Music News

Morgan Wallen’s ‘One Thing at a Time’ Is Top Billboard 200 Album of 2023

Morgan Wallen claims the year-end No. 1 on 2023 Billboard 200 Albums recap with his monster hit One Thing at a Time, which spent 16 nonconsecutive weeks at No. 1 on the weekly Billboard 200. It racked up the most weeks at No. 1 for any album since Adele’s 21 tallied 24 weeks atop the list in 2011-12.

One Thing at a Time was a constant presence after its release on the Billboard 200 during the 2023 chart year (Nov. 19, 2022-Oct. 21, 2023). It debuted at No. 1 on the March 18, 2023, chart and then spent the next 31 weeks of the chart year lodged in the top five of the chart, never dipping below No. 4 in that span of time.

Explore All of Billboard’s 2023 Year-End Charts

Wallen has led the year-end Billboard 200 Albums tally twice. He first triumphed in 2021 with Dangerous: The Double Album, which finishes 2023 as the year’s No. 5 title. It ranked at No. 3 for the year in 2022. It’s the first title to spend three years, consecutive or otherwise, in the year-end Billboard 200 Albums top 10 since the soundtrack to The Sound of Music (1965-67).

As Wallen is No. 1 on the year-end Billboard 200 Albums recap in 2023 with One Thing at a Time, and he led the tally in 2021 with Dangerous: The Double Album, he’s the first artist since 2005 to be No. 1 with two different albums within three years. In 2005, 50 Cent led the year-end Billboard 200 Albums tally with The Massacre, coming hot on the heels of his 2003 win with Get Rich or Die Tryin’.

Further, with both One Thing at a Time and Dangerous: The Double Album categorized as country efforts, Wallen is the first artist to claim two year-end No. 1s on the all-genre Billboard 200 Albums recap with a country album. Before Dangerous won in 2021, the only country efforts to be the year’s top Billboard 200 album were Taylor Swift’s Fearless (2009), Carrie Underwood’s Some Hearts (2006) and Garth Brooks’ Ropin’ the Wind (1992). Country albums are defined as those that are eligible for, or have charted on, Billboard’s weekly Top Country Albums chart.

One Thing at a Time’s crossover hit single “Last Night” crowns the year-end Hot 100 Songs recap. It’s the first time that the same artist has led both the year-end Billboard 200 and Hot 100 tallies since Adele in 2011 (with 21 and “Rolling In the Deep,” respectively).

At No. 2 on the year-end 2023 Billboard 200 Albums ranking is Taylor Swift’s Midnights. The set debuted at No. 1 on the Nov. 5, 2022-dated Billboard 200 and had two weeks of activity (Nov. 5-12, 2022) during the 2022 chart year, which placed the album at No. 4 on the 2022 year-end Billboard 200 Albums ranking. During the 2023 chart year, the album racked up three more weeks at No. 1 (it had two weeks at No. 1 in the 2022 chart year) and never left the weekly top 10 during the 2023 chart year.

Swift has placed at least one title in the year-end top 10 of the Billboard 200 Albums recap in the last six consecutive years, and in 14 of the last 16 years.

At No. 3 on the year-end Billboard 200 Albums recap is SZA’s first Billboard 200 No. 1, SOS. The smash set ruled the weekly chart for 10 weeks – the most of any R&B/hip-hop album or R&B album by a woman since Mariah Carey’s self-titled debut notched 11 in 1991.

Drake and 21 Savage’s Her Loss is No. 4 on the year-end tally, while Wallen’s Dangerous: The Double Album is No. 5. Metro Boomin’ Heroes & Villains ranks at No. 6, Bad Bunny’s year-end 2022 winner Un Verano Sin Ti is No. 7, while Zach Bryan’s breakthrough album American Heartbreak is No. 8.

Swift’s resurgent Lover album, which was released in 2019 and debuted atop the weekly Billboard 200, closes 2023 at No. 9. (In 2019, it was No. 4 for the year.) It flourished in new popularity in 2023 following the renaissance of its single “Cruel Summer,” which was the first proper song she performed during her much buzzed-about career-spanning The Eras Tour, which played U.S. stadiums from March to August.

Travis Scott’s latest release, Utopia, rounds out the year-end 2023 Billboard 200 Albums ranking at No. 10.

Billboard’s year-end music recaps represent aggregated metrics for each artist, title, label and music contributor on the weekly charts from Nov. 19, 2022, through Oct. 21, 2023. Rankings for Luminate-based recaps reflect equivalent album units, airplay, sales or streaming during the weeks that the titles appeared on a respective chart during the tracking year. Any activity registered before or after a title’s chart run isn’t considered in these rankings. That methodology detail, and the November-October time period, account for some of the difference between these lists and the calendar-year recaps that are independently compiled by Luminate.

