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Michelle Obama Praises Beyoncé’s ‘Cowboy Carter’ While Encouraging Fans to Register to Vote: ‘We All Have Power’

Michelle Obama is loving Beyoncé’s Cowboy Carter album.

The former First Lady of the United States took to Instagram on Tuesday (April 2) to share a photo of the recently released album’s cover art, alongside a plea for fans to register to vote for the upcoming presidential election this year. “@Beyonce, you are a record-breaker and history-maker. With Cowboy Carter, you have changed the game once again by helping redefine a music genre and transform our culture. I am so proud of you,” she captioned the post. “Cowboy Carter is a reminder that despite everything we’ve been through to be heard, seen, and recognized, we can still dance, sing, and be who we are unapologetically. This album reminds us that we ALL have power. There’s power in our history, in our joy, and in our votes — and we can each use our own gifts and talents to make our voices heard on the issues that matter most to us.”

Obama then asked American to register to vote at WhenWeAllVote.org, adding, “Together, we can stand up for what we believe in, and we must do that at the ballot box this year. The issues that impact us most are on the ballot across the country — from equal pay and racial justice to reproductive healthcare and climate change. And as Queen Bey says at the end of Ya Ya, we need to ‘keep the faith’ and ‘VOTE!’”

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See Michelle Obama’s post here.

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Upon its release, Cowboy Carter became Spotify’s most-streamed album in a single day in 2024, the streaming service announced last week. This is the first time a country album holds the title this year. Before the album’s release, lead single “Texas Hold ‘Em” was streamed over 200 million times. The album also marks the most first-day streams for a country album by a female artist in the history of Amazon Music.

Hozier Notches Second Hot Rock & Alternative Songs No. 1 With ‘Too Sweet’

Hozier claims his first No. 1 on Billboard’s Hot Rock & Alternative Songs chart in nine years, as “Too Sweet” debuts atop the April 6-dated tally.

The song bows with 28.8 million official U.S. streams, 268,000 radio audience impressions and 4,000 downloads in the U.S. March 22-28, its first week of release, according to Luminate.

It’s the Irish singer-songwriter’s second Hot Rock & Alternative Songs No. 1, after “Take Me to Church” reigned for 23 weeks, all consecutively, from the Nov. 1, 2014, through April 4, 2015, surveys.

Hozier’s nine-year break between No. 1s marks the longest in the chart’s nearly 15-year history, exceeding the six years, 11 months and two weeks between Coldplay’s “A Sky Full of Stars” in 2014 and the band’s “My Universe,” with BTS, in 2021.

In between the debut of “Take Me to Church” and his new No. 1, Hozier racked up 37 chart appearances, including four top 10s, led by the No. 6 debut and peak of “Eat Your Young” last April.

Concurrently, “Too Sweet” starts atop the multimetric Hot Rock Songs and Hot Alternative Songs charts. On the all-genre Billboard Hot 100, it debuts at No. 5, marking Hozier’s second top 10, and first time in the top 30, since “Take Me to Church” hit No. 2 in 2014.

Additionally, “Too Sweet” blasts in at No. 1 on both Rock Streaming Songs and Alternative Streaming Songs, his first leader on each list since “Take Me to Church.” The all-format Streaming Songs chart finds the song represented at No. 3, just one position below his best rank, set by “Take Me to Church” in 2015.

“Too Sweet” also slots in at No. 1 on Rock Digital Song Sales and Alternative Digital Song Sales, again Hozier’s second chart-topper on each, after “Take Me to Church.” It’s No. 5 on the all-genre Digital Song Sales chart, becoming his second top 10, after “Take Me to Church” reached No. 2.

“Too Sweet” is one of four songs on Unheard, Hozier’s EP released March 22. The set starts at No. 4 on Top Rock & Alternative Albums with 38,000 equivalent album units earned, including 34,000 in streaming units and 3,000 in album sales. The EP also debuts at No. 10 on the all-genre Billboard 200.

All four Unheard tracks make Hot Rock & Alternative Songs. After “Too Sweet” are “Wildflower and Barley,” with Allison Russell (No. 11, 6.1 million streams), “Empire Now” (No. 14, 5.5 million streams) and “Fare Well” (No. 19, 4.2 million streams). “Wildflower and Barley” (No. 88) and “Empire Now” (No. 98) also reach the Hot 100, where the former is Russell’s first entry.

