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George Clinton Pilots the Mothership to the Hollywood Walk of Fame

To audience chants of “we want the funk; we gotta have that funk,” George “Dr. Funkenstein” Clinton received his star on the Hollywood Walk of Fame.

His star, the 2769th, is located at 6752 Hollywood Blvd. in front of the Musicians Institute. Speaking at the ceremony on Friday (Jan. 19) were Anthony Kiedis of the Red Hot Chili Peppers, civil rights attorney Ben Crump and songwriter Janie Bradford. 

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As the mastermind behind the legendary bands Parliament/Funkadelic, Clinton steered the way across the cosmos to such classics as “(I Wanna) Testify,” “P. Funk (Wants to Get Funked Up),” “Star Child (Mothership Connection),” “Tear the Roof Off the Sucker (Give Up the Funk),” “Flash Light,” “Aqua Boogie,” “One Nation Under a Groove,” “(Not Just) Knee Deep” and “Atomic Dog.” Along the way, Clinton also influenced a diverse range of artists from the Red Hot Chili Peppers to Kendrick Lamar. 

Acknowledging all the members of his bands over the years, Clinton said, “Lots of them are here, lots of them not. But for all of them I say thanks and I’m blessed to be representing a bunch of funky mothers. Thank you, Hollywood!”

Here are some additional soundbites from Clinton’s star ceremony:

Clinton: Noting to audience laughter that he was going to read his speech “because I’m so emotional and ain’t no way in hell I’m going to remember all this s—,” the newly minted Hollywood Walk of Fame inductee called it an “honor to receive a star alongside the many notables from the world of entertainment. The old fans and new fans who let the music move their souls; you all know who I’m talking about [because] I’ve always said it’s the people who make the funk. [Also] thank you to the Omega Psi Phi fraternity] brothers who adopted ‘Atomic Dog’ as their national anthem and keeping it relevant for over 40 years. Damn! 40 years. Now as we drop the star, let it be a symbol not just for George Clinton but for the power of the funk, the power of unity of one nation under a groove. This acknowledgement does not mark a destination or even a pause because we’re still going forward. I was encouraged by [artists] like Snoop Dogg, Dr. Dre, Ice Cube, De La Soul, 2Pac, Kendrick Lamar, Prince, Red Hot Chili Peppers and all those who said funk inspired them. They used the DNA of funk and that inspired me to go on in my fight for musical rights — thank you, Ben Crump — and not just for me but for all [artists’] rights that have been mishandled.”

Kiedis: “Welcome to the corner of Hollywood & George,” joked the RHCP shared that he first learned about George Clinton when a fellow student at Los Angeles’ Fairfax High brought Parliament’s Chocolate City album to school for show and tell. Years later in 1985, the Peppers released their Clinton-produced album Freaky Styley. “For me personally, George became an instant friend, teacher, mentor, a father figure, a co-conspirator, instigator. I love George Clinton with all my heart,” Kiedis concluded before leading the audience in a singalong of a “small spiritual hymn” as he warbled the chorus to “P. Funk”: “Make my funk the P-Funk / I wants my funk uncut …”

Crump: “Now more than ever in the world, we need music that brings us all together. And nobody’s music brings us all together quite like this brother’s brings us together — one nation under a groove. This brother got brothers and sisters all across the globe coming together through the Mothership Connection. He got people in Europe, Australia, Africa and North America walking around in daytime with a flashlight looking for the P-Funk. That’s why we celebrate the one and only, the iconic George Clinton: the father of funk music, Dr. Funkenstein himself.”

Bradford: Looking back at the ’70s heyday of Funkadelic, Bradford pointed out that Clinton “announced his retirement in 2018 and today in 2024, George [at 82] is still working [touring, readying three recording projects and painting]. “My kids think I’m cool because I know George Clinton. I think I am blessed that he is my friend and I am his. Congratulations, George!”

