fame has honored many of Music City’s premier songcrafters, inducting 235 songwriters, including Bill Anderson, Bobby Braddock, Garth Brooks, Felice and Boudleaux Bryant, Don and Phil Everley, Harlan Howard, Loretta Lynn, Kris Kristofferson, Willie Nelson, Dolly Parton, Hank Williams, Cindy Walker, Fred Rose and Cindy Walker.

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During a press conference held at Nashville’s historic Columbia Studio A on Thursday (Aug. 3), the Nashville Songwriters Hall of Fame executive director Mark Ford and chair of the board of directors Rich Hallworth revealed that Beathard and Murphy will be added to hall’s ranks, inducted into the contemporary songwriter category, while Van Hoy will be inducted in the veteran songwriter category. Urban will be inducted as the contemporary songwriter-artist, while Brooks will be inducted as the veteran songwriter-artist.

During the press conference, Urban recalled his early days in Nashville, his first time visiting the Bluebird Café and his years spent in writing rooms along Nashville’s Music Row. He also expressed gratitude for being inducted alongside Brooks.

“Kix was one of the first that came along, who sat at [Nashville venue] Jack’s Guitar Bar to hear me play, and later took me on tour. He’s been a champion ever since. I’m honored to be here with you,” Urban told Brooks.

Urban penned many of his own hits, including “But For the Grace of God,” “Somebody Like You,” “Wasted Time” and the CMA Award nominated songs “Tonight I Wanna Cry” and “Better Life.” His 2009 song “Sweet Thing” was named SESAC’s country song of the year, while 2012’s “For You” was featured in the film Act of Valor and earned Urban a Golden Globe nomination for best original song.

Country Music Hall of Fame member (as part of the duo Brooks & Dunn) Brooks had a hand in writing many of the duo’s hits, including “Brand New Man,” “My Next Broken Heart,” “Lost and Found,” the 1995 ACM song of the year nominee “You’re Gonna Miss Me When I’m Gone” and the 2003 CMA song of the year nominee “Red Dirt Road.” He has also written chart-toppers including John Conlee’s “I’m Only In It For the Love,” Nitty Gritty Dirt Band’s “Modern Day Romance” and Highway 101’s “Who’s Lonely Now.”

Brooks said, “I walked in here and saw these guys and was like, ‘We’re doing this together?’” He recalled a time when he and David Lee Murphy were sweeping floors at what is now the Musicians Hall of Fame. He wrote “I’m Only In It for the Love” with fellow inductee-elect Van Hoy.

“I came here as fan of songwriters. That’s all I wanted to do,” Brooks said. “My heroes were not just artists, but artists who wrote their own songs. To even think I would even be recognized in the same sentence as the mention of their names …”

California-born, Virginia-raised Beathard moved to Nashville in 1991; by 1998, he earned his first writing deal and penned the title track to Kenny Chesney’s I Will Stand album. In 2002, he earned his first No. 1 with Tracy Byrd’s “Ten Rounds with Jose Cuervo.” Additional hit writing credits followed, including “Find Out Who Your Friends Are” (Tracy Lawrence), “Cleaning This Gun” (Rodney Atkins), Kenny Chesney’s “Don’t Blink,” “No Shoes, No Shirt, No Problems” and “The Boys of Fall.” He’s also frequently collaborated with Eric Church, writing “Like Jesus Does,” “Hell of a View” and “Like a Wrecking Ball.” He also penned “There Was Jesus,’ recorded by Dolly Parton and Zach Williams. Beathard was named BMI’s country songwriter of the year in 2004 and 2008, and was named NSAI’s songwriter of the year in 2008.

“I’m just grateful to God and to everybody in this room … for considering me,” Beathard said. “It’s humbling beyond words and I’m just grateful.”

Murphy moved to Nashville in 1983, before forming the band The Blue Tick Hounds and eventually signing with MCA Records a decade later. In 1994, his debut album spurred the hit singles “Party Crowd” and “Dust on the Bottle.” In the 2000s, he began writing songs for other artists, penning several hits for Kenny Chesney, including “Living in Fast Forward,” “Here and Now” and “Everything’s Gonna Be Alright,” which Murphy performed as a duet with Chesney. The song earned Chesney and Murphy the 2018 CMA Award for musical event of the year. Murphy also penned hits including “Big Green Tractor” (Jason Aldean), “Why We Drink” (Justin Moore) and “Are You Gonna Kiss Me or Not” (Thompson Square).