Hozier doubles his total of career Hot 100 hits, with five of his six charted titles logged in the past year; in between “Take Me to Church” and the charted trio of tunes from Unheard, “Eat Your Young” reached No. 67 last April, while Noah Kahan’s “Northern Attitude,” on whose remix Hozier was added as a co-lead, hit No. 37 last November.

Unheard features music that originally recorded during the sessions for Hozier’s 2023 album Unreal Unearth but did not make its final tracklist. The LP debuted at No. 1 on the Top Rock & Alternative Albums chart dated Sept. 2, 2023, and has earned 417,000 equivalent album units to date.

Janet Jackson Returns to Japan for Triumphant Together Again Tour Chronicling Legendary Career

Janet Jackson returned to Japan for the first time in five years for her 2024 Together Again Tour, making stops in Nagoya, Osaka and Yokohama. At her K Arena Yokohama show on March 20, the icon treated the packed crowd to a nonstop 90-minute spectacle of her career-spanning, hits-filled set.

The concerts also featured TLC as the special guest only in Japan, and tickets were sold out in all three cities.

K-Arena Yokohama, the venue for the final night of Jackson’s Japan trek, is one of the world’s largest music-specific arenas, which opened on Sept. 29. Since it’s still a brand-new venue, many appeared to be visiting for the first time and people were snapping pictures on their phones while looking around even before the show began. In addition to the state-of-the-art sound system, all seats are positioned like a fan facing the front of the stage to allow fans to fully experience their favorite artist’s performance. The seats are also comfortable, ideal for those who want to relax and enjoy the concert, but when the lights went down for this particular show, the audience shot up from their seats in unison to greet TLC with loud cheers.

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As the DJ hyped up the crowd with a “T-L-C!” call and response, T-Boz and Chilli appeared onstage accompanied by four dancers and opened the set with their debut single “Ain’t 2 Proud 2 Beg.” With Chilli’s vocals overlapping with T-Boz’s deep voice during the chorus, the two also performed with the late Left Eye during the rap part, bringing the voice of the third member who died in a tragic accident in 2002 along for the ride. Chilli thanked fans in between songs for celebrating the 30th anniversary of the release of the group’s hit album CrazySexyCool, and after a DJ break, the two members returned to perform a few more hits including one of their biggest, “No Scrubs,” to huge cheers from the crowd. Led by a gorgeous horn arrangement, the pair closed their set with “Waterfalls,” as Chili and the dancers danced beautifully to the Left Eye’s rap. The audience cheered loudly, clapping along with the beat, and enthusiastically responded in unison to the “T-L-C!” call and response at the end of the set to express their appreciation.

The venue went dark after a brief set change and the words “50 YEARS OF ME” flashed on the huge screens set up in the center, left, and right sides of the stage. As a montage of flashback photos featuring Janet since childhood flickered by, the central screen rose to reveal the superstar standing immobile on the circular stage wrapped in a purple hooded cloak. Kicking off her set with “Damita Jo,” she sang completely still, then briefly receded to removed the cloak and returned in a sparkly gold bodysuit with a large purple ribbon around her waist. Singing to a simple beat with a heavy bass sound, she performed “Feedback” with her four dancers, the audience gleefully screaming every time they struck a pose. The band consisted of a drummer and bassist on the right side of the stage, keyboardist, guitarist, and DJ on the left. The seamless sound system had no time lag even for fans in the stands, immersing the audience in the concert experience.

The crowd went wild when Janet performed “That’s the Way Love Goes” from her eponymous hit album from 1993. Families with children could be seen here and there in the audience, and it was clear that the concert was a space where the pop icon’s timeless music was being passed down from the generation who lived through the same era as the hitmaker to the next generation of fans.

The concert was divided into four acts, and Janet took the stage in the second decked in a broad-brimmed black hat and long, ruffled black skirt. The second section consisted mostly of songs from her 1986 album Control, including “What Have You Done for Me Lately,” “Nasty,” and “The Pleasure Principle,” and the songstress captivated the audience with vocals and dynamic choreography set to the big beat and scratches by the DJ. She removed her hat and skirt and performed the majority of this act in wide pants along with four dancers dressed in white.

