Music News

Taylor Swift’s ‘Tortured Poets’ Becomes First Album to Pass 1 Billion Spotify Streams in a Single Week

Taylor Swift‘s The Tortured Poets Department is now the only album in Spotify history to surpass one billion streams in a single week, the streaming service announced Wednesday (April 24) — and it only needed five days to do it.

The pop star’s 11th studio record arrived at midnight Friday (April 19), bringing with it 16 new songs, including lead single “Fortnight” featuring Post Malone. Exactly two hours later, Swift nearly doubled the length of the tracklist with the surprise release of 15 more titles as part of an Anthology extended edition of the album.

Since then, Tortured Poets has raked in more than a billion listens across its 31 tracks on Spotify, the fastest LP to ever do so.

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The milestone marks only the latest record Swift has set with the new album over the past few days, with Tortured Poets recently becoming Spotify’s most streamed album in a single day with more than 300 million streams accumulated in its first 24 hours of availability. Similarly, “Fortnight” set a new precedent for most single-day streams amongst individual songs on the platform.

Tortured Poets also earned more first-day streams than any other pop album in Apple Music history upon its release. Plus, with 800,000 vinyl copies sold in the LP’s first four days on the market, TTPD broke Swift’s own record for the largest sales week for an album on vinyl in the modern era, beating the 693,000 sold of 1989 (Taylor’s Version) in its first week.

“This period of the author’s life is now over, the chapter closed and boarded up,” Swift wrote of her latest project on Instagram upon its release. “There is nothing to avenge, no scores to settle once wounds have healed. And upon further reflection, a good number of them turned out to be self-inflicted. This writer is of the firm belief that our tears become holy in the form of ink on a page. Once we have spoken our saddest story, we can be free of it.”

See Spotify’s announcement below.

The Black Dog Pub Reacts to Taylor Swift Shout-Out, Teases a ‘Certain Blond’ Customer Often Comes In

Joe Alwyn probably can’t go to The Black Dog pub in London anymore. That’s because Swifties have been flocking to the establishment ever since Taylor Swift referenced it in a song of the same name on her latest album, The Tortured Poets Department, leading a representative for the bar to hint in a new interview that the Conversations With Friends star has definitely stopped in before.

While speaking to Sky News earlier this week, The Black Dog’s social media manager Lily Bottomley confirmed that the bar has been packed with fans ever since the “Fortnight” singer’s new album dropped Friday (April 19).

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“I don’t want to give too much away,” she added when asked if the pub’s owners have scanned old security footage for signs of Swift’s ex-boyfriend. “We do have a certain blond regular who frequents.”

One of the rawest tracks on Tortured Poets, “The Black Dog” finds the pop star lamenting a recent heartbreak with the hook, “Old habits die screaming.” Fans speculate that Alwyn, whom Swift dated for about six years before news of their breakup emerged last year, inspired the lyrics.

“Your location, you forgot to turn it off,” she sings on the track. “And so I watch as you walk into some bar called The Black Dog/ And pierce new holes in my heart.”

“I just don’t understand how you don’t miss me,” she continues. “In The Black Dog, when someone plays ‘The Starting Line’ and you jump up/ But she’s too young to know this song.”

After ending things with Alwyn, Swift started dating Kansas City Chiefs tight end Travis Kelce last summer. The athlete is another rumored Tortured Poets muse, with fans suspecting that “The Alchemy” and “So High School” were both written about him.

Listen to “The Black Dog” below.



Lana Del Rey’s ‘Video Games’ Leads Top TV Songs Chart After ‘3 Body Problem’ Synch

Lana Del Rey’s “Video Games” ascends to No. 1 on Billboard’s Top TV Songs chart, powered by Tunefind, crowning the March 2024 survey after a synch in the new Netflix series 3 Body Problem.

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Rankings for the Top TV Songs chart are based on song and show data provided by Tunefind and ranked using a formula blending that data with sales and streaming information tracked by Luminate during the corresponding period of March 2024.

“Video Games” bows following the premiere of 3 Body Problem’s full first season on Netflix on March 21. The song is heard in the show’s sixth episode.