Stephen Colbert Spoofed This Taylor Swift Hit in Honor of ‘Swiftie’ Turkeys Pardoned By Pres. Biden

A lot of things happened on Monday (Nov. 20) when President Biden participated in one of the weirdest annual White House fall traditions: the National Thanksgiving Turkey pardoning ceremony. As you’ve probably already read, Biden — who was also celebrating his 81st birthday that day — pardoned the cluckers named “Liberty” and “Bell” and then tried to make a joke about how their difficult journey to the pardon was harder than getting a ticket to… “Britney’s tour.”

He, of course, meant Taylor Swift.

On Monday night, Late Show host Stephen Colbert couldn’t resist a playful tug on the commander in chief’s waddle, noting that the turkeys spent a luxurious night in a hotel — which included a bubble bath — and had a limo ride to their pardoning. Oh, and he added that a presidential spokesperson said the turkeys were, of course, Swifties.

That perfectly set up a bit honoring the pair’s favorite Swift hit: “I Knew You Were Gobble.”

The revamped 2012 Red album hit was dressed up with some fowl lyrics that included, “I knew you were gobble when you walked in/ That’s called trotting/ You can’t fly because you’re flightless/ Now you’re lying by the casserole/ [Turkey sounds]/ Gobble gobble gobble,” went the spoof, whose video interspersed scenes from the official “I Knew You Were Trouble” clip with images of toms.

The rest of Monday night’s episode was devoted to paying homage to the man who used to inhabit the Ed Sullivan Theater, late night legend David Letterman, back for his first visit since his retirement eight years ago.

Watch Colbert’s turkey talk below (being around 4:00 mark).



Zach Bryan Is Billboard’s Top New Artist of 2023

Zach Bryan closes out 2023 as Billboard’s Top New Artist, the same year he claimed his first No. 1 on the Billboard 200 albums chart (with his self-titled set) and his first No. 1 on the Billboard Hot 100 songs chart (“I Remember Everything,” featuring Kacey Musgraves).

The 27-year-old singer-songwriter made a mainstream splash in 2022 with his American Heartbreak album and its hit single “Something in the Orange,” which peaked at No. 10 on the Hot 100 in January 2023. The country-rock artist has since charted six more albums on the Billboard 200, including his 2023 self-titled album, which debuted atop the list in September. (His self-titled album and American Heartbreak additionally hit No. 1 on both the weekly Top Rock Albums and Top Country Albums charts.)

Explore All of Billboard’s 2023 Year-End Charts

American Heartbreak rounds out 2023 at No. 8 on the year-end Billboard 200 Albums ranking, while his self-titled set sits at No. 50. Bryan is also the No. 6 overall Top Artists ranking, while “Something in the Orange” is No. 13 on the year-end Hot 100 Songs recap and “I Remember Everything” is No. 74.

As Bryan’s output on the charts is classified as country and rock (charting on both our Top Country Albums and Top Rock Albums tallies), in turn, he is the first rock act to be the year’s No. 1 Top New Artist since Daughtry achieved the distinction in 2007. Moreover, Bryan is the first country act to be the year’s Top New Artist since Billboard began compiling the Top New Artists category, combining performance on the Billboard 200 and Hot 100, in 1977.

Billboard’s year-end music recaps represent aggregated metrics for each artist, title, label and music contributor on the weekly charts from Nov. 19, 2022, through Oct. 21, 2023. Rankings for Luminate-based recaps reflect equivalent album units, airplay, sales or streaming during the weeks that the titles appeared on a respective chart during the tracking year. Any activity registered before or after a title’s chart run isn’t considered in these rankings. That methodology detail, and the November-October time period, account for some of the difference between these lists and the calendar-year recaps that are independently compiled by Luminate. The Top New Artists categories ranks the best-performing new acts of the year based on activity on the Billboard 200 albums and Billboard Hot 100 songs chart, as well as Billboard Boxscore (touring) data, for the 2023 tracking period.

Taylor Swift Is Billboard’s Top Artist of 2023

Taylor Swift triumphs atop Billboard’s 2023 year-end Top Artists chart, following her domination across both the Billboard 200 albums and Billboard Hot 100 songs chart this year.

Swift was previously the year-end top artist in 2015 and 2009, making her the first act to finish as the year-end No. 1 artist at least once in three different decades (the 2000s, ‘10s and ‘20s). Plus, she’s just the second act to be the year-end top artist three times, following Adele, in 2016, 2012 and 2011 (dating to the category’s 1981 inception).

Remarkably, she’s ranked among the Top Artists year-end top 10 in 14 of the last 16 years, including the last six in a row.

