State Champ Radio Music News
Page: 150
After having a difficult time on stage at Gov Ball, Hozier has made the decision to postpone two of his upcoming shows as he recovers from a virus. The singer-songwriter announced Monday (June 9) that he would be rescheduling his shows in Camden, N.J., and Ridgedale, Mo., writing on X that he is unable to […]
Margo Price is digging deep into her country music foundations on her new album, Hard Headed Woman, set to release Aug. 29 via Loma Vista Recordings. The project, recorded at Nashville’s RCA Studio A with producer Matt Ross-Spang, marks the first album Price has recorded in Nashville, a city she has called home for two […]
Round Hill Music, the name of the Josh Gruss-led, private-equity backed company with more than $1.1 billion in music assets under management, now adorns a physical music store in Greenwich, Conn.
The 1,100-square-foot outlet, which opened last month, hawks high-end guitars and amps as well as a healthy offering of vinyl and other merchandise in a store designed to appeal to the entire family, says Gruss, who is the store’s sole owner. In his day job, Gruss is the CEO of Round Hill Music, the music asset company that’s also a full-service music company which owns or represents rights in music written or performed by the likes of Bobby Darin, Brittany Howard, Gil Scott-Heron, Rob Thomas, Ashley Gorley, Bruce Cockburn, Massive Attack, Collective Soul, Skid Row, Craig Wiseman and Randy Bachman, according to the company’s website.
While the impetus may have been to open a guitar store, Gruss says he wanted it to have broad appeal for the whole family: “If parents come in with a son for a guitar, maybe mom will pick up a shirt or a candle. Another family had a 4-year-old daughter, and we had a kid guitar for her. While the main focus is the high-end guitars and amps, we have something for everybody.” Beyond the above items, the store’s inventory includes sunglasses, rock ’n’ roll t-shirts, hand-made jean jackets, art for sale and even an ashtray. But in the first few weeks of operation, the big eye-opener has been the strength of the record store component, says Gruss. The shop carries some 1,500 vinyl albums, all new — and that has turned out to be the surprise selling category. “Everyone loves music, and we all know vinyl has resurged in popularity,” says Gruss. While he says he was hoping that vinyl would be the secondary reason customers visited the store, “it turns out it’s the primary reason,” he reports. “So far, about 20% of our vinyl inventory is getting sold per week. So far, our No. 1 seller is a local jam band called Goose. Everyone comes in asking for them.”
Trending on Billboard
Round Hill Music Co.
Terry Moseley
In assembling the retail outlet, Gruss, who plays guitar in an original rock band called Rubikon and a cover band called Kaintuck, says he was inspired by memories from when he was younger. “My favorite thing to do as a kid was look at guitars in guitar stores, especially those on 48th Street,” he recalls, referencing the Manhattan block between 6th and 7th Avenues that, in the 1960s through the 1990s, was known as Music Row for the many musical instrument stores lining the street (the most famous being Manny’s Music).“Even today, when I travel to places like Stockholm and Paris, I check out guitar stores,” says Gruss. Over the years, he adds, “I built up an idea of what I like in a guitar store.”
It wasn’t until the COVID pandemic that Gruss decided to act on his vision. “It was during the height of COVID when I was going through town [and] I see the ‘for sale’ sign on this building,” he remembers. “With my contrarian hat on, I thought, maybe I can get a good price.” After buying the building, he set about planning for the guitar store, a category that Greenwich — although rich in various types of retail — lacked.
Round Hill Records
Terry Moseley
In conceptualizing the Round Hill Music store, Gruss explains he didn’t want it to focus on things you can find at Guitar Center, which he acknowledges as the dominant merchant of musical instruments and equipment in the U.S. As a result, he gave the store a high-end boutique slant, which, considering its location, makes sense: Greenwich is consistently ranked as one of the wealthiest communities in the U.S., with a median household income of $180,000 in 2021, according to the U.S. Census Bureau.