“It’s a huge honor to be here today,” Murphy said. “Most writers, this is one of those ten feet off the ground moments … The songwriter community in Nashville is such a tight-knit community … guys that I write with all the time. It’s a special group of people that are songwriters in Nashville. They are supportive and hugely talented and creative. That makes it even more special that I am here today with these guys … this is something I will always remember.”

Raised in Bristol, Tenn., Van Hoy and his family moved to Nashville after he graduated from high school in 1972. Curly Putman signed him to Green Grass Music, which led to a publishing deal with Tree International. In 1976, Van Hoy found success as a writer on the George Jones/Tammy Wynette classic “Golden Ring.” His catalog of writing hits would grow to include the 1983 best country song Grammy-nominated “Baby I Lied” (Deborah Allen), “Friday Night Blues” and “I’m Only In It For the Love” (John Conlee), “Hurt Me Bad (In a Real Good Way)” (Patty Loveless), “Let’s Stop Talkin’ About It” (Janie Fricke) and “What’s Forever For” (recorded by artists including Michael Martin Murphey, Anne Murray, Johnny Mathis, B.J. Thomas and Olivia Newton-John).

“To be in the Hall of Fame is something I always dreamed of,” Van Hoy said. “To be included with the club of brilliant minds and brilliant songwriter that are in the Hall of Fame is unbelievably humbling and immense gratitude from my heart.” He also noted that earlier in the day, his phone started playing Tammy Wynette’s “’Til I Get It Right.” “I hadn’t touched it,” he said. “It was like my buddies [the song’s writers] Red Lane and Larry Henley were saying, ‘Welcome in.’”

The honorees will formally inducted into the prestigious organization during the 53rd Anniversary Nashville Songwriters Hall of Fame Gala on Wednesday, Oct. 11, to be held at Nashville’s Music City Center.

BLACKPINK’s Jisoo & Actor Ahn Bo-hyun Are Dating

Jisoo is a lovesick girl no longer, as the 28-year-old BLACKPINK star is dating actor Ahn Bo-hyun.

The news follows local media reports that the new couple was spotted together in Seoul. Ahn’s team also confirmed the relationship, telling CNN, “The two are in a stage where they are getting to know each other slowly with good feelings. We would appreciate if you could watch the couple with a warm gaze.”

According to the news network, BLACKPINK’s label YG Entertainment provided a similar statement to South Korean news agency Yonhap.

Jisoo becomes the only BLACKPINK band member to be in a confirmed relationship, though rumors regarding the love lives of Rosé, Jennie and Lisa frequently swirl. For instance, Jennie was thought by some to be dating BTS’ V as recently as May of this year.

The “FLOWER” singer’s new beau has a few years on her; at 35 years old, Ahn has been in dozens of movies and TV shows. After getting his start as a model, the Busan native made his acting debut in 2014 and is known for his roles in K-dramas such as Itaewon Class, Yumi’s Cells and Descendants of the Sun.

When she isn’t putting in hours with one of the world’s biggest girl groups, Jisoo also acts. Most recently, she starred opposite Jung Hae-in in the television series Snowdrop.

Jisoo and her bandmates are currently approaching the end of their Born Pink World Tour, which launched in October in support of BLACKPINK’s 2022 sophomore album, Born Pink. The record debuted at No. 1 on the Billboard 200, marking the girls’ first project to top the chart, and spawned two No. 1 singles on the Global 200 chart: “Pink Venom” and “Shut Down.”

Reflecting on BLACKPINK’s success, Jisoo recently shared her thoughts on whether the quartet has earned credit for being “trailblazers” of K-pop. “Maybe half and half?” she mused to Elle Korea, the cover of which she graced in July. “We also walked the path that others have made, but I think there are parts that we pioneered, as we debuted at a time when the platform was expanding and accessibility to K-pop was increasing.”

“Just as there was a part where we walked on a polished road, I hope we can help make the path of those who will come after us smoother,” she added. “It would be nice if they could pioneer their own thing and connect with each other. Anyway, that’s a nice expression.”