Explore All of Billboard’s 2023 Year-End Charts

Further demonstrating Swift’s sustained success on Billboard’s charts, the 14-year span from her first win as top artist in 2009 to her third in 2023 is the longest of any act. Previously, Swift and Usher were tied with the longest span of year-end victories, with six years between Swift’s first and second coronations as Top Artists (2009-15) and Usher’s pair of wins (1998-2004).

During the 2023 chart year, Swift logged 13 albums on the weekly Billboard 200 chart, including two that spent time at No. 1: her 2022 release Midnights and her third re-recorded album, 2023’s Speak Now (Taylor’s Version). The former finishes as the No. 2 title on the year-end Billboard 200 Albums recap. Meanwhile, her 2019 release Lover is No. 9. The latter, along with her catalog of albums, flourished in 2023 concurrent with her massive career-spanning The Eras Tour concert trek. In total on the year-end Billboard 200 Albums roundup, Swift is at Nos. 2 (Midnights), 9 (Lover), 11 (Speak Now [Taylor’s Version]), 12 (Folklore), 16 (1989), 17 (Red [Taylor’s Version]), 21 (Reputation), 29 (Evermore), 43 (Fearless [Taylor’s Version]) and 115 (Speak Now). Swift is also the year’s top finisher on the Billboard 200 Artists roundup.

On the weekly Hot 100 chart, Swift logged 44 songs during the 2023 chart year. On the year-end Hot 100 Songs ranking, she’s at Nos. 4 (“Anti-Hero”), 18 (“Cruel Summer”), 27 (“Karma,” featuring Ice Spice) and 32 (“Lavender Haze”).

Swift is the overall top female artist for a seventh year, while Morgan Wallen is the top male artist for the first time (No. 2 on the overall Top Artists list). Wallen also claims the year-end No. 1 on the Billboard 200 Albums recap with his 2023 release One Thing at a Time, which spent 16 nonconsecutive weeks at No. 1 on the weekly Billboard 200. The album’s crossover hit “Last Night” crowns the year-end Hot 100 Songs recap. It’s the first time that the same artist has led both the year-end Billboard 200 and Hot 100 tallies since Adele in 2011 (with 21 and “Rolling In the Deep,” respectively).

Wallen’s previous year-end Billboard 200 Albums champ, Dangerous: The Double Album, which topped the recap in 2021, is No. 5 on the 2023 list, after ranking at No. 3 in 2022. It’s the first title to spend three years, consecutive or otherwise, in the year-end Billboard 200 Albums top 10 since the soundtrack to The Sound of Music (1965-67).

Regional Mexican band Fuerza Regida is the top duo/group of 2023 – the first time an act that primarily records in Spanish has achieved the feat. (They are No. 38 on the overall Top Artists recap.) During the chart year, the act placed eight titles on the weekly Hot 100 and a pair of albums on the Billboard 200. Zach Bryan is the year’s top new artist (No. 6 on the overall Top Artists list), having scored his first No. 1s on both the weekly Billboard 200 (with his-self titled set) and Hot 100 (“I Remember Everything,” featuring Kacey Musgraves).

Billboard’s year-end music recaps represent aggregated metrics for each artist, title, label and music contributor on the weekly charts from Nov. 19, 2022, through Oct. 21, 2023. Rankings for Luminate-based recaps reflect equivalent album units, airplay, sales or streaming during the weeks that the titles appeared on a respective chart during the tracking year. Any activity registered before or after a title’s chart run isn’t considered in these rankings. That methodology detail, and the November-October time period, account for some of the difference between these lists and the calendar-year recaps that are independently compiled by Luminate. The Top Artists and Top New Artists categories ranks the best-performing overall acts, and new acts, of the year based on activity on the Billboard 200 albums and Billboard Hot 100 songs chart, as well as Billboard Boxscore (touring) data, for the 2023 tracking period.

Bo Burnham’s ‘Inside (The Songs)’ Breaks Record for Most Weeks Spent at No. 1 on Comedy Albums Chart

Bo Burnham makes history on Billboard’s latest charts (dated Nov. 25) as the soundtrack album to his Netflix comedy special Bo Burnham: Inside spends a record-breaking 122nd nonconsecutive week at No. 1 on Billboard’s Comedy Albums chart.

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The album surpasses Lil Dicky’s Professional Rapper to become the longest leading No. 1 comedy album in the chart’s 19-year history.

Inside (The Songs), released June 10, 2021, via Imperial/Republic Records, holds at No. 1 with 3,000 equivalent album units earned in the latest Nov. 10-16 tracking week, according to Luminate.



