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Taylor Swift Wins Artist of the Year at 2024 iHeartRadio Music Awards

Taylor Swift took home the artist of the year, pop artist of the year and favorite tour style at the 2024 iHeartRadio Music Awards on Monday night (April 1), and while the 34-year-old superstar was not at Los Angeles’ Dolby Theatre in person, she gave a heartfelt virtual acceptance speech.

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“It’s completely up to you to choose how you spend your time, what concerts you want to go to, what music you want to make the soundtrack to your life,” Swift said in a video played during the ceremony. “To anyone who has included me in those choices, I’m so, so, so thankful for that. We have so many exciting things ahead of us. I’m continuing on with the tour and most importantly I have a brand new album called The Tortured Poets Department, which comes out on April 19.”

She concluded, “Thank you for voting for me for this incredible honor, artist of the year. I’m so blown away, I’m so thankful and I just can’t wait to keep having fun with you guys because we have a lot of exciting things coming up.”

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The Tortured Poets Department will be Swift’s first album of new material since October 2022’s Midnights, which won album of the year and best pop vocal album at the 2024 Grammys. She also put out (Taylor’s Version) re-recordings of Speak Now and 1989 in 2023, as she embarked on her career-spanning Eras Tour.

The singer has already announced the track list, as well as three variants of the 16-track album, each featuring a different bonus track: “The Manuscript,” “The Bolter” and “The Albatross.” The Tortured Poets Department tracklist features two major collaborations: Post Malone, whose name is billed on track one, “Fortnight,” as well as Florence + The Machine on track eight, “Florida!!!”

JoJo Siwa Brings Serves Rock & Roll at 2024 iHeartRadio Music Awards With Kiss-Inspired Outfit

JoJo Siwa turned heads on the iHeartRadio Music Awards red carpet on Monday night (April 1), pulling up to Los Angeles’ Dolby Theatre in a sparkling glam rock outfit seemingly inspired by Kiss.

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The 20-year-old rocked a sparkling mesh and bedazzled unitard, complete with a braided mohawk hairstyle and star-shaped paint around her eyes in the style of the legendary “Rock And Roll All Nite” band. See her look here.

Siwa is gearing up to release a sassy single titled “Karma” on April 5. Karma’s a b—-, I should’ve known better/ If I had a wish I would’ve never F’d around/ When I saw the pics of you and her I felt thе knife twist/ Karma’s a b—- / And she’s with you right now,” she declares in the chorus, which she’s been teasing on TikTok over the past several weeks. “I think people forget that my whole life has been criticized and judged and watched. It’s not easy. It’s very tough. I’ve had a lot of people say really cruel things to me, but I have a really good bubble of people,” she told Extra on the red carpet of the criticism surrounding the song.

The dancer and online star has also returned to the judging panel of So You Think You Can Dance, joining previously announced judges Allison Holker and Maksim Chmerkovskiy on the 18th season. Siwa replaced Nigel Lythroe, who stepped away from the show earlier this month amid a lawsuit by Paula Abdul accusing him of sexual assault. 

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JoJo Siwa

JoJo Siwa at the 2024 iHeartRadio Music Awards held at the Dolby Theatre on April 1, 2024 in Los Angeles.

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Justin Timberlake Kicks Off 2024 iHeartRadio Music Awards With ‘Selfish’ & ‘No Angels’ Performance

Justin Timberlake’s Everything I Thought It Was era is fully upon us, and the superstar celebrated his freshly released sixth studio album by opening the 2024 iHeartRadio Music Awards at Los Angeles’ Dolby Theatre on Monday night (April 1).

Starting off sitting on a metal barrel alongside one of his band members, JT delivered a heartwarming performance of his EITIW lead single, “Selfish,” playing the acoustic guitar as he sang the romantic lyrics in a stripped-back rendition of the track.

It was then time to kick it up a notch, with the full band stepping into full gear and Timberlake taking center stage to perform the sultry “No Angels” against a wild, wild west background full of cacti, a sunset and saloon props.

