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Lizzo’s Big Grrrls Show Support for Singer Amid Lawsuit

Lizzo’s Big Grrrls dance crew have officially spoken out in support of the singer amid a sexual harassment lawsuit filed by her former dancers.

“We had the time of our lives on The Special Tour. We have been so honored to share the stage with such amazing talent,” reads the statement posted to the Big Grrrls Instagram page on Thursday (Aug. 17). “The commitment to character and culture taking precedence over every movement and moment has been one of the Greatest lessons and Blessings that we could possibly could ask for.”

The lengthy note, which thanks Lizzo for “shattering limitations and kicking in the door way for the Big Grrrl & Big Boiii Dancers to do what we love,” continues: “You have created a platform where we have been able to parallel our Passion with a purpose! Not only for Us, but for Woman and All people breaking barriers.”

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The note is signed from “the Big Grrrls and Big Boiiis,” so it is unclear which of the dancers are included in the supportive message.

The lawsuit, filed earlier this month in Los Angeles by dancers Arianna Davis, Crystal Williams and Noelle Rodriguez, accuses Lizzo (real name Melissa Jefferson) and her Big Grrrl Big Touring Inc. of a wide range of legal wrongdoing and included dozens of pages of detailed factual allegations.

In one allegation, the lawsuit claims that Lizzo pushed the dancers to attend a sex show in Amsterdam’s famed Red Light District and then pressured them to engage with the performers. The lawsuit also detailed alleged outbursts by Lizzo, including an “excruciating re-audition” in April after she accused the dancers of “drinking alcohol before shows”; one dancer claims the ordeal continued for so long that she wet herself because she feared she would be fired if she left the stage. The case also claims Lizzo repeatedly told dancers “none of their jobs were safe” and raised “thinly veiled concerns” about a dancer’s weight gain.

Lizzo denied the claims in a response shared to Twitter, calling them “false allegations” and “sensationalized stories.”

“I am not the villain that people and the media have portrayed me to be these last few days,” Lizzo wrote. “I am very open with my sexuality and expressing myself but I cannot accept or allow people to use that openness to make me out to be something I am not.”

See the full statement from the Big Grrrls’ Instagram account below.

Former Billboard Editor-In-Chief On Her Harrowing Escape From the Lahaina Fire: ‘It Was Total Chaos’

We first came to Lahaina during COVID because my son, Greyson, who was 5 at the time, was losing his mind. He’s a very active boy, and we needed to get him out of the house. My dad, musician Ray Conniff, had a lot of close ties to Hawaii and the community here. He’d spent a lot of time in Lahaina and even recorded a Hawaii LP [1967’s Ray Conniff’s Hawaiian Album]. So we moved here for a couple of months during quarantine, spending time with our friends, Stephen Stills’ son Chris and his wife, Stacy, and their family. My son met a local surf instructor, Uncle Bully, who is an amazing human. He teaches kids, especially locals, to surf and respect the ocean. He became a family friend and taught Greyson how to surf. He’s now 8 and a competitive surfer. The water is his happy place.   

There’s something deeply spiritual about Maui, especially Lahaina. It’s a super tightknit surf and skateboarding community. All of the families, aunties, uncles and neighbors look out for one another. If you ever need anything, people drop what they’re doing and help. We have one another’s backs. The community is focused on family; the kids are outside without tablets, and they’re learning about the water, the ocean and how to be one with nature. That’s what Lahaina is all about. We bought a house here, and while I wasn’t born here, my family and I are very respectful of Hawaiian culture and our native community, and the town and island has become our home. Maui grabs your soul, and it will keep you.

We live on Wainee Street, one block from Front Street across from the historic prison. On Tuesday, Aug. 8 at 4 a.m. our power went out due to hurricane winds. Power goes out a lot in Lahaina, so this is not unusual. We gathered our friends to come have lunch because we have a barbeque, and no one had power. Per usual, we had 15 people at our house hanging out. Earlier in the day, some received an alert that there was a fire, but it was 100 percent contained. I never got that alert, but some of my friends did. The winds got so bad that our fence flew off, pieces of our roof. Still no alerts or fire warnings, even though in that same place, that we were told was contained, the fire was already coming. We had some other friends staying in our ohana [guest house] and they came over to say, “We see smoke.” We walked into the back of the house and within seconds, the fire was in our backyard. We grabbed the kids and ran with nothing more than the shirts on our backs. I was driving the car with my son and two boys we watch out for who live at a homeless shelter. 

