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Kanye West & Ty Dolla $ign’s ‘Carnival’ Rules TikTok Billboard Top 50

A week after debuting at No. 5 on the TikTok Billboard Top 50 chart, “Carnival,” from Ye (formerly Kanye West) and Ty Dolla $ign’s collaborative album Vultures 1, jumps to No. 1 on the tally dated March 9.

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The TikTok Billboard Top 50 is a weekly ranking of the most popular songs on TikTok in the United States based on creations, video views and user engagement. The latest chart reflects activity Feb. 26-March 3. Activity on TikTok is not included in Billboard charts except for the TikTok Billboard Top 50. As previously noted, titles that are part of Universal Music Group’s catalog are currently unavailable on TikTok.

“Carnival,” which also features Rich the Kid and Playboi Carti, becomes the first No. 1 on the TikTok Billboard Top 50 for Ye, Ty Dolla $ign and Rich the Kid since the list’s September 2023 inception. Playboi Carti, meanwhile, has ruled twice before with “Sky,” which reigned on the Oct. 7, 2023, ranking and again Dec. 9, 2023.

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The main trend for “Carnival” on TikTok involves lip-synching to the song’s opening refrain and chorus, usually done in front of a mirror.

Concurrently, “Carnival” rises back to No. 1 on Billboard’s Streaming Songs chart for a second week, via 32.2 million official U.S. streams Feb. 23-29, up 31%, according to Luminate. The track also jumps 4-2 on the multi-metric Billboard Hot 100.

The success of “Carnival” comes despite Ye’s various controversies, including recent and continued hate speech and antisemitic remarks that have caused some listeners to shy away from his material past and present.

“Carnival” reigns over Bobby Caldwell’s “What You Won’t Do for Love,” which holds at No. 2 for a second week, and Djo’s “End of Beginning,” which ranks at No. 3 after spending its first week at No. 1 on the March 2 tally.

“Back It Up and Dump It (Dump Truck),” from Kinfolk Thugs, GC Eternal and Tyme Bomb, breaks into the top five for the first time, lifting 7-4. Originally released in 2013, the song benefits from a choreographed dance trend, as well as other general, often jokey posts including its lyrics. Another more recent trend shows creators using an app showing celebrities with whom they share a birthday.

Cat Janice’s “Dance You Outta My Head,” a former No. 1 on the chart, rounds out the top five with a one-position lift to No. 5. The rise follows Janice’s death on Feb. 28 at age 31 after a bout with cancer; she released “Dance You Outta My Head” as her final song while in hospice care.

One song reaches the chart’s top 10 for the first time: 21 Savage’s “Redrum,” which jumps 19-8. The tune initially premiered at No. 39 on the Feb. 10 survey but has found new life on TikTok in recent weeks, with sizable gains coming after the song’s Feb. 24 performance on Saturday Night Live. “Redrum” concurrently appears at No. 8 on Streaming Songs via 18 million listens, up 11%. It also rises 16-13 on the Hot 100.

The week’s top debut belongs to Xakei, whose “Merry Go Round of Life (Old Piano)” bows at No. 13. The rendition is a version of an instrumental track from the Studio Ghibli film Howl’s Moving Castle, and a viral usage of the song in the latest tracking week soundtracks an Austin City Council meeting in which workers learn they were relieved of duties in real time by Google.

DeJ Loaf’s “No Fear” also sports a strong debut, starting at No. 16. The song was released in 2017 and sports a trend of people showing off relationship texts while the song’s chorus plays.

See the full TikTok Billboard Top 50 here. You can also tune in each Friday to SiriusXM’s TikTok Radio (channel 4) to hear the premiere of the chart’s top 10 countdown at 3 p.m. ET, with reruns heard throughout the week.

Alex Rodriguez Documents ‘Life as a Teenager’s Dad’ Taking His Daughter to Olivia Rodrigo’s Concert

Alex Rodriguez was in total dad mode at Olivia Rodrigo’s concert Wednesday night (March 6). After working all day, the 48-year-old sports broadcaster rallied his energy to make one of his teenage daughter’s dreams come true by taking her to the Guts World Tour stop in Miami, which he documented in a relatable Instagram video. 