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Timberlake’s “Selfish” debuted at No. 19 on the Billboard Hot 100, earning Timberlake his highest debut in six years on the tally. EITIW also includes a long-awaited reunion from *NSYNC, called “Paradise,” and the full band performed the track onstage at Timberlake’s one-night-only concert at The Wiltern in Los Angeles last month.

Green Day, TLC, Jelly Roll, Lainey Wilson, Tate McRae and the evening’s host Ludacris are all also set to perform at the 2024 iHeartRadio Music Awards, which celebrates the most-played artists and songs on iHeartRadio stations and the iHeartRadio app throughout the year. Beyoncé will be honored with the Innovator Award at the ceremony, while Cher will receive the Icon Award. Green Day and TLC will also receive the iHeartRadio Landmark Awards.

Check back to Billboard.com throughout the night for our ongoing iHeartRadio Music Awards coverage.

Lawyer for Lizzo’s Dancers Calls Out Singer Following ‘I Quit’ Post, Says It’s an ‘Outburst Seeking Attention’

Just days after Lizzo shared an emotional “I quit” statement to Instagram, Los Angeles-based attorney Ron Zambrano, who is representing the dancers that are suing the “About Damn Time” singer for harassment, has shared a scolding statement in response.

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“It’s a joke that Lizzo would say she is being bullied by the internet when she should instead be taking an honest look at herself,” he wrote in the statement obtained by Billboard. “Her latest post is just another outburst seeking attention and trying to deflect from her own failings as she continues to blame everyone else for the predicament she is in. Lizzo’s legal and public relations strategy is a failure, so she is desperately trying to play the victim. She has thrown these childish tantrums before. No one actually believes she is quitting music. But she should quit sexually harassing, shaming and bullying her employees and finally accept responsibility for her actions.”

Zambrano’s statement continued, “She can make all of this go away simply by seizing the opportunity here to set an example, own up to her mistakes, pay what’s due to those she’s wronged and work on becoming a better person. Celebrity toxicity is poisoning the entertainment industry with Diddy and Dan Schneider being the latest examples, and Lizzo’s conduct will not be tolerated, either. There is no more safe place in society for this sort of behavior as the entire industry is in for a reckoning for permitting such vile treatment of employees in the workplace.”

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Billboard has reached out for Lizzo’s team for a response to Zambrano’s statement.

On Friday afternoon (March 29), Lizzo took to Instagram to express frustration over public criticism toward her. “I’m getting tired of putting up with being dragged by everyone in my life and on the Internet,” she wrote against an orange and yellow background. “All I want is to make music and make people happy and help the world be a little better than how I found it. But I’m starting to feel like the world doesn’t want me in it.”

The singer continued, She continued, “I’m constantly up against lies being told about me for clout & views… being the butt of the joke every single time because of how I look… my character being picked apart by people who don’t know me and disrespecting my name. I didn’t sign up for this s— — I QUIT [peace out emoji].”

Lizzo has been under scrutiny over the past year, as she’s been involved in a harassment lawsuit brought by three of the “Special” singer’s former dancers in August 2023. The lawsuit, filed in Los Angeles by dancers Arianna Davis, Crystal Williams and Noelle Rodriguez, accuses Lizzo (real name Melissa Jefferson) and her Big Grrrl Big Touring Inc. of a wide range of legal wrongdoing and included dozens of pages of detailed allegations. Lizzo denied the claims in a response shared to Twitter, calling them “false allegations” and “sensationalized stories.”

Herbie Hancock, Dee Dee Bridgewater, Kurt Elling & More to Celebrate 2024 International Jazz Day

Legendary jazz pianist Herbie Hancock will lead a U.S. contingent of fellow jazz stars — including Dee Dee Bridgewater, Kurt Elling, Marcus Miller and Shemekia Copeland — heading to Tangier, Morocco, to celebrate International Jazz Day 2024 (April 30). This marks the first time the event will take place on the African continent.