As we were driving away, the fire was barreling toward us. We reached the main road, and it was gridlock in one direction. The other side was completely open. And there was no one directing traffic. No sirens, no warnings, no text messages, no officials there to help. People were running down streets and trying any way they could to beat traffic.  A power pole was down blocking the way out. When we finally got through we saw three workers with chainsaws cutting the pole to pieces to unblock the road. Only three workers!

People who left after we did — maybe two, three, four and even five minutes later— couldn’t get out. The fire swept through in an instant, and those photos that have emerged showing cars burned on Front Street, they burned because they couldn’t move. Other people jumped in the water. We have friends who live 40 feet from Front Street, they couldn’t get out by car, so they jumped in a golf cart to escape on the sidewalk. It was total chaos.   

As a mom, I tried to stay super calm. I had my son with me and the two other boys, and we didn’t know if their parents were OK because they were at the shelter, which was also on fire. My husband and my daughter were in another car, and I tried to reassure the boys that everyone was going to be OK even though we could see the fire coming down the highway in our direction. I just kept saying, “We’re safe. We’re safe. We’re going to make it out.” And we did.   

Everyone from Lahaina who got out ended up in a Safeway parking lot in Kahului at 3 a.m., walking around aimlessly or sleeping in cars. Nobody knew what to do because we still had no official direction or communication. It was a complete deadly failure on the part of the local authorities. There’s literally no infrastructure in Lahaina. Everyone knows Front Street as a tourist destination. What you don’t know is that a few blocks up is lower income housing, a homeless shelter, generational Hawaiian homes, not the $5 million vacation homes. Locals live here. 

The next day, we went straight into survival mode. We just started thinking about what people need, especially those who have less than we do. It was a lot of coordinating by securing small planes, boats, generators, gas, water, food and figuring how to get it back to Lahaina and those who needed it immediately. We ended up making it back in our truck to deliver supplies. It’s like a bomb went off. It’s totally disorienting because there are no buildings to recognize. Everything is gone. It’s all ash and burned to the ground. From what I’ve seen and the conversations I’ve had with police and firemen in our direct circle, the devastation is being underreported. So many bodies have not yet been identified, and the death toll is expected to grow to hundreds. Cadaver dogs are still searching for bodies. 

Our homes and the homes of our community are gone. When I walked the ashes, what devasted me was seeing my children’s bedrooms burned to the ground because that’s where they slept. I imagined what would’ve happened if we didn’t make it out. What if this happened at night? Stuff is just stuff. None of that matters. What does matter is life, people, community, rebuilding, supporting each other. This is an entire community that has been wiped out. Our realtor friends are getting hundreds of emails from big developers asking to buy “devastated properties.” These are mostly the homes of indigenous families, and we need to make sure they don’t get forced out. Lahaina must stay in Lahaina hands. 

We’ve been buying supplies and giving money to families who need it immediately. I co-founded a nonprofit, Mana Mentors — an organization that helps teach at-risk youth how to surf and skate — and we’ve pivoted to raising money so that in two, three or four months, when no one is paying attention anymore, we can still help and rebuild. We’re also accepting donations of surfboards, skateboards and gear for the kids who lost everything. We’ve been working with Kevin Lyman [founder of the Vans Warped Tour music festival]; Smith Mandel & Associates, who have reached out to all the brands they represent to help; surfers Jud Lau and Tyler Larronde; musician and Maui local Lily Meola; and countless others who have been incredible with their generosity. 

The kids are having a really hard time because they don’t know how to process such a tragedy. These are the things that bring them joy, and we want to help them get back in the water, back on their boards, so they can have something that makes them happy. We lost our town. My daughter, who is 3, can’t really process this, but she loves the banyan tree. She said to me, “Mommy, I just wanna go hug the banyan tree to make it better. When can I go hug the tree?”  

We are 100 percent going to give our all to rebuild this community. We want to protect Lahaina, and we want to preserve its history. This place has such a rich Hawaiian history, and so many Hawaiians have already been forced to move because they were priced out. We don’t want that. Lahaina needs to be rebuilt in a way that can protect the beauty of this special place. 

Inflatable Films was about to release a documentary on Uncle Bully and his mission to teach the local homeless kids how to surf and a take deep look at what the real Lahaina is like. This story will still be told, but the backdrop is no longer the devastation that COVID had on Lahaina, but this — this deadly disaster and how the kids are going to heal from it. Lahaina is Lahaina strong. 