“All right I’ve been filming all day, I’ve never been more tired,” he says in the clip as he and 15-year-old Ella, whom Rodriguez shares with Cynthia Scurtis, walk to their seats in Kaseya Center. “Now I’m at a Rodrigo …”  

After Ella reminds him of the “Drivers License” singer’s first name, the former Yankees star continues, “… [an] Olivia Rodrigo concert surrounded by 22,000 teenage girls, and all I wanna do is go to sleep.” 

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“Oh man, here we go, here goes nothing,” he adds. “Wish me luck — Rodrigo here we go!” 

The video then cuts to Rodriguez and his daughter enjoying the High School Musical: The Musical: The Series alum’s performance of her Guts lead single “Vampire,” which topped the Billboard Hot 100 for two weeks last summer. “POV: Life as a Teenager’s Dad,” the retired athlete wrote in text over the clip. “Rodrigo is pretty good TBH.” 

On Instagram, Rodriguez – who also shares 19-year-old daughter Natasha with Scurtis — added in his caption, “Props @oliviarodrigo… I won’t mess up your name next time ?.” 

Rodrigo’s first-ever arena tour kicked off Feb. 23, and has so far seen the Grammy winner play shows in Phoenix, three cities in Texas, New Orleans and Orlando in addition to Miami. Next, she’ll take the trek to Spectrum Center in Charlotte Friday (March 8) before setting up shop at Bridgestone Arena in Nashville the day after. 

Rodriguez’s clip was posted the same day Rodrigo poked fun at a viral TikTok in which the creator mistakenly called her by the former shortstop’s last name. “Olivia Rodriguez, the li’l Mexican girl that be crying,” the apparently confused user said in their video, which the singer, who is of Filippino descent, then recreated while biting into a Guts-themed Crumbl cookie. 

Watch Rodriguez take his daughter to the Guts World Tour below. 

Dinah Jane & Ally Brooke Are Loving Fifth Harmony Renaissance, Say ‘We’ll See’ About Reunion at Billboard Women in Music 2024

Former Fifth Harmony members Dinah Jane and Ally Brooke were on the carpet and ready to talk at Wednesday night’s (March 6) Billboard Women in Music 2024 event, with both women offering a tantalizing tease about a potential return by the “Worth It” group. Asked if the X Factor-created quintet — which also featured Lauren Jauregui, Normani and Camila Cabello — might be poised for a reunion after their 2018 split, Brooke was cagey, saying “we’ll see… we’re not sure.”

Meanwhile, Jane said, “I love that our fans can reminisce on such good times and I love that we’re getting the credit again. Our music was very impactful at the time and I feel like it was kind of overlooked, to be honest. So now that it’s reviving again on its own it just shows our music speaks for itself.” She also shouted out TikToker Noah Miller, who has been credit with kicking off the Harmonisance and helping their 2016 single “All In My Head (Flex)” debut at No. 45 on this week’s TikTok Billboard Top 50.

Jane also gave herself props for getting up the courage to “stand up and do it again” with her reggae-tinged 2023 single “Ya Ya.” The singer said she was happy to be part of the celebration of women at Wednesday’s event, while giving her fans a shout-out too for sticking with her as they patiently await the follow-up to her 2019 debut solo EP Dinah Jane 1. “The craft is being perfected,” said the singer who released a duet on “Have Yourself a Merry Little Christmas” with Brooke last holiday season.

Jane also talked about her focus on highlighting her Polynesian roots, explaining that “coming from a small island I’ve always wanted to represent to my best ability… just thinking of my own people and being able to represent them on a platform such as this,” she said, getting emotional. “I hope that every Polynesian girl can also dream big and want to make it to events such as this and create, create, create!”

Watch the women talk a possible 5H reunion above. Fans can stream the Billboard Women in Music 2024 at 8 p.m. here tonight (March 7).

J. Cole, SZA, Nicki Minaj & Chris Brown to Headline Dreamville Festival 2024

J. Cole’s Dreamville Festival is returning to North Carolina in April, and he’s put together an all-star team to hit the stage alongside him this year.