In March 2024, “Video Games” accumulated 8.2 million official on-demand U.S. streams and 1,000 downloads, according to Luminate. The song was Del Rey’s breakout track and her first appearance on the Billboard Hot 100, debuting and peaking at No. 91 in January 2012.

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“Video Games” leads a trio of songs from 3 Body Problem onto Top TV Songs, giving the new series an admirable coronation on the first chart for which it’s eligible. Echo & the Bunnymen’s “The Killing Moon” follows at No. 4 (1.5 million streams), and The Rolling Stones’ “Moonlight Mile” also makes the tally at No. 8 (310,000 streams). “The Killing Moon” is from the series premiere, while “Moonlight Mile” can be heard in episode two.

The top non-3 Body Problem song, meanwhile, belongs to Resident Alien, following its usage of Harry Chapin’s “Cat’s in the Cradle.” The track bows at No. 2 thanks to 4.2 million streams and 1,000 downloads.

Resident Alien, a Syfy series that premiered its third season in February, boasted “Cat’s in the Cradle” in the seventh episode of the season, which premiered March 27. It was a No. 1 hit for Chapin on the Hot 100 in 1974, his only ruler.

See the full chart, also featuring music from Young Royals, Invincible, Will Trent and The Gentlemen, below.

Rank, Song, Artist, Show (Network)

  1. “Video Games,” Lana Del Rey, 3 Body Problem (Netflix)
  2. “Cat’s in the Cradle,” Harry Chapin, Resident Alien (Syfy)
  3. “Arcade,” Duncan Laurence, Young Royals (Netflix)
  4. “The Killing Moon,” Echo & the Bunnymen, 3 Body Problem (Netflix)
  5. “Dream Team,” Aidan Knight, Invincible (Amazon Prime Video)
  6. “Breaking Point,” Leon Thomas, Will Trent (ABC)
  7. “Count Your Blessings,” Mattiel, The Gentlemen (Netflix)
  8. “Moonlight Mile,” The Rolling Stones, 3 Body Problem (Netflix)
  9. “Genesis,” Justice, The Gentlemen (Netflix)
  10. “Baby Drummer,” Bad Nerves, Invincible (Amazon Prime Video)

Billie Eilish Says She’s ‘Been In Love With Girls My Whole Life’

Billie Eilish had a major revelation last year while working on her new album, Hit Me Hard and Soft: she loves women. Like a lot. “I’ve been in love with girls for my whole life, but I just didn’t understand — until, last year, I realized I wanted my face in a vagina,” the 22-year-old singer tells Rolling Stone in a new cover story.

The profile delves into some of the songs on the album, including the second one, “Lunch,” described as a “sexy, bass-heavy banger where Eilish is crushing on a girl so hard she likes sex with her to devouring a meal.” It was while recording that song that Eilish says she became acutely aware of who she really is, recording some of it before she’d ever been with a woman and the rest after her first same-sex experience.

“I was never planning on talking about my sexuality ever, in a million years. It’s really frustrating to me that it came up,” she says of a 2023 Variety magazine interview in which she mentioned that she was attracted to women “for real.” The quote went viral around the globe and on a red carpet a month later Eilish was asked if she had intentionally come out in that story, telling the interviewer, “no, I didn’t,” but then thinking to herself, “‘wasn’t it obvious?’”

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She followed up with an Instagram post thanking the magazine for her Hitmakers award and also for “outing me on a red carpet at 11 a.m. instead of talking about anything else that matters. I like boys and girls leave me alone about it please literally who cares.” Eilish has typically kept her love life private and was only ever publicly linked with men, including The Neighbourhood’s Jesse Rutherford, who she broke up with in May 2023.

Now, Eilish says, she think the post was a bit of an overreaction. “Who f–king cares? The whole world suddenly decided who I was, and I didn’t get to say anything or control any of it,” she says. “Nobody should be pressured into being one thing or the other, and I think that there’s a lot of wanting labels all over the place. Dude, I’ve known people that don’t know their sexuality, or feel comfortable with it, until they’re in their forties, fifties, sixties. It takes a while to find yourself, and I think it’s really unfair, the way that the internet bullies you into talking about who you are and what you are.”

