Music News

Selena Gomez Poses for Cozy Photo With Benny Blanco on New Year’s Weekend

It’s a happy new year for Selena Gomez, who shared an adorable new photo with Benny Blanco on Instagram Stories this weekend.

In the snapshot, the pair appear to be enjoying each other’s company and some fresh air. Blanco has his arms wrapped around Gomez and seems to be giving her a kiss, while the singer holds his arm and leans her head onto him. Gomez gives the camera a sweet smile.

Gomez and Blanco were also seen cuddling up together earlier in the week, in a date selfie.

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The singer and actress first confirmed that she and Blanco were dating on Dec. 7, about six months into their romance. In a reply to fans on Instagram, she wrote that he “is my absolute everything in my heart” and that she is at her “happiest” in the relationship.

Gomez soon made their relationship fully Instagram official by giving a spot on her main feed to photos with Blanco, including one in which he hugs her among friends, and one in which she leans back to kiss him.

Blanco co-produced Gomez’s “Single Soon,” which arrived in August and reached No. 19 on the Billboard Hot 100. They also worked together on Blanco’s “I Can’t Get Enough” with Tainy and J Balvin in 2019.

See the couple’s latest picture on Gomez’s Instagram Stories here before it disappears.

Taylor Swift Spends New Year’s Eve Watching Travis Kelce at Chiefs-Bengals Game in Kansas City

What is Taylor Swift doing New Year’s Eve? Cheering on boyfriend Travis Kelce in Kansas City, as the Chiefs take on the Cincinnati Bengals at Arrowhead Stadium.

The pop star, who is back at No. 1 on the Billboard 200 with 1989 (Taylor’s Version) and making history as the solo artist with the most weeks spent at No. 1 on the chart, was filmed by local fans and media arriving at the game Sunday afternoon (Dec. 31).

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Swift, with her hair styled in loose waves, a small braid and side-swept bangs, topped an all-black outfit with the same Chiefs jacket Kelce was seen wearing recently.

‘Tis the damn season for Swift to be in her football era. She was also spotted at the Chiefs’ Christmas game against the Las Vegas Raiders on Monday, with her family by her side.

Although the Chiefs were defeated — leaving Kelce to understandably admit he’s “had better” Christmases — the tight end said on the Dec. 29 episode of his New Heights podcast, “It ended well, with good Christmas cheer and great people. That’s always gonna save Christmas, no matter if you lose to the Raiders or not.”

See Swift’s New Year’s Eve arrival below, and check back in for updates after the game begins.

Ed Sheeran & Chris Hemsworth Wield Thor’s Hammer in Singer’s 2023 Year-End Photos Recap

Ed Sheeran is looking back on some of his standout memories of 2023.

On Sunday (Dec. 31), the British pop superstar shared a photo gallery on Instagram with numerous throwbacks of the past year, including one of him and Thor star Chris Hemsworth posing with the superhero’s hammer Mjölnir.

“2023 dump,” Sheeran captioned the carousel. “See ya in 2024 have a good one yeah nice one love you.”

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Earlier this year, the “Thinking Out Loud” singer gave Hemsworth a guitar in exchange for the God of Thunder’s famous weapon. The Australian actor documented the trade in a video on Instagram.

“Just an instrumental trade off between two blokes,” Hemsworth captioned the clip in February. “Ed Sheeran I’ll make this guitar sing like no other and you swing that hammer with all your soul.”

The photo dump also included a courtroom sketch of Sheeran’s testimony during his copyright dispute over Marvin Gaye’s soul classic “Let’s Get it On.” In May, a Manhattan federal jury cleared him on the allegations, allowing the star to avoid millions in potential damages.

Other reflective snapshots included Sheeran performing on the Today show, the time he crashed a couple’s wedding in Las Vegas, and numerous behind-the-scenes recording studio images.

Sheeran dropped his latest album, Autumn Variations, in late September through Gingerbread Man Records. The set, produced by the National’s Aaron Dessner, peaked at No. 4 on the Billboard 200.

The album arrived shortly after the North American leg of Sheeran’s Mathematics World Tour wrapped at SoFi Stadium in Inglewood, Calif. The Asia leg of his trek is scheduled to launch in January 2024.

Autumn Variations is the singer-songwriter’s second album this year, following Subtract, which debuted and peaked at No. 2 on the Billboard 200 albums in May. The album also launched at No. 1 on the Top Album Sales chart, with his largest sales week since 2017.