While there are many affordable and recognized guitar brands in the store, it also has more unique items. Case in point: a $20,000 replica of “Greeny,” a 1959 Les Paul Standard guitar named after its owner, Fleetwood Mac’s Peter Green, who sold it to Thin Lizzy’s Gary Moore and which eventually wound up with Metallica guitarist Kirk Hammett. Gruss says the store ordered the replica from the Gibson Custom shop, noting the company only made 50 as part of a limited-edition run.With guitars by Gibson, Fender, Paul Reed Smith, Taylor LsL Instruments, Ernie Ball, Rock N Roll Relics and Suhr, Gruss says he wants the store to be a haven for musicians and collectors as well as younger consumers, which is why it also carries guitars attractive to beginners. Beyond guitars, the store carries premium speakers from Devialet and Transparent and apparel by Madeworn, Daydreamer and Rowdy Sprout.
Beyond inventory, Gruss says he wanted Round Hill Music to have a different feel than Guitar Center. “We want our store to be as welcoming as possible and we want people to sit and play as much as possible,” he says. In contrast, he says Guitar Center can be intimidating for customers, with a sales staff that he believes measures whether people have money to buy a guitar and may require some kind of collateral if a customer wants to play one of the nicer models on the floor.Consequently, he says he wants the Round Hill Music store to be welcoming to all ages and hopes it will give young customers the opportunity to enjoy the same experience he had as a teenager at similar shops. He also expresses the hope that the store can be a place where music fans interact with one another.
Mike Stern Band
Ed Christman
To make sure the Round Hill store is correctly merchandised and boasts a welcoming atmosphere, Gruss says having the right staff is key, citing the “super knowledgeable” John Mahoney, who works as the store’s operations manager. He adds that his vision was carried out “by a great group of people” who previously worked in retail at other music instrument stores, including Sam Ash. In total, the store is currently staffed with six employees.At the store’s opening event, what Gruss sees as intrinsic to the store’s future success — an in-store stage — was put to good use by the Mike Stern Band, which played a high-energy set that left the crowd wanting more. “We will program the store with plenty of in-store artist events, including up-and-coming songwriters and local singer-songwriters,” Gruss says. Gruss points out that he’s also using the store to promote the Round Hill Music catalog business, noting that artists and songwriters in the music-asset company’s catalog have their own section in the shop; the inventory there includes albums by Soul Coughing, System Of A Down and Neon Trees. “The store is a great way to spread the Round Hill network,” he says. “It will really help out the rest of the business.”
Macklemore’s Seattle home was the target of a robbery early Saturday (June 7). According to The Seattle Times, the pair of burglars stole thousands of dollars worth of jewelry, shoes and designer watches after bear-spraying a nanny inside the Capitol Hill residence. Explore Explore See latest videos, charts and news See latest videos, charts and […]
MGK‘s next album will be a tribute to Americana, and it seems that he tapped one of the subculture’s biggest heroes, Bob Dylan, to narrate the project’s trailer.
In a clip previewing the August-slated LP posted Tuesday (June 10), a voice sounding very familiar to Dylan’s can be heard reading a description of the rapper-turned-rocker’s Lost Americana, calling it “a personal excavation of the American dream.”
“It’s a sonic map of forgotten places, a tribute to the spirit of reinvention and a quest to reclaim the essence of American freedom,” the Dylan-esque drawl says over fuzzy shots of MGK smoking, riding motorcycles, hanging out with friends, taking in a mountainous landscape in awe and walking the Las Vegas strip. “From the glow of neon diners to the rumble of the motorcycles, this is music that celebrates the beauty found in the in-between spaces. Where the past is reimagined, and the future is forged on your own terms.”
Trending on Billboard
MGK further teased that Dylan is in fact the featured voice by cheekily writing in the video’s caption, “narrated by …” without revealing any names. Later, the “My Ex’s Best Friend” artist not-so-randomly shared a black-and-white photo of the Rock & Roll Hall of Famer on Instagram Stories Tuesday.
Billboard has reached out to Dylan’s reps for comment.
Arriving Aug. 8, Lost Americana will mark MGK’s seventh studio album, following 2022’s Billboard 200-topper Mainstream Sellout. Leading up to its release, the artist born Colson Baker has dropped singles “Your Name Forever” and “Cliche,” which followed his 2024 collaborations with Jelly Roll, “Lonely Road” and “Time of Day.”