21 Savage Scores Fourth No. 1 Album on Billboard 200 Chart With ‘American Dream’

21 Savage scores his fourth No. 1 album on the Billboard 200 chart as American Dream debuts atop the tally (dated Jan. 27). The set bows with 133,000 equivalent album units earned in the U.S. in the week ending Jan. 18, according to Luminate, nearly completely powered by streaming activity.

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All four of the rapper’s leaders have come consecutively, starting with I Am > I Was in 2019, and followed by Savage Mode II (with Metro Boomin in 2020), Her Loss (with Drake in 2022) and American Dream.

American Dream launches with 21 Savage’s best week, by units earned, for any of his non-collaborative projects (surpassing his previous high of 131,000 in the debut frame of I Am > I Was). The set also boasts his biggest streaming week for any of his non-collaborative sets, as its collected songs generated 169.53 million on-demand official streams in its first week (again, beating the opening stanza of I Am > I Was, with 151.87 million).

American Dream was released with little warning, as the set was announced on Jan. 9 and premiered on Jan. 12. The 15-song album boasts guest turns from the likes of Metro Boomin, Doja Cat, Lil Durk, Travis Scott, Young Thug and Summer Walker.

Also in the top 10 of the new Billboard 200, Kali Uchis logs her highest-charting album ever, as her second Spanish-language full-length set, Orquideas, starts at No. 2 — and with her biggest week ever by units earned (69,000).

The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. The new Jan. 27, 2024-dated chart will be posted in full on Billboard‘s website on Jan. 23. For all chart news, follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.

Of American Dream’s 133,000 equivalent album units earned in the week ending Jan. 18, SEA units comprise 128,500 (equaling 169.53 million on-demand official streams of the 15 songs on the album), album sales comprise 4,000 and TEA units comprise 500.

Kali Uchis achieves her highest-charting album ever on the Billboard 200, as Orquideas starts at No. 2 with 69,000 equivalent album units earned. Of that sum — her best week ever — SEA units comprise 38,000 (equaling 51.01 million on-demand official streams of the set’s 14 songs; her biggest streaming week ever for an album), album sales comprise 31,000 (her largest sales week, and the top-selling album of the week) and TEA units comprise a negligible sum.

Orquideas is Uchis’ second top 10-charting effort on the Billboard 200, following the mostly-English-language Red Moon in Venus, which debuted and peaked at No. 4 in March 2023.

Morgan Wallen’s One Thing at a Time falls 1-3 on the Billboard 200 with 61,000 equivalent album units earned (down 1%). Drake’s chart-topping For All the Dogs dips 2-4 (52,000; down 10%) and Taylor Swift’s former leader 1989 (Taylor’s Version) descends 3-5 (50,000; down 11%).

Noah Kahan’s Stick Season slips 5-6 with 45,000 equivalent album units (down 1%), while the rest of the top 10 comprises former No. 1s: Nicki Minaj’s Pink Friday 2 falls 4-7 (44,000; down 16%), Swift’s Folklore rises 10-8 (43,000; up 24%), SZA’s SOS drops 6-9 (41,000; down 6%) and Swift’s Lover falls 8-10 (38,000; down 8%).

Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.

Taylor Swift-Inspired Menu Items to Be Sold at Chiefs-Bills Playoff Game

Taylor Swift fans attending the Kansas City Chiefs-Buffalo Bills playoff game are in for a tasty treat.

The 34-year-old pop superstar is expected to attend the matchup in support of her NFL star boyfriend Travis Kelce, 34, whose Chiefs will take on the Bills at Highmark Stadium in Orchard Park, New York, on Sunday (Jan. 21).

Hungry Swifties looking for a bite to eat at the game will be pleased to find menu items inspired by the singer, provided by the Bills’ food service partner, Delaware North, People reports. The unique food options will include “Bad Blood” Waffle Fries and the “Karma” Quesadilla.

The “Bad Blood” fries are a “2-foot display of spiced waffle fries featuring each city’s culinary specialty,” according to a description from Delaware North, according to People. The “Karma” Quesadilla is billed as “chicken tenders, bacon and cilantro ranch in a triple-stacked quesadilla, topped with pork-belly chaser.”

