Music News

Taylor Swift Tallies Record-Extending 95th Week at No. 1 on Artist 100 Chart

Taylor Swift spends a record-extending 95th week at No. 1 on the Billboard Artist 100 chart (dated Jan. 27), continuing her reign as the top musical act in the U.S. thanks to 10 charting albums on the Billboard 200 and two songs on the Billboard Hot 100.

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1989 (Taylor’s Version) leads Swift’s titles on the Billboard 200, at No. 5 with 50,000 equivalent album units earned Jan. 12-18, according to Luminate. It spent six weeks at No. 1 beginning in November.

Here’s a recap of Swift’s current Billboard 200-charting albums:

No. 5, 1989 (Taylor’s Version)
No. 8, Folklore
No. 10, Lover
No. 11, Midnights
No. 22, reputation
No. 25, Speak Now (Taylor’s Version)
No. 26, Evermore
No. 28, Red (Taylor’s Version)
No. 57, Fearless (Taylor’s Version)
No. 63, 1989

This is the first week that Midnights has not ranked in the Billboard 200’s top 10 since it debuted on the chart dated Nov. 5, 2022. It logged 64 consecutive weeks in the region, making it the third-longest-running top 10 album this century, after Morgan Wallen’s Dangerous: The Double Album (137 total weeks in the top 10) and Adele’s 21 (84).

On the Hot 100, Swift charts her former four-week No. 1 “Cruel Summer” at No. 3 and former one-week leader “Is It Over Now (Taylor’s Version) (From the Vault)” at No. 17.

Kali Uchis re-enters the Artist 100 at No. 2, a new high, thanks to her new album Orquídeas. The set debuts at No. 2 on the Billboard 200 with 69,000 units, becoming her highest-charting album, and second top 10.

Ariana Grande returns to the Artist 100 at No. 5, as her new single “Yes, And?” debuts at No. 1 on the Hot 100, becoming her eighth leader.

Elsewhere in the Artist 100’s top five, 21 Savage vaults 35-3, as his new album American Dream launches at No. 1 on the Billboard 200, and Morgan Wallen falls 2-4.

The Artist 100 measures artist activity across key metrics of music consumption, blending album and track sales, radio airplay and streaming to provide a weekly multi-dimensional ranking of artist popularity.

Michael Marcagi, Disturbed Lead on Rock Digital Song Sales Charts

Two acts earn new No. 1s on Billboard’s rock-, alternative- and hard rock-based digital song sales charts dated Jan. 27, one for the first time and the other for a seventh.

Michael Marcagi’s “Scared To Start” tops the Alternative Digital Song Sales ranking, while Disturbed’s “Don’t Tell Me,” featuring Ann Wilson, rules Hard Rock Digital Song Sales.

“Scared To Start” bows with 3,000 downloads sold in the U.S. in the Jan. 12-18 tracking week, according to Luminate. It’s Marcagi’s first No. 1 on a Billboard chart, with his first song to appear as a solo artist.

Concurrently, the Warner Records-signed Marcagi opens at No. 2 on Rock Digital Song Sales. On the multi-metric Hot Rock & Alternative Songs list, the track debuts at No. 21; in addition to its download count, it earned 2.6 million official U.S. streams.

“Scared To Start” isn’t Marcagi’s first brush with Billboard charts. He previously fronted the band The Heavy Hours, which nabbed a pair of Adult Alternative Airplay entries with “Don’t Walk Away” (No. 21 peak, November 2020) and “Wildfire” (No. 33, September 2021).

His burgeoning solo career has been spurred by success on TikTok, with “Scared To Start” and additional song “The Other Side” (released in December 2023) racking up impressive metrics on the user-generated content platform.

Meanwhile, Disturbed’s “Don’t Tell Me” re-enters Hard Rock Digital Song Sales at No. 1, a new peak, thanks to 1,000 downloads, up 937%. The song debuted at No. 2 on the Dec. 3, 2022, survey; it returns thanks to the release of its official video Jan. 12.