Hot 100 First-Timers: Ryan Gosling’s ‘Barbie’ Hit ‘I’m Just Ken’ Debuts

He’s just Ken … but with a Billboard Hot 100 hit. Ryan Gosling is officially a Hot 100-charting artist, as he scores his first appearance on the latest ranking (dated Aug. 5) as “I’m Just Ken” debuts at No. 87.

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The song, released July 21 alongside the new Barbie film, begins with 5.2 million U.S. streams and 2,000 downloads sold in its opening week, according to Luminate. It also debuts at No. 4 on Hot Rock Songs and No. 5 on Hot Rock & Alternative Songs, as well as No. 39 on Digital Song Sales.

The track debuts along with the Barbie: The Album soundtrack, also released July 21 via Mattel/WaterTower/Atlantic Records. The album opens at No. 2 on the Billboard 200 with 126,000 units, as well as No. 1 on the Soundtracks chart and No. 2 on Top Album Sales. It’s the highest charting soundtrack on the Billboard 200 since Encanto led the list for nine nonconsecutive weeks (January-March 2022). Barbie is also the highest debut for a full-length theatrical film soundtrack since the Beyoncé-led The Lion King: The Gift also opened at No. 2 four years ago (Aug. 3, 2019, chart).



While “I’m Just Ken” is Gosling’s first entry on the Hot 100, it’s not his first overall chart appearance. He’s charted once before, with “City of Stars” from his 2016 film La La Land. His solo version spent two weeks at No. 1 on the Jazz Digital Song Sales chart, while a version with co-star Emma Stone reached No. 8 on the Hot 100’s Bubbling Under ranking and No. 45 on Digital Song Sales.

Gosling’s musical endeavors predate La La Land. The actor broke through at age 13 as a member of the Disney Channel’s The Mickey Mouse Club (from 1993 to 1995). He performed song and dance numbers alongside future Billboard hitmakers Christina Aguilera, Britney Spears and Justin Timberlake, among others.

In between Mickey Mouse Club and Barbie, Gosling has forged a hugely successful career in Hollywood, starring in box-office hits including The Big Short; Blue Valentine; Crazy, Stupid, Love; Drive and The Notebook. He has two Academy Award nominations for best actor under his belt, for Half Nelson in 2007 and La La Land in 2017.

Here’s How Tina Knowles Responded to Speculation That Beyoncé Shaded Lizzo With ‘Break My Soul’ Omission

No, Beyoncé did not shade Lizzo at her Renaissance World Tour show in Boston on Tuesday night (Aug. 1). At least according to the Knowles matriarch, Tina Knowles. The mother of Beyoncé and Solange Knowles took to Instagram Wednesday (Aug. 2) to shut down speculation that Beyoncé purposely skipped over Lizzo’s name during the performance of “Break My Soul.”

At the Renaissance World Tour, Queen Bey combines the original solo version of her Billboard Hot 100-topping “Break My Soul” with the Madonna-assisted “Queens Remix,” which boasts the lyric “Betty Davis, Solange Knowles Badu, Lizzo, Kelly Rowl’.” At Tuesday night’s show, Beyoncé did not say Lizzo’s name, and instead chanted “Badu” four times. Both Badu and Lizzo’s names appeared on the screen behind the superstar.

Mama Tina pointed out that Bey “also didn’t say her own sister’s name” in a comment on The Jasmine Brand’s Instagram post about the rumored diss, putting to bed any accusations of Beyoncé shading Lizzo. The “sister” Tina refers to appears to be Beyoncé’s former Destiny’s Child group member Kelly Rowland, as the star chanted the name of her biological sister, Grammy-winning multidisciplinary artist Solange, in the Tuesday performance. The proud mama also made sure to tell online speculators that they “should really stop.”

Although Beyoncé does not sing every name in the “Queens Remix” at every tour date, fans latched onto to the apparent omission of Lizzo’s name because, just earlier that day, news broke that the “About Damn Time” singer is being sued by three of her former tour dancers, who claim that they were subjected to sexual harassment and a hostile work environment.

Taylor Swift Announces More Eras Tour Dates in U.S. & Canada for 2024: ‘Turns Out It’s NOT the End of an Era’

The Eras Tour is just like karma: It’s coming back around. Just when fans thought Taylor Swift was about done with her shows in the U.S., she announced Thursday (Aug. 3) that more dates in Miami, New Orleans and Indianapolis, Ind., as well as Toronto have been added to her trek.