“Now I’m going to take you back,” she said with a grin. “Way back. Bass!” With her cue, the familiar, catchy bass line of “When I Think of You,” began, and she continued, “Back to 1986. This was my first No. 1 song. I was just a baby. But I still look good!” Towards the end of the act, she slowed things down to perform some of her most famous ballads seated on the stage, including “Come Back to Me,” “Let’s Wait Awhile,” and “Again.” Janet encouraged the Yokohama audience to sing along with her on “Again” with her mic raised towards the crowd, and seemed genuinely moved by the rousing sing-along by her fans in Japan.

Returning in a bright orange outfit, the Grammy winner began her third act with “All for You.” She went on to perform tracks including “Girlfriend/Boyfriend,” her collab with Blackstreet, and “Do It 2 Me,” singing and dancing aggressively with her dancers almost non-stop. By this point, it’s been about an hour into the show, and her performance has been phenomenal.

The fourth and final act featured songs from Rhythm Nation 1814, with Janet performing tracks such as “Miss You Much,” “Love Will Never Do (Without You),” and “Alright” rocking a casual T-shirt and jeans get-up as if she were out on the street. The hits from 1989 blending delicate melodies with edgy sounds have stood the test of time, dynamically shaking the hearts and bodies of those witnessing them live.

Then suddenly, the venue went dark and white noise filled the screens. Cued by an all-too-familiar scream, the band began rocking out as the late Michael Jackson’s voice and image appeared majestically on the screens for the brother-sister duet “Scream.” Deafening shouts erupt from the audience as Michael continues to sing his part in the Sci-Fi-inspired, black-and-white music video, later joined by his sister’s live vocals onstage. Janet faced the guitarist towards the end of the song in what looked like a tribute to her late older brother. The voltage in K Arena peaked as the band segued into “Rhythm Nation” and Janet performed the iconic choreography with her dancers surrounded by intensely flashing lighting and beats, ending the main set with an impressive shout.

The icon promptly answered the call for an encore and sang “Together Again,” the title of her tour, as the final song of the concert. Singing along with the audience while casually moving from one end of the stage to the other, she jumped up and down and encouraged everyone to do the same, bringing the audience together as one for a joyful ending to the show. “Yokohama! This is the very last show of this leg of our tour. I hope you enjoyed it,” Janet addressed her fans. “May God bless each and every one of you on your journey through the world. I love you so much, please be safe! Good night! I love you!” A breathtaking 90 minutes of almost non-stop dancing and singing, the concert left one with a sense of awe and respect for the undiminished passion for live performance by an artist who has created some of the leading music of our time.

This article by Takayuki Okamoto first appeared on Billboard Japan

Taylor Swift Is Officially a Billionaire

Taylor Swift has yet another milestone to add to her endless list of accomplishments — she’s now officially a billionaire.

The superstar was included on Forbes World’s Billionaires List published this week, and Swift amassed an estimated $1.1 billion fortune this year, according to the publication. The revenue is based on earnings from her record-breaking Eras tour and the value of her music catalog, as well as her real estate portfolio. Per Forbes, Swift is the first musician to hit ten figures in fortune solely based on songs and performances.

Earvin “Magic” Johnson and Christian Louboutin are also among the famous newcomers on the Billionaires list, which is led by Bernard Arnault, who earned $233 billion fortune as the overseer the LVMH empire of 75 fashion and cosmetics brands, including Louis Vuitton and Sephora. Elon Musk, Jeff Bezos, Mark Zuckerberg, Larry Ellison, Warren Buffett, Bill Gates, Steve Ballmer, Mukesh Ambani and Larry Page round out the top 10.

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Last year, Billboard estimated that the Swift grossed approximately $1.82 billion in music sales and royalties, concert tickets, merchandise sales at concerts and movie ticket sales in 2023 through Dec. 7. Billboard calculated music royalties based on data from Luminate, concert ticket sales using publicly available information and her concert merchandise revenue was estimated based on Billboard’s reporting.

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Swift’s The Eras Tour generated approximately $900 million in ticket sales in 2023. That figure is based on Billboard’s estimate that Swift sold 3.3 million tickets to 53 concerts in the U.S. at about $250 per ticket. An additional 13 shows in Latin America likely earned another $60 million to $75 million from 750,000 ticket. At those concerts, Swift sold an estimated concert merchandise sales of $132 million of merchandise. Her per-show average merchandise sales at roughly $2 million, based on Billboard’s reporting.