Disturbed now boasts seven Hard Rock Digital Song Sales No. 1s, dating to the chart’s 2011 inception. The David Draiman-led rockers first reigned with “Hell” in October 2011, and prior to “Don’t Tell Me,” most recently ruled with “Unstoppable” in October 2022.

Seven No. 1s gives the band sole possession of the fourth-most in the tally’s history; Five Finger Death Punch leads all acts with 16.

Most No. 1s, Hard Rock Digital Song Sales:
16, Five Finger Death Punch
9, Linkin Park
8, Bring Me the Horizon
7, Disturbed
6, Breaking Benjamin
6, Falling in Reverse
6, Foo Fighters

Concurrently, “Don’t Tell Me” breaks into the top 10 of the Mainstream Rock Airplay chart, jumping 13-10. It’s Disturbed’s 27th top 10, tying the band with Metallica for the sixth-most top 10s in the history of the 33-year-old ranking. Foo Fighters and Shinedown lead with 31 top 10s apiece.

Most Top 10s, Mainstream Rock Airplay:
31, Foo Fighters
31, Shinedown
29, Five Finger Death Punch
28, Godsmack
28, Tom Petty (solo and with the Heartbreakers)
27, Disturbed
27, Metallica
26, Papa Roach
26, Van Halen

The new ranking marks featured act Ann Wilson’s first on the chart as a soloist since “The Best Man in the World” peaked at No. 5 in January 1987. Heart, with Wilson as lead singer, boasts 10 top 10s, through “Black on Black II,” which peaked at No. 4 in November 1993.

“Don’t Tell Me” is the fourth single from Divisive, Disturbed’s eighth studio album, following “Hey You,” “Bad Man” and “Unstoppable.” The set debuted at No. 1 on the Hard Rock Albums chart in December 2022 and has earned 138,000 equivalent album units to date.

Dua Lipa Wants Someone to Show Her the Ropes With Upcoming New Single ‘Training Season’

Dua Lipa may have pulled off a vanishing act with “Houdini,” but now she’s reappearing for yet another pop banger.

On Thursday (Jan. 25), the pop singer announced the release of her new single, “Training Season.” In a clip posted to her TikTok, Lipa lip syncs along with a short clip of the new track, declaring that she’s very tired of mediocre men. “I need someone to hold me close, deeper than I’ve ever known/ Whose love feels like a rodeo, knows just how to take control,” she sings over a pounding beat.

The singer also shared a statement, revealing that the song was inspired by a series of less-than-stellar dates. “The last one was the final straw,” she wrote. “The next morning I arrived to the studio to Caroline [Ailin] and Tobias [Jesso Jr.] asking me how it all went and I immediately declared ‘TRAINING SEASON IS OVER,’ and like the best ‘day after’ debriefs with your mates, we had a lot of laughs and it all quickly came together from there.” 

Lipa continued, adding that the song doesn’t only apply to her love life. “While it is obviously about that feeling when you are just absolutely done telling people … men specifically in this case, how to date you right; it is also about my training season being over and me growing with every experience,” she wrote. “I have never felt more confident, clear or empowered. And while it may be that training season is never over for any of us, you start to see the beauty in finding that person to experience it with.”

The announcement comes on the heels of a big week for the British pop star — on Wednesday (Jan. 24), Lipa earned three nominations for the 2024 Brit Awards, including artist of the year, pop act and song of the year.

“Training Season” is due out Thursday, Feb. 15. Pre-save the song here, and check out Dua Lipa’s TikTok below.

Coi Leray Teases ‘Grown & Sexy Era’ With Mike Will Made-It-Produced ‘Wanna Come Thru’: Listen

Coi Leray is entering a new phase of her career, as the 26-year-old has welcomed her “grown and sexy” era into the fold for 2024.

The “Players” rapper unleashed her first single of the new year on Thursday (Jan. 25), as she tapped Ear Drummers veteran Mike Will Made-It on the production side for the seductive “Wanna Come Thru.”