Dreamville Fest 2024 announced its lineup of heavy hitters on Thursday (March 7), with SZA, Nicki Minaj and Chris Brown set to serve as headliners with J. Cole.

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The anticipated fourth edition of the annual festival — which launched in 2018 — is set to take over Dorothea Dix Park in Raleigh, N.C., on Saturday, April 6, and Sunday, April 7. Tickets are already on sale with a limited number of general admission passes still available for the two-day event.

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“Some of the biggest names in music will travel to Raleigh in only a few short weeks, bringing about one of the most highly anticipated festivals of the year. Our team looks forward to welcoming all of our Day One fans from around the world back to Dreamville Festival,” said Dreamville Cofounder and Festival President Adam Roy in a statement.

The rest of this year’s stacked lineup will feature sets from Lil Yachty, JID, Sexyy Red, ScHoolboy Q, Teezo Touchdown, Jeezy, Monica, Rae Sremmurd, Key Glock, Jeremih, Lul Tyler, Muni Long and more.

From the Dreamville hometeam, fans can expect EARTHGANG, Bas, Cozz, Lute, and Omen to hit the stage as well.

In addition to the musical acts, there will be plenty of other attractions for festivalgoers throughout the weekend including carnival rides, immersive art installations and a variety of food options.

Find the full Dreamville Festival 2024 lineup broken down below.

Saturday, April 6:

  • SZA
  • Chris Brown
  • J.I.D.
  • Lil Yachty
  • ScHoolboyQ
  • Sexyy Red
  • Jeremih
  • EARTHGANG
  • Teezo Touchdown
  • Amaarae
  • Lute
  • Luh Tyler
  • Domani

Saturday, April 7:

  • J. Cole
  • Nicki Minaj
  • Rema
  • Jeezy
  • Monica
  • Rae Sremmurd
  • Key Glock
  • Bas
  • Muni Long
  • Cozz
  • Omen
  • TiaCorine
  • Chase Shakur

See the announcement below:

Watch a Joyous Jimmy Buffett Dance Through ‘The University of Bourbon Street’: Video Premiere

The late Jimmy Buffett deeply loved New Orleans. After graduating from the University of Southern Mississippi, he moved to the Crescent City for a year and his time there informed the rest of his musical life. 

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He played New Orleans Jazz & Heritage Festival at least a dozen times, adored New Orleans legendary composer/artist Allen Toussaint (who wrote a song called “I’m Gonna Hang with Jimmy Buffett”), recorded and toured with local icons The Neville Brothers, and when asked by a journalist if he thought “there would be a Jimmy Buffett if there wasn’t a New Orleans,” Buffett replied, “I don’t think there ever would have been.” 

On his final album, Equal Strain on All Parts, which was released Nov. 3 via Mailboat/Sun, two months after his Sept. 1 death, Buffett again professed his love for New Orleans and what the city meant to him on the rollicking  “The College of Bourbon Street.” 

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In the video for the autobiographical anthem, which premieres above, Buffett, with a little help from  the renowned Preservation Jazz Hall Band, chronicles his history with the city. Anchored by footage of a grinning Buffett recording the song in the studio last year, the video also includes decades of photographs and clips of Buffett performing in New Orleans and just enjoying the multitudes of delights the city has to offer.

He’s shown leading a second line, busking in the French Quarter with a sign in his guitar case that reads “will play for gumbo,” hanging out with fans at Margaritaville, playing at Jazz Fest and excitedly getting ready to sample some gumbo. The video does everything to reinforce the notion that Buffett lived and loved every moment to the fullest in his 76 years on earth. 

Buffett wrote the song with Will Kimbrough, who told Buffettnews.com that he “started writing ‘The University of Bourbon Street’ on my couch Dec 19, 2022, after Jimmy Buffett and the Coral Reefers sent me one of his ‘are you ready for some homework? messages.” He then joined Buffett in the studio last January to record the song. “One of the most profound experiences of this time period was rewriting the lyrics from beginning to end right there in the studio with Jimmy” he told the website. “No pressure! But we did it. Despite his illness, he was 100% on and energetics, lighting up the room with that smile. Making everyone feel comfortable and laugh.”

