Music News

Kendrick Lamar Hugs SZA & Thanks BET Awards for ‘Representing the Culture Right’ After Album of the Year Win

Kendrick Lamar won big at the 2025 BET Awards, taking home album of the year for his critically acclaimed 2024 LP GNX.

And while accepting the coveted prize onstage at Los Angeles’ Peacock Theater on Monday night (June 9), the rapper explained why the recognition was extra special coming from BET. After first hugging his “Luther” collaborator and tourmate SZA, who excitedly cheered him on in the audience, Lamar began by saying, “I ain’t been here in a long time, but I always kept it in my heart.”

“BET always makes sure its representing the culture right,” Dot continued. “I’ll always give my heart to BET.”

After giving shout-outs “first and foremost” to God, followed by his teammates at his company PGLang, Lamar gave the grinning “Kill Bill” singer a nod. “SZA in the crowd,” he said, gesturing to his friend. “We on tour right now, please come to the show.”

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The Compton native then made his way to exit the stage, but the night’s host, Kevin Hart, stopped him in his tracks to unceremoniously present him with several other BET trophies. Lamar — who was the show’s top nominee in 2025, earning 10 nods — could barely hold all the prizes as he walked offstage with them.

Released in November, GNX was a massive success. The LP spent three weeks at No. 1 on the Billboard 200 and produced several Billboard Hot 100 hits, including the 13-week chart-topper “Luther” with SZA.

As mentioned by Dot in his speech, he’s now supporting the album on his Grand National Tour with SZA. The joint run kicked off April 19 in Minneapolis, just a couple of months after the duet partners performed at the 2025 Super Bowl halftime show in February.

Monday night wasn’t the first time Lamar has won album of the year at the BET Awards, with the hip-hop titan last taking home the award in 2018 for his Pulitzer Prize-wining Damn.

GloRilla Suits Up for ‘Let Her Cook’ & ‘Typa’ With Keyshia Cole at 2025 BET Awards

GloRilla put on a great two-song set at the 2025 BET Awards, as she was dressed like Michael Jackson in the “Smooth Criminal” video in the front and dressed as Prince at the 1991 MTV VMAs in the back.

The first song she performed was her hit single “Let Her Cook” as a kitchen crew cheffed up behind her and she put in some choreography work. She then took a quick intermission to do a tap dance number and finished the song before putting on a white fur coat to play the piano as Keyshia Cole sat down to perform her hit “Love” as a lead-in to Glo’s latest single “Typa,” which samples the record.

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The Memphis rapper was nominated for four BET Awards going into the show, including album of the year for Glorious, which ended up going to Kendrick Lamar for GNX.

Big Glo recently performed in Philly at Roots Picnic, where she apparently willed a rainstorm into existence during her performance after reciting the line “It’s 7 p.m. Friday/ It’s 95 degrees” from her song “TGIF.”

She also recently received the Powerhouse Award at Billboard Women In Music 2025 back in March, where she shouted out all the beautiful ladies in the building in that amazing Memphis accent of hers.

You can watch the performance in part below.

Quincy Jones Remembered by Lucky Daye, Luke James & Miles Caton With Smooth 2025 BET Awards Tribute

Lucky Daye, Luke James and Miles Caton joined forces to pay homage to one of music’s late icons and sonic architects in Quincy Jones, who died at age 91 in November.

Daye, James and Caton’s performance was short yet sweet, as they delivered a soothing rendition of the sultry “The Secret Garden (Sweet Seduction Suite)” as part of the in memoriam segment at the 2025 BET Awards.

Daye showcased his vocal range and did his best Al B. Sure impersonation while covering the 1989 classic, which landed on Q’s Back on the Block album, before passing the baton to James and the Sinners actor.

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The in memoriam tribute also featured James Earl Jones, Nikki Giovanni, Wanda Smith, Tito Jackson, DJ Clark Kent, Roy Ayers and Lou Donaldson.

Fans on social media seemed to want more from the tribute to the legendary producer. “Now they know that Quincy tribute was not nearly enough,” one person wrote to X. Another added: “Wait… that was it for the Quincy Jones tribute???”