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In a release announcing the annual celebration’s programming and performer lineup, UNESCO Director-General Audrey Azoulay stated, “The designation of Tangier marks the first time a city on the African continent will host International Jazz Day, the world’s largest and most significant celebration of jazz.”

Presented in partnership with the Ministry of Culture of Morocco and the city of Tangier, the four-day celebration (April 27-30) will follow tradition and culminate with the All-Star Global Concert. The concert will be led by Hancock, who’s also UNESCO’s goodwill ambassador, and music director John Beasley. 

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Taking place at the new Palace of Arts and Culture, the All-Star Global Concert will feature the aforementioned U.S. artists joining a lineup that includes Claudia Acuña (Chile), Ambrose Akinmusire (USA), Richard Bona (Cameroon), Moreira Chonguiça (Mozambique), Antonio Faraò (Italy), Melody Gardot and Jazzmeia Horn (both USA), JK Kim (Republic of Korea), Magnus Lindgren (Sweden), Romero Lubambo (Brazil), Yasushi Nakamura (Japan) and Tarek Yamani (Lebanon), among others. The concert will be broadcast via YouTube, Facebook, the United Nations and UNESCO to viewers in more than 190 countries.

A series of educational programs, highlighted by a presentation spotlighting the significance of Morocco’s Gnawa music and its connection with jazz, will round out the earlier portion of the four-day event preceding the global concert. Tangier’s rich jazz legacy includes such notables as jazz master Randy Weston, who lived in Tangier for many years and collaborated with Gnawa master Abdellah El Gourd to explore the roots of jazz and African music. Weston also subsequently founded the African Jazz Festival in the ‘70s. Josephine Baker, Ornette Coleman, Herbie Mann and Archie Shepp are also among the renowned jazz artists who performed and also spent time in Tangier.

International Jazz Day was established by the general conference of UNESCO in 2011. The Herbie Hancock Institute of Jazz is the lead nonprofit organization that plans, promotes and produces the annual observance each year. To learn more about International Jazz Day and register for events, visit the official website.

Barry Keoghan Is Loving Sabrina Carpenter’s Steamy SKIMS Campaign Photos

Sabrina Carpenter’s stunning campaign photos for SKIMS have gotten the stamp of approval from her rumored boyfriend, Barry Keoghan.

On Monday (April 1), the “Nonsense” singer took to Instagram to share the sultry snaps, in which she’s seen rocking various lingerie and loungewear pieces from Kim Kardashian’s popular company. “hellooo it’s sabrina your spring @skims girl,” she captioned the photos, which were taken around a girly, vintage-looking bedroom.

“?? barbie emoji,” the Saltburn actor wrote in the comments, leading to hundreds of replies from excited fans, dubbing him the “luckiest guy ever.” The new spring collection will officially launch on Wednesday (April 3) on SKIMS.com.

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In March, Carpenter and Keoghan made their public debut at the Vanity Fair Oscars afterparty. While the duo didn’t pose side-by-side on the red carpet, they did walk it at the same time, occasionally sneaking looks at each other. At one point during the party, the pair snapped a photo together off the carpet, covering the bottoms of their faces with their hands

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Keoghan and the Girl Meets World alum first sparked dating rumors at the beginning of this year. At a recent Taylor Swift concert in Singapore, fans spotted Carpenter running into the actor’s arms after finishing her opening set, wrapping him in a tight hug.

June Carter Cash’s Daughter Defends Beyoncé’s Country Claim: ‘She’s One of Us Carter Women’

Beyoncé‘s new album Cowboy Carter has stirred up some discourse over whether she should be considered “country.” But as far as Carlene Carter is concerned, there’s no question that Bey is in league with her mom: late country icon June Carter Cash.