See Sheeran’s 2023 year-end post on Instagram here.

Half of the Billboard 200’s Top 10 Are Holiday Albums

It’s a merry and bright top 10 on the Billboard 200 albums chart dated Jan. 6, 2024, as half of the region is populated by holiday titles. The top 10 last hosted five seasonal albums on the Jan. 7, 2023, ranking.

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The Jan. 6, 2024, chart reflects the tracking week of Dec. 22-28, 2023.

Leading the holiday pack is Michael Bublé’s chart-topping Christmas, which climbs 4-2 with 78,000 equivalent album units earned (up 11%), according to Luminate. It’s the highest rank for the title in two years, since it spent two weeks in a row at No. 2 on the Jan. 1-8, 2022-dated charts. Christmas was released in 2011 and spent five consecutive weeks at No. 1 in 2011-12.

Nat King Cole’s The Christmas Song hits a new peak, rising 8-4 with 64,000 units (up 15%). The album previously peaked at No. 5 a year ago, on the Jan. 7, 2023, chart. The set includes Cole’s classic title track, along with Billboard Holiday 100-charting favorites including “Deck the Halls,” “O Come All Ye Faithful,” “Joy to the World” and “Caroling, Caroling.”

The classic multi-artist holiday album A Christmas Gift for You From Phil Spector jumps 14-7 — a new peak — with 56,000 equivalent album units earned (up 17%). The album, first released in 1963, previously peaked at No. 8 a year ago (on the Jan. 7, 2023, chart). It first reached the top 10 on the Jan. 8, 2022, chart, when it stepped 11-10. The album, produced by Spector, boasts familiar favorites heard during the holiday season that were initially recorded for the project. Among them are Holiday 100-charting hits including The Ronettes’ “Sleigh Ride” and Darlene Love’s “Christmas (Baby Please Come Home)” and “Winter Wonderland.”

Mariah Carey’s Merry Christmas jingles 10-8 with 56,000 equivalent album units (up 7%). The album was released in 1994 and peaked at No. 3 that December. The set houses Carey’s classic “All I Want for Christmas Is You,” which has topped the all-genre Billboard Hot 100 chart in each of the last five holiday seasons.

Rounding out the top 10 of the new Billboard 200 is Pentatonix’s The Greatest Christmas Hits, which vaults 60-10, a new peak, with 51,000 equivalent album units earned (up 147%). The 31-song set is the vocal group’s latest release, and it includes 23 earlier-released holiday favorites, along with eight new recordings.

The Greatest Christmas Hits marks Pentatonix’s 11th top 10-charting set, and its first since its last compilation, 2019’s The Best of Pentatonix Christmas, peaked at No. 7 on the Dec. 28, 2019, chart.

Here’s a recap of Pentatonix’s 11 top 10-charting albums on the Billboard 200, six of which are holiday sets: PTXmas (No. 7, 2013), PTX: Vol. II (No. 10, 2013), PTX: Vol. III (No. 5, 2014), That’s Christmas to Me (No. 2, 2014), Pentatonix (No. 1, 2015), A Pentatonix Christmas (No. 1 for two weeks, 2017), PTX Vol. IV: Classics (No. 4), PTX Presents: Top Pop, Vol. 1 (No. 10, 2018), Christmas Is Here! (No. 7, 2018), The Best of Pentatonix Christmas (No. 7, 2019) and The Greatest Christmas Hits (No. 10, 2024).   

The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. The new Jan. 6, 2024-dated chart will be posted in full on Billboard‘s website on Jan. 3, one day later than normal due to the New Year’s Day holiday on Jan. 1. For all chart news, follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.

Taylor Swift Surpasses Elvis Presley for Most Weeks at No. 1 on Billboard 200 Among Soloists

As Taylor Swift’s 1989 (Taylor’s Version) ties up a fifth nonconsecutive week at No. 1 on the Billboard 200 (dated Jan. 6, 2024), Swift also carves out a new piece of chart history.

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Swift’s total weeks at No. 1 on the Billboard 200 — across all 13 of her chart-topping releases — now climb to 68 weeks, surpassing Elvis Presley for the most weeks at No. 1 by a soloist. He logged 67 weeks at No. 1 across 10 chart-topping albums spanning 1956-2002. Only The Beatles have more weeks at No. 1, with 132 weeks on top, across 19 No. 1 albums in 1964-2001.