Here’s an updated look at the longest-reigning comedy albums, dating to the chart’s launch in 2004:

Most Weeks at No. 1 on Billboard’s Comedy Albums Chart
Total weeks at No. 1, Artist, Title (Year Reached No. 1)

  • 122, Bo Burnham, Inside (The Songs) (2021)
  • 121, Lil Dicky, Professional Rapper (2015)
  • 49, Dane Cook, Retaliation (2005)
  • 34, “Weird Al” Yankovic, Mandatory Fun (2014)
  • 34, The Lonely Island, Turtleneck & Chain (2011)
  • 23, Flight of the Conchords, Flight of the Conchords Soundtrack (2008)
  • 22, The Lonely Island, Incredibad (2009)
  • 22, Dane Cook, Rough Around the Edges: Live From Madison Square Garden (2007)
  • 22, “Weird Al” Yankovic, Straight Outta Lynwood (2006)
  • 20, The Bob’s Burgers Music Album Soundtrack (2017)

(The chart was based on pure album sales from its October 2004 inception through January 2020, when it switched to a consumption-based methodology that ranks titles by equivalent album units, mirroring the formula used for the all-genre Billboard 200 albums chart. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album.)

Inside (The Songs) debuted at No. 1 on Comedy Albums on the June 19, 2021-dated chart after just one day of tracking. Since the album first debuted, it has led the chart for all but six weeks — four of those were claimed by Bobby “Boris” Pickett & The Crypt-Kickers’ 1962 set The Original Monster Mash album thanks to annual Halloween gains for “Monster Mash.” The other instances were Mouse Rat’s The Awesome Album, the band led by Chris Pratt’s character Andy Dwyer from Parks and Recreation (in which Burnham guest starred in 2014) in November 2021, and Steel Panther’s On the Prowl in March 2023.

The album became Burnham’s fourth No. 1 on the Comedy Albums chart, after his 2009 self-titled LP, 2010’s Words Words Words, and 2014’s What. He also reached No. 3 on the chart in 2008 with his debut EP Bo Fo Sho. The only other artists with four-or-more No. 1s: Larry the Cable Guy (seven), Steel Panther (seven), Jim Gaffigan (six), “Weird Al” Yankovic (five), Nephew Tommy (five), The Lonely Island (five), Dane Cook (four), Doug Stanhope (four), Flight of the Conchords (four) and Patton Oswalt (four).



Inside (The Songs) also peaked at No. 7 on the all-genre Billboard 200 chart in 2021. It became Burnham’s first top 10, and the highest charting comedy album since Professional Rapper also reached No. 7 in 2015. The vinyl release of the set also helped the album reached No. 3 on Billboard’s Vinyl Albums chart last year, making it the highest charting comedy album (excluding soundtracks) in the chart’s 12-year history.

Burnham created Inside from his Los Angeles home in the midst of the COVID-19 pandemic. In addition to starring in the special and recording the music, he also directed, wrote, edited and filmed the special himself.

Burnham took home three Primetime Emmy Awards in 2021 for his work on Inside (among six total nominations): outstanding directing for a variety special, outstanding writing for a variety special and outstanding music direction. The song “All Eyes on Me” also took home the 2022 Grammy Award for best song written for visual media, while the Inside (Deluxe Box Set) recently earned a nomination for best boxed or special limited edition package for the upcoming 2024 Grammys.

Inside (The Songs) also finished as Billboard’s No. 1 year-end Comedy Album in 2021, 2022 and 2023.

WWE Superstar Jey Uso on His Battle Rap Days, Remaking His WWE Entrance Song & His Love For Nipsey Hussle

“Ay, Carl, you need me to Superkick your ass, too?” snarls WWE superstar Jey Uso.

While the invite seems tempting, I back down, knowing Jey is a trigger-happy wrestler who revels in unexpected kicks to the chin and top turnbuckle splashes. The swaggering athlete isn’t just a nine-time WWE tag-team champion but a lyrical obliterator on the mic.

He and his twin brother, Jimmy Uso, arguably have not only one of the best WWE entrances of all time, courtesy of their song “Day One Ish,” but also a history of decimating their peers in freestyle battles. In 2017, the Usos chewed out The New Day in a lyrical skirmish during Monday Night Raw. Hosted by Wale, Jey, and Jimmy savored the opportunity of skewering the New Day with their menacing bars. According to Jey, he and his brother’s love for penning raps came during their high school days. They would freestyle for their friends in the cafeteria and in return, received “oohs” and “aahs” for their steely efforts.

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“I knew at the freestyle battle that they didn’t know we would come the way we did. They were doing some nursery rhymes over there,” Jey remembers about the classic 2017 battle against the New Day. “I knew we wanted them to be like, ‘What is going on here, dog?’ Let alone on national TV. Hell yeah, we gonna fire it up.”