Tamara Conniff is the CEO of AMR Songs, a rights acquisition fund. She served as the editor-in-chief at Billboard and music editor at The Hollywood Reporter and held a top post at Roc Nation. She is one of the founders of Mana Mentors. 

This story was originally published by The Hollywood Reporter.

Why Peter Case Has Toured Solo for Decades: Behind the Setlist Podcast

Peter Case hasn’t done a coast-to-coast tour with a band since 1989 — and he wouldn’t have it any other way.

Part of the reason is financial, the critically acclaimed singer-songwriter tells Billboard’s Behind the Setlist podcast. His national tour in support of his second solo album, The Man With the Blue Post-Modern Fragmented Neo-Traditionalist Guitar, was “a fun tour” but “a bad deal on a van that we’d rented,” and a few canceled shows for health reasons meant the outing lost money. So after talking to his agent, Case went back on the road as a solo act. This time, though, Case came home with more money than he spent.

The way Case sees it, musicians have long toured as solo artists for the financial benefits. “Part of the reason Woody Guthrie played solo all the time was because he couldn’t afford a band,” says Case, who released his 16th solo album, Doctor Moan, in January through Sunset Blvd. Records and is the subject of the 2023 documentary Peter Case: A Million Miles Away, directed by Fred Parnes. 

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Case, a native of upstate New York, was influenced by solo musicians since his formative days spent in San Francisco, where he went from busking on street corners to co-founding the band The Nerves in 1976, and later Los Angeles, where he co-founded The Plimsouls in the 1979.

“I came from a time when solo players were really a thing,” he says. “I remember going to see James Taylor in 1969, I think it was. He would just play solo, you know, and he’d be great. He was a really great guitar player. He had really good songs on his first couple albums. It was great. Or you’d see John Hammond Jr. and he’d be rocking the house, stomping his feet and blowing this incredible harmonica. He played 12-string guitar and he was great. I saw [American folk singer] Dave Van Rock. I saw [singer-songwriter] Laura Nyro play solo. I saw [blues musician] Lightnin’ Hopkins play solo.”

Case likens his first solo shows, at McCabe’s Guitar Shop in Santa Monica, to “throwing a cat into a tub of cold water.” The audience at the intimate venue wasn’t going to be “blown away by the lights and the smoke and the volume” of his amplifier. All he had was his guitar and his songs. As the musician John Hiatt once told him, “When you play solo, it really plugs you into the worth of what you’re writing.” 

Listen to the Behind the Setlist’s interview with Peter Case below, or on Spotify, Apple Podcasts, Stitcher, iHeart, Amazon Music, Audacy, Podbay, Podtail and Audible

Sam Asghari Speaks Out Amid Britney Spears Divorce: ‘S— Happens’

A day after filing for divorce from Britney Spears, Sam Asghari took to his Instagram Stories on Thursday (Aug. 17) to release a statement.

“After six years of love and commitment to each other, my wife and I have decided to end our journey together,” he wrote in white text against a black screen. “We will hold onto the love and respect we have for each other and I wish her the best always. S— happens. Asking for privacy seems ridiculous so I will just ask for everyone including media to be kind and thoughtful.”

See his Story before it disappears here.

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The 29-year-old model filed for divorce from the pop star on Wednesday (Aug. 16) in Los Angeles Superior Court, per documents obtained by Billboard. The filing notes that the couple separated on July 28, with Asghari citing irreconcilable differences as the reason for divorce. He also seeks spousal support from Spears. Billboard reached out to Spears’ rep for more information, but did not receive a response at press time. Her lawyer, Matthew Rosengart, declined to comment.

The “Hold Me Closer” singer and Asghari began dating after they met on the set of Spears’ “Slumber Party” music video in 2016. After dating for five years, the couple got engaged in September 2021 and soon tied the knot in a star-studded Los Angeles wedding ceremony in June 2022. Just a month before their wedding, Spears revealed that she suffered a pregnancy loss.

“It was the humbleness that attracted me,” Asghari said of their relationship in a 2022 interview with GQ. “She was very humble and she had a beautiful soul.”

Kellie Pickler Calls Death of Husband Kyle Jacobs the ‘Darkest Time of My Life’

Editor’s note: This story contains mentions of suicide.

Kellie Pickler is breaking her silence after the death of her husband Kyle Jacobs. On Thursday (Aug. 17), the singer-songwriter shared a statement with People about how she has been coping since he died by suicide at age 49 in late February.