And while a collaboration with the famously elusive Dylan might seem random, the Lost Americana trailer wouldn’t be the first time he and MGK’s worlds have collided (assuming that it really is the legend’s voice in the narration). In February, Dylan left fans confused when, without explanation, he posted an old video of the “I Think I’m Okay” artist rapping in a Florida music store in 2016 on Instagram.
Whether that was Dylan’s way of declaring that he’s a fan of MGK or just a random moment, the younger musician was amused by the post. “you having a phone is so rad,” MGK commented at the time.
See MGK’s Lost Americana trailer, seemingly featuring the voice of Bob Dylan, below.
On a drizzly Monday (June 9) night in Brooklyn’s Prospect Park, the BRIC Celebrate Brooklyn! summer series kicked off with a knockout double bill of Grace Jones and Janelle Monáe that also served as an unofficial Pride Month party.
Explore
See latest videos, charts and news
See latest videos, charts and news
“Grace Jones is the most original, innovative artist of our time,” Monáe said toward the end of the night, saluting the Jamaica-born musician who went from singing disco in Studio 54 to pioneering a spiky, brash blend of reggae and art rock in the ‘80s. Standing in the park after nightfall, gazing up at the inimitable Jones under the dramatic stage lights in all her imposing, undaunted glory, you’d be a fool to argue semantics with Monáe or attempt to insert a qualifier. Jones is undoubtedly one of the most wildly underappreciated living pioneers, a Black woman whose experimental and experiential art pop was decades ahead of its time. And at 77, Jones is still sowing the wildest of oats, bucking the narrative that edgy musicians need to settle into some kind of well-coiffed adult contemporary mold after crossing a certain age.
Bashing on cymbals throughout “Demolition Man,” straddling a metal gate while singing “My Jamaican Guy,” prancing around matador-style during “I’ve Seen That Face Before (Libertango)” and letting her tongue run amok the entire evening (“I do like to stick out my tongue; don’t make it make you crazy?” the contralto purred), Jones is as uninhibited as ever. Not to mention inscrutable. When she chugged a glass of wine and belted out “Amazing Grace,” it was hard to parse whether it was an earnest expression of faith, a cheeky brag about how wonderful she is or both.
Trending on Billboard
“Nobody’s hurt, right?” Jones asked her band and backup singers after sending a cymbal sailing across the stage. After ascertaining that everyone was fine, she hugged her singers. “You can take a beating,” she said with a wide grin. “I’ve taken a lot. And I’m still here.”
In addition to playing a new, unreleased funk song called “The Key” which found her in her characteristic sing-speak mode augmented by a vocoder or talk box effect, she delivered the lion’s share of her catalog favorites, including her full-throated, hard-hitting “Love Is the Drug.” In a shimmering bowler hat under a spotlight, Jones whipped the crowd into a sing-along fervor at the end of the Roxy Music cover, declaring, “It’s wake up the neighbors!” and urging the all-smiles audience to pump up the decibels and “wake ‘em up!” with every fresh round of whoa-ohs.
“Curfew? Who’s ever heard of a curfew?” Jones snarled as she put on a massive, seashell-esque red headpiece and began slinking around to the flirty funk guitar of “Pull Up to the Bumper” (a gay club favorite for reasons that become clear when you pay attention to the lyrics). “Bumper” stretched out into an extended jam session for her nimble band, with Monáe – who had opened the show with her own indefatigably funky brand of pop&B – joining Jones onstage. It was ostensibly a duet on the 1981 reggae-disco classic, but in practice, it was an excuse for the two to let loose: they offered up some French kicks; Jones licked the microphone while Monáe sang into it; they collapsed into each other’s arms, laughing; and one point, Monáe, on all fours, climbed through Jones’ legs, with Jones proceeding to drum on Monáe’s backside and then swivel around and ride her La Dolce Vita-style. Not long after, Monáe pantsed Jones (how often do you get to pants your music and style icon?) and then attempted, unsuccessfully, to free Jones from her slacks. “You’re a naughty, naughty girl,” Monae told Jones after the escapade, wagging her finger in cartoonish disapproval.
Jones shouted out “Brooklyn Pride!” a few times during the show, and while it wasn’t an official Brooklyn Pride event, the playful, resilient spirit of the LGBTQ community – from the audience to what was happening onstage – undoubtedly elevated the evening.