Soca Superstar Kes Breaks Down Five Favorite Tracks From First Album in 10 Years: ‘It’s Time to Position Ourselves in a Global Way’

Last year, the world celebrated the 50th anniversary of hip-hop with months of star-studded concerts, awards show tributes, museum exhibitions and more – but that wasn’t the only genre commemorating its golden anniversary in 2023. Soca – which Road March-winning Kes frontman Kees Dieffenthaller describes as “happy music, a young version of calypso… a mixture of Afro, Indian and ‘world’ beats in one place” — also celebrated its half-century milestone.  

To kick off the next 50 years of soca’s evolution, Kes has returned with its first studio album in ten years, Man With No Door. Inspired by a man who litter lived in a house with no door – whom Kes met while wandering around Trinidad and rediscovering his favorites places on the island – the new LP is a manifestation of that man’s energy. “He just lives free,” he says. “I felt like that creatively at the time. I am the man with no door. I want to create this world based on that experience.”



The new album marks something of a renaissance for Kes. The band officially formed in 2005, and have for nearly two decades provided some of the most dominant Carnival anthems of the young century. From instant soca classics like “Wotless” (2011) to breezier tunes like “Hello” (2017), Kes’ singular sound and vibrant live show has lifted the band to international stages such as Essence Festival and The Late Show with Stephen Colbert, and collaborations with this likes of Wizkid and Snoop Dogg

Soca, of course, is infused with live instrumentation at its core. Although the genre has recently began to shift towards a producer-first bent, Kes remains steadfast in its commitment to upholding the legacy of live playing, especially in their studio recordings. “It goes back to the tradition of it all,” he muses. “In a band, you get to understand how different people play the same instruments differently. There is something very powerful about actually witnessing what that is, rather than [getting it] off a computer. Live instrumentation also give a unique blend and mix. You can’t play the same thing twice, it’s a fingerprint unique to that time and air. We can from that live world and that’s a big part of our entire act. I feel like there is a hidden language that is translated to people through live music.”

Although Man With No Door marks Kes’ first studio LP in a decade, they did release We Home – a joyous live album that reimagines the band’s catalog – during the pandemic (Aug. 28, 2020). During the same period, the band was also working on several singles that would eventually become part of Man With No Door. “Doing We Home was therapy,” Kes reveals. “I felt like I was closing a chapter in my creative life where I pay homage to the last decade of music that I did. [Doing] We Home while creating new music felt like death and a beginning at the same time. And both are glorious in their own way.” 

The new LP recruits a flashy list of guest stars to execute Kes’ “application” of soca across different styles and sonic traditions, including Shaggy, Queen Omega, Busy Signal, Dwala, Tano, J Perry and Michaël Brun. While Kes is most excited about “Rise Up,” a collaboration with fellow Trinbagonian Queen Omega, whose music he calls “powerful,” he also highlights his work with J. Perry and Michael Brun, noting, “We experienced freedom because of [Haiti]. I just really wanted them a part of the Caribbean of my experience musically. The language barrier and history have kept a lot of us apart, it was important for them to be on this record.” 

For Kes, Man With No Door is part of a concerted effort to usher in the next era of soca. Despite the genre’s storied history, its global crossover appeal has been somewhat limited, due to its allegiance to single releases timed to the Carnival season calendar. “We as a genre need to diversify all dimensions,” proclaims Kes. “Get some more energy outside of just the Carnival calendar situation, and step into Billboard and step into different venue spaces and create collabs that bridge gaps. It’s time for us to really position ourselves in a global way, and I think creating bodies of work is very important [for that].” 

“Everybody listens to soca. There’s that one soca song that caught someone’s ear that influenced the next studio session. We all know that,” Kes says. “[Soca] has provided the world with a particular energy that only it can provide. And there’s still so much of the word that is yet to discover it.”  

Keep reading to find out the stories behind Kes’ five favorite tracks on the band’s brand new Man With No Door album, told in his own words.

Hot 100 First-Timers: Artemas Debuts With Viral Hit ‘I Like the Way You Kiss Me’

Artemas is officially a Billboard Hot 100-charting artist.

The English-Cypriot singer-songwriter lands his first entry on the April 6-dated list, as “I Like the Way You Kiss Me” opens at No. 70. The song, released March 19, debuts almost entirely on the strength of its streaming sum: 8.3 million official U.S. streams – up 555% – in the March 22-28 tracking week, according to Luminate.