For such a global megastar, Eilish is refreshingly candid in the cover story about sex, saying it is what she likes to do to decompress. “I basically talk about sex any time I possibly can. That’s literally my favorite topic,” she says. “My experience as a woman has been that it’s seen in such a weird way. People are so uncomfortable talking about it, and weirded out when women are very comfortable in their sexuality and communicative in it. I think it’s such a frowned-upon thing to talk about, and I think that should change. You asked me what I do to decompress? That s–t can really, really save you sometimes, just saying. Can’t recommend it more, to be real.”

And then, Eilish goes on a deep-dive into another favorite, often taboo topic for women: masturbation. She says pleasing herself has boosted her confidence and is an “enormous, enormous part of my life, and a huge, huge help for me. People should be jerking it, man. I can’t stress it enough, as somebody with extreme body issues and dysmorphia that I’ve had my entire life.”

In case you had questions, Eilish also describes liking to masturbate in front of a mirror, partly because “it’s hot,” but also because it allows her to have a “raw, deep connection” to herself and her body. “And have a love for my body that I have not really ever had,” says Eilish, who notes that at this point she should basically have a “Ph.D.” in onanism. “I got to say, looking at yourself in the mirror and thinking ‘I look really good right now’ is so helpful. You can manufacture the situation you’re in to make sure you look good. You can make the light super dim, you can be in a specific outfit or in a specific position that’s more flattering. I have learned that looking at myself and watching myself feel pleasure has been an extreme help in loving myself and accepting myself, and feeling empowered and comfortable.”

Having lived in the hot spotlight for nearly her entire adolescence and young adulthood, Eilish says while others have been dissecting and contemplating her sex life for “years and years,” she is only now figuring it all out. “And honestly, what I said was funny, because I really was just saying what they’ve all been saying,” she says.

Given the chance for a do-over, the singer says she would have ignored the question, even though she knows it could have been way worse. “I’m lucky enough to be in a time when I’m able to say something like that and things go OK for me,” she says. “And that’s not how a lot of people’s experience is.”

The interview also touches on how her upcoming third album is a return to the darker sounds of her 2019 debut, When We Fall Asleep, Where Do We Go? Hit Me Hard and Soft is due out on May 17.

Ye Announces New ‘Vultures 2’ Release Date With Ty Dolla $ign

Ye — formerly known as Kanye West — has confirmed a new tentative release date for Vultures 2, the sequel to his and Ty Dolla $ign’s collaborative album.

Ye has been one to change his mind with the wind when it comes to release dates, but West revealed on Justin LaBoy’s The Download podcast that Vultures 2 is slated to arrive on May 3. It had originally been slated for March 8.

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“It’s coming out May 3, yeah,” Ye declared. May 3 has long been the rumored release date even going back to March when West’s DMs were accidentally leaked with a Baby Keem fan page while Ye thought he was messaging the real artist Baby Keem.

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West will face stiff competition to earn another No. 1 album this time around on the Billboard 200. Dua Lipa’s Radical Optimism is scheduled to land on May 3, and Taylor Swift’s The Tortured Poets Department most likely isn’t going anywhere either.

Ye and Ty Dolla independently released Vultures 1 on Feb. 10 via YZY, which debuted atop the Billboard 200 with 148,000 album-equivalent units sold in the first week.

With the No. 1, Ye earned his 11th leader and Ty solidified his first. The project — Ye’s first since his string of antisemitic remarks and controversies — also spawned the No. 1 Hot 100 hit “Carnival” featuring Rich the Kid and Playboi Carti.

Yeezy had been laying low on the music front in recent weeks, but returned with a splash while hopping on an unofficial remix to Future, Metro Boomin and Kendrick Lamar’s “Like That.” The explosive remix — which finds Ye taking shots and J. Cole and Drake — isn’t on streaming services, but was re-uploaded to Ye’s YouTube page on Wednesday (April 24).

Elsewhere in his chat with LaBoy, West revealed that the “elimination” of Drake inspired him to hop on the remix. “[Future] called me and I went to the studio and laid that. We went through the creative process of adding the chords and called the Hooligans out in London to get on the joint,” he explained. “Everybody was very, very energized about the elimination of Drake.”

Watch the LaBoy interview clip below.

