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Summer Walker overcomes the competition on Billboard’s Top R&B/Hip-Hop Albums chart as her third full-length studio album, Finally Over It, starts atop the list dated Nov. 29. The album begins with 77,000 equivalent album units in the United States for the week of Nov. 14-20, according to Luminate, and is the highest total for any R&B album by a woman in 2025.
Of Finally Over It’s first-week results, streaming activity contributes 69,000 units, equal to 91.9 million official on-demand audio and video streams of the album’s songs. 8,000 units are from tradition album sales, with a negligible amount of activity from track-equivalent album units. (One unit equals the following levels of consumption: one album sale, 10 individual tracks sold from an album, or 1,250 paid/subscription tier or 3,750 ad-supported tier of official on-demand audio and video streams for a song on the album.)
Finally Over It was released on Nov. 14 as a standard 14-song widely available digital download album, an 18-song download and streaming edition (which added four tracks) and an 18-song physical edition on CD and vinyl (which added four other tracks). Later in the week, two deluxe editions arrived: an Apple-exclusive version with five bonus audio tracks on Nov. 18 and a widely available download/streaming deluxe version with three other bonus audio cuts on Nov. 19.
With Finally Over It, Walker lands her third No. 1 on Top R&B/Hip-Hop Albums, completing its trilogy of triumph. 2019’s Over It and 2021’s Still Over It both debuted at the summit and each topped the chart for one week. In addition to the three champs, the singer also has appeared on the chart with her mixtape Last Day of Summer, which reached No. 25 in 2018 and two EPs: Life on Earth (No. 6 in 2020) and Clear 2: Soft Life (No. 7, 2023).
Elsewhere, Finally Over It gives Walker her fourth No. 1 on the Top R&B Albums chart and launches at No. 2 on the all-genre Billboard 200.
In addition to the album’s start, 16 of its tracks debut on the Hot R&B/Hip-Hop Songs chart, led by “Robbed You,” a collaboration with Mariah the Scientist, at No. 10. With the entrance, Walker adds her fifth top 10 on the chart, joining “Playing Games” (No. 9, 2019); “No Love,” with SZA (No. 5, 2021); “Bitter,” with Cardi B (No. 9, 2021); and “Good Good,” with Usher and 21 Savage (No. 7, 2023). Mariah The Scientist, meanwhile, earns her third – all achieved this year – following “Burning Blue” (No. 3) and “Is It a Crime,” with Kali Uchis (No. 7).
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Below is a rundown of the Finally Over It placements on the Hot R&B/Hip-Hop Songs chart, which brings Walker to 60 total career entries. Notably, the album generated two pre-release singles, “Heart of a Woman,” which peaked at No. 13 in February, and “Spend It,” a No. 30 hit in May.
No. 10, “Robbed You,” with Mariah The ScientistNo. 11, “Go Girl,” with Latto & Doja CatNo. 15, “Baby,” with Chris BrownNo. 16, “No”No. 19, “1-800 Heartbreak,” with Anderson .PaakNo. 23, “Baller,” with GloRilla, Sexyy Red & MonaleoNo. 25, “Give Me a Reason,” with Bryson TillerNo. 26, “Scars”No. 27, “Get Yo Boy,” with 21 SavageNo. 28, “Finally Over It”No. 29, “Situationship”No. 33, “How Sway,” with SAILORRNo. 34, “Don’t Make Me Do It/Tempted”No. 35, “Number One,” with Brent FaiyazNo. 37, “Stitch Me Up”No. 40, “Allegedly,” with Teddy Swims
Trending on Billboard Christmas has a whole canon of music devoted to the holiday, and there are plenty of spooky songs to soundtrack Halloween each year — but the amount of tunes out there dedicated to Thanksgiving are slim to none. However, there are quite a few songs about the concept of gratitude in general […]
Trending on Billboard It’s about to be the sleepless night out at the club you’ve been dreaming of, because Taylor Swift just teamed up with The Chainsmokers to release a remix of “The Fate of Ophelia” that DJs everywhere are going to want to add to their rotations. As announced Tuesday (Nov. 25) by the […]
Trending on Billboard Spotify will raise prices on its subscription plans in the U.S. in the first quarter of 2026, according to a Financial Times report that cited three people familiar with the matter. The article does not include specific information on the amounts of the price increases for Spotify’s various subscription plans. A Spotify […]
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Brandy earned the Vocal Bible nickname for a reason. Kehlani joined the latest episode of Big Boy’s Neighborhood where she sang the praises of Brandy, claiming that “The Boy Is Mine” singer should be on every artist’s R&B Mount Rushmore.