“Our culinary team has again designed a great menu for the Divisional playoff game this weekend, with several new items for fans as they cheer on the Bills,” Andy Altomare, Delaware North’s GM at Highmark Stadium, said in a statement. “We had a lot of fun with this week’s menu — adding a few new options that celebrate this incredible rivalry with the Chiefs and their star-studded fans.”

Swift has attended numerous NFL games to cheer on her tight end beau, most recently showing off matching Chiefs jackets with Brittany Mahomes at the KC team’s game against the Miami Dolphins on Jan. 13. The “Cruel Summer” singer also spent New Year’s Eve cheering on Kelce as the Chiefs took home a victory against the Cincinnati Bengals. She was also spotted at the Chiefs’ Christmas face off against the Las Vegas Raiders.

Renée Rapp Joins Jacob Elordi in Hilarious Celebrity Lip-Reading Sketch on ‘SNL’: Watch

Reneé Rapp is taking a little break from music to brush on her lip-reading skills.

The 24-year-old Mean Girls star, who made her musical guest debut during Saturday Night Live on Jan. 20, joined host and Saltburn star Jacob Elordi in a hilarious sketch about “professional lip-readers” who attempt to decipher secret conversations between celebrity couples like Taylor Swift and Travis Kelce.

“We pick up on extremely subtle lip movements and body language to decipher exactly what someone might be saying,” Elordi explains to a pair of Entertainment Tonight hosts, played by SNL cast members Heidi Gardner and Ego Nwodim.

After Elordi and his sharply dressed parter Bowen Yang attempt — and fail — to accurately read the lips of celebs like Timothée Chalamet, Kylie Jenner and Jennifer Lawrence from recent awards ceremonies, the ET hosts skeptically question their skills.

“Our lip readings hold up in court — we’ve had people put away for life!” Elordi says defensively. Yang’s character adds, “We’ll show you. We just need assistance from our little lesbian intern Reneé.”

Rapp, dressed in a black blazer and white shirt with matching tie, steps out to inform viewers that she’s been assigned “40 hours of court-ordered media training” because she’s been “going absolutely off in every single interview lately.”

The Broadway vet proceeds to show off her lip-reading skills by reading the lips of attorny Kristin VanOrman and Gwyneth Paltrow from the actress’ 2023 ski collision trial.

Watch the “Entertainment Tonight Lip-Readers” SNL sketch below. For those without cable, the broadcast streams on Peacock, which you can sign up for at the link here. Having a Peacock account also gives fans access to previous SNL episodes.



Renée Rapp Introduced by Rachel McAdams, Performs ‘Mean Girls’ Song With Megan Thee Stallion on ‘SNL’: Watch

Renée Rapp‘s Saturday Night Live debut was full of surprises.

The 24-year-old singer and actress, who reprises her Broadway role as Regina George in the new box office-topping Mean Girls movie musical, showed off her powerful pipes and threw in some unexpected moments while appearing as musical guest during the iconic sketch comedy show’s first episode of 2024 on Jan. 20.

With an introduction from SNL host and Saltburn star Jacob Elordi, Rapp opened with a memorable delivery of “Snow Angel,” the title track from her 2023 debut album, which peaked at No. 44 on the Billboard 200. Sporting a white corset with a matching blazer and dress, she opened the musical number by impressively singing while lying flat on her back. She eventually rose up and finished the powerful track with the aid of a full backing band.

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Later in the show, Rapp returned with a surprise intro from Rachel McAdams, who played Regina George in the original Mean Girls from 2004. The singer then launched into an upbeat performance of “Not My Fault,” her collaboration with Megan Thee Stallion, which appears on the soundtrack of the new Mean Girls movie musical adaptation. Halfway through, the superstar rapper made a cameo from a large-sized pink cake in the middle of the stage.

Earlier in the week, Rapp was announced as a performer at this year’s Coachella, billed just under headliners Lana Del Rey, Tyler, the Creator and Doja Cat.