Fast forward, Uso is now one of the most popular wrestlers in the business. After being embroiled in a three-year saga with his cousin, WWE undisputed champion Roman Reigns, Jey departed from WWE’s highly touted faction, The Bloodline, to live out his dreams as “Main Event Jey Uso.” Now, on his solo expedition, Jey has his own new WWE entrance theme, which remixes the bombastic original “Day One Ish.” The new song, “Main Event Ish,” symbolizes Jey’s lone wolf status, as he howls, “It’s just me Uce. Day one ish. It’s just me Uce,” on the hook.”

With dreams of overtaking Gunther, the WWE’s longest-reigning intercontinental champion, and fighting his brother Jimmy at the Super Bowl of all wrestling events, Wrestlemania, Jey has no issue superkicking anyone on his way to the top.

Billboard spoke to Jey about his love for Nipsey Hussle, wanting to invite Sexxy Red to a WWE show, why Kodak Black is his spirit animal, and recording his new entrance song “Main Event Ish.”

Big E did an interview a couple of years ago and he was like, “You guys were so good at rapping, you could drop an EP.” If Jey Uso was gonna drop a rap EP, who are the three people you’re calling up for features?

J. Cole, Kendrick Lamar and T-Pain.

Why those three?

J. Cole is Cole and Kendrick is Kendrick. T-Pain, we grew up in Pensacola, Florida down the street from Tallahassee in the early 2000s. T-Pain was slapping. We used to ride out to Panama City Beach playing his hits before football games. It’s Florida boy all day. 

 What music are you listening to get pumped for your match-ups?

Nipsey Hussle, man. He be putting me in the zone. J. Cole is my favorite. I ain’t never been to no concerts, but if I ever get to go to a J. Cole concert, I’m in there. 2Pac, Jay-Z. We in there. I got a playlist all the way to damn Britney Spears. We got range over here. 

Who would you say is the Jey Uso of the rap game?

I don’t even put myself up like that because I’m hustling trying to find myself. If I had to pick somebody, Kodak Black. He really be making noise out there, but he really don’t be. He’s trying to find his way out there just like me. 

Talk about how the original “Day One Ish” song came about with your brother Jimmy.

After we turned heel, I knew we had to get away from all the colors. We’re dropping all the facepaint, we’re just going black-and-white. At the time, nobody was wearing white boots at all. We at the mall. Damn Champs got one and the other half-off type of stuff. We got these black joggers and this black hoodie with the white Forces. In the middle of the mall, where they put the logo on your shirts. We sitting on there, “What we gon’ put on this s–t?” My brother’s like, “I don’t know, man. Some Day One S–t?” We can’t say s–t but what about ish? You know how they blank it out on the rap records. “Day One Ish, uce.”

So it really means “Day One S–t.” We put that on a hoodie and we wore it on TV and it stuck since. Some “Day One Ish” from then on. We got in the booth and they wanted us to have new music. We had these two younger cats that came up with the hook, “Down since Day One Ish.” We was just ad-libbing on the track and they let us flow. First couple times we was held back, but then we got warmed up and started yelling and hitting it. We were damn near sweating in the booth.

What was it like re-recording your new entrance music solo? What was that energy like?

I went back to New York. They wanted to take Jimmy off the original. The Usos and the Uso Penitentiary – take all that out. I’m like, “Fly me over there, let me see if I can re-do it.” They wanted to keep the “Day One Ish, [and] line ‘em all up.” I could keep all that, but I needed a damn switch for that beginning part. I’m in there with another young homie. He’s like trying to help me find the rhythm. He goes, “It’s just you now.” I go, “Yeah, it is. It’s just me on the track.”

Then I started like, “It is just me in this b–-ch.” It’s my turn. I started getting in that mindset. I was like, “Main Event Jey Uso is now in yo city!” I started yelling on there, and he’s plugging it in. Taking the old parts out and plugging in the new s–t. The beats were a little more tweaked. Other than that, I kept it to when I get on the turnbuckle — this part right here, no lyrics. This just needs to be the beat. This is where the hip-hop hooray handwave or whatever you wanna call it comes from. I wanted to incorporate the audience into it. It will make you say, “Ay.” I wanted to bleep all the lyrics out and just have the people getting involved here. Every second of that theme is timed to as soon as I hit the turnbuckle, they’re there with me. All timing, dog.

Did you see the Sexyy Red “SkeeYee” mash-up? What were your thoughts? I know she said she wants to pull up for a show.

First off, I was like, “No way, dog! She out here responding?” Then, I see her in a controversy and I don’t give a damn. Us too, who cares? Let’s get these numbers in with her. She’s still down and said she’s never came to a wrestling live event, a PLE, TV taping. If you hear this, [Sexyy,] you’ll be my VIP guest around here, girl. You can come out with me and help me sing my theme song. We gon’ have to change that red to blue though! 