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Even as Kehlani has enjoyed plenty of success in her own right, the Oakland native doesn’t see Brandy as a peer since she’s one of the R&B artists who inspired her and paved the way.
“I don’t think I would ever call my greats my peers,” she said. “Would never call her a peer. We’ll always call her a mother. Would always call her in my Mount Rushmore of R&B. I think every R&B singer that you ask if you’re talking about vocal GOATs, they’re gonna say Brandy. I would never, respectfully, get into an argument about Brandy Norwood. I would never be explaining Brandy Norwood to anyone.”
Kehlani joined Brandy on stage as a surprise guest at the Los Angeles show on The Boy Is Mine Tour, where she gave Brandy her flowers, hailing her as the “greatest of all-time” and then performed her top 10 Billboard Hot 100 hit “Folded.”
“I’m just glad I got to give her her flowers,” she added. “Even if they had only brought me out to give her her flowers and say what I got to say, that would’ve been just as good as being able to sing my song. I also was really grateful to be there in Monica’s presence as well, and give her her flowers privately.”
Brandy and Monica reunited for the co-headlining The Boy Is Mine Tour, which kicked off in October and has North American dates left in Detroit, Washington, D.C., Atlanta, New Orleans, Houston, Tampa Bay, Miami and Jacksonville.
As for Kehlani, she’s preparing to drop off her anticipated album next spring. “I usually come in spring,” she said. “I’m a spring baby.” The 30-year-old is riding high off the success of “Folded,” which reached No. 7 on the Hot 100 and “Out the Window” (No. 63 Hot 100 peak).
Watch the full interview below. Talk about Brandy begins just shy of 27 minutes in.
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This past January, Alison Wonderland tweeted an earnest request:
“Since cancelling 3 shows in December I have been getting constant s–t from Twitter, Instagram and Tiktok about it and it somehow isn’t dying down. I just want to let everyone know that I had to leave Asia for emergency surgery and then the week after I had a fever of 102 + for 4 days straight and couldn’t leave my bed.
“One day I will explain why I needed surgery,” she continued, “but right now I have not even processed it myself. I am asking nicely for all you ‘plur’ ravers to just be a bit more understanding- what I am dealing with in my private life right now is painful enough and I just want to concentrate on healing and music . Love u all.”
Nearly a year later, the producer sat down with Billboard News to talk about what she was going through during that time.
Speaking in mid-October, just weeks before she gave birth to her second son, Wonderland revealed that she experienced a miscarriage in December of 2024 that forced the cancellation of said shows. She says the online backlash she subsequently received “was so horrible, to have people so unsupportive and rude. And I had said ‘Look, I’m going through a lot. It’s surgery; it’s medical; it’s an emergency, please respect my privacy.’ And to this day I’m getting bombarded about the fact that I had to cancel shows at the end of last year. But I hope that you see this, and I hope you know it’s because I had a miscarriage … That sucked, because I did not feel like a person and I just didn’t want to have to tell everyone that. I wasn’t ready to. I don’t owe them that.”
Wonderland also reveals that this was her fourth miscarriage, with these experiences inspiring her June single “Again? F–k.”
“I was so messed up,” she says of writing the track. “I was like, ‘The only way I can get through this is writing a song with a sense of humor and like, kind of being aggressive about it, because it’s like, ‘How do I move forward?’” she also revealed that “I Want to Live in a Dream” is about “trying to escape that feeling of reality” which she felt due to the miscarriage but which she’s found is something many people around her are grappling with in various contexts.
“I think a lot of people at the moment feel like they don’t fit in anywhere,” Wonderland says. “A lot of people have said that to me, a lot of big artists have said that to me, that they’re struggling, because it’s very quick quick quick quick quick right now, and I’m an album artist. I’ll always be an album artist.”
To wit, both of the aforementioned singles come from Wonderland’s fourth studio album Ghost World, out Dec. 6. The producer says that the world building and story telling inherent in the album creation process is something that’s core to her creative process.