In a recent statement, Carlene condemned the “negativity” she’s seen in the days since Cowboy Carter arrived on Friday, bringing with it 27 new experimental, country-inspired tracks. “As a Carter Girl myself and coming from a long line of Carter Girls, I’m moved to ask why anyone would treat a Carter this way?” she questioned.

“She is an incredibly talented and creative woman who obviously wanted to do this because she likes country music,” continued the 68-year-old singer-songwriter. “In my book, she’s one of us Carter women and we have always pushed the boundaries by trying whatever music we felt in our hearts and taking spirit-driven risks.”

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Carlene is the daughter of June and Carl Smith, who divorced in 1956. The “Jackson” singer went on to marry Edwin “Rip” Nix in 1957 before splitting in 1966, after which she famously wed Johnny Cash in 1968.

Throughout her career as a country musician, June notched nine hits on the Hot Country Songs chart — a ranking Bey would become the first Black female soloist to top decades later with “Texas Hold ‘Em.” The single, along with “16 Carriages,” preceded Cowboy Carter, which features guest appearances from Dolly Parton and Willie Nelson.

“I admire and love her and all she does,” added Carlene, directly addressing the “naysayers.” “I am delighted to know that Carter spunk is in her just like it’s been through nearly 100 years of us Carters choosing to follow ours hearts, hearts that are filled with love not just for country music but for all kinds of music. Here’s a warm welcome to the Carter Girl Club!”

Carlene isn’t the first country star to defend Bey’s right to explore country music. Linda Martell, who is featured on Cowboy Carter, wrote on Instagram that she’s “proud” of the 32-time Grammy winner for “exploring her country music roots,” while Rihannon Giddens said in a recent interview: “People can do what they wanna do. They wanna make a country record? Make a country record. Nobody’s askin’ Lana Del Rey, ‘What right do you have to make a country record?’”

Plus, Queen Bey’s mom, Tina Knowles, reminded critics prior to the album’s release that her daughter grew up in the heart of “cowboy culture” in Houston. “There is a huge Black cowboy culture,” she said at the time. “Why do you think that my kids have integrated it into their fashion and art since the beginning? … We went to rodeos every year and my whole family dressed in western fashion… It definitely was a part of our culture growing up.”

Shure CEO Christine Schyvinck on the Next Generation of Female Leaders in Audio Technology: Billboard Japan Women in Music

President and CEO of Shure, Christine Schyvinck spoke with Billboard Japan for its Women in Music interview series featuring female players in the entertainment industry. The WIM initiative in Japan began in 2022 in the same spirit as Billboard’s Women in Music that launched in 2007, honoring artists, producers and executives who have made significant contributions to the music industry and empowered women through their work.

Beginning her career as a quality control engineer in 1989 at Shure, a leading global audio technology company with nearly 100 years of history, Schyvinck gained diverse experience and insight within the company which helps her move the organization forward to this day. In an email interview with Billboard Japan, Schyvinck shared her mission of getting more women involved in STEM to help them become the next generation of leaders and the importance of having a shared mindset within the industry when tackling gender inequality.

Growing up, were there any women you looked up to? How have those ideals changed over the course of your career and life?

In my much younger years, I paid attention to women in leadership roles and was quite curious about them. Female athletes, astronauts, and political leaders proved to me that women can go places and they inspired me. It was fortunate that I started my career at Shure, which had a supportive system and did not discriminate between men and women. This is a company that was led by Mrs. Shure herself from 1995 to 2016 – I got to work along-side her and understand her values and beliefs. That experience shaped how I work today, and now it’s my job to make sure women can find paths to success.

We can’t leave everything to luck – help is needed along the way. Women play an important role in the future of technology and one of my missions is working with organizations to try to get more women involved in STEM so they can understand that this is a viable career path for them that could result in the next generation of leaders.

You joined SHURE as an engineer and have had a successful tenure at the company for over 30 years. How has your experience in different departments and business units affected your career and life?