“One of the most beautiful lessons my husband taught me was in a moment of a crisis, if you don’t know what to do, ‘Do nothing, just be still,’” she said in a statement to the outlet. “I have chosen to heed his advice.”

The “Didn’t Know How Much I Loved You” singer took a moment in her message to extend a thank you to friends, family and fans “for the countless letters, calls, and messages that you have sent my way.” She continued, “it has truly touched my soul and it’s helping me get through the darkest time in my life. As many of you have told me, you are all in my prayers.”

The country singer revealed that she’s holding a memorial in Jacobs’ honor in the coming months. “I am planning an intimate memorial for my husband, which will happen later this fall, that is what Kyle would have wanted,” she wrote before concluding her message with “Love & Blessings, Kellie.”

Jacobs’ cause of death was reported as a self-inflicted gunshot wound in February; the Davidson County Medical Examiner confirmed that Jacobs died by suicide, while toxicology results revealed he did not have any drugs in his system at the time of his death. Jacobs’ toxicology report additionally shed light on his history of “pseudoseizures, gastrointestinal bleeding, elevated liver enzymes, and chronic alcohol use.”

Pickler and Jacobs married on Jan. 1, 2011. They starred on the reality show I Love Kellie Pickler for three seasons. Jacobs was also a star in his own right, penning country songs for Trace Adkins, Clay Walker, Garth Brooks and more.

If you’re thinking about suicide, or are worried about a friend or loved one, contact the National Suicide Prevention Lifeline, available 24 hours, at 988.

Christina Aguilera Wishes Daughter Summer Rain Happy Birthday in Sweet Tribute: ‘Mommy Loves You So Much’

Christina Aguilera‘s little girl is growing up. On Wednesday, the superstar singer took to Instagram to wish her daughter, Summer Rain, the happiest of birthdays with a sweet tribute filled with moments they’ve shared together in her nine years of life.

“Happy 9th birthday to our sweet Summer Rain,” Aguilera captioned a series of photo of her taking the stage with her daughter by her side. “Today I find myself reflecting on how fast time has gone by. These 9 years have been filled with boundless love, heartwarming hugs, staying up too late, Disney adventures, and most recently, the joy of gracing the stage alongside you.”

The five-time Grammy winner added that getting to be her mother is her greatest achievement to date. “Every day, I thank the universe for gifting me the privilege of being your momma, a role that stands as my ultimate accomplishment,” she wrote. “Witnessing the remarkable young woman you are evolving into fills me with immense pride. Mommy loves you so much!”

Aguilera’s fiancé, Matthew Rutler, also shared a sweet birthday post for his daughter on Instagram, writing, “Happy 9th Birthday to our little sunshine :)” alongside a charming video of Summer pretending to eat the sun.

Summer is Aguilera’s second child; she is also the mother of Max Lion, 15, whom she shares with her ex-husband Jordan Bratman.

See Aguilera and Rutler’s birthday posts for Summer here and here.

Guns N’ Roses Welcomed New Jersey to ‘Paradise City’ With a Hard-Hitting Concert

Quick: Which summer stadium tour features a singer in a shiny outfit, a special guest and a three-hour set that includes a few surprise curveballs? Would you believe Guns N’ Roses? The band is back on tour again this summer — it plays North American stadiums until mid-October — with Slash, original bassist Duff McKagan, longstanding keyboardist Dizzy Reed and, for many concerts, a surprisingly sincere cover of the Jimmy Webb classic “Wichita Lineman.”

In the case of the East Rutherford, N.J., show – its fourth in North America and second in the U.S. this year – the shiny outfit was frontman Axl Rose’s and the special guest was Andrew Dice Clay, who came on to tell jokes for a few minutes after a tight and tough opening set by the Pretenders. “The Diceman,” as he refers to himself, remains upset about several things, including the social-distancing circles on elevator floors that were introduced during the “pandemical,” and the prevalence of senior citizens in Florida, which seems like an issue that’s been around for quite some time. He’s one of the few comedians who can get as much applause for a vocalization — “Ohhhh” — than he can for a joke. That’s not really a good thing, though.