Elordi’s SNL hosting gig, meanwhile, follows his starring turns in Sofia Coppola’s Priscilla and Emerald Fennell’s Saltburn, which recently earned him a pair of BAFTA Film Award nods for best actor in a supporting role and rising star.

Next up, Justin Timberlake will make his SNL return on Jan. 27. He’ll be the musical guest for the fifth time as a solo artist. Dakota Johnson will be returning to host that evening for a second time.

Watch Rapp’s SNL performances below. For those without cable, the broadcast streams on Peacock, which you can sign up for at the link here. Having a Peacock account also gives fans access to previous SNL episodes.


https://youtube.com/watch?v=h_9kjzTwkos&version=3&rel=1&showsearch=0&showinfo=1&iv_load_policy=1&fs=1&hl=en-US&autohide=2&wmode=transparent


https://youtube.com/watch?v=vSEuUelaaks&version=3&rel=1&showsearch=0&showinfo=1&iv_load_policy=1&fs=1&hl=en-US&autohide=2&wmode=transparent

Marlena Shaw, ‘California Soul’ Singer, Dies at 81

Marlena Shaw, the jazz and soul singer best known for her 1969 recording of “California Soul,” has died. She was 81.

Shaw’s daughter, Marla Bradshaw, confirmed her death in a video posted on Facebook on Friday (Jan. 19).

“It’s with a very heavy heart that for myself and our family, I announce that our beloved mother, your beloved icon and artist, Marlena Shaw, has passed away today at 12:03,” she said.

“She was peaceful,” she continued. “We were at peace. I know that you just saw posts of [a] birthday celebration just as soon as yesterday, and my twin sister and I were very grateful — and our family — that she was here in celebration for that.”

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No cause of death was given at the time of publication.

“Right now, she’s at peace. She’s in Heaven. I do know that,” Shaw’s daughter added. She shared that “she went listening to some of her favorite songs.”

Born on Sept. 22, 1939, as Marlina Burgess in New Rochelle, New York, the singer has said her uncle Jimmy Burgess got her into music. Burgess was a jazz trumpet player.

Shaw (which became her stage name) is known for her release of “California Soul,” which was written by Ashford & Simpson and made available in 1969 under Cadet Records, a subsidiary of Chess Records. There, she released the albums Out of Different Bags (1967) and The Spice of Life (1969), the latter of which featured the oft-sampled songs “California Soul” and “Woman of the Ghetto.”

“California Soul” has been sampled by a number of artists, including Gang Starr and Stereo MC, and Diplo released a remix of the song in 2008. The track has also been licensed for use in several commercials, including ads for Dodge, KFC and Dockers.

“I think it’s great,” she said in a 2009 interview of hearing her music sampled. “I really do. Number one, I love the surprise of it and like to hear what somebody else’s idea is.”

“But this kinda makes me feel like I’m the sun, you know, and I shine on all kinds of things,” she added with a laugh.

Shaw also released several recordings under Blue Note Records, and music on labels including Columbia and Verve. Verve shared in a statement, “We are saddened by the passing of Marlena Shaw, a wonderful singer whose ‘California Soul’ is as popular today as it ever was and whose album It Is Love: Recorded Live at Vine St. helped relaunch the Verve label in 1987.”

Shaw has said that performing live “has been my saving grace.” She explained, “I really consistently worked live. All kinds of venues, the big bands, the small bands — because I love it.”

The singer’s family has shared an address for those who wish to send condolences:

Ms. Marlena Shaw & Family
P.O. Box 335774
N. Las Vegas, NV 89033



Mary Weiss, Lead Singer of The Shangri-Las, Dies at 75

Mary Weiss, the lead vocalist of The Shangri-Las — the 1960s pop girl group behind the No. 1 hit “Leader of the Pack” — has died. She was 75.

A representative for Weiss’ record label, Norton Records, confirmed the news of her death to The Hollywood Reporter on Saturday (Jan. 20). Norton released Weiss’ only solo album, Dangerous Game, in 2007.