This is now my 34th year with Shure. You will not find many global CEOs who have been with their companies that long. I firmly believe it is important to experience new things in an organization. I started at Shure as a quality control engineer and was quickly exposed to learning about the types of issues sound professionals encounter daily. My job was to help ensure that our equipment was reliable and always ready for the show. Shure’s brand reputation was built on quality products and this company remains committed to delivering the best performing products.

I eventually moved from Vice President of Quality to Vice President of Operations, where I managed procurement, supply chain, and manufacturing, as well as quality. This was another essential experience because I was able to work with passionate people all around the world, dedicated to making great products that solved problems for our customers. In 2006, I moved into a role leading global marketing and sales, where I managed three business units in the Americas, Europe/Middle East/Africa, and the Asia/Pacific regions. All this experience has helped me learn more about overall company operations, the global business structure, and what we need to do to meet the evolving needs of customers.

Having diverse experience within different parts of our company has given me an appreciation that not all CEOs are fortunate enough to have: I thoroughly understand the type of work that happens at various levels of the organization, and I know what our customers expect from us.

You earned a master’s degree in management engineering while balancing work with your career. Are there things you are working on or mindful of in order to achieve your current goals?

For me, being a strong business leader means listening. I work with so many talented people that help keep me informed of current business conditions and upcoming trends. I’ve found that having trust in your leadership and listening to customers is the best way forward. We are a customer-focused company and we’re not afraid to work shoulder to shoulder with people as they are working through problems. We like being out in the field and solving issues with certain venues or with certain performances. We’re problem-solvers and we share the end goal of having people in an audience be wowed during a performance. The only way this happens is attention to detail, attention to quality products, and attention in listening to what our customers need.
It’s also been helpful for me to have been where many of our Associates have been as I’ve worked my way through this organization. There’s no one blueprint for success, but for me, the combination of listening and hands-on experience has really helped me move the organization forward.

On the other hand, when faced with difficulties at work, how have you resolved them?

The key to overcoming difficulties in business is to surround yourself with smart, capable people who can collaborate to find the right solutions. Many minds can come at a problem from different angles and help find solutions that perhaps weren’t obvious in the way you were thinking.

Christine, you have been the CEO of SHURE since 2016, which is a rare feat in the audio and technology industry. Why do you think there are so few women executives in these fields?

Shure has been very involved with our trade group AVIXA and others in promoting women in the industry, but there is more work to do too. Women play an important role in the future of technology and it’s really never too early to start thinking about that career path. In fact, I think you have to reach girls when they are in junior high or middle school. They need to start thinking about classes in high school and organizations to join.
 
There are now so many schools and community organizations providing opportunities for all young kids to get involved with STEM (Science, Technology, Engineering, Math), but if that awareness doesn’t hit them early, they won’t sign up or they might be intimidated. As an industry, we should always be looking at ways we can be more involved in getting kids interested in our fields. Then, once they are in the industry, they need to have equal opportunities to progress in their careers and elevate into leadership roles.

In terms of gender equality, what is Shure’s current stance, as well as the approaches it has taken in order to achieve it?

When Mr. Shure founded the company in 1925, even in those different times, he was very attuned to diversity, equity and inclusion. This has been part of Shure’s DNA from the beginning. McKinsey did a study a few years back called “Diversity Matters.” The facts are there – companies that have more diversity on their teams perform better financially.

We have been more aggressive with our Diversity, Equity, Inclusion, and Access (IDEA) efforts recently, involving our Associates in helping shape our communications efforts as we recruit, retain and celebrate a diverse workforce. Gender balance is a big part of that. Mrs. Shure led by example.

Diversity in backgrounds, whether it is from the tech sector, musicians, audio engineers, etc., is also important. We embrace this diversity because it helps us better understand our diverse set of customers, which range from major television networks and movie studios, to educational institutions, to musicians and concert venues, to global businesses to individuals who use headphones and earphones. We now have Associates working in more than 30 countries around the world. This gives us a much better handle on local market needs and how to grow in those regions.