Kesha Bares All in First Tease of Post-Dr. Luke Era Music: ‘First Day I’ve Owned My Voice in 19 Years’

Kesha is ready to begin again. The singer who was locked in a battle with former producer/label boss Dr. Luke for nearly a decade over her claims that he raped and emotionally abused her posted a snippet of new music and hinted an her new era in a post on Wednesday (March 6); Luke (born Lukasz Gottwald) has denied the allegations.

“First day I’ve owned my own voice in 19 years. Welcome,” Kesha tweeted, later sharing a 42-second snippet of an emotional, ethereal new song in which she sings, “I’ve been waiting for you/ Everything’s changed now/ We haven’t talked for a while,” accompanied by a video in which the singer strips off her white slip and wades naked into a stream. She also posted what appeared to be an album cover shot and launched a new website, keshaiswaitingforyou.com, which at press time only featured a link to her social media accounts and a nude image of the singer’s back in a nighttime desert landscape.

In an Instagram live, Kesha, 42, smiled, cried and danced along to an upbeat new song that featured her signature confessional lyrics.

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The new music would be the follow-up to last year’s Gag Order album, which was her final under contract to Luke’s Kemosabe label. Kesha sued Luke in 2014 over allegations that he’d sexually and emotionally abused her — including a claim that he allegedly drugged and raped her at a 2005 party — which he denied; that action led to a countersuit from Luke claiming breach of contract and defamation, with the latter action settled before a planned June 2023 trial.

In a December TikTok, Kesha shared a video of her running into the ocean with the caption, “I haven’t felt this free since I was 18,” followed by a post in January, in which she promised fans “new music coming soon!” The message was written on a cardboard box she was seen holding in a 7-Eleven parking lot in Los Angeles. At press time no additional information was available on the name or release date of the singer’s sixth album.

Check out Kesha’s new era announcements below.

Taylor Swift’s ‘Look What You Made Me Do’ Rerecording Featured in New Episode of Apple TV+ Patriots Series

The new Reputation era begins now. A preview of Taylor Swift‘s rerecording of her 2017 Billboard Hot 100 chart-topper “Look What You Made Me Do” from her upcoming Reputation (Taylor’s Version) album is featured in the new episode of the Apple TV+ 10-part sports docuseries The Dynasty: New England Patriots.

According to People magazine, the “Taylor’s Version” of “Look” is featured in a clip in which former Patriots wide receiver Danny Amendola talks about legendary QB Tom Brady’s comeback after the “Deflategate” cheating controversy of 2015; the Indianapolis Colts accused the Patriots of using underinflated balls during that year’s AFC championship game.

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“The king is back. Here he goes. Watch him get pissed off and go,” Amendola says in the “Under Pressure” episode that debuts on Friday (March 8) as the reboot version of “Look What You Made Me Do” plays in the background. It’s not the first time Swift has given a sneak peek at the lead single from the 2017 album that is next in line in her series of “Version” re-recordings of her back catalog.

Last summer, the teaser for the Amazon Original psychological thriller Wilderness featured the “Look What You Made Me Do” refresh throughout its trailer; the release date for the Reputation re-record has not yet been announced. Swift also previewed the re-recording of “Delicate (Taylor’s Version)” in an episode of the second season of the Prime Video series The Summer I Turned Pretty last year.

Swift is preparing to release her 11th studio album, The Tortured Poets Department, on April 19. The singer is in the midst of releasing Taylor’s Version versions of her albums on former label Big Machine, which so far include re-dos of Fearless (2021), Red (2021), Speak Now (2023) and 1989 (2023).

‘Masked Singer’ Host Nick Cannon Gets Hilariously Pranked By Kevin Hart in Surprise Reveal

This is what (comedy) friends are for. On Wednesday night’s (March 6) season 11 premier of The Masked Singer, host Nick Cannon got totally got by his comedy pal Kevin Hart, who made a surprise guest appearance in the clunky Book costume.