Curfew be damned: after that duet, Jones came out for an encore despite the house lights having already come up.
And what an encore. Jones crooned, cooed, barked and spat the lyrics to her Billboard Dance Club Songs No. 1 “Slave to the Rhythm” while hula-hooping for the entire classic (and she did the long version, too, introducing her band and bringing out her backstage crew during the song). When the show was finally over, the ebullient Brooklyn audience was ecstatic but fully danced out – and left with a lingering suspicion that at 77, Jones is still running circles around us all.
The 20-track Democracy Forward double album will feature songs from R.E.M. singer Michael Stipe, Wilco, Tyler Childers, Brandi Carlile, Brittany Howard and Jason Isbell and the 400 Unit and many more on a compilation focused on democracy, resilience and courage. The collection is a partnership between literary magazine The Bitter Southerner and national legal organization Democracy Forward.
“The work of Democracy Forward ensures that people and communities – that all of us – are heard and that our rights are protected,” said Skye Perryman, President & CEO of Democracy Forward in a statement about the collection that will be release on vinyl the week of July 3; pre-sales begin today here.
“At a time when so many communities across the nation are hurting and being targeted, music, art, and expression helps to bring people together in community, which creates the conditions for courage,” read the statement. “We are incredibly grateful to the artists who have dedicated their music to support the American people’s rights and our democracy during this consequential time. Each of us has a role to play in strengthening our democracy, and every voice matters.”
Proceeds from the album will benefit Democracy Forward’s work, which includes free representation for people and communities in defense of their constitutional rights. Since the second inauguration of President Donald Trump, Democracy Forward said in the statement that it has been focused on “some of the most significant issues affecting people, families, and communities to confront anti-democratic extremism head-on. From stopping the federal funding freeze, to blocking the decimation of the Department of Education, to protecting religious liberty, to safeguarding due process, to stopping DOGE and Musk from taking Americans’ sensitive and personal data, and more – Democracy Forward has won court orders for people and is just getting started.”
The album will open with Stipe’s new original spoken word piece “Invocation.” The singer and activist said in a statement, “We believe in the importance of our democracy and also our ability to save it. The world is depending on us. This fight is not over. The day is not done.”
Since Democracy Forward’s formation in 2016, the Washington, D.C.-based nonprofit has taken the Trump administration to court more than 100 times and worked with dozens of prominent groups to combat some of the administration’s actions by partnering with organizations including: Abortion Fund of Ohio, National Immigrant Justice Center, National Parks Conservation Association, Alliance For Justice, National Resources Defense Council, New York Civil Liberties Union, American Federation of Teachers, Giffords Law Center to Prevent Gun Violence and the Southern Poverty Law Center.
The album announcement comes as Trump is attempting to muscle through his so-called “Big Beautiful Bill,” a proposed tax and spending package that aims to permanently extend the president’s big tax cuts for the nation’s wealthiest individuals, as well as make deep cuts to social programs including Medicaid and food aid and roll back a wide variety of environmental regulations and green energy initiatives in an effort to focus on climate-warming fossil fuels.
It also coincided with Trump’s provocative deployment of 2,000 California National Guard troops to Los Angeles on Monday (June 9) — without the consent of Gov. Gavin Newsom — in order to quell demonstrations against Immigration and Customs Enforcement raids in the city.
Check out the track list for Democracy Forward below.
Michael Stipe – “Invocation” (new)
Sierra Ferrell –“American Dreaming”
Wilco – “Cruel Country”
Tyler Childers – “Long Violent History”
Brandi Carlile – “Speak Your Mind”
Hurray for the Riff Raff – “Colossus of Roads”
Brittany Howard – “Another Day
Tunde Abebimpe – “People”
Kevin Morby and Waxahatchee – “Farewell Transmission”
Fruit Bats – “A Lingering Love”
Jason Isbell and the 400 Unit – “Something More Than Free” (Live from the ACL Live)
She Returns From War – “Ruthless”
John Prine – “Your Flag Decal Won’t Get You Into Heaven” (Live at Fifth Peg Chicago)
S.G. Goodman – “Satellite”
Allison Russell (featuring Brandi Carlile) – “You’re Not Alone”
Langhorne Slim – “Life is Confusing”
Blue Mountain – “Jimmy Carter”
Danielle Ponder – “So Long”
Jim James – “Here in Spirit”
Michael Stipe and Big Red Machine – “No Time For Love Like Now”
Gracie Abrams just teased new music on TikTok, and one of the many fans who shared their excitement in the comments was none other than Olivia Rodrigo.