In Europe and the U.S., women have more access to career development support through various programs and mentorships. Can you tell us about Shure’s women-focused initiative “WE VIBE”?

At Shure, we have been making a commitment to our own internal actions around IDEA efforts. Over the past two years, we have held Inclusion Panels, which are panels with our own employees, discussing their backgrounds, their challenges, and how we can all create a better workplace. These are streamed live and via recording for our Associates to watch and ask questions.

Our Associate-led resource groups or “VIBES” are each focused on Women, LGBTQIA+ and Culture/Racial Equity – and they have helped guide us in thinking about policies, activities and other support functions they would like to see from Shure. The WE VIBE provides additional resources and support for everyone within the organization who wants to contribute to a more diverse workplace and community. Within the industry, we are holding Women in Technology panels with pros from all over the world in the areas of theater, film and more.

Shure is also supporting a number of organizations focusing on increased inclusion and support that reach younger students to help them encourage careers in the audio industry – specifically in areas of STEM.

What do you hope to accomplish through this initiative?

We have many goals with those initiatives, but our two main goals are:  adding more women and diversity to this industry and celebrating and championing those who are already here.

Billboard US, launched Women In Music in 2007, an annual event to honor women artists and executives who actively made a difference that year. What are some key factors when raising awareness about gender inequality issues across the industry, including Shure’s initiatives?

This past year has been an empowering year for women in music. The top highest grossing concert tours in the U.S. were from Taylor Swift and Beyonce. There are so many up-and-coming female artists as well – not just in the U.S., but all over the world. We have been supporting programs globally that help women who are just getting started in music to teach them and provide them with opportunities to be successful.

It is also important to note the increasing growth in the women behind the scenes in music. And we are doing what we can with our efforts to help close those gender gaps.

Finally, what advice would you give yourself during the first year of your career? I think many young women who are looking to enter the music industry will be encouraged by your words.

Find who your friends are and don’t be afraid to ask them for help. Oftentimes, women think they have to figure it out on their own, lest they be thought of as “weaker” or “incapable.” Asking questions and finding a network of people who can help you actually builds strength and teaches you how to become a good mentor someday. Simply put, don’t try to do it all yourself.

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Magic Johnson Posts Heartfelt Celebration of ‘Living Icon’ Beyoncé’s ‘Cowboy Carter’

Magic Johnson continues to be a loyal member of the BeyHive.

The former basketball superstar took to Instagram on Friday (March 29) to celebrate the release of Beyoncé’s newest album, Cowboy Carter. “Beyoncé – It’s only fitting that I recognize a living icon as the world tunes in to listen to your newest album, ‘Cowboy Carter,’ which just dropped today,” Johnson wrote alongside a throwback photo of himself smiling alongside the “Texas Hold ‘Em” singer. “You are truly a multifaceted force, with dominating presences as a singer, songwriter, director, actress, record producer, and entrepreneur! With over 160 million records sold, countless awards won (including a historical 32 Grammys), featured roles in eight movies, two fashion lines, and now a new hair care line..it’s impossible to argue that your influence on culture is irreplaceable.”

He continued, “You are women’s history! Just like I say Michael Jackson is the greatest male entertainer of all time, you are the greatest female entertainer of all time. I’m looking forward to seeing how you bring more representation into the country genre and continue to use your platform to uplift and amplify the Black voice.”

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See the post here. Johnson has been a longtime supporter of Beyoncé, previously calling out the Recording Academy for not doing more to celebrate the singer becoming the most Grammy awarded artist in the show’s history in 2023.

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Upon its release, Cowboy Carter became Spotify’s most-streamed album in a single day in 2024, the streaming service announced last week. This is the first time a country album holds the title this year. Before the album’s release, lead single “Texas Hold ‘Em” was streamed over 200 million times. The album also marks the most first-day streams for a country album by a female artist in the history of Amazon Music.