Lucky Daye, who has long been a fan of Jones’, recalled a conversation he had with the late music dignitary while paying his condolences to Q following his death. “I told Quincy that idgi be I move, sing n create w love but I’m homeless w nothin,” Daye wrote to his IG Story in November. “He said f— love, yk theory? I said yea, then my no guidance having empathetic a— needed to hear that. Forever in my heart.”

Prior to the 2025 BET Awards, the Grammy Awards and Oscars earlier this year each delivered star-studded tribute performances to Quincy Jones.

Jamie Foxx Honored by Stevie Wonder & Reflects on Health Scare at BET Awards: ‘You Can’t Go Through Something Like That & Not Testify’

Stevie Wonder surprised everyone at the 2025 BET Awards when he stepped out to honor his longtime friend Jamie Foxx.

During the 2025 BET Awards on Monday (June 9), Jamie Foxx was set to be honored with the Ultimate Icon Award. Throughout the night, it was teased that a “special guest” would appear onstage to give Foxx his award. That guest was none other than Stevie Wonder.

Babyface and Ludacris also popped out to pay tribute to the artistic titan, performing a cover of “Unpredictable” — the Billboard Hot 100 top 10 title track from Foxx’s 2005 album — while Tank tackled a cover of Ray Charles’ “Night Time is the Right Time.” Foxx famously portrayed Charles in the 2004 film Ray, for which he won the best actor Oscar. Jennifer Hudson then took the helm and bodied a soulful cover of “Gold Digger,” a 10-week Hot 100 No. 1 for Ye (formerly Kanye West) and Foxx back in 2005. T-Pain and Doug E. Fresh then popped out to close out the celebration with a rockin’ cover of the 2009 No. 2 Hot 100 hit “Blame It.” Through it all, Foxx could be seen laughing, nodding along and having a great time.

“Jamie, look at me!” Stevie joked at the end of the show before inviting Jamie to speak. “I remember seeing you the first time at a club, playing piano and singing, but I knew from the moment I heard you sing that you had so much more. I admire and celebrate your talent and your love — for blind people. I’m very happy to be here tonight to see you honored as you so very well deserve.”

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During his acceptance speech, Foxx thanked all his friends and loved ones for showing up for him while he went through life-threatening medical complications back in 2023. He added that when he saw the “In Memorium” segment, it made him reflect on his own health scare.

“You can’t go through something like that and not testify,” Foxx concluded to a roar of applause. “A career that I could only thank God for.”

Doechii Calls Out ICE Raids & President Trump at 2025 BET Awards: ‘People Are Being Swept Up & Torn From Their Families’

At the 2025 BET Awards, Doechii had something to say.

The Florida rapper continued her winning year by being named best female hip hop artist at Monday night’s (June 9) show, and instead of using her speech to talk about all she’s accomplished since dropping the critically acclaimed mixtape Alligator Bites Never Heal, she addressed the protests happening right outside the Peacock Theater in downtown L.A., criticizing President Trump‘s use of force.

“I do wanna address what’s happening right now outside of the building,” she said of the protests against ICE raids happening around the city. “There are ruthless attacks that are creating fear and chaos in our communities in the name of law and order. Trump is using military force to stop a protest. And I want y’all to consider what kind of government it appears to be when every time we exercise our democratic right to protest, the military is deployed against us. What type of government is that?”

She then added that she felt a responsibility to use her platform to speak out. “People are being swept up and torn from their families, and I feel it’s my responsibility as an artist to use this moment to speak up for all oppressed people,” she said to raucous applause. “For Black people, for Latino people, for trans people, for the people in Gaza, we all deserve to live in hope and not in fear and I hope we stand together, my brothers and my sisters, against hate and we protest against it.”

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In a move that’s been highly criticized, President Trump deployed the National Guard to Los Angeles over the weekend as an attempt to quell people protesting against ICE immigration raids that have been happening all over the city. And Doechii isn’t the only artist to speak out: Tyler, The Creator, The Game, Green Day’s Billie Joe Armstrong, Rage Against the Machines’s Tom Morello, and Kehlani have all voiced support for the protesters as well.