Elsewhere in the interview Wonderland discusses a sense of not fitting in in the dance world, her plans to tour again after giving birth and much more. Watch the complete interview above.
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Pop superstar Sir Elton John is begging politicians around the world: Don’t let the sun go down on vital research for eradicating HIV/AIDS.
In a new cover story for Variety published Tuesday (Nov. 24), John called out a lack of political support for combatting the lethal epidemic, saying that politicians have the ability to help bring an end to the disease in our lifetimes. “I just am enraged by it,” John said. “It’s very frustrating when you’ve got the tools in your hand to end it, and then you find that countries in Africa, Russia, the Middle East and Eastern Europe won’t help.”
Turning his attention to the U.S. specifically, John praised the efforts of the current administration to bring an end to the war in Gaza, while simultaneously calling them out for fumbling an issue as vital as ending HIV and AIDS. “There’s another war with people who are suffering from HIV and AIDS that should be able to get their medicine but can’t, because governments won’t let them. It’s inhumane,” he said. “So my big beef at the moment is, yes, thank God, maybe there’s peace, after more things are sorted out. But there are crimes against millions of other people that are happening because of governments and stigma and hate.”
John has plenty of experience in the arena of combatting HIV/AIDS — his non-profit, the Elton John AIDS Foundation, is currently the fifth-largest funder for research into the disease globally. To date, the organization has helped raise more than $650 million for the cause.
When speaking about Donald Trump specifically, John made the argument that if the president dedicated his efforts to helping end the global epidemic, he could go down as “one of the greatest presidents in history” for doing so. “If he ended AIDS, that would really be a feather in his cap,” he added.
Despite John’s wishes, the Trump administration has turned the opposite direction, halting funds originally intended for global programs aimed at HIV prevention and openly threatening federal funding for domestic programs aimed at helping those afflicted with the disease.
“It’s so frustrating when you have the medicine, you have PrEP, you have the antiretrovirals,” John concluded. “We can stop the spread of AIDS, if people just got off their backsides and treated human beings in a Christian kind of way.”
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We’ve known Kevin Jonas for the better part of 20 years as the eldest member of the Jonas Brothers, and last week, we were introduced to what he sounds like when he’s all on his own.
Jonas officially released his first solo single “Changing” last week, but he’s been playing an abbreviated version of the track on the JoBros’ ongoing Greetings From My Hometown Tour, starting with their August date at Boston’s Fenway Park.
“What a great way to start it off,” Jonas told Billboard‘s Pop Shop Podcast of making his solo debut at the famed ballpark. “Really thrown into the fire, getting to actually do that at Fenway Park, which was wild. You know, this tour has been about surprises. It’s been about the surprise guests we’ve been bringing out from the start of it. And so I guess, in essence, I was also another surprise guest.”
In addition to the tour, Kevin’s role in A Very Jonas Christmas Movie — which arrived earlier this month on Disney+ alongside a soundtrack album via Hollywood and Republic — also set up his solo debut, but that hadn’t been the plan all along. Listen to Kevin’s full interview in the podcast below, and find highlights from our chat as well — including whether there’s more solo music on the way.
Why was now the right time for Kevin’s solo music?
I didn’t have the right song. I think for me, it was about finding my voice in the music, and it took a long time. You know, I’ve recorded and wrote songs and recorded music for 15, 16, 17-plus years, and nothing ever really just felt like authentically me and real and honest and like how I wanted it to sound. And also, maybe my vocal ability didn’t feel as strong as I wanted it to be. I’m pretty critical of myself. You know, it’s kind of challenging when you’re standing next to two of the best vocalists I’ve ever met.
How did he find the perfect song?
I wrote Jason Evigan — a longtime friend, songwriter, producer — and I wrote him in February, and I said, “Hey, man, do you have any songs that you feel could work for me?” … And I didn’t hear back from him until June, and he wrote me and said, “I thought about you last night, and I remembered I have this song.” I’m like, oh, OK, five months later. [Laughs] It doesn’t matter; it’s all about timing, right? And he sent me “Changing,” and it just instantly felt like a song I’ve heard before. It felt weirdly like a part of the ether for me. And I was like, “I know this song. I feel like I’ve lived this song.” It’s weird. And I was like, “I’m coming to L.A. in two weeks. … I would like to cut it.” I flew in early, and we cut it, and instantly, while singing it, it was the first time I’ve ever felt at ease cutting vocals like that for myself. And I was like, “OK, this feels different.” And I got the cut, and [producer] Mark Schick and team, they killed it, and they really made me feel great and comfortable.