The single also opens at No. 8 on Hot Alternative Songs and No. 9 on Hot Rock & Alternative Songs, as well as No. 11 on Billboard Global Excl. U.S. and No. 19 on the Billboard Global 200, led by 34.7 million streams worldwide.

Artemas himself also vaults 42-11 on the Emerging Artists chart.



“Kiss Me” has been boosted by exposure on TikTok, where Artemas teased the song for weeks leading up to its official release. The song has soundtracked over 300,000 clips on the platform to date.

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Artemas first appeared on Billboard’s charts in January, when his prior viral hit “If U Think I’m Pretty” debuted on Hot Alternative Songs and Hot Rock & Alternative Songs. It currently ranks at Nos. 22 and 26, after reaching Nos. 15 and 20, respectively, with 3.5 million streams (up 7%). “Pretty” has also been aided by TikTok, as the song has been used in over 200,000 clips.

Artemas (full name: Artemas Diamandis), from Oxfordshire, England, has been releasing music since 2020. He has self-released two full-length albums: I’m Sorry I’m Like This in 2022, and Pretty (which includes “If U Think I’m Pretty”) on Feb. 9.

One other song from Artemas’ catalog is also showing notable growth: “Cross My Heart,” from Pretty, has been used in 23,000 TikTok clips, helping the song rake in 400,000 streams March 22-28, up 61% from the previous week.

John Sinclair, Former MC5 Manager and Activist, Dies at 82

A few years back, as he released one of many albums combining his poetry and music, John Sinclair explained that, “I’m trying to do that while I’m here so when I go, I’ll have the feeling I left it behind the way I wanted,” he said. “I’ve always approached each thing I do like it’s the last, just like every day like it’s the last. I’m kind of a practicing existentialist in that way.”

Sinclair — who died Tuesday morning (April 2) from heart failure at Detroit Receiving Hospital at the age of 82 —honed that existentialism throughout a storied career. A poet, writer, author, critic, scholar, activist, recording artist and performer, he was beloved as a raconteur and an iconoclastic personality, and best known as the original manager of rock band MC5 and a marijuana proponent who was championed by John Lennon.

“(Sinclair) is one of those ‘a lot of things to a lot of people’ kind of guys,” MC5 co-founder Wayne Kramer, who himself passed away on Feb. 2, told Billboard in 2018. “He has a lot of passions, a lot of interests, a lot of causes that he maintains … Not always a saint or the easiest guy to get along with, and sometimes we hated him. But I would say he was a mentor and a friend … and he was as a very important part in what the MC5 became.”

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Grammy Award winning-producer and Blue Note Records president Don Was, who recorded and performed with Sinclair on a number of occasions, adds that, “To me he was as important and influential as any activist, any politician or any musician, doubling as a voice of a generation…as such he made the world a better place.”

Sinclair was born in Flint, Mich., and studied at Albion University and the University of Michigan’s Flint branch, from which he graduated in 1964 after working for the school’s newspaper and serving on its Publications Board and Cinema Guild. He went on to the Fifth Estate, Detroit’s counter-culture newspaper, and the Detroit Artists Workshop Press. He wrote about jazz for Down Beat magazine, read at the Berkeley Poetry Conference during July of 1965 and co-founded the Ann Arbor Sun, another underground newspaper, in the spring of 1967 with his first wife, photographer Leni Sinclair, and psychedelic poster artist Gary Grimshaw.

Was, who considered Sinclair “one of my heroes,” tells Billboard that “in the 60s, culture — art, music, film and poetry — was weaponized in part of a global struggle for all different kind freedom. And in Detroit, John stood in the leadership position in the intersection of all that. I don’t think every city had their own John Sinclair. He was a unique character who had this combination of coolness and vision and a kind of principled energy — along with a sense of playfulness that made it fun as well as serious.”

During the mid-60s, Sinclair met the members of the MC5, who hailed from the Detroit suburb of Lincoln Park. Kramer credited Sinclair with helping to expand the band’s musical horizons further in the direction of R&B, free jazz and blues. “They were very ambitious, more sophisticated than the usual rock ‘n’ roll guys in what they were trying to do,” Sinclair remembered earlier this year, when Kramer passed. “And they were willing to work, as hard as they had to, to be great.”

Sinclair managed the MC5 through 1969, helping the group score its contract with Elektra Records. Working with the White Panther Party, Sinclair also steered the band in a political direction, including a performance at an anti-Vietnam War rally that was broken up by police. The group eventually found Sinclair’s politics stifling, however, and parted ways with him.