While actual cloaked performers Ugly Sweater, Starfish, Goldfish and Lovebird sang for a spot on the show, Hart stumbled his way through Ne-Yo’s “So Sick,” drawing smiles and laughs from judges Robin Thicke, Jenny McCarthy-Wahlberg, Ken Jeong and newbie Rita Ora. The panel could not contain themselves as Hart — whose voice was unmistakable underneath the boxy costume — bumbled his way through the song by last season’s winner.

“They love the book because that was so amazing,” Cannon said after the performance, which Thicke also called “amazing.” “Like, I’ve done a lot, but what I’m doing right now? This might be my most novel experience yet,” Hart said through a voice changer afterwards as Thicke said his face hurt from smiling.

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When the big reveal came later in the show, Thicke, who had guessed Hart, took a victory lap and hugged the funnyman while Cannon complained that the comedian was breaking the rules. “I got you! Oh, I got you Nick! This was a prank, you had no idea!… And guess what Nick? There’s nothing you can do about it!,” Hart shouted as the host lamented that his friend was out of order by bringing their longtime prank war to his stage.

“This is stupid,” Cannon complained. “That was the worst performance ever in the history of this show, how about that!”

“On purpose, Nick!” the stand-up shouted. “I performed bad on purpose!”

“You embarrassed yourself, that was stupid!” Cannon shot back.

“No, I don’t look stupid. I look put together Nick,” Hart said while wearing a flesh-colored sock on his head to go with a black long sleeved shirt, white pants and book-shaped shoes. “There’s nothing stupid about me. You know who looks stupid? You, in that stupid jacket!”

Cannon — wearing a sparkly dinner jacket — disagreed, saying, “you ruined the freakin’ show! We was gonna bring everybody out, vote, deliberate…” Hart checked his pockets and snapped, “I’m trying to see if I have a little bit of care, cuz I don’t care. That’s not my problem, that’s your problem. This is me, up on you now, Kevin Hart 1, you nothing!”

The two old friends co-hosted the 2023 E! series Celebrity Prank Wars and have played tricks on each other before, including Cannon getting Hart a llama for his 42nd birthday in 2021 and Kevin posting Nick’s personal phone number on a billboard in 2021.

Elsewhere, Lovebird sang Phillip Phillips’ “Home,” Ugly Sweater did Tina Turner’s “The Best,” Starfish took on Madonna’s “Material Girl” and Goldfish ran through Olivia Rodrigo’s “Vampire.” Next week’s show will feature a Wizard of Oz theme, with former competitor LeAnn Rimes (aka Sun) returning to perform “Somewhere Over the Rainbow,” and the introduction of new singers Gumball, Afghan Hound, The Beets and Miss Cleocatra.

Watch Hart’s performance and unmasking below.


https://youtube.com/watch?v=O5id7_NBbiI&version=3&rel=1&showsearch=0&showinfo=1&iv_load_policy=1&fs=1&hl=en-US&autohide=2&wmode=transparent



Billboard Women in Music 2024: Photos From the Red Carpet

The 2024 Billboard Women in Music Awards took over YouTube Theater in Los Angeles, Calif., Wednesday (March 6), with some of today’s biggest female superstars bringing the girl power to the red carpet, from Katy Perry to Ice Spice, Victoria Monét, Kylie Minogue and many others.

Hosted by Tracee Ellis Ross, this year’s event featured performances from honorees Karol G (Woman of the Year), Charli XCX (Powerhouse), Maren Morris (Visionary), NewJeans (Group of the Year, presented by Coke Studio), Tems (Breakthrough), Victoria Monét (Rising Star, presented by Honda), Young Miko (Impact, presented by American Express) and Luísa Sonza (Global Force).

Non-performing honorees include Ice Spice (Hitmaker), Kylie Minogue (Icon), Michelle Jubelirer (Executive of the Year), PinkPantheress (Producer of the Year, presented by Bose), Sarah Geronimo (Global Force) and Annalisa (Global Force).