“This song is about me on my grown and sexy. Grown and sexy means being so in love with yourself — that it is one of the most sexiest, maturest, grownest things that a woman can [be]. As you get older and you tap into your womanhood and your femininity and I feel like you should embrace that,” she said in a statement.

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“It’s feeling good for yourself; looking in the mirror and just loving yourself. 2024 is going to be my grown and sexy era. I’m taking over this year. I’ve got so much new music and a whole new side of me to get to know.”

Mike Will Made-It championed Coi’s latest offering as a “culture-shifting record.”

“The song is just fresh and forward-pushing,” the Atlanta-bred producer added. “What I love about it is it sounds simple and easy to digest and instantly puts you in a mood. It’s the best feeling ever to be able to create a song that makes the listener feel good. This is hit No. 1 fasho, we have plenty more on the way. The Ear Drummer/Trendsetter Way.”

Coi Leray is also making a transition on the business side, as she’s departed from Republic Records, where she’s been signed since 2019, in favor of joining Island Records. “Wanna Come Thru” serves as her first release on Island and there’s plenty more in store for the rest of this year.

The New Jersey-bred rapper parlayed her 2023 success into a pair of Grammy nominations, where she’ll compete next month in the best rap song (“Players”) and best pop/dance recording (“Baby Don’t Hurt Me”) categories.

Listen to “Wanna Come Thru” below.



Common Recalls Kanye West & J Dilla Mother’s Day Meetup: ‘Dilla Had a Lot of Love for Ye’

Kanye West has shown the late J Dilla a ton of love throughout his career, but it isn’t widely known that the hip-hop production icons had the chance to actually meet in person before Dilla’s death.

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Common pulled up to Hot 97 on Wednesday (Jan. 24) and recalled a time in the early 2000s when he and Dilla lived together, and Kanye came through to their crib one Mother’s Day, and the Detroit native gave West some of his signature drums.

“Kanye would sample some of Dilla’s drums off his beat tapes,” Common began. “Anyway, Ye came over and it was Mother’s Day. We were going to Mother’s Day brunch with his mother and my mother. Dilla was at the crib and Ye came in and Dilla was talking to him and they was just bonding.”

“Then Dilla gave Ye these drums on a record. He’s like, ‘Take these drums.’ I promise you Ye was like, it was like the golden chalice. We went to the studio later that day and Ye was telling G and all them, ‘Yo, Dilla gave me these drums.’ I forgot what song it ended up being, but as soon as we got there, he was working on those drums.”

Hot 97 co-host Peter Rosenberg briefly interjected to make sure he heard the “Faithful” rapper right when it came to Kanye and the Slum Village member hanging out together in Los Angeles.

“It was in our front room,” Common confirmed. “It was love. Dilla had a lot of love for Ye, and Ye had love for Dilla. It was great to see somebody who is great as Ye just be like, ‘D–n, Dilla gave me these drums.’ The reference and love.”

J Dilla — born James Yancey — passed away in February 2006 due to a combination of TTP and lupus.

Kanye has previously reflected on meeting J Dilla in an unearthed 2013 interview from part of the Stones Throw documentary Our Vinyl Weighs a Ton and compared him to Quincy Jones.

“I met J Dilla at Common’s crib just down the street here in L.A.,” West said. “They were staying together, and I just remember looking at that MPC. And those drums came out of that MPC, arguably the best drums in hip-hop history. I just remember vibing with him and having so much respect, and just wanting to work with him more.”

“He had the organic feel, but still, the sonics were breakthrough, and he could give you a warm sound that still cut through speakers. It’s like he was making Quincy Jones production sessions inside his MPC.”

Watch Common recall the Ye-Dilla meetup at the 19:30 mark below:



Drake Slams Leak of Young Thug & Mariah the Scientist’s Jail Call: ‘This Gotta Be Some Form of … Misconduct’

A phone call from jail between Young Thug and his girlfriend, Mariah the Scientist, leaked on social media earlier this week, and Drake wants to hold whoever is responsible for the footage emerging accountable.