In 1969, Sinclair was arrested for marijuana possession, after offering to joints to an undercover police officer, and sentenced to 10 years in prison. Abbie Hoffman invoked his name during The Who’s performance at Woodstock that summer, and Lennon wrote a song “John Sinclair” to champion his cause. (It appears on his 1972 album Some Time in New York City). Lennon and Yoko Ono also performed at the John Sinclair Freedom Rally during December 1971 in Ann Arbor, joining a lineup that included Stevie Wonder, Bob Seger, Phil Ochs, David Peel and others; Sinclair was freed three days later after the Michigan State Supreme Court deemed the state’s marijuana statues unconstitutional.

“He was the Nelson Mandela of pot, he really was,” says Martin “Tino” Gross, a longtime friend and musical collaborator in Detroit who produced Sinclair’s last two albums — Mobile Homeland and Still Kickin’ — for his laebl Funky D Records. “He took the fall, man — 10 years for two joints. There’s a whole (cannabis) industry now that owes him a debt.”

Sinclair also faced charges of conspiracy to destroy government property in 1972, which went all the way to the U.S. Supreme Court and resulted in a landmark decision that prohibited the government’s use of electronic surveillance without a warrant.

After those cases, Sinclair spent time living in Amsterdam — where he established the John Sinclair Foundation to promote arts and media — and New Orleans, where he continued writing and performing. He formed bands, including several iterations of his Blues Scholars, and recorded a litany of albums, including the highly regarded Guitar Army in 2007. He also hosted performances at the Detroit Jazz Center in the city’s downtown and launched the Radio Free Amsterdam channel online.

“John was my mentor in the 70s self-determination music,” says Detroit musician and label operator RJ Spangler, whose Planet D Nonet collaborated with Sinclair on the Viper Madness album in 2008. “John really turned us onto New Orleans music and culture; we had grand times together in the Big Easy. It will not be the same without him.”

Gross — who like many in Sinclair’s circles refers to him as “The Chief” — adds that, “If you could hang out with the guy, it was incredible. To experience his love for jazz and what he could teach you in an hour was amazing.” And, Gross notes, “He never for one second veered of his path of pushing back against The Man. John stood up for the downtrodden, as cliché as that might sound. He would champion black culture and blues and jazz music, and anybody who seemed oppressed, John was in their corner.”

Sinclair had been in poor health for a number of years, including diabetes, and was admitted to the hospital during the weekend to treat a leg sore that had become infected and turned into sepsis. He’s survived by two daughters, Marianne and Celia. Memorial arrangements are pending.

Chelsea Cutler Opens Up About Her ‘Yellowstone’ Themed Album ‘Stellaria,’ Mental Health & More

It’s been a exciting few months for Chelsea Cutler, as the 27-year-old singer-songwriter dropped her third studio album, Stellaria, in October and embarked on a tour to support the fan-favorite project. Since then, her track “Your Bones” has blown up on TikTok, and to celebrate all her recent achievements, she sat down with Billboard‘s Tetris Kelly for a wide-ranging interview.

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As for whether or not she knew that her song “Your Bones” would be an online representation of love, Cutler said that she did and didn’t at the same time. “I probably expected — just given the nature of my relationship, I’m obviously in a relationship with a woman, so I think a lot of my fanbase is probably part of the LBGTQ community. I definitely expected that, but I think what’s really cool is we were seeing the song be used on social media for everything, like dogs, babies, relationship, self-love, everything. That was more surprising than anything,” she shared, adding that Stranger Things actress Millie Bobby Brown used the song to soundtrack a montage with one of her foster dogs.

For Stellaria, Cutler knew that she wanted a Western aesthetic to go along with the project. “I knew I wanted the content to be kind of Yellowstone inspired, so we ended up going out there and that word ‘stellaria’ kept coming up,” she recalled. “There was a Stellaria Lane and a Stellaria Creek. Me being a Latin nerd, I saw that and I was like, ‘That’s a fascinating word.’ I fell in love with it, it means ‘starlight,’ and it just felt like such a great representation for the world that I wanted to make.”