Swift’s first No. 1 album came with Fearless, which spent 11 weeks atop the list in late 2008 and early 2009. She followed it with the chart-toppers Speak Now (six weeks at No. 1, 2010-11), Red (seven, 2012-13), 1989 (11, 2014-15), Reputation (four, 2017-18), Lover (one, 2019), Folklore (eight, 2020-21), Evermore (four, 2020-21), Fearless (Taylor’s Version) (two, 2021), Red (Taylor’s Version) (one, 2021), Midnights (six, 2022-23), Speak Now (Taylor’s Version) (two, 2023) and 1989 (Taylor’s Version) (five, 2023-24).

The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. The new Dec. 30, 2023-dated chart will be posted in full on Billboard‘s website on Dec. 27, one day later than normal due to the Christmas Day holiday on Dec. 25. For all chart news, follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.

Taylor Swift’s ‘1989 (Taylor’s Version)’ Tops Billboard 200 for Fifth Week

Taylor Swift’s 1989 (Taylor’s Version) locks up a fifth nonconsecutive week atop the Billboard 200 albums chart (dated Jan. 6, 2024), as the set earned 98,000 equivalent album units in the U.S. in the week ending Dec. 28 (down 28%), according to Luminate. With a fifth week at No. 1, 1989 (Taylor’s Version) equals the total combined weeks at No. 1 of Swift’s three previous re-recorded albums. The Taylor’s Version editions of Fearless, Red and Speak Now notched two weeks, one week and two weeks on top, respectively.

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In addition, Swift’s total weeks at No. 1 — across all 13 of her chart-topping releases — climbs to 68 weeks, surpassing Elvis Presley for the most weeks at No. 1 by a soloist. He logged 67 weeks at No. 1 across 10 chart-topping albums spanning 1956-2002. Only The Beatles have more weeks at No. 1, with an overall record 132 weeks on top, across 19 No. 1 albums in 1964-2001.

Swift’s first No. 1 album came with Fearless, which spent 11 weeks atop the list in late 2008 and early 2009. She followed it with the chart-toppers Speak Now (six weeks at No. 1, 2010-11); Red (seven, 2012-13); 1989 (2014-15); Reputation (four, 2017-18); Lover (one, 2019); Folklore (eight, 2020-21); Evermore (four, 2020-21); Fearless (Taylor’s Version) (two, 2021); Red (Taylor’s Version) (one, 2021); Midnights (six, 2022-23); Speak Now (Taylor’s Version) (two, 2023); and 1989 (Taylor’s Version) (five, 2023-24).

Also in the top 10 of the new Billboard 200, half of the region consists of holiday albums for the first time since a year ago this week, led by Michael Bublé’s former No. 1 Christmas, which rises 4-2.

The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. The new Jan. 6, 2024-dated chart will be posted in full on Billboard‘s website on Jan. 3, one day later than normal due to the New Year’s Day holiday on Jan. 1. For all chart news, follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.

Of 1989 (Taylor’s Version)’s 98,000 equivalent album units earned in the week ending Dec. 28, album sales comprise 61,000 (down 36%), SEA units comprise 36,000 (down 10%, equaling 48.5 million on-demand official streams of the set’s songs) and TEA units comprise 1,000 (up 31%).

Bublé’s chart-topping Christmas climbs 4-2 with 78,000 equivalent album units earned (up 11%). It’s the highest rank for the title in two years, since it spent two weeks in a row at No. 2 on the Jan. 1 and 8, 2022-dated charts. Christmas was released in 2011 and spent five consecutive weeks at No. 1 in 2011-12.

Christmas is the first of five holiday titles in the top 10 of the Billboard 200, the most seasonal sets in the region in a year. The top 10 last hosted five holiday albums on the Jan. 7, 2023 ranking.

Nicki Minaj’s former No. 1 Pink Friday 2 dips 2-3 with 66,000 equivalent album units earned (down 35%), while Nat King Cole’s The Christmas Song hits a new peak, rising 8-4 with 64,000 units (up 15%). The album previously topped out at No. 5 a year ago, on the Jan. 7, 2023, chart. The set includes Cole’s classic title track, along with Billboard Holiday 100-charting favorites including “Deck the Halls,” “O Come All Ye Faithful,” “Joy to the World” and “Caroling, Caroling.”