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The OVO boss reposted his comment on the “disgraceful” matter to his Instagram Story on Wednesday (Jan. 24) and called for Thugger’s freedom, with the YSL RICO trial getting messy.

“This gotta be some form of jail misconduct,” Drake began. “You gonna drag this talented man then not be able to control your employees using his personal business for their own gain? Somebody benefitted from this video even existing and that’s shameful whole case is a wash just 3 the guy and let him come home and continue bringing light to Atlanta!”

The 6 God continued by putting Fulton County Judge Ural Glanville, who is running point on the YSL RICO case, on blast.

“S–t is disgraceful … Is this a criminal case or Atlanta social media promo Ural Glanville?” he wrote.

Despite the call making it to the public, a spokesperson for the Fulton County Sheriff’s Office told Billboard the recording of the conversation between Young Thug and Mariah “was not leaked,” and pointed out that Young Thug is “being housed at the Cobb County Jail, where the call took place.”

Billboard has reached out to the Fulton County DA’s Office and Cobb County Jail for comment.

The leaked phone call appears to have taken place shortly after Christmas or earlier in January, as Mariah thanked her boo for the icy chains and bracelets he gifted her from behind bars.

“Merry Christmas, baby. I love you,” she said in the clip. “Thanks for my gifts … I miss you, baby. I like it a lot, I’m very appreciative … I wish you could be at home with me and you could put it on me.”

Young Thug replied: “I miss you too. You look beautiful. You look like a rapper now.”

Drake wasn’t the only artist to respond to the leaked call. Meek Mill chimed in essentially saying this is a lawsuit waiting to happen.

“This a top tier lawsuit your personal call not suppose to be on the street,” he tweeted.

This is far from the first time Drake has shown his “Ice Melts” collaborator love. He previously called for Thugger to be released from jail on Honestly, Nevermind‘s “Sticky” in 2022, and included a “Free YSL” message in the music video for “Falling Back.”

Young Thug has been locked up in Atlanta since being arrested in the sweeping YSL indictment in May 2022. The highly publicized trial finally began in November, with Thug’s fate yet to be decided.

See Drake’s reaction to the leaked call below.

Billboard Explains: Alicia Keys’ Fire on the Charts

She may have a hit song titled “Like You’ll Never See Me Again,” but the Billboard charts have been enjoying visits from Alicia Keys for 23 years and counting.

The 15-time Grammy-winner made her Billboard chart debut in 2001 with “Fallin’,” a jazz-inflected R&B classic that reached No. 1 on the Billboard Hot 100. “Fallin’” would soon give way to three more Hot 100 chart-toppers for Keys, including 2004’s “My Boo” (with Usher), 2007’s “No One” and 2009’s “Empire State of Mind” (with Jay-Z). In addition to those No. 1 hits, Keys has earned five other top 10 hits, including 2004’s “If I Ain’t Got You” (No. 4) and 2002’s “Gangsta Lovin’” (with Eve).

On the Billboard 200, Keys has racked up five No. 1 titles: 2001’s Songs in A Minor (three weeks), 2003’s The Diary of Alicia Keys (two weeks), 2005’s Unplugged (one week), 2007’s As I Am (four weeks) and 2012’s Girl on Fire (one week). She also reached the chart’s top 10 with 2010’s The Element of Freedom (No. 2), 2016’s HERE (No. 2) and 2020’s Alicia (No. 4).

Named Billboard‘s No. 1 R&B/Hip-Hop Artist of the 2000s, Keys has also scored a slew of records on those genre charts. On Hot R&B/Hip-Hop Songs, she boasts 15 top 10 hits, eight of which have reached the chart’s summit. Those eight chart-toppers have spent 54 cumulative weeks atop the ranking, placing Keys as the woman with the third-most time spent atop the chart behind Aretha Franklin (65 weeks) and Rihanna (56 weeks). The “Un-Thinkable” singer also has the most No. 1 hits in Adult R&B Airplay history, with 14 chart-toppers, including 12-week No. 1 hit “Diary” (with Tony! Toni! Tone!).