I think it’s dope entertainers are pivoting into wrestling whether it’s Bad Bunny or Logan Paul. Who’s the next athlete or entertainer you’d like to see step into the ring?

First one that comes to mind is Conor McGregor. He’s kinda been tip-toeing around us a little bit. He’s had interactions with a couple of us, but never fully got in here. I’d like to see what he’s about. I love Shaquille O’Neal, so I personally think about LeBron James and I know he’s a huge fan. Let’s run it. They can all catch this Superkick though. Sexyy Red can get her ass Superkicked too!

Thanksgiving is coming up, and I’m concerned how the house gonna be with you, Solo, Jimmy and your dad Rikishi. Talk about what that dynamic’s gonna be like.

Ay, Carl, ain’t nobody coming to my house for Thanksgiving except my dad. That’s the only one. I’ma fly him down. Last year, I fried a turkey and everybody ate that. I’m frying three turkeys this year. It’s going down. As far as Solo and Jimmy, y’all take your asses home and stay somewhere. Especially Solo, he’s over there tripping.

What does an ideal singles run look like for Jey Uso?

The first singles championship on the top of my list is the IC [Intercontinental Championship] title. Gunther gonna have to run that. Everybody over there. He likes the Tribal Chief, you see what I do to the Tribal Chief? I don’t give a damn, let’s run that. My dad was an IC champion, my uncle, Umaga IC champion. Shawn Michaels. My favorite wrestler, the greatest, Razor Ramon. All the greats held the Intercontinental Championship and I’m trying to get that. That’s Pay-Per-View material right there.

You and your brother Jimmy had the conversation of what a Wrestlemania match-up would look like. With Wrestlemania 40, do you have in mind who’d you want to fight on that stage?

Right now, I feel like Jimmy’s at the top of the list. He’s gotta get this work. He’s still ducking me right now. He knows what it is. If I could talk from Josh and me, it’s my dream match. If this does happen, I’d be so grateful and happy. I would just look at him like look what we doing. Look at this! Those are special moments in the ring that nobody in the world knows. When we did the Money in the Bank with Roman [Reigns] and Solo, I was just looking at them getting a little teary-eyed like, “Look at us.” That would go down as the No. 1 moment in my career if I get to wrestle with Jimmy in the sold-out Philadelphia in front of friends and family. And I’d beat his ass. If I could pick someone else, I’d probably wanna run it one time with Seth Rollins for that championship. He’s a GOAT. He’s a beast and got my respect. He’s been holding down Monday Night RAW forever. I’m with it. 

 

Father of Taylor Swift Fan Who Died at Rio de Janeiro Show Says ‘I Have No Words to Express My Pain’

The father of a Taylor Swift fan who died after falling ill at the singer’s first of three shows at Rio de Janeiro’s Estádio Olímpico Nilton Santos paid tribute to his daughter and vowed to find out what caused the 23-year-old student’s death. In an interview with Rio’s Folha de S. Paulo website (translated to English from Portuguese), Weiny Machado said his daughter, Ana Clara Benevides Machado, was preparing to graduate with a psychology degree in April and saving money for her future.

“I lost my only daughter, a happy, intelligent girl,” he said. “I have no words to express my pain. She left home to fulfill a dream and came back dead.”

After Friday’s Eras Tour show in Rio, Swift said she was “devastated” to learn about Machado’s death. “I can’t believe I’m writing these words but it is with a shattered heart that I say we lost a fan earlier tonight before my show,” Swift wrote on her Instagram Story. “I can’t even tell you how devastated I am by this. There’s very little information I have other than the fact that she was so incredibly beautiful and far too young.”

She added, “I’m not going to be able to speak about this from stage because I feel overwhelmed by grief when I even try to talk about it. I want to say now I feel this loss deeply and my broken heart goes out to her family and friends. This is the last thing I ever thought would happen when we decided to bring this tour to Brazil.” At press time no additional official information was available on the cause of Machado’s death.

Weiny Machado said he is determined to find out how his daughter died, focusing in on reports that fans were not allowed to bring water into the venue. Brazilian concert organizer, T4F, wrote on Instagram that paramedics attended to the woman after she reported feeling unwell. She was first taken to a first aid area and then to a hospital, where she passed away shortly after, according to the promoter.

Some attendees complained that they were barred from bringing in water bottles to the stadium despite a record-breaking heat wave in Rio that pushed temperatures into the triple-digits, resulting in Saturday’s planned show being bumped to Monday night (Nov. 20) as a precaution.