Morgan Wallen’s chart-topping One Thing at a Time is a non-mover at No. 5 with 60,000 equivalent album units earned (down 7%), while Drake’s former No. 1 For All the Dogs is stationary at No. 6 with 57,000 units (down 10%).

The classic multi-artist holiday album A Christmas Gift for You From Phil Spector jumps 14-7 — a new peak — with 56,000 equivalent album units earned (up 17%). The album, first released in 1963, previously peaked at No. 8 a year ago (on the Jan. 7, 2023, chart). It first reached the top 10 on the Jan. 8, 2022, chart, when it stepped 11-10. The album, produced by Spector, includes familiar favorites heard during the holiday season that were initially recorded for the project. Among them are Holiday 100-charting hits including The Ronettes’ “Sleigh Ride” and Darlene Love’s “Christmas (Baby Please Come Home)” and “Winter Wonderland.”

Mariah Carey’s Merry Christmas jingles 10-8 with 56,000 equivalent album units (up 7%) and Swift’s Midnights falls 3-9 with 53,000 (down 29%).

Rounding out the top 10 of the new Billboard 200 is Pentatonix’s The Greatest Christmas Hits, which vaults 60-10, a new peak, with 51,000 equivalent album units earned (up 147%). The 31-song set is the vocal group’s latest release, and it includes 23 previously-released holiday favorites, along with eight new recordings.

The Greatest Christmas Hits marks Pentatonix’s 11th top 10-charting set, and its first since the group’s last compilation, 2019’s The Best of Pentatonix Christmas, peaked at No. 7 on the Dec. 28, 2019, chart.

Here’s a recap of Pentatonix’s 11 top 10-charting albums on the Billboard 200, six of which are holiday sets: PTXmas (No. 7, 2013); PTX: Vol. II (No. 10, 2013); PTX: Vol. III (No. 5, 2014); That’s Christmas to Me (No. 2, 2014); Pentatonix (No. 1, 2015); A Pentatonix Christmas (No. 1 for two weeks, 2017); PTX Vol. IV: Classics (No. 4); PTX Presents: Top Pop, Vol. 1 (No. 10, 2018); Christmas Is Here! (No. 7, 2018); The Best of Pentatonix Christmas (No. 7, 2019); and The Greatest Christmas Hits (No. 10, 2024).   

As The Greatest Christmas Hits houses songs by Pentatonix that are on multiple albums by the act, SEA and TEA for those songs contribute to whichever Pentatonix album containing those songs sells the most in traditional album sales in a week. A song such as “Mary, Did You Know?” appears on three Pentatonix albums: the studio set That’s Christmas To Me, and the later-released compilations The Best of Pentatonix Christmas and The Greatest Christmas Hits. SEA and TEA for “Mary” is assigned on the chart to whichever of those three albums sells the most in a given week. In the tracking week ending Dec. 28, The Greatest Christmas Hits sold nearly 2,500 copies, more than any other Pentatonix album. Thus, Greatest is assigned all of the SEA and TEA on the chart for any songs it shares across other Pentatonix albums.

Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.

Shecky Greene, Legendary Las Vegas Comedian, Dies at 97

Shecky Greene, the gifted comic and master improviser who became the consummate Las Vegas lounge headliner and was revered by his peers and live audiences as one of the greatest standup acts of his generation, has died. He was 97.

His widow, Marie Musso Green, told the Las Vegas Review-Journal that her husband died early Sunday (Dec. 31) at their home. She said her husband of 41 years died of natural causes.

Those who saw Greene in his decades of comedy dominance on the Vegas Strip in the 1950s, ’60s and ’70s said that with a mic in his hand he could roam a room and work a crowd like no other.

He couldn’t wait to abandon written jokes for the shared thrill of improv.

“I’ve never had an act,” Greene told the Las Vegas Sun in 2009. “I make it up as I go along.”

Greene made huge fans of his fellow entertainers including Bob Hope, Johnny Carson, and, most famously, Frank Sinatra, who hand-picked him as his opening act for a stretch. Greene couldn’t resist the gig with the biggest star in America at the time, but the two big personalities butted heads frequently, and the relationship ended with the comic taking a beating from the singer’s cronies at the Fontainebleau hotel in Miami Beach.

It led to his most famous joke: “Frank Sinatra once saved my life,” Greene would say. “A bunch of guys were beating on me and Frank said, ‘OK that’s enough.’”