And Guns N’ Roses? They still have it — and much more of it than before Slash rejoined the band in 2016. Slash’s guitar playing is as sharp as ever, and he and McKagan play well together with the touring band, but Rose’s voice isn’t what it was years ago. By the end of the opening “It’s So Easy,” it was clear that Rose has lost some of his range, although how much is hard to tell — he bellowed the chorus of “Mr. Brownstone” to give it the menace it needs and rose to the occasion of “Welcome to the Jungle,” then struggled to hit the high notes of “Rocket Queen.”

Rose isn’t just a compelling performer for his voice, though. Far more than during the shows without Slash, he stalked the stage like a man on a mission, full of menace but also smiling charisma, taking what seemed like a slight bow after some songs. As Slash played along under his usual top hat, Rose actually seemed to be having fun — his history with his bandmates may be soap-operatic, but they all seemed to be having a great old time. He especially shone on songs that didn’t require piercing high notes, such as “Live and Let Die,” “Civil War” and especially “November Rain.”

At a time when critics seem positively shocked at the idea that a stadium show can run for more than three hours and include two surprise songs, it’s worth remembering that this was once simply what rock fans expected — play for a while and surprise us a bit. Guns N’ Roses went beyond this to give each member a chance to shine: McKagan sang a powerful “TV Eye,” Slash snuck pieces of “Voodoo Child” and “People Get Ready” into other songs and “Dizzy f–king Reed,” as Rose called him, showed off his keyboard work. There were plenty of covers, too: “Down on the Farm” (the U.K. Subs song the band covered on The Spaghetti Incident?), “Knockin’ on Heaven’s Door” and, yes, “Wichita Lineman.” It’s hard to think of a song that seems less suited for a hard rock band – sincere, minimal, tasteful – but it worked well enough to make up for Andrew Dice Clay.

Axl Rose and Slash of Guns N' Roses

Axl Rose and Slash of Guns N’ Roses perform at MetLife Stadium in East Rutherford, N.J., on Aug. 16, 2023.

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After a hard-hitting “Nightrain,” the band came back with an encore that started with “Coma,” then played the AC/DC song “Walk All Over You,” which Rose said had “his favorite f–king drum fill ever.” (Rose uses profanity as punctuation the way the characters on Succession do.) It’s not the easiest song to sing, but Rose jumped around as Slash powered through the riffs and the band shared parts of the chorus. For a few moments — at various points during this show but especially during this song, “Patience” and a show-ending “Paradise City” — you could believe that these musicians weren’t celebrities who had spent three decades feuding, but just guys who fell in love with the power of loud, crunching hard rock. Which, in some way, they still are.

Setlist:

  1. “It’s So Easy”
  2. “Bad Obsession”
  3. “Chinese Democracy”
  4. “Slither” (Velvet Revolver)
  5. “Hard Skool”
  6. “Mr. Brownstone”
  7. “Welcome to the Jungle”
  8. “Pretty Tied Up”
  9. “Absurd”
  10. “Double Talkin’ Jive”
  11. “Estranged”
  12. “Down on the Farm” (U.K. Subs)
  13. “Live and Let Die” (Wings)
  14. “Rocket Queen”
  15. “Reckless Life”
  16. “You Could Be Mine”
  17. “T.V. Eye” (The Stooges)
  18. “Anything Goes”
  19. “Civil War”
  20. Slash guitar solo
  21. “Sweet Child o’ Mine”
  22. “November Rain”
  23. “Wichita Lineman” (Jimmy Webb)
  24. “Catcher in the Rye”
  25. “Knockin’ on Heaven’s Door” (Bob Dylan)
  26. “Nightrain”

Encore:

  1. “Coma”
  2. “Walk All Over You” (AC/DC)
  3. “Patience”
  4. “Paradise City”

Guns N’ Roses Classic Crowns Top TV Songs Chart After ‘The Summer I Turned Pretty’ Synch

Multiple songs from the second season of Prime Video’s The Summer I Turned Pretty dot Billboard’s Top TV Songs chart, powered by Tunefind, for July 2023, paced by Guns N’ Roses’ classic “Sweet Child o’ Mine” at No. 1.

Rankings for the Top TV Songs chart are based on song and show data provided by Tunefind and ranked using a formula blending that data with sales and streaming information tracked by Luminate during the corresponding period of July 2023.

“Sweet Child o’ Mine” featured in the fourth episode of The Summer I Turned Pretty’s second season, which aired July 21.

In July 2023, the song, a two-week No. 1 for Guns N’ Roses on the Billboard Hot 100 in 1988, racked up 19.3 million official on-demand U.S. streams and 3,000 downloads, according to Luminate.