“There’s people that need water right here, maybe 30, 35, 40 feet back,” Swift was seen saying in fan-captured footage on X in which she paused the show to ask for water for a group of fans who signaled that they needed it. “So whoever is in charge of giving them that, just make sure that happens. Can I get a signal that you know where they are?”

“I want it to be determined whether they were in fact prohibited from bringing water, whether there was negligence in providing assistance,” Machado said. “I know that the singer was handing out water to her fans, and that is absurd for an event of this size. Nothing will bring my daughter back, but I hope that, if negligence is confirmed, someone will be punished, so that this doesn’t happen to anyone else.”

E! News noted that according to local news site G1, the Rio Municipal Health Dept. said that Machado suffered a cardiorespiratory arrest, with a certified report on the cause of death due from the coroner’s office.

Swift performed the live debut of the mournful Midnights song “Bigger Than the Whole Sky” at Sunday night’s show in Rio, in seeming tribute to Machado. After kicking off her acoustic set with Reputation‘s “Dancing With Our Hands Tied” on guitar, Swift moved to piano and, looking visibly emotional, sang the first few lines of the track (“Did some bird flap its wings over in Asia?/ Did some force take you because I didn’t pray?/ Goodbye, goodbye, goodbye/ You were bigger than the whole sky”) as fans erupted into knowing cheers.

Wiz Khalifa, Yung Gravy & More Lead ‘Good Burger 2’ Soundtrack

Welcome to Good Burger, home of the Good Burger — again!

Kenan Thompson and Kel Mitchell are reprising their roles as Dexter Reed and Ed for Good Burger 2, which is streaming exclusively on Paramount+ on Wednesday (Nov. 22), and Billboard is exclusively serving up the star-studded soundtrack track list. The full album is out Tuesday (Nov. 21).

Vic Mensa and Maeta teamed up for a track called “Rock This Smoove,” while Wiz Khalifa’s “No Fair” and Yung Gravy’s “Gravy’s Delight” also make appearances on the 11-track album. Teezo Touchdown, Paul Russell, Trey Makai, Jutes and more. Mitchell himself will also appear on the soundtrack with “All Dudes Remix.”

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Good Burger 2

Paramount+

In the upcoming film sequel, Dexter is down on his luck after another one of his inventions fails, but Ed comes to his rescue by welcoming him back to the Good Burger fast-food restaurant and giving him his old job back. The first four seasons of the hit Nickelodeon original sketch-comedy series All That — which originally featured the Good Burger sketch — and the original 1997 Good Burger comedy film also are now available to stream on Paramount+.

See the full Good Burger 2 soundtrack track list exclusively via Billboard below.

  1. Rock This Smoove – Vic Mensa & Maeta 
  2. No Fair – Wiz Khalifa 
  3. Gravy’s Delight – Yung Gravy 
  4. Hurry Up – Teezo Touchdown 
  5. Chaotic – Paul Russell 
  6. Feel Good – Wé Ani 
  7. Billionaire – Trey Makai 
  8. Make It – Jutes 
  9. All Dudes Remix – Kel Mitchell
  10. “Path Find Blue” – NoiseOfCory
  11. Give Good Burger Back – Wé Ani

Taylor Swift Rules Artist 100, Stray Kids & Chris Stapleton Surge to Top 3

Taylor Swift spends a record-extending 86th week at No. 1 on the Billboard Artist 100 chart (dated Nov. 25) thanks to the continued success of her latest rerecorded LP, 1989 (Taylor’s Version), as well as nine additional albums on the Billboard 200 and 11 songs on the Billboard Hot 100.

1989 (Taylor’s Version) spent its first two weeks at No. 1 on the Billboard 200 and falls to No. 2 on the latest list with 159,000 equivalent album units earned in its third frame, according to Luminate. Two weeks earlier, it debuted with 1.653 million equivalent album units – the largest one-week total since the debut of Adele’s 25 (3.482 million; Nov. 15, 2015).

Here’s a recap of Swift’s current Billboard 200-charting albums:

  • No. 2, 1989 (Taylor’s Version)
  • No. 7, Midnights
  • No. 14, Lover
  • No. 18, Folklore
  • No. 24, Speak Now (Taylor’s Version)
  • No. 25, Reputation
  • No. 31, Red (Taylor’s Version)
  • No. 32, Evermore
  • No. 49, Fearless (Taylor’s Version)
  • No. 58, 1989

On the Hot 100, Swift’s 11 songs include 10 from 1989 (Taylor’s Version). Leading her haul, “Cruel Summer,” from 2019’s Lover, spends a fourth week at No. 1.