No cause of death has been reported.

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“I think you’re born with music in you,” Weiss said at a Rock and Roll Hall of Fame and Museum event in 2007. “I sang from the time I could speak. I was always into music, always. My brother was a lot older than me and had an extensive record collection, and I listened to everything.”

In sixth grade, Weiss saw The Everly Brothers perform at a theme park and was inspired by their harmonies. “I always thought they were so underrated as far as what they provided for music and harmony,” she said.

With her older sister Elizabeth “Betty” Weiss, and friends Marguerite “Marge” and Mary Ann Ganser, twins whom the Weiss sisters met in grammar school, the group got together in the Cambria Heights neighborhood of Queens, New York. “We used to sing harmony on the street corner, in bathrooms, in tunnels — Central Park has some great tunnels if you want to sing harmony — and that’s pretty much how we started,” Weiss said during her interview with the Rock and Roll Hall of Fame and Museum. Together they performed at local talent shows and school events, being too young to appear in clubs.

In 1964, when Weiss was just 14, the group met producer and songwriter George “Shadow” Morton. Working with him, they broke through with their recording of “Remember (Walking in the Sand),” released in 1964 via Red Bird Records, followed by singles like the chart-topping “Leader of the Pack” and “Give Him a Great Big Kiss” the same year, and “I Can Never Go Home Anymore” in 1965.

As Weiss was a minor, her mother signed her contracts. The group released only two studio albums before shifting to Mercury Records and disbanding in 1968 amid litigation.

In 2007, Weiss recalled of the group’s busy years in the mid-’60s, “My entire life was a whirlwind … For four or five years, I would go to sleep and not remember what state I was in when I woke up because I would do a TV show in the morning and a radio thing in the afternoon, and be on a plane and be some place else. That was my life.”

“Initially, I loved the music. I didn’t like a lot of the things that came with it. I think it was very, very hard in 1964 to be a woman in the music business,” she said.

Weiss admitted that her “tough image kept a lot of people away, which was really important for survival.”

“It was very difficult back then because I truly believe that a lot of men were considered ‘artists’ whether or not other people wrote for them. Women were considered products,” Weiss explained. “I always found that difficult to accept.”

The Shangri-Las shared concert bills with The Beatles, The Rolling Stones, James Brown and more famed acts. Weiss recalled the time Brown booked the group for a show in Texas in a 2007 interview with Rolling Stone, saying, “When I walked out onstage, I thought he was going to have a coronary. He didn’t realize I was white.”

The Rock and Roll Hall of Fame honored “Leader of the Pack” in its singles category in 2019.

After her time performing with The Shangri-Las, Weiss went on to pursue a career as a commercial interior designer and consultant in New York City.

Weiss is survived by her husband, Ed, and sister, Liz, who is the last living member of The Shangri-Las.



Zayn Malik Checks in After His Foot Was Apparently Run Over at Paris Fashion Week

Zayn Malik appeared to have an unfortunate run-in with a car while making his way through a swarming crowd at Paris Fashion Week.

The former One Direction singer — who was attending Kenzo’s Fall/Winter 2024-2025 menswear show, which can be viewed in full here — was filmed and photographed being escorted through a large gathering of people on Friday (Jan. 19). Fans noticed in one clip posted on social media that as Zayn walked alongside bodyguards, it appeared that his foot possibly got caught by a car driving by.

“Whoa, be careful! Be careful!” someone can be heard saying in the clip circulating online. Zayn only momentarily paused, then kept on walking.

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On Saturday, Zayn checked in with fans and shared a few new photos from Paris on Instagram.

“@kenzo @nigo Thanks for a great show!” he wrote, adding: “My foot is fine !! Thanks to my incredibly well made shoes.”

Zayn ended his comment with a crying-laughing emoji and a thumbs up.

In a three-picture gallery, Zayn offered a side-profile selfie, a snapshot from inside the Kenzo show and a closeup of his right foot, the foot in question.