Watch Doechii’s speech below:

Ashanti, T.I. & Bow Wow Kick Off 2025 BET Awards With Nostalgic Ode to ‘106 & Park’

The BET Awards 2025 are packing on the nostalgia. Millennials were transported back to sitting in front of their living room televisions after school as Ashanti opened the awards show by performing “Rock Wit U” and “Foolish.”

Rocking her signature thigh-high black boots, gleaming off the Peacock Theater stage, she passed the diamond-encrusted mic to Jim Jones, who stepped out in a Celine football jersey to rock the venue with his Billboard Hot 100 top 40 hit “We Fly High (Ballin’),” which had Nick Cannon and the rest of the crowd hitting their jump shot routine.

Amerie popped out next, and she hasn’t aged a day since ’05, as she performed her “1 Thing” hit. The singer kicked off a ladies’ takeover with Mya (“Case of the Ex” ) and Keyshia Cole (“I Should Have Cheated”), belting their toxic love anthems.

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T.I. may have retired his mic from performing, but he made a special exception on Culture’s Biggest Night, celebrating 25 years of the BET Awards. The Atlanta-bred pioneer rumbled through trap hits like “Bring Em Out” and “What You Know.”

It was then B2K’s turn, as the boy band reunited to infiltrate the BET Awards in all-white attire, performing their “Bump, Bump, Bump” smash.

There wouldn’t be a proper 106 reunion without Bow Wow, and the multi-hyphenate entertainer brought the energy for “Like You.” So So Def boss Jermaine Dupri also made a surprise appearance, performing “Fresh Az I’m Iz” with Bow Weezy.

106 & Park co-hosts Terrence J, Free and Julissa Bermudez also reunited onstage to pay tribute to the platform that helped springboard their entertainment careers.

Questlove, Chuck D & More React to Sly Stone Death: ‘Sly’s Music Will Likely Speak to Us Even More Now Than It Did Then’

Sly Stone of Sly and the Family Stone died Monday (June 9) at age 82, and the music community is grieving the groundbreaking funk pioneer.

Questlove, who directed the new documentary Sly Lives (aka The Burden of Black Genius), shared a touching tribute on Instagram.

“Sly Stone, born Sylvester Stewart, left this earth today, but the changes he sparked while here will echo forever. From the moment his music reached me in the early 1970s, it became a part of my soul. Sly was a giant — not just for his groundbreaking work with the Family Stone, but for the radical inclusivity and deep human truths he poured into every note,” he wrote. “His songs weren’t just about fighting injustice; they were about transforming the self to transform the world. He dared to be simple in the most complex ways — using childlike joy, wordless cries, and nursery rhyme cadences to express adult truths. His work looked straight at the brightest and darkest parts of life and demanded we do the same.”

The Roots drummer also highlighted two lines that “haunt me” as he reflected on his legacy: “We deserve everything we get in this life” from Sly Lives! and “We got to live together” from the group’s 1968 Billboard Hot 100 No. 1 hit “Everyday People.” “Once idealistic, now I hear it as a command. Sly’s music will likely speak to us even more now than it did then. Thank you, Sly. You will forever live,” Questlove continued.

Public Enemy‘s Chuck D thanked Questlove “for keeping his FIRE blazing in this Century” on X while sharing an illustration of Stone and Questlove. He posted more artwork of the psychedelic soul group while writing, “………and The Family Stone Rest In Beats SLY.”

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Legendary record executive Clive Davis, who worked with the group when it signed to CBS Records in 1967, wrote in a statement to Billboard, “Sly was truly one of a kind. I had the very special experience of knowing him when he was at his most creative, his hardest working and his genius flourishing vibrantly. Sly’s artistry influenced so many of our important creative talents. He will be forever missed.”

KISS frontman Paul Stanley remembered seeing Sly and the Family Stone “debut at the Fillmore East in New York City opening for Jimi Hendrix. They were a freight train of bombastic, joyous SouI that would soon climb the charts and change the sound of R&B for so many other artists. Rest In Soul!” he wrote on X.

Holly Robinson Pete also celebrated Stone’s pioneering efforts. “You didn’t just make music—you shifted the culture. As kids in Philly, my brother played Sly, I was Cynthia on my imaginary horn. We lived your music. You gave us the groove & the message. Thank you, genius,” she wrote on X.