Cutler is also no stranger to being open about her mental health, and she says that her vulnerability goes hand-in-hand with her creativity. “I feel so selfish, because writing music and being honest in my music is so for me and it’s such an awesome byproduct that the vulnerability translates into a greater narrative around being open with my mental health,” she said. “I think it’s cool that when I sit down to make music, it’s just an outlet for all of these big feelings that I’m having and I feel no shame around sharing that at all. It led to so many amazing conversations surrounding mental health.”

Watch Billboard‘s full interview with Chelsea Cutler above.

Lil Yachty, Who Worked at McDonald’s As a Teen, Stars in a New Ad for the Golden Arches

Lil Yachty has gone from working at McDonald’s as a teenager in Atlanta to starring in commercials for the iconic Golden Arches brand.

Lil Boat adds to his list of lucrative partnerships while teaming up with McDonald’s Canada on Tuesday (April 2) for the launch of their Remix Menu.

As part of the celebration, Yachty starred in a colorful Mickey D’s commercial that finds him rhyming about his favorite menu items for a remix of the fast food chain’s 1988 “Menu Song,” which was based on the 1974 song “Life Is a Rock (But the Radio Rolled Me),” a top 10 Billboard Hot 100 hit for Reunion.

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With a heavily Auto-Tuned flow, the 26-year-old runs through some of his go-to’s, like a Big Mac, McDouble, McNuggets, fries, apple pies, McGriddles and a hot fudge sundae to complete his epic order.

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“Going from working at a McDonald’s in Atlanta to collaborating on the ‘Remix Menu Song’ with McDonald’s Canada is a wild full circle moment that brought back memories and is such a reminder that anything in life can happen,” Boat said in a statement about the partnership.

From now until April 29, participating McDonald’s locations across Canada will have the new Remix Menu available to customers. Some of the items include wild combinations such as the Chicken Cheeseburger, Surf ‘N Turf Burger, Sweet Chilli Junior Chicken and the tasty Apple Pie McFlurry.

“We hope these new takes on the McDonald’s Menu Song, brought to life by Lil Yachty and Mike Clay, will evoke the excitement Canadians felt for McDonald’s the first time they heard the song, and look forward to introducing it to a new generation of fans,” said McDonald’s chief marketing officer Alyssa Buetikofer.

Watch the full commercial starring Yachty below.


https://youtube.com/watch?v=C1lnhqQkuZs&version=3&rel=1&showsearch=0&showinfo=1&iv_load_policy=1&fs=1&hl=en-US&autohide=2&wmode=transparent

Hunter Schafer Opens Up About Dating Rosalía in 2019: ‘She’s Family No Matter What’

Hunter Schafer has confirmed that while she and Rosalía are currently good friends, they were definitely more than that a few years ago.

In a GQ interview published Tuesday (April 2), the Euphoria star revealed that she dated the “Beso” singer for about five months starting in the fall of 2019. According to Schafer, it took her a few hangouts to realize that she and the musician shared more than just platonic feelings for one another; as of now, though, they’re just good friends.

“I have really beautiful friendships with people that I was once romantically involved with,” Schafer told the publication. “She’s family no matter what.”

Schafer also noted the two-time Grammy winner gave her blessing to confirm their history in the new interview. “It’s been so much speculation for so long,” the Hunger Games actress continued. “Part of us just wants to get it over with, and then another part is like, ‘It’s none of anybody’s f–king business!’ … It’s something I’m happy to share. And I think she feels that way too.”

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Billboard has reached out to Rosalía’s rep for comment.

A couple years after dating Schafer, the “Despechá” artist got engaged to fellow Latin music superstar Rauw Alejandro; the pair split in July 2023. Recently, rumors have linked her to The Bear‘s Jeremy Allen White.

Meanwhile, Schafer says she’s still recovering from her breakup with her Euphoria season 2 co-star, singer-songwriter Dominic Fike. “I had a really beautiful relationship with [Fike], and it really opened me up in that way,” she said of the “Babydoll” artist, whom she dated on and off in 2022.

The Cuckoo star also touched on the death of another Euphoria cohort — Angus Cloud, who passed away last year of an accidental overdose. He was 25 years old.

“I’ve never had a friend that I was that close to and that was my age pass before,” Schafer told the publication. “It’s really surreal. It doesn’t make sense. And yeah, it’s new. It’s a new kind of grieving.

“People really fell in love with Angus,” she added. “He was really one of the heartbeats of Euphoria. It’s always the people that are just kind of a little too good for the world and a little too pure. He was a f–king angel. He was sunshine.”