Stray Kids re-enter the Artist 100 at No. 2 thanks to the group’s new album, ROCK-STAR. The set launches at No. 1 on the Billboard 200 with 224,000 units earned in its opening week. It’s the group’s fourth No. 1 (encompassing all of its entries), after ODDINARY, MAXIDENT (both in 2022) and 5-STAR (this June). Stray Kids becomes the first act to debut its first four chart entries atop the chart since Alicia Keys in 2001-07, when she achieved the feat with Songs in A Minor (2001), The Diary of Alicia Keys (2003), the live set Unplugged (2005) and As I Am (2007).

Meanwhile, all four of Stray Kids’ albums have topped the Billboard 200 in a span of nearly 20 months. That’s the fastest accumulation of four No. 1s since Swift notched four in just under 16 months with Folklore, Evermore, Fearless (Taylor’s Version) and Red (Taylor’s Version) between August 2020 and November 2021.

Stray Kids also scores its first entry on the Hot 100 as “LALALALA,” from ROCK-STAR, debuts at No. 90.

Plus, Chris Stapleton jumps 13-3 on the Artist 100 as his new LP, Higher, debuts at No. 3 on the Billboard 200 (90,000 units), marking his fifth top five title. The album’s single “White Horse” gallops 29-12 on the Hot 100, becoming is highest charting song in a lead role.

The Artist 100 measures artist activity across key metrics of music consumption, blending album and track sales, radio airplay and streaming to provide a weekly multi-dimensional ranking of artist popularity.

Spotify Projects New Royalty Model Will Generate $1B in Five Years

Spotify’s new royalty model should be a money-spinner worth an additional $1 billion for emerging and established artists over the next five years, according to the streaming giant, as content partners line-up to salute the initiative.

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As previously reported, Spotify is updating its royalty system, an overhaul the company anticipates will funnel more money to more popular artists, record labels and distributors, while clamping down on streaming fraud.

In a new blog post, published today (Nov. 21), Spotify reps say its three-pronged policy will apply better hygiene to its platform, better distribute small payments that aren’t reaching creators, and, while tackling these issues that account for just a “small percentage of total streams,” its new policing of content “now means that we can drive approximately an additional $1 billion in revenue toward emerging and professional artists over the next five years.”

As previously reported, Spotify’s controversial new royalty model will affect more than two-thirds of its song catalog but that’s due to the magnitude of music that’s uploaded to the platform, where the vast majority of songs don’t get listened to with any frequency. While tens of millions of songs will fall below the 1,000 streams threshold, a source tells Billboard that policy will only shift about 0.5% of Spotify’s royalty pool to more popular tracks. That was equal to about $46 million in royalties in 2022, out of $9.27 billion paid out in total.

The changes, confirmed today in Spotify’s blog, which features breakdowns and why they’ve been actioned, are welcomed by a string of music industry figures.

“Believe welcomes Spotify’s initiative to clean-up the market from artificial streaming and noise, driving more revenues to all legitimate artists,” comments Denis Ladegaillerie, founder & CEO of Believe. “We believe that creating more benefits to develop up-and-coming artists would be a great complement to the institution of a 1.000 stream threshold. We are encouraged by our current dialogue with them on this topic.”

Spotify’s changes are “going to help us deliver on that goal: these new policies acknowledge the simple truth that improving outcomes for artists goes beyond demanding bigger payouts from the DSPs,” adds Kristin Graziani, president of Stem. “All three of Spotify’s new mechanisms redirect funds that currently sit on the balance sheet of distributors or land with bad actors back to the artists we serve.”

Under the new model touted by Spotify:
• Tracks that receive less than 1,000 streams within a 12-month period will not qualify for royalties. Those royalties, instead, will be redistributed into the greater royalty pool.
• Labels and distributors will be charged 10 euros for any track that is found to have 90% or more of its streams deemed fraudulent.
• Non-music noise tracks must now be at least two minutes long in order to qualify for royalties. As well, according to a source, there are conversations about implementing a rate reduction on these tracks that would value their streams below those for music.

To date, Spotify boasts more than 574 million users, including 226 million subscribers in more than 180 markets, generating “over $40 billion and counting” in royalties to artists and copyright holders, the Sweden-based business reports.

Adding to the support for Spotify’s new model is Terry McBride, chairman & CEO, Nettwerk Music Group. “Fraud and artificial music are significant problems for streaming services, depriving legitimate artists from building a community of fans and earning a sustainable living,” McBride comments. “I applaud Spotify’s continual and evolving efforts to address these issues.”

Bob Valentine, CEO, Concord, and Andrew Bergman, CEO Downtown Music Holdings, also welcome Spotify’s new policies.

Led by founder and CEO Daniel Ek, Spotify is said to be planning a roll-out its new royalties model in “the new year,” although no firm date has yet been announced. The changes will not affect songwriters for the time being.

Read more here.