Diddy’s Radio Airplay Plummets After Sexual Abuse Allegations & Federal Agent Home Raids

Sean “Diddy” Combs has maintained a steady presence on Billboard’s charts since the mid-1990s, when he founded Bad Boy Records and began charting with his own smash singles “Can’t Nobody Hold Me Down,” “I’ll Be Missing You” and more. These songs and others from his catalog have continued to rack up millions of streams and are radio classics, still earning hundreds of plays every week. But due to a string of sexual misconduct allegations and, most recently, two raids of his homes on March 25 by the Department of Homeland Security in connection with an ongoing sex-trafficking investigation, his familiar presence on radio and top streaming playlists may be in jeopardy.

Diddy’s music catalog* (see below) has been consistently dropping on radio since Cassie, the mogul’s former girlfriend, filed a lawsuit on Nov. 16, 2023, accusing Combs of years of abuse and one accusation of rape. The lawsuit alleged that she had “endured over a decade of his violent behavior and disturbed demands,” including repeated beatings and forcing her to “engage in sex acts with male sex workers.”

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From Nov. 3 to 16, 2023 – the two tracking weeks preceding Cassie’s filing – Diddy’s catalog generated 11,000 radio spins, which translated to 23.3 million radio airplay audience impressions, according to Luminate. In the two tracking weeks after (Nov. 17-30), his catalog raked in 8,000 spins (down 28%), equaling 17.3 million impressions (down 26%).

In almost every week since then, Diddy’s catalog has seen decreases in radio play. In the most recent two-week span (March 15-28), his catalog tallied 1,000 spins that garnered 4 million impressions. Compared with the two weeks leading up to Cassie’s filing in November, that’s an 88% drop in radio spins and an 83% plummet in radio audience.

The most drastic single-week drop in radio occurred between Nov. 24-30 and Dec. 1-7. Diddy’s music saw a 41% plunge in radio spins in that span (from 3,000 to 2,000) and a 31% fall in audience (6.9 million to 4.7 million). The drop came as Diddy was hit with another pair of lawsuits on Nov. 23: One, filed by Joi Dickerson-Neal, claimed that the superstar drugged and sexually assaulted her in 1991, while a second – from an anonymous accuser – alleged that the music mogul sexually assaulted and beat her. Also contributing to the plunge, many radio stations (though not primarily R&B/hip-hop formats) start playing holiday music after Thanksgiving. Thus, non-holiday fare could see a decline in activity to make way for holiday music.

While Diddy’s radio presence has been decreasing, his streaming totals don’t tell the same story. Excluding his latest LP The Love Album: Off the Grid (released Sept. 15; making for a fairer catalog comparison), Diddy’s catalog garnered 6.7 million on-demand U.S. streams** (see below) Nov. 3-16 – the two weeks preceding Cassie’s filing – and 4.5 million in the two most recent tracking weeks (March 15-28), down 31%.

Last week, Diddy’s day-to-day streams increased after the raids of his homes on Monday (March 25). On Saturday and Sunday (March 23-24) Diddy’s catalog earned 930,000 streams. In the two days following the home raids (March 26-27), it earned 1.28 million, a 38% increase.

On March 26, the day after the raids of Diddy’s L.A. and Miami homes, his attorney Aaron Dyer spoke out against the “gross overuse of military-level force” in the raids of the musician’s residences, and vowed to end the “witch-hunt” against his client. While the results of that have yet to be seen, Diddy’s decline on the airwaves shows that many stations have already made up their minds.

*Diddy’s music catalog encompasses all titles billed to Diddy, P. Diddy, Puff Daddy, Puff Daddy & The Family, and Diddy Dirty Money. This excludes featured credits, like The Notorious B.I.G.’s “Mo Money Mo Problems,” on which Diddy is featured.

**Diddy’s streaming sum includes user-generated content, or UGC, streams, which don’t count towards Billboard’s charts.

–Kevin Rutherford and Trevor Anderson contributed to this report