In the clip posted by the “That’s So True” singer, her face is cut off from the frame as she vibes out while listening to a demo, a friend dancing in the background. “It’s violent how I need you,” Abrams sings on the synthy track.
Explore
See latest videos, charts and news
See latest videos, charts and news
In the comments, Rodrigo simply wrote, “hell yeah.”
Trending on Billboard
Soon afterward, Abrams posted another video of herself in the car, listening to the same snippet — seemingly teasing further that she has a new project on the way. The Los Angeles native hasn’t properly dropped new music since The Secret of Us deluxe arrived last October, bringing with it Billboard Hot 100 hit “That’s So True.”
Abrams and the “Drivers License” artist have been in each other’s corners for years, with the former opening for the latter on the Sour Tour back in 2022. The “Risk” musician gushed about the opportunity in her April Billboard cover story, telling staff writer Hannah Dailey, “She gave me such a shot, opening for her … I adore her with my whole heart for forever and ever.”
Rodrigo also told Billboard at the time, “Gracie has such a singular voice when it comes to songwriting.”
“I think it’s rare to be so young and already have developed your very own lane,” she added. “You can hear a song and instantly know if it’s a Gracie Abrams song even if she wasn’t singing it. That is so special and a real testament to her talent and influence.”
It’s been even longer since Rodrigo last released music, with her Guts deluxe dropping in March 2024. The expanded project featured new songs “Obsessed,” “Girl I’ve Always Been,” “Scared of My Guitar,” “Stranger” and “So American,” some of which the High School Musical: The Musical: The Series alum performed during her headlining set at Gov Ball in New York City on Saturday (June 7).
See Abrams’ new music teaser — and look for Rodrigo’s comment — below.
With an uptick in U.S. Immigration and Customs Enforcement (ICE) raids and contentious protests against ICE taking place in Los Angeles, Cardi B explained why she didn’t speak out about the events in recent days.
The Grammy-winning rapper spoke up during an X Spaces captured by Complex early Tuesday (June 10) that she doesn’t feel her voice will be heard by the government and believes her condemning Trump could ultimately backfire and make the immigration situation worse.
“Personally, the reason why I haven’t really said anything is because I could say something every single day about it and guess what? Nothing is going to happen,” she said. “Because Trump do not give one f—k about me or what I gotta say. I personally believe that he doesn’t like me. So if somebody don’t like you, and they say something or they do something, they’ll be like, ‘Oh word? Now I’m gonna show you.’”
Trending on Billboard
“He always gives dictatorship vibe,” she continued. Cardi also said she “tried to warn people that this was going to happen” regarding the aggressive deportation policies under the Trump administration.
“I don’t know nobody anymore in the White House. I don’t know a representative. I don’t know nobody in there. And if I talk about it every single day, he is not going to care,” the Bronx native added. “Actually, I feel like if I talk about it every single day, he’s going to deport more people on purpose to show you… Like, ‘B—h, I run this country.’”
Trump deployed the National Guard in Los Angele as protestors took to the streets to speak out against the recent influx of ICE raids to the city. 42 arrests were made by the Los Angeles Police Department, California Highway Patrol and Los Angeles County Sheriff’s Department over the weekend, according to NBC.
Many artists spoke out against ICE and stood in solidarity with the protestors like Tyler, The Creator, Finneas, The Game, Green Day’s Billie Joe Armstrong, Kehlani and more.
California governor Gavin Newsom announced his plans to sue the Trump administration on Monday (June 9) for deploying the National Guard without his request or consent — the first time an American president has done so since 1965. Newsom called Trump’s actions “illegal, immoral and unconstitutional.”
Klaine forever. Following Darren Criss‘ historic Tony Award win over the weekend, Chris Colfer shared a sweet message of congratulations on Instagram Monday (June 9), writing that he’s “so proud” of his former onscreen love interest. Posting a photo of himself and his Glee costar holding up the statuette — both men smiling wide into […]