The Rock & Roll Hall of Fame posted an in memoriam tribute thread on X, including a clip of Stone’s acceptance speech during a very rare public appearance when he and the group were induced in 1993. The Rock Hall praised Sly and the Family Stone for making “it possible for Black popular music to burst free on its own terms” and “extending the boundaries of pop and R&B with each new song,” while hailing its 1969 Hot 100 No. 1 hit “Thank You (Falettinme Be Mice Elf Agin),” the double A-side single with “Everybody Is a Star,” for helping “create the sonic blueprint for the funk and disco genres that followed.”

Country Singer Conner Smith Was the Driver in Fatal Nashville Crosswalk Car Accident

Country singer Conner Smith was driving the truck that struck and killed a 77-year-old pedestrian in Nashville on Sunday (June 8), Billboard has confirmed.

A release from the Metro Nashville Police Department on Monday (June 9) stated that a 24-year-old man named Conner Smith was behind the wheel during Sunday’s accident. The pedestrian was identified as 77-year-old Dorothy Dobbins.

According to the release, a preliminary investigation showed that a Chevrolet Silverado truck driven by Smith was traveling north on 3rd Ave. N. while Dobbins was crossing the road. The release indicated that Dobbins was inside a marked crosswalk when she was struck around 7:30 p.m. that evening. Dobbins was transported to Vanderbilt University Medical Center, where she died due to injuries sustained in the accident.

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According to the police department’s release, the primary factor in the crash seemed to be Smith failing to yield the right of way to the pedestrian. The release noted that Smith showed no signs of impairment and that there are currently no charges, though the investigation is ongoing.

Smith’s attorney Worrick G. Robinson told Billboard in a statement: “On June 8th, Mr. Smith was involved in a car accident that tragically claimed a life. His heart goes out to Ms. Dobbins’ family during this incredibly difficult time. Mr. Smith continues to cooperate fully with the ongoing investigation.” 

Sources close to Smith tell Billboard that the incident was a tragic accident and that Smith was not under the influence, nor distracted by his phone at the time of the incident.

Sources at the scene note that Smith was released quickly, as there was no sign of impairment.

Nashville native Smith first broke through in 2021, when his song “I Hate Alabama” went viral. He issued the EP Didn’t Go Too Far in 2022 and followed with the singles “Learn From It” and “Take It Slow.” He earned his all-genre Billboard Hot 100 chart debut last year with “Creek Will Rise,” which entered the chart at No. 89 and rose to No. 12 on the Country Airplay chart. This year, he teamed with Dylan Marlowe to release the collaboration “Country In the Clouds.”

Jonathan Mayers, Bonnaroo Co-Founder, Dies

Jonathan Mayers, co-founder of Superfly Entertainment and the co-creator of iconic festivals including Bonnaroo and Outside Lands, has died. His age and cause of death are unknown at this time.

Mayers grew up an hour outside New York City and attended Tulane University in New Orleans, graduating in 1995. He was first introduced to the music business through his work with famed New Orleans venue Tipitina’s and the long-running Jazz Fest celebration. He co-founded promotion company Superfly in 1996 with Rick FarmanRichard Goodstone and Kerry Black and staged its first concert during Mardi Gras with the Meters, Maceo Parker and Rebirth Brass Band. In 2002, the four men launched and sold out the first Bonnaroo after discovering the perfect festival site an hour outside of Nashville in Manchester, Tenn. Partnering with promoter Ashley Capps of AC Entertainment, agent Chip Hooper of Paradigm and manager Coran Capshaw of Red Light — and securing headliners like Trey Anastasio from Phish and Grateful Dead’s Phil Lesh and Bob Weir — the men created a 70,000-person festival that would become the blueprint for hundreds of other music festivals across the country.

In 2005, Mayers’ Superfly launched Vegoose in Las Vegas with programming at multiple
venues throughout the city. The first festival brought in approximately 37,000 visitors, and Mayers and his team ran the festival for three seasons before opting to shut it down. Mayers would also partner with Another Planet Entertainment in the San Francisco Bay Area in 2008 to launch Outside Lands in San Francisco’s Golden Gate Park. In 2017, Mayers led efforts to partner with Viacom and Comedy Central to produce a large-scale indoor/outdoor comedy festival in San Francisco called Clusterfest that included performances by Kevin Hart, Amy Schumer, Jon Stewart and Trevor Noah.