Zayn’s white Kenzo sneaker wasn’t as pristine as it probably was at the start of the night. The right side of the shoe was covered in dark skid marks. Fortunately, his footwear apparently protected him from injury.

The Kenzo show took place at France’s Bibliothèque Nationale Richelieu Friday night. Zayn was also spotted interacting kindly with fans, posing for several selfies with them.

The solo star recently joined a remake of “Tu Hai Kahan,” the 2023 hit from Pakistani trio AUR. The song was re-released on Friday (Jan. 12) and featured additional Urdu-language vocals from Zayn on the chorus.

The release came from U.S.-based D36 & Sony Music Entertainment, Middle East. It’s Zayn’s first new music since last summer’s “Love Like This.”

See the incident and Zayn’s post from Paris below. The third image shows his slightly damaged shoe.

Justin Timberlake Unveils New Song ‘Selfish’ at Memphis Concert & Drops ‘Everything I Thought It Was’ Album Trailer

At a concert in his hometown of Memphis on Friday night (Jan. 19), Justin Timberlake live-debuted the new song “Selfish” — his first new solo material since his fifth studio album, 2018’s Man of the Woods.

“So if I get jealous, I can’t help it/ I want every bit of you, I guess I’m selfish,” JT sings on the silky-smooth R&B track (listen to a snippet in the TikTok video below). “It’s bad for my mental, but I can’t fight it.”

And that’s not all: Also on Friday night, Timberlake unveiled a trailer for his sixth album along with the project’s official title: Everything I Thought It Was. This comes after the pop star’s Instagram teaser on Wednesday was captioned “EITIW,” leading fans on an Easter egg hunt to decode the acronym.

The album trailer has a sort of Wes Anderson, Asteroid City vibe about it, with a model car driving toward a desert gas station. It also has an A-list narrator in Benicio Del Toro.

“What do we have here?” Del Toro says as the video opens. “Ooh, that’s a nice car! Wait, it’s a model. Did that say JT? OK, that sunset is definitely not real. Oh, there’s Justin! Why won’t he turn around? What the f— is he staring at?”

The trailer — which you can watch below — ends with yellow words against a black screen that read: “Justin Timberlake Presents: Everything I Thought It Was.”



A series of clues had hinted at new Timberlake solo music, starting with the star wiping his Instagram clean in early January. In addition to the mid-week Instagram teaser, Timberlake was also announced as a guest on The Tonight Show Starring Jimmy Fallon on Thursday next week and the musical guest on Saturday Night Live (alongside host Dakota Johnson) on Jan. 27. While we don’t have an official release date for “Selfish” yet, you can pre-save the song on Spotify now.

In September, Timberlake reunited with *NSYNC to release “Better Place” for the Trolls Band Together soundtrack, marking the group’s first musical release since 2002 (when the Neptunes remix of “Girlfriend,” featuring Nelly, arrived). That same month, Timberlake reunited with longtime collaborators Timbaland and Nelly Furtado on the song “Keep Going Up!”

Julia Michaels Talks ‘Surreal’ Experience Writing Music for Disney’s ‘Wish’

Julia Michaels is the youngest female songwriter for a Disney film, and to celebrate, the artist sat down with Billboard’s Rania Aniftos to discuss the process of making the film.

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“It was such an honor. I grew up watching Disney and listening to Disney,” she said of working on the project, before adding, “The first time I saw Wish as a movie with all the songs in it, I was like, oh my gosh, this is going to live longer than me. This exists now and there’s going to be littles all over the world that are going to feel connected to these songs and they’re going to grow up with these songs like I grew up with my Disney songs. Wrapping my head around that has been so deeply surreal.”

As for what her younger self would think of her accomplishments as a songwriter, artist and beyond, Michaels noted, “Little me wouldn’t even understand that. I come from a very chaotic, broken family. I didn’t come from money. I didn’t come from anything.”

Lastly, the star teased working on music in the upcoming year. “I’ve been writing with a lot of people again, which has been really good for the soul,” she noted.

Watch Billboard’s full interview above.