Andra Day, Sky Ferreira, Nelly Furtado, GloRilla, Ellie Goulding, JoJo, Coco Jones, Bebe Rexha, Saweetie and Lainey Wilson were also among this year’s star-studded attendees, taking the stage as this year’s presenters after hitting the red carpet.

“We could not be more excited to celebrate these inspiring and dynamic artists from around the world, as they move our culture forward and inspire women everywhere to push boundaries and pursue their own dreams,” Billboard’s editorial director, Hannah Karp, previously said in a press statement. “With the talented Tracee Ellis Ross as our host, this year’s Billboard Women in Music Awards will be an unforgettable evening.”

For fans who weren’t at the show in person, you can watch a full stream of the 2024 Billboard Women in Music Awards on Thursday, March 7, at 8 p.m. ET/5 p.m. PT on billboardwomeninmusic.com. In the meantime, check out our full gallery of photos from the red carpet below.

Nelly’s Right: The Rap Game Was Harder 20 Years Ago

Nelly, the St. Louis rap vet, raised a few eyebrows when a clip with him from SpringHill’s The Shop circulated on social media yesterday. In the clip, the diamond-selling superstar claimed that it was much harder to sell records as a rapper back when he was first coming out than at any other time in the genre’s history.

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“My era of music was the toughest era of hip-hop, ever. Ever,” he says on the episode that drops March 7. “When I put out songs, I had to go against DMX, JAY-Z, Eminem, Lil Wayne, 50 Cent, Luda. All of us are fighting for one spot!”

Every artist believes their generation has it the toughest. Drake, for example, on his first Rock Ross collab “Lord Knows,” laments having to deal with a climate in which a celebrity’s private life is incessantly mined for content by publications and people on social media, alike. Going as far as to wonder if the greats he’s compared to would “ever survive in this era. In a time where it’s recreation to pull all your skeletons out the closet like Halloween decorations.” Who knows how rappers from the 90s would fare if they had to contend with X, Instagram, and TikTok.

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But Nelly’s mostly right. It’s tough to believe that it was harder to be a top-selling rapper in the early 2000s than it was in the, say, late 80s, but it’s not hard to believe that it’s a bit easier today.

Real quick, some numbers to consider.

When Nelly dropped his debut album, Country Grammar, in June of 2000, he managed to sell 235,000 copies the first week. Not bad for a kid most people had not heard of who was riding the success of a single everyone found super catchy if a bit puerile. The album debuted at number three on the Billboard 200. The top spot was taken by Eminem who, a month earlier released his highly anticipated sophomore effort, The Marshall Mathers LP. Yes, you read that right.



TMMLP sold 1.78 million copies its first week. The second week it sold 800,000. Third week? Another 600,000. And then the fourth week it sold a comical 520,000 copies. That’s more than double Nelly’s first week. And, for those keeping a running tally, that’s 3.7 million copies in one month. Nelly would eventually claim the top spot and he and Em would duke it out for the rest of the summer before both albums would go diamond.

So far in 2024, no rap album has even gone gold in its first week. And, sure, numbers aren’t everything. These days there are more rappers than ever who are making a great living. Depending on their deal a rapper doesn’t have to sell a million records or have a top 10 album in order to live well. Artists today have found new and novel monetization methods that just weren’t available when Nelly was first coming out. That’s all fine and well. However, it’s undebatable that we have less rap stars than before.

The era Nelly is referring to is one in which DMX dropped two multiplatinum albums in one year, both of which went number one on the Billboard 200. It’s the era when Outkast capped off an incredible five-album run by going diamond. It’s the era when Ludacris was still a rapper. It’s when JAY-Z dropped an album every fourth quarter that topped the charts and went multiplatinum. If you wanted to be a rap star, you had to do battle with all of them and more.



Ask a rap fan why no albums have managed to sell crazy so far this year and they’ll likely point out the fact that Drake, Kendrick Lamar, and J. Cole—the venerable “Big 3”—haven’t dropped anything. Even if you add Future, Nicki Minaj and Ye, to that group, it still wouldn’t match up to the sheer number of heavy hitters who were moving units back then.

It was, as the saying goes, just different.