Sinatra wasn’t actually there, Greene later said, but the beatdown was real. Also true was the oft-repeated story of Greene driving his Oldsmobile into the fountains at Caesars Palace in 1968, a consequence of what he conceded was a serious alcohol problem and a dangerous desire to go for a drive when he was a few drinks in.

He got a famous joke out of that moment too, later saying that when the cops arrived at his submerged car, whose windshield wipers running, he told them, “No spray wax please!”

With a body like a linebacker’s, a wit as quick as lightning and a voice that suggested he could’ve been a lounge singer instead of a lounge comic, Greene in the course of a night would plow through dozens of impressions, do extended riffs at audience members’ tables and turn musical standards into parody songs on the spot.

Tony Zoppi, who for decades was entertainment director of the Riviera Hotel, said Greene was the finest comic mind he ever saw.

“He’ll walk out on a stage and do an hour off the top of his head,” Zoppi told the Los Angeles Times. “A waitress dropped a glass — he did 15 minutes.”

He made appearances in films including 1967’s Tony Rome with Sinatra, 1981’s History of the World Part I with Mel Brooks, and 1984’s Splash with Tom Hanks, showed-up on network sitcoms including Laverne & Shirley and Mad About You, and was a constant guest on talk and variety shows.

But he never really clicked on the screen. He needed a crowd he could interact with, and a whole night to woo them. That meant never becoming as famous as comic contemporaries like Don Rickles, Buddy Hackett or Carson. But he pulled the same six-figure-a-week paychecks as they did for live shows.

Born Fred Sheldon Greenfield, Greene took to singing, acting, making jokes and doing mock accents while growing up on the North Side of Chicago.

He served in the Navy in World War II in the Pacific.

On returning to Chicago, he went to community college and thought he might become a gym teacher, but started doing comedy nightclub gigs for money.

An offer of a two-week gig at the Prevue Lounge in New Orleans turned into a six-years stint.

He did his first show in Las Vegas in 1953. He found he and the Strip were a perfect match, and within a few years he owned the town. In 1956, he opened for a young Elvis Presley at the New Frontier.

“The kid should never have been in there,” Greene told the L.A. Times in 2005. “He came out in a baseball jacket. Four or five musicians behind him had baseball jackets on. It looked like a picnic. After the first show they switched the billing, and I headlined.”

Greene would remain a Vegas mainstay, his playgrounds places like the Riviera and the Tropicana, for the next 30 years.

From 1972 to 1982 Greene was married to Nalani Kele, a dancer whose show, the Nalani Kele Polynesian Revue, was a long-running nightclub hit. And in 1985, he married Marie Musso, daughter of jazz saxophonist Vido Musso.

Greene gained his share of national fame eventually. He could fill Carnegie Hall, and guest-hosted both Carson’s Tonight Show and The Merv Griffin Show.

He grappled with addictions to both drinking and gambling, neither ideal for a man who spent most of his time in Las Vegas. He also struggled with what were later diagnosed as severe depression and panic attacks, both of which made it increasingly difficult to perform as he got older.

Greene moved to Palm Springs in an attempt at retirement in his late 70s in 2004, but the stage still had appeal, and he returned for a stint in Las Vegas at the Suncoast Hotel and Casino in 2009.

Returning to a city now dominated by the likes of Celine Dion and Cirque du Soleil, Greene found he could stroll through casinos anonymously.

“I’m a legend,” he told the Sun in 2009, “but nobody knows me in Vegas anymore.”

Lewis Capaldi Says He’s ‘Noticed a Marked Improvement’ Since Taking Touring Break

Lewis Capaldi is giving fans an update on his mental health after taking a step back from the stage in June.

About six months after announcing that he was going on hiatus from touring, the 27-year-old Scottish musician revealed in a lengthy New Year’s Eve message that he’s noticed an improvement in his overall health but that he’s still not ready to step back into the spotlight.

“As most of you will know, I’m currently taking some time off to focus on my health and wellbeing and it’s been going great!” Capaldi wrote on Instagram Sunday (Dec. 31). “I’ve been working with some incredible professionals to help me learn about and cope better with my Tourette’s and anxiety issues. I’m really happy to say I’ve noticed a marked improvement in both since I decided to take some time off back in June.”