Four songs from The Summer I Turned Pretty reach the July 2023 ranking in all, with “Sweet Child o’ Mine” followed by Frank Ocean’s cover of “Moon River” at No. 6 (1.6 million streams, episode five).

The Chambers Brothers’ “Time Has Come Today” takes No. 2 after a synch in Justified: City Primeval on FX. Heard in the show’s second episode (July 18), it earned 292,000 streams in July 2023.

Big Star’s “Thirteen” leads a trio of songs from Apple TV+’s The Afterparty at No. 3, with 347,000 streams after its inclusion in the second season’s fourth episode on July 26.

See the full top 10, also featuring music from The Righteous Gemstones and What We Do in the Shadows, below.

Rank, Song, Artist, Show (Network)
1. “Sweet Child o’ Mine,” Guns N’ Roses, The Summer I Turned Pretty (Amazon Prime Video)
2. “Time Has Come Today,” The Chambers Brothers, Justified: City Primeval (FX)
3. “Thirteen,” Big Star, The Afterparty (Apple TV+)
4. “I Wish,” Skee-Lo, The Afterparty (Apple TV+)
5. “Party Up,” DMX, The Righteous Gemstones (HBO)
6. “Moon River,” Frank Ocean, The Summer I Turned Pretty (Amazon Prime Video)
7. “Ants Marching,” Dave Matthews Band, What We Do in the Shadows (FX)
8. “Good Day,” Nappy Roots, The Afterparty (Apple TV+)
9. “Edamame,” bbno$ feat. Rich Brian, The Summer I Turned Pretty (Amazon Prime Video)
10. “The Distance,” Cake, The Summer I Turned Pretty (Amazon Prime Video)

Taylor Swift Makes Limited Edition Yellow ‘1989’ Vinyl Available for Just 48 Hours

Taylor Swift is just months away from unveiling her 1989 (Taylor’s Version) album, and the star is getting fans excited with a new vinyl release.

A yellow “Sunrise Boulevard” vinyl is available to pre-order for just 48 hours on Swift’s website here. In addition to the vinyl, the purchase includes collectible album jacket and sleeves, plus never-before-seen photos. Purchases are limited to four per customer.

1989 (Taylor’s Version) is out on Oct. 27, which Swift announced during her last show at Los Angeles SoFi Stadium on August 9. The album was originally released in 2014 and topped the Billboard 200 albums chart for 11 weeks.

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“To be perfectly honest,” Swift wrote on her social accounts after the show, “this is my most FAVORITE re-record I’ve ever done because the 5 From The Vault tracks are so insane. I can’t believe they were ever left behind. But not for long!”

1989 (Taylor’s Version) will be Swift’s fourth “Version,” since announcing her re-recording project in 2019. The previous three all logged time at No. 1 on the Billboard 200: Fearless (Taylor’s Version) with two weeks in 2021, Red (Taylor’s Version) with one week in 2021, and Speak Now (Taylor’s Version) with two weeks in 2023.

NewJeans Tap BTS’ Jimin for Energetic ‘ETA’ Dance Video: Watch

No need to wonder if Jimin is MIA, BTS ARMY — he made a rare appearance on social media thanks to recent Billboard chart-toppers NewJeans.

On Wednesday, members Hanni and Danielle of the K-pop girl group shared a video to TikTok of them dancing to their song “ETA” with Jimin in tow.

Hanni and Danielle appeared in the video wearing sporty T-shirts, mini-skirts and chunky sneakers to perform the upbeat track. “We can you go wherever you like/ Now where are you?” the girls lip-synch, stepping to the left and right to reveal the BTS member joining them in the song’s choreography. “What’s your ETA?/ What’s your ETA?/ I’ll be there right now, lose that boy on her arm,” the track blares, with all three hitting the hip-hop dance moves with ease.

Fans in the comments section couldn’t help but gush over the collab video, with one user writing, “Jimin rarely updates, once he updates [he’s] dancing with his younger sibling[s],” one user commented, referring to NewJeans’ connection to BTS through HYBE (the girl group is with independent label ADOR, which rests under HYBE). “I love how much energy he puts into dancing and it just matches their energy perfectly,” another TikTok user commented.

“ETA” was released as the third single from NewJeans’ second EP, Get Up. The song peaked at No. 81 on the Billboard Hot 100 chart, while the album earned the K-pop group their first No. 1 on the all-genre Billboard 200.

See NewJeans’ video below.