The second North American swoop won’t come until fall of 2024, with the pop star taking on Miami’s Hard Rock Stadium on Oct. 18. From there, she’ll make her way through Caesars Superdome in New Orleans and Lucas Oil Stadium in Indiana before closing out with six consecutive shows in November at Toronto’s Rogers Centre.

“Turns out it’s NOT the end of an era ?” Swift posted on Instagram. “Miami, New Orleans, Indy and Toronto: The Eras Tour is coming to you in 2024 with @gracieabrams! Verified fan registration for all shows is open now – visit TaylorSwift.com for more information.”

As Swift mentioned, fans can now register for Ticketmaster’s Verified Fan presale, after which they’ll be sent an email next week with next steps. (With luck, the buying process goes a lot more smoothly than last time around).

The newly announced dates will follow more than a year of upcoming shows in Latin America, Europe, Asia and Australia, for which Paramore and Sabrina Carpenter will both serve as support. The Eras Tour has already swept through the States this summer, and Swift is currently gearing up to play six nights at SoFi Stadium in Inglewood, Calif., starting Thursday (Aug. 3) — previously thought to be her final set of shows in America.

See Swift’s announcement below:

Taylor Swift Extends Artist 100 Longevity Record to 75 Weeks at No. 1

Taylor Swift spends a record-extending 75th week at No. 1 on the Billboard Artist 100 chart (dated Aug. 5), thanks to the continued success of her latest album Speak Now (Taylor’s Version), plus 10 additional albums on the Billboard 200.

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The set drops to No. 4 on the Billboard 200 with 79,000 equivalent album units earned July 21-27, according to Luminate, after spending its first two weeks at No. 1. It became Swift’s first re-recorded album to notch its first two weeks at the summit.

Also boosting Swift’s Artist 100 standing are 10 additional albums on the Billboard 200. This is the third week (all consecutive) that Swift has landed 11 titles on the chart. Two weeks ago, she became just the third act — and first woman — to chart at least 11 in a single week, following The Beatles and Prince.

Here’s a recap of Swift’s current Billboard 200-charting titles.

Rank, Title:

  • No. 4, Speak Now (Taylor’s Version)
  • No. 6, Midnights
  • No. 10, Lover
  • No. 12, Folklore
  • No. 20, 1989
  • No. 21, Reputation
  • No. 23, Red (Taylor’s Version)
  • No. 34, Evermore
  • No. 35, Fearless (Taylor’s Version)
  • No. 178, Taylor Swift
  • No. 194, Speak Now



On the Billboard Hot 100, Swift charts five songs: “Cruel Summer” (up 8-6, a new peak), “Karma” featuring Ice Spice (down 11-15), “Anti-Hero” (19-22), “I Can See You (Taylor’s Version) (From the Vault)” (33-45) and “Enchanted (Taylor’s Version)” (65-89).

Among other Artist 100 chart moves, NewJeans jump 64-2, reaching a new high thanks to the K-pop group’s new set 2nd EP ‘Get Up’. The collection launches at No. 1 on the Billboard 200, marking the act’s first leader, with 126,000 units.

Plus, Greta Van Fleet re-enters the Artist 100 at No. 6 on the strength of its third LP, Starcatcher. The album debuts at No. 8 on the Billboard 200 (46,000 units), becoming the band’s third top 10.

The Artist 100 measures artist activity across key metrics of music consumption, blending album and track sales, radio airplay and streaming to provide a weekly multi-dimensional ranking of artist popularity.

‘The Notebook’ Is Heading to Broadway With Lyrics & Music by Ingrid Michaelson

After a successful 2022 run in Chicago, The Notebook’s next chapter will be on Broadway

The musical, based on Nicholas Sparks’ wildly successful 1996 novel, features music and lyrics from Ingrid Michaelson and a book by Bekah Brunstetter. Michael Greif (Dear Evan Hansen, Grey Gardens) and Schele Williams (Aida) will direct, with choreography by Katie Spelman (Moulin Rouge! The Musical).

The musical tells the story of Allie and Noah, and the trials and tribulations of their decades of love as captured in a notebook and revisited as they age. For the musical, the couple’s relationship begins in the turbulent 1960s (as opposed to the 1940s in the book) and spans five decades.