Check out the full Billboard Explains video on Alicia Keys’ Billboard chart success.

After that video, catch up on more Billboard Explains videos and learn about Peso Pluma and the Mexican music boomthe role record labels playorigins of hip-hop, how Beyoncé arrived at Renaissance, the evolution of girl groupsBBMAsNFTsSXSW, the magic of boy bandsAmerican Music Awards, the Billboard Latin Music Awards, the Hot 100 charthow R&B/hip-hop became the biggest genre in the U.S.how festivals book their lineupsBillie Eilish’s formula for success, the history of rap battlesnonbinary awareness in musicthe Billboard Music Awardsthe Free Britney movementrise of K-pop in the U.S.why Taylor Swift is re-recording her first six albumsthe boom of hit all-female collaborationshow Grammy nominees and winners are chosenwhy songwriters are selling their publishing catalogshow the Super Bowl halftime show is booked and more.

The Elovaters Are Quickly Selling Out Clubs & Building a New Name for Its Reggae-Influenced Sound

The Elovaters are one of those bands who don’t neatly fit into any one genre of music, but instantly invoke comparisons to some of the most popular bands in touring right now. What genre exactly is Sublime, or Slightly Stoopid or Pepper or Stick Figure?

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For most music fans, the simple answer would be that the Elovaters are a reggae music act, and that answer would not draw any protest from Jackson Wetherbee, frontman for the six-person group that is selling out clubs across North America. The West Coast leg of the band’s Endless Summer club tour has already sold more than 34,000 tickets with 13 dates on the West Coast run already sold out, including the 1,000-cap Neptune Theater in Seattle, 1,000-cap Cervantes Masterpiece Ballroom in Berkeley and two sold-out nights at the 500-cap Cornerstone in Berkeley. Their success is due in part to the huge positive reception for their 2023 breakout album “Endless Summer” which ended the year at No. 14 on the Billboard Reggae albums chart and was the second highest rated album on the chart to be released in 2023.

Technically, Elovaters are not actually a reggae band, Wetherbee tells Billboard, although like Sublime and its more modern contemporaries, much of the band’s music does feature dancehall reggae-inspired propulsive drumming and rock steady, up-stroke guitar work that fans of the genre have used in music such as ska and ska-punk. Honoring reggae’s own distinctive roots in Jamaica as a potent political and religious movement, a number of bands have adopted the genre name Cali Roots or Cali Riddims. While the Elovaters have a large West Coast fan base, they hail from a small town near Cape Cod, Mass., less than an hour drive from Boston, and have adopted the larger genre title American Progressive Roots.

“There’s a lot of bands out there that have their root in reggae music and everyone in the Elovaters grew up listening to more traditional reggae along with rock and hip-hop,” Wetherbee tells Billboard. “Those influences are what makes it progressive. We’re not following the traditional Jamaican style of reggae, but we are influenced by reggae. Instead of focusing on trying to fit into any one subcategory, we find our best music comes when we focus on a certain vibe or mood.”

The fact that he is even leading a rootsy beach band is a bit of a fluke, he tells Billboard. As a child, music was a means of overcoming a difficult speech impediment that came with a difficult stutter, Wetherbee’s mom Liz Elliott told Billboard in an email, noting, “I recall vividly one day asking him to sing a song about his day. He never stuttered when he sang. He started talking in a singsongy voice to get his verbal needs out,” after months of working together, the stutter was gone.

Wetherbee said years of singing in front of an audience, sometimes seven nights a week, helped solidify his confidence and ability to perform as a carefree frontman who exudes confidence and embraces the beach-side lifestyle.