He continued, “I was completely overwhelmed by the reaction to the news that I was taking a break and genuinely want to thank each and every one of you who reached out, left a comment, tweet or dm wishing me well, the support was like nothing I’ve ever experienced and has made me more excited than ever to return to what I love at some point in the not too distant future.”

Earlier this summer, Capaldi struggled to finish his Billboard Hot 100 No. 1 hit “Someone You Loved” during his June 24 set at the Glastonbury Festival. Days later, he shared on Instagram that he would be “taking a break from touring for the foreseeable future” to “spend much more time getting my mental and physical health in order.”

In his New Year’s Eve note, the singer also announced that he will be releasing an extended version of his second album, Broken By the Desire to Be Heavenly Sent, at midnight on Monday (Jan. 1). The expanded set will feature five additional songs.

“Prior to my decision to f— off for a bit, I’d always hoped to release an extended version at some point!” Capaldi wrote. “After some back-and-forth about whether or not it was the right thing to do, I’ve decided it would be a shame for these five extra songs, which are so incredibly special to me, to sit on my hard drive, never to see the light of day.”

The “Before You Go” singer-songwriter concluded his message by letting fans know that he plans to remain out of the public eye for the time being.

“For now I’m going to continue taking some time to carry on looking after myself, maybe writing some new music and taking a moment to reflect on some of the most incredible years of my life,” he wrote. “I want to make absolutely sure I’m 100% before getting back out there again properly for more shows and doing what I love more than anything!”

Read Capaldi’s full update below on Instagram.

‘Wonka’ Leads New Year’s Holiday Weekend at the Box Office

Wonka is dominating the New Year’s weekend box office race.

The Willy Wonka origin story, starring Timothée Chalamet, is on track to earn $31.8 million in the U.S. during the four-day holiday weekend, according to The Hollywood Reporter.

Those numbers will reportedly give the Paul King-directed musical a total domestic tally of $142 million through Monday (Jan. 1). Wonka, which opened in mid-December, also topped last weekend’s box office to the tune of $39 million in the U.S.

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The film, an updated musical take on the beloved 1964 Roald Dahl novel Charlie and the Chocolate Factory, stars Chalamet as a young candymaker Willy Wonka, with a supporting cast including Hugh Grant, Olivia Colman, Keegan-Michael Key, Calah Lane, Paterson Joseph, Matt Lucas, Sally Hawkins, Rowan Atkinson and Natasha Rothwell, among others.

Leaning into the lyrical aspect of the story, director King said in September that he was determined not to make the movie a “musical where people are singing dialogue to each other for no discernible reason. I felt like it was more like a movie with songs than a musical.”

Wonka isn’t the only musical film to pull in big numbers over the holiday weekend. The Color Purple, produced by Oprah and Steven Spielberg, places fourth on the chart with estimated earnings of $17.7 million through Monday, THR reports.

Travis Kelce Got This Special Christmas Gift From Taylor Swift’s Brother Austin: ‘He Made Me Feel Like a Child’

Taylor Swift‘s brother Austin got a holiday stamp of approval from the Kelce family this week, thanks to his thoughtful Christmas gift for Taylor’s boyfriend Travis Kelce.

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The Swifts spent Dec. 25 cheering on Kelce at Arrowhead Stadium in Kansas City, where the Chiefs played against the Las Vegas Raiders. The Raiders defeated the Chiefs, 20-14.

“The worst, I’m not gonna lie,” Travis said of Christmas on the Dec. 29 episode of New Heights, his podcast with his brother Jason. “I’ve had better. But it ended well, with good Christmas cheer and great people. That’s always gonna save Christmas, no matter if you lose to the Raiders or not.”

Taylor — who currently holds the top four spots on Billboard’s Top Album Sales chart — donned a Santa hat featuring her boyfriend’s jersey number, 87, with a red sweater and plaid skirt for the holiday. Meanwhile, Austin went all out in full Santa gear at the game. He accessorized his festive look with a Chiefs scarf.

“It was a full commit,” Travis commented on New Heights. “He killed it.”

The tight end then opened up about the Christmas present Austin gave him, a gift that made him feel nostalgic.

“He actually made me feel like a child because his gift to me was straight out of the bag, in the Santa sack. He whipped it out and handed me a VHS of my favorite football movie of all time, Little Giants.” Travis said, referring to the 1994 sports comedy.

Check out the moment in the latest episode of the Kelces’ New Heights podcast below.