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Previews will begin Feb. 6 at the Gerald Schoenfield Theater, with opening night slated for March 4. American Express card members have access to tickets starting Sept. 12. Tickets go on sale to the general public starting Sept. 26. 

The Notebook

The Notebook

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Pop artist Michaelson has released nine studio albums and landed such platinum-certified hits as “The Way I Am” and “Girls Chase Boys,” and has progressively moved into the film/tv/musical space. She received an Emmy nomination for best original song for penning “Build It Up” from Hulu’s Little Fires Everywhere, scored Hulu’s Tiny Beautiful Things series, created original songs for Apple TV+’s Slumberkins and serves as the series’ executive music producer. Michaelson made her onstage Broadway debut as Sonya in Natasha, Pierre & the Great Comet of 1812  in 2017.

Brunstetter was a supervising producer-writer on NBC’s Emmy and Golden Globe Award-winning series This Is Us, and has had her plays produced at a number of major regional theaters, including Manhattan Theater Club, South Coast Repertory and the Old Globe.

The Chicago run earned strong reviews, with Theatermania praising “Michaelson’s ever-lilting score of 18 thoroughly pleasant non-rock melodies, which subtly evoke folk and country, blended with close harmony ensemble work.”

Post Malone Talks ‘Austin,’ Parenthood and Memory Loss From Mushrooms

Too much, too often, is too bad. Just ask Post Malone, who reckons his mental acuity isn’t what it once was, thanks to overdoing it with hallucinogens.

The singer and rapper still digs mushroom, of the magical variety, but not with the same appetite as he once had.

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“Yeah, I’ll take shrooms. I like shrooms,” he admits in a recent interview with Zane Lowe for Apple Music. “Not as much as I used to. It really affected my short-term memory.”

For his sitdown with the New Zealand-born broadcaster, Malone reflects on an earlier “stint of habitual overuse, like daily” which may have contributed to the fog. “Now I take a little bar of (mushroom) chocolate with my buddies, a little square of chocolate and just laugh and laugh and laugh.”

Nothing is off-limits, as Malone reflects on youthful indiscretions, including bad experiences with pharmaceuticals drugs. But never the hard stuff. “I shouldn’t have to really justify anything to anyone, but I appreciate the concerns that people (have about his health),” he adds, “but then the rumor starts that I’m doing hard drugs, which I’ve never done in my entire life.”

Malone also talks about his newfound priorities as a parent, and the early mornings that come with it. “The schedule just keeps getting fuller, and now that I’m a dad, the schedule only got more full,” says the singer and rapper, a known late-riser.

That schedule continues to gets “fuller and fuller” with the release of new music. That’s the case with Posty’s fifth and latest studio album Austin, which dropped last Friday, and will be supported with another major world tour. Austin is the followup to 2022’s Twelve Carat Toothache, which peaked at No. 2 on the Billboard 200 chart, and became Malone’s fourth studio album to chart within the top five. It’s currently at No. 3 on the midweek U.K. chart. “I’m definitely more tired. I was always tired before (children), but now I’m more tired.”

Watch the interview below.



Lindsay Lohan Is ‘Not a Regular Mom’ in Cute Postpartum Selfie

Lindsay Lohan is glowing in motherhood! The star, who recently gave birth to her first child, took to Instagram on Wednesday (Aug. 2) to share a postpartum mirror selfie complete with a Mean Girls reference.

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In the snap, the 37-year-old actress is seen giving a soft smile to the camera as she rocks a pair of grey Frida Mom postpartum underwear. “I am so proud of what this body was able to accomplish during these months of pregnancy and now, recovery. Having a baby is the greatest joy in the world,” she wrote in the caption, before tweaking an iconic quote from her Amy Poehler’s character in the 2004 film, Mean Girls: “I’m not a regular mom, I’m a postpartum mom.”

Lohan, of course, starred in the comedy film as Cady Heron.

In July, Lohan’s reps confirmed to Billboard that singer-actress gave birth to her first child with husband Bader Shammas. The newborn is a “beautiful, healthy son named Luai,” the rep said. “The family is over the moon in love.”

The actress first announced her surprise pregnancy in March. At the time, she shared a photo of a white onesie featuring the words “coming soon,” and tagged financier Shammas in the post. “We are blessed and excited!” she captioned the post.