“I’m always trying to piece together songs that just hit me in a certain way,” Wetherbee says. “My songs don’t always end up being the song that I first heard in my head, but as a band, we’ve found a way to hone in on who we are musically and create a sound and style that brings joy to our fans.

On Thursday (Jan. 25), the Elovaters released the video for their latest single, “M.I.A.,” from Endless Summer. Check out the video below and look for tickets to their Endless Summer West Coast tour at theelovaters.com.



Red Hot Chili Peppers, Jelly Roll & Hardy to Headline 2024 Harley-Davidson Homecoming Festival

The Red Hot Chili Peppers, Jelly Roll and Hardy are cruising through Wisconsin this summer. The Harley-Davidson Homecoming Festival confirmed that all three will serve as headliners at the 2024 lakeside event slated for July 25-28 at Veterans Park in Milwaukee.

Also on this year’s lineup are The Offspring, Warren Zeiders and Cypress Hill. Priscilla Block, Destroy Boys, OtoBoke Beaver, Hueston, Shaylen and IronTom will fill out the billing.

“We can’t keep this a secret any longer,” reads an announcement on Homecoming’s Instagram. “Come party with the @ChiliPeppers@JellyRoll615, and @Hardy along with other musical acts and entertainment as we take over Milwaukee July 25-28 with another H-D Homecoming Festival ?​”

Described as a “celebration of music, moto-culture, and the H-D hometown of Milwaukee,” the festival will also offer food and beverages from local vendors, chances to ride Harley-Davidson vehicles and opportunities to take tours of the company’s museum and factory. Sales for both two-day and one-day passes, as well as General Admission, GA+ and VIP packages, opened Jan. 18 on the Homecoming website.

The 2024 showcase follows last year’s 120th anniversary celebrations, which featured Green Day and the Foo Fighters. Cody Jinks, Social Distortion, Joan Jett & the Blackhearts, Phantogram, White Reaper and KennyHoopla were also all included on the 2023 billing.

And, as signified by the Harley-Davidson news, festival season is nearly upon us. This month has also already seen lineup announcements for Coachella, Governors Ball, BeachLife, Tomorrowland, Lovers & Friends, Bonnaroo and more.

See the 2024 Harley-Davidson Homecoming lineup announcement below:

Ariana Grande Tops Streaming Songs Chart With ‘Yes, And?’

Ariana Grande earns her fifth No. 1 on Billboard’s Streaming Songs chart with “Yes, And?,” which starts atop the Jan. 27-dated tally.

In the Jan. 12-18 tracking week, “Yes, And?” earned 27.2 million official U.S. streams, according to Luminate.

It’s Grande’s first ruler since “Die for You,” her collaboration with The Weeknd, led for a week in March 2023. Her other Streaming Songs leaders include “Thank U, Next” (seven weeks, beginning in November 2018), “7 Rings” (eight weeks, beginning in February 2019) and “Positions” (two weeks in November 2020). All but “Die for You” debuted at No. 1.

With five No. 1s, Grande moves into a tie for the fourth-most rulers in the 11-year history of Streaming Songs, alongside Travis Scott. Drake leads all acts with 20 toppers.

Most No. 1s, Streaming Songs:

  • 20, Drake
  • 8, Taylor Swift
  • 6, Justin Bieber
  • 5, Ariana Grande
  • 5, Travis Scott
  • 4, Cardi B
  • 4, Lil Baby
  • 4, Miley Cyrus

Concurrently, as previously reported, “Yes, And?” debuts at No. 1 on the multimetric Billboard Hot 100, Grande’s seventh leader and sixth No. 1 debut. In addition to its streams, the song earned 24.8 million radio audience impressions and 41,000 digital downloads toward its Hot 100 premiere.

“Yes, And?” is the lead single from Eternal Sunshine, Grande’s seventh studio album. It’s expected March 8 via Republic Records, and will be her first full-length since 2020’s Positions. Positions led the Billboard 200 for two weeks and has earned 2.5 million equivalent album units to date.