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While working on Clusterfest, Mayers began interfacing with major film and TV rights holders and created a new experience concept allowing fans to “step inside” some of their favorite TV shows on recreated TV sets. Mayers and team licensed rights from shows like Seinfeld, The Office, South Park, Arrested Development, It’s Always Sunny in Philadelphia and The Daily Show to create immersive fan experiences visited by hundreds of thousands of fans. For the show Friends, Mayers led efforts to create pop-up experiences in multiple cities, including New York, Boston and Atlanta.

Despite his success, Mayers’ relationships with his co-founders at Superfly began deteriorating during the COVID-19 pandemic, and in August 2021, he was terminated from his position at the company. In early 2022, Mayers sued Farman, Goodstone and Black and accused them of civil misrepresentation, breach of contract and fraud for allegedly lowballing him for the value of his shares in Superfly. Also named in the complaint was Virgo Investment Group, a California private equity fund; Mayers alleged that its top executive, Jesse Watson, strung him along for months, promising $5 million in financing before firing him last summer. On Jan. 20, 2023, a New York judge dismissed the lawsuit.

After leaving Superfly, Mayers began work on a new project called Core City Detroit which sought to raise money to invest in a “culturally rich neighborhood anchored by a music campus providing world- class services, infrastructure, and housing for local/national artists & industry along with entertainment experiences for the public,” according to an investment deck on the project. Phase 1 of the Core City Detroit project included a drive-in diner by celebrity chef Kiki Louya and the renovation of an old pickle factory into a music production complex.

Mayers’ longtime friend Peter Shapiro, founder of Dayglo Presents and the Brooklyn Bowl, described him as a creative mastermind who had a deep love for live music and a vision for how it would evolve over the next two decades.

“Jonathan was one of the true real visionaries of the modern concert world and one of the core minds behind Bonnaroo,” Shapiro tells Billboard. “Modern-day festivals are all in some way built off of his vision.”

Company officials at Another Planet Entertainment issued a statement to Billboard following Mayers’ passing. “Jonathan was a bright light, always pushing new and creative ideas in the entertainment space,” they said. “He was a visionary who was integral in the founding and the spirit of Outside Lands. Everyone in the Another Planet family will miss him dearly.”

HarbourView Equity Partners Raises $500 Million Through Second ABS Led by KKR

Music rights and media investment company HarbourView Equity Partners raised $500 million through the sale of a private asset-backed securitization (ABS), backed by royalties generated from its music catalog, to insurance vehicles managed by global investment firm KKR, HarbourView announced on Monday (June 9).

The news comes a little more than a year after HarbourView last raised $500 million through an ABS led by KKR in March 2024.

Best known for owning rights to music by artists like Wiz Khalifa and Fleetwood Mac’s Christine McVie, HarbourView also owns stakes in the production companies MACRO and Mucho Mas Media and is financing a slate of hip-hop biopics — including one about Queen Latifah — for Will Smith’s Westbrook Studios, Flavor Unit and Jesse Collins Entertainment.

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“This additional capital will help us accelerate our strategy to align with where the media, sports and entertainment markets are headed,” HarbourView founder/CEO Sherrese Clarke Soares said in a statement. “We see a tremendous opportunity to continue investing in evergreen intellectual property, which we believe is historically uncorrelated to broader market volatility and forms a powerful diversification tool.”

In a statement, Avi Korn and Chris Mellia, KKR’s global co-heads of asset-backed finance, described HarbourView as a “well-diversified, scaled and high-quality portfolio,” adding that music rights are “one of many areas of opportunity” for the investment giant’s high-grade asset-based finance strategy.

Founded by Clarke Soares in 2021, HarbourView says it has acquired more than 70 music catalogs comprising some 35,000 songs and has approximately $2.67 billion in regulatory assets under management.

Barclays structured the transaction and, along with KKR Capital Markets, acted as the placement agent. Fifth Third Bank and National Association served as passive placement agents.