Is more solo music on the way?
I have been recording more music with this team, yes, but I luckily, as an independent artist — which is fun to say, outside the Jonas Brothers, right? I’m really able to do kind of whatever I want, so I don’t have to follow specific rules. I don’t know if an album’s in the works. Maybe an EP, maybe just a collection of some music that I like over the course of the year. I really don’t have exact plans. I know the next song I want to release, but as of right now, I’m gonna get through this one first.
How did A Very Jonas Christmas Movie set up his solo debut?
My song “Changing” wasn’t even a thought yet. And so for now, for this movie to come out, which has that storyline, and then the next thing comes out, and it’s a week later, [is] my song. The stars are kind of aligned on it.
Why now for a Jonas Brothers Christmas movie?
I will say, it’s been a bucket-list item for us to do a Christmas movie ever since the days back working with Disney, like when we were much younger. We met with Bob Iger and team, and we said, “We’ve always wanted to do a Christmas movie.” Who doesn’t love the holidays, right? And it didn’t come together then, but then the last couple years, we’ve been reigniting our relationship with Disney, and now we’re doing Camp Rock 3 as executive producers, and we’re in the film and then working with them on this project. It really happened at the right time. Our families are involved. I think we can speak to the adult nature of things now, at the same time of allowing it to be just enough fun so kids will love it, but still, like, you know, I’m almost 40, so I think it’s a little easier to digest as a film.
How did the movie soundtrack come together?
The album and soundtrack is incredible. You know, it really is special that we got to work with an incredible team. Justin Tranter did a great job of creating and helping us craft this universe. “Coming Home This Christmas” is a song that we’ve actually held on to for a while. We had it before the movie, and we kind of ended up knowing that it felt perfect for this film, and so we kind of built the story around that as well. Sometimes you’ve just got to collect those songs and just hold on to them for a little bit.
How did Kevin prepare for his first non-music-video acting gig with his brothers since their Disney Channel days?
I leaned on [Joe and Nick] a lot. I worked with an amazing acting coach who’s a really good friend, Michael Park. He’s a Broadway actor. We’ve seen him in a lot of things, but he’s like one of our best friends, and I really called him every day. Just leaned on him. Because playing yourself to start is a weird challenge. … Nick’s done a lot of movies, Joe’s done a lot of movies and acting, and I just kind of had to do the best version.
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Also on the podcast, we’ve got chart news on how Taylor Swift continues to dominate both the Billboard 200 albums and Billboard Hot 100 songs chart; how Summer Walker, NF and 5 Seconds of Summer all debut in the top 10 on the Billboard 200; and how Mariah Carey’s “All I Want for Christmas Is You” jingles back into the top 10 on the Hot 100. Plus, Katie tells Keith about seeing Robyn’s first concert in six years (plus the live debut of her newest single “Dopamine”) and the penultimate show of Sabrina Carpenter’s year-plus Short n’ Sweet Tour.
The Billboard Pop Shop Podcast is your one-stop shop for all things pop on Billboard‘s weekly charts. You can always count on a lively discussion about the latest pop news, fun chart stats and stories, new music, and guest interviews with music stars and folks from the world of pop. Casual pop fans and chart junkies can hear Billboard‘s executive digital director, West Coast, Katie Atkinson and Billboard’s managing director, charts and data operations, Keith Caulfield every week on the podcast, which can be streamed on Billboard.com or downloaded in Apple Podcasts or your favorite podcast provider. (Click here to listen to the previous edition of the show on Billboard.com.)
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When Mavo celebrated his 22nd birthday at the top of this month, he had “1” “2” and “3” LED marquee numbers to symbolize another significant figure. He had occupied the top three spots of the Apple Music Nigeria Top Songs chart with “Money Constant” with DJ Maphorisa, DJ Tunez and Wizkid, “BODY (danz)” with CKay, and the “Shakabulizzy (Remix)” with Davido.
“My friends actually did that for me. My friends did a surprise party for me,” he tells Billboard while on Zoom in Cape Town, South Africa, where he reveals he’s recorded another song with Davido (their “Galorizzy” collaboration with Scotts Maphuma, Morravey, Ecool and Iphxne DJ was announced less than a week after our interview and released the following week). “Davido is my friend. After I dropped the ‘Shakabulizzy’ remix, we’ve been always talking.”
Such an auspicious musical career is quite the extracurricular for someone who’s currently studying optometry at Afe Babalola University in Ekiti State, Nigeria, where Mavo (real name Oseremen Marvin Ukanigbe) will graduate in July 2026. But outside of wanting to specialize in eye care, he’s also taken a special interest in linguistics when it comes to his music.
His self-described “Burbur music” is an experimental hybrid of Afrobeats and rap that’s riddled with his idiosyncratic slang and unfiltered storytelling. “Burbur” – meaning “something that’s crazy, something that’s busting out speakers,” he describes – is one of 80 terms that Mavo has devised for his Bizzylingua vocabulary and defined in the Bizzpedia, A Native Bur Bur Dictionary that he worked on for two years and recently published with NATIVE Mag.
The “Bizzy” prefix is Mavo’s self-appointed nickname, which personifies his hustle as an independent artist and university student. He says listening to Wizkid at a young age inspired the semantic highlight of his music. “He’d start songs by saying ‘yaga.’ This guy’s feeling fly on the song. I’m like, ‘These are things I need to think about. How can I create words that when you say them, you’d be like, ‘What’s he saying?’ But they also sound cool at the same time,” he explains.
His favorite slang is “burti,” a “term referring to a great deal of swag and motion” as defined by the Bizzypedia. Many words in the Bizzylingua are suffixed with “izzy,” as popularized by his witty street-hop “Escaladizzy” hit with WAVE$TAR that BNXN co-signed, while ZerryDL put his own spin on it. Zerry’s brother and Plutomania Records boss Shallipopi individually reached out to contribute a verse to the remix, as did Ayra Starr and Zlatan, so Mavo combined their starpower on “Escaladizzy II.”
“I knew that anything was possible,” he reflects after “Escaladizzy II.” And while the stars continue aligning for – and collaborating with – Mavo, he’s determined to end his breakout year on a high note and continue his ascent into the new year.
Billboard spoke with November’s African Rookie of the Month about juggling his optometrist career goal and A-list artist ambitions, educating his listeners on the Bizzylingua, and cooking up the viral “Your body na meat pie” lyric from “BODY.”
When did you know music was your calling?
When I was in secondary school, there was a music club. So before I went to university, I had already written songs but not so full of metaphors or any form of literature, just basic lyrics. When I went to uni, I wanted to be more imaginative and innovative in my lyrics. I always try to trigger people with what I’m saying. I don’t want to say triggering, but that’s what it does. People [ask], “Why would you say this?” And that’s what works for me: the ability to make people want to know more.
How did your upbringing in Ekpoma, Edo State impact the music you listen to and the music you make?
It was a do-it-yourself thing. You had to be independent. I was in an all-boys school. There’s no impressing any girl. Nobody’s going to do anything for you because they like you. I was growing the habit of being independent for six years while I was in school before I went to uni.
Who are some of your favorite artists whom you grew up listening to?
Wizkid, Travis Scott, Playboi Carti, Burna [Boy], Lil Uzi Vert, Davido, Rema, Seyi Vibez, Omah Lay. Future and Young Thug are my greatest inspirations ever. I’ve not dropped a lot of music, so people can’t tell that, but in due time. I’ve worked on so much music. Right now, I have over 1,500 songs on my laptop.
You’ve recorded that many songs since you’ve started making music in general or just recently?
Over the past three years. I started recording commercial music when I was in 300 level optometry. When I got to 300 level, I had time to multitask by recording songs and reading my books.
As you’re recording and studying at the same time, what does your schedule look like these days?
I had to choose channeling my school energy into my music. I have some songs where I met this girl when I was coming from class, or I met this girl when I went to buy food last night and I just tell the story. What I could do during my leisure [time], when guys are going to play basketball, I just record in my room. I have my microphone and everything.
Most of my songs, like “Escaladizzy,” were recorded in my room in my hostel. I believed that me doing it in my room is actually better than me going to a bigger studio. But for “Shakabulizzy” and moving forward, I saw the importance of actually going into the studio and following proper engineering routes.
How did you learn to record music in your room?
In my 200 level, I had friends that did music as well. We bought the equipment then started recording. My friend already knew about FL Studio and he started telling me about it and setting me up. Because I was in medicine, I had to stay back in school for three months. I was practicing FL Studio every day and finally made one banger, the song was so sweet. I sent it to my manager like, “Bro, can you hear the song?” She’s like, “Yeah, this song is crazy.” I’m like, “Yeah, man, I just recorded it.” And that’s how everything started.
And what made you pursue optometry?
My mom had some issues. I don’t know what it was, but I knew it was some issues with her eye. That was when I was really small. It was really hard for me to juggle school and my mom. I already had it in mind I wanted to become a doctor but not an eye doctor in particular. I was studying medicine originally. After a while, I told my lecturers I wanted to change and study optometry.
I already knew I was going to do music. I just needed something to inspire my educational side. I didn’t want to study music. I was doing really, really well in science. And my parents didn’t really want me to do art. Funny thing is when I started studying optometry, I realized that it was so fun. It’s different from being an optician or a regular eye specialist. You have a lot of things in your hands, you are closer to the patients. You are next to the ophthalmologist. It’s a lovely opportunity to become an optometrist.
How do you envision your career path being post-grad?
It’s going to be very interesting. I’m not really a person that likes to spill tea. I have a song with Wizkid and Davido, and nobody actually knew about it until the day they were dropping. But I have a really, really big thing happening during the first quarter of next year. That’s all I can say. Serious music. What I’m going to do is going to actually blow minds by God’s grace.
Take me back through the making of “Escaladizzy.”
I wrote it when I was in school. I had classes that week and during the weekend, I had shows in Lagos. After writing the song on Thursday, I had to go to Homecoming [Festival] on Friday. I performed [it] in my set the next day, it was unreleased. [WAVE$TAR] was like, “You should come to the studio” the next day. I was like, “No problem. I’ll pull up to your studio tomorrow.”
I went to the studio, I recorded one song, then I’m like, “Yo, yo. I’m still feeling the vibes. I feel like we need to record another song.” He’s like, “Oh yeah, yeah, that’s calm. Let’s do it.” Then I recorded “Escaladizzy.” I had the beat on my phone already. I had already written my part before I came there. But we didn’t finish it. I had to finish it three weeks later when it was hitting on TikTok.
When did you know that that song was special? Were you caught by surprise by the fan reaction to the snippet you shared on TikTok?
Trust me, I have a lot of songs that I know would do a lot of things, like more than 100, but I didn’t know this one was going to do this. After I recorded “Escaladizzy,” the only way it was going to work out for me business-wise was if I made another song like “Escaladizzy.” So I went to make “Shakabulizzy.”
Between “Escaladizzy” and “Shakabulizzy,” what is the significance of your signature “izzy” suffix?
The Bizzy form of something is going to be “izzy,” so the Bizzy form of an Escalade is Escaladizzy. The Bizzy form of Shakabula is Shakabulizzy. The Bizzy form of a clock is a clockizzy. The Bizzy form of a socket is a socketizzy. It just depends on if you want to do this. I don’t use my words all the time. It’s like an alternate word if I want to joke with my friends or be funny.
How did you get Davido on the “Shakabulizzy” remix?
He just texted me on Instagram. He’s like, “Could you send me ‘Shakabulizzy’? I want to do something.” I sent it to him. And he sent it to me the next day. Then he sent me a lot of money for the video as well. He’s a really nice person.
When did you realize that you were going to have a song with Wizkid and a song with Davido come out on the same day?
I knew that a month before it happened. They came to me. DJ Tunez texted me in September saying, “Wiz and you should do a song. Can you send the chorus?” I’m like, “OK, can you send me the beat?” Then he sent it. I just did my thing.
What was your reaction to occupying Nos. 1, 2 and 3 on Apple Music Nigeria Top Songs chart with “MONEY CONSTANT,” “BODY (danz)” and the “Shakabulizzy (Remix)”?
We knew it was going to happen. My team already told me. Surprisingly, I felt like there was going to be some sort of shuffling, like it was going to come on, go off, maybe [Nos.] 1, 2 [and] 5. But the funny thing is my team already told me it was going to go [Nos.] 1, 2 and 3.
Speaking of “BODY (danz),” how did you come up with the viral lyric “Your body na meat pie?”
I initially was telling you about being more metaphorical in my music, being more literature-based, trying to make a body of work an actual art piece. Let’s just say “meat pie” is metaphorical.
Did you expect that line to get as much attention as it has?
That, I can’t say — because I’ve related the body to a lot of other foods, trust me.
One X user commended you as a “lyrical genius” and broke down the mathematical meaning behind “meat pie,” equating that to “she’s a ten.” What do you think of all the lyrical breakdowns?
I see a lot of crazy breakdowns. I didn’t even know this was happening. But it’s cool to know that if you do that, it actually works.
You performed “BODY” at a club where everyone was holding up meat pies. What was going through your head as that was happening?
[Laughs.] I was like, “Why are you guys holding up meat pies?” Yeah, I said, “Your body na meat pie.” But this doesn’t mean you guys [should] actually hold up meat pies. I think for my live show in December, I’m going to give free meat pies to everybody there.
Who would you love to collaborate with next?
SZA, Travis Scott or Drake. Future and Young Thug is going to happen, but I want to go step by step. The way original Afrobeats artists have already worked, I feel like it’s only right if I do a song with Drake or Chris Brown. My music doesn’t really go in line with Chris Brown’s music. But I love Drake so much.
What’s been the biggest “pinch me” moment of your career so far?
Wizkid calling me. Anytime Wizkid calls me, it still doesn’t feel like it’s him calling. It’s crazy. Somebody I’ve been looking up to can just call me like, “Yo, Mavo, I’m coming in December. Hold it down for me.”
You’ve had multiple causes of celebration recently, since you just turned 22. What’s at least one career goal you have for yourself in the new year?
In 2026, I’ll be a mainstream international artist, like A-list. I personally want to drop three projects next year. And I want to make sure I get the collaboration of the year award.
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50 Cent teased a documentary surrounding Diddy’s fall and allegations against him of sexual abuse for well over a year, and Netflix announced on Tuesday (Nov. 25) that the four-part docuseries is coming to the streaming giant on Dec. 2.
“I’ve been committed to real storytelling for years through G-Unit Film and Television,” 50 said in a statement. “I’m grateful to everyone who came forward and trusted us with their stories, and proud to have Alexandria Stapleton as the director on the project to bring this important story to the screen.”
The G-Unit mogul is an executive producer on Sean Combs: The Reckoning, while Alexandria Stapleton sits in the director’s chair.
The Reckoning will explore the sexual assault and abuse allegations against Diddy, along with his federal conviction on prostitution charges. Former associates, friends, artists and employees have come forward to participate in the explosive docuseries, detailing the world that hid below the Bad Boy empire.
“Being a woman in the industry, and going through the #MeToo movement — watching giants in music and film go on trial, and to know what their outcomes were … When Cassie dropped her lawsuit, I just thought this could go a million different directions,” director Stapleton said in a statement. “I wondered how she had the confidence to go out there against a mogul like Sean Combs. As a filmmaker, I instantly knew it was a stress test of whether we’ve changed as a culture, as far as being able to process allegations like this in a fair way.”
Stapleton continued: “This isn’t just about the story of Sean Combs or the story of Cassie, or the story of any of the victims, or the allegations against him, or the trial. Ultimately, this story is a mirror [reflecting us] as the public, and what we are saying when we put our celebrities on such a high pedestal. I hope [this documentary] is a wake-up call for how we idolize people, and to understand that everybody is a human being.”
50 Cent and Diddy have a tumultuous relationship. The longstanding feud found 50 continuously antagonizing Combs on social media as Diddy’s empire began to crumble, starting with Cassie’s bombshell sexual abuse lawsuit filed against Diddy in 2023, which was quickly settled.
The trolling from 50 Cent didn’t stop when Diddy was arrested on sex trafficking allegations by federal agents in September 2024. The year-long prosecution came to a close in October when Combs was sentenced to 50 months in prison for violating federal prostitution laws.
50 posted the first poster for The Reckoning docuseries on Tuesday, which sees a desolate Combs with his face in his palm. “They said I was capping, what happened?” he wrote.
50 Cent announced plans for a documentary surrounding Diddy last year and The Reckoning found a home at Netflix in September 2024.
Stream Sean Combs: The Reckoning on Netflix on Dec. 2.
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