Billie Eilish Says ‘Hit Me Hard and Soft’ Is a Return to Her Debut Album: ‘I’ve Been Grieving Her’

Billie Eilish is coming home to herself. In her new Rolling Stone cover story published Wednesday (April 24), the 22-year-old pop star revealed that her third album, Hit Me Hard and Soft, is a return to the darker sounds and styles she introduced on her debut LP When We All Fall Asleep, Where Do We Go?

“I feel like this album is me,” she told the publication of her latest project, which arrives May 17. “It’s not a character. It feels like the When We All Fall Asleep, Where Do We Go? version of me. It feels like my youth and who I was as a kid.”

“This whole process has felt like I’m coming back to the girl that I was,” she continued. “I’ve been grieving her. I’ve been looking for her in everything, and it’s almost like she got drowned by the world and the media. I don’t remember when she went away.”

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Released in March 2019, Eilish’s debut album spent three weeks at No. 1 on the Billboard 200 and spawned her first No. 1 single on the Billboard Hot 100, “Bad Guy.” Later, the projects won her song, record and album of the year at the 2020 Grammys, where she also picked up best new artist.

Two years later, she followed it up with her sophomore effort, Happier Than Ever, about which she said, “I was with myself so much that I couldn’t see myself objectively anymore … And then I dyed my hair blonde and I immediately was like, ‘Oh, I have no idea who I am.’”

Now, she’s working to resurrect what she refers to as “2019 me.” Finneas, Eilish’s older brother and longtime collaborator, corroborates this. “I feel like this album has some real ghosts in it, and I say that with love,” he told the publication. “There’s ideas on this album that are five years old, and there’s a past to it, which I really like. When Billie talks about the era of When We All Fall Asleep, it was this theatricality and this darkness. What’s the thing that no one is as good at as Billie is? This album was an exploration of what we do best.”

The two-time Oscar winner first announced Hit Me Hard and Soft earlier this month, sharing its underwater cover art and release date on social media. Later, she unveiled the project’s 10-song tracklist, featuring titles such as “Skinny,” “Lunch,” “L’Amour De Ma Vie,” “Blue” and “Wildflower.”

She said from the beginning, however, that she wouldn’t be releasing any singles from the new record, something she touched on again in her new interview. “Every single time an artist I love puts out a single without the context of the album, I’m just already prone to hating on it,” she said. “I really don’t like when things are out of context. This album is like a family: I don’t want one little kid to be in the middle of the room alone.”

Jimmie Allen Says He Contemplated Suicide After 2023 Sexual Assault Suit: ‘I Realized That’s Not the Way to Do It’

Editor’s note: The following story includes discussions of suicide.

Jimmie Allen describes loading bullets into his gun in a hotel room as he contemplated suicide in the wake of a May 2023 lawsuit accusing him of sexual assault. If not for a timely text from a friend, the “Down Home” singer told Kathie Lee Gifford in an interview, he might not be here to talk about it.

“I don’t feel that way now, but in that moment, when you feel like you have nothing… In the midst of a society where it’s no longer innocent until proven guilty… She said this so it must be true,” Allen, 38, told the former morning talk show host in the hour-long chat. Allen’s former manager dropped her suit against him last month, but the singer told Gifford that the turmoil that resulted from the initial filing accusing him of rape made him consider suicide at a time when it felt like his “whole world had just collapsed.”

“The first thing my brain goes to is not the career. It’s, how am I going to provide for my kids? I had three [kids] then,” Allen said to Gifford, a longtime friend who has supported him from the earliest days of his career. In the wake of the suit Allen — who denied allegations of wrongdoing with the unnamed woman with whom he admitted to having a sexual relationship — was dropped by his label, BBR Music Group, as well as by his booking agency, management and PR firm and removed from a 2023 CMA Fest performance slot and a commencement keynote speaking engagement at Delaware State University. “I’m thinking to myself, how am I going to provide for my family? And then it hit me. My life insurance covered suicide.”

Last month, the former manager agreed to dismiss her lawsuit, with Allen then agreeing to dismiss his counter-suit accusing the woman of defamation.

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Allen told Gifford he was feeling “pissed off, confused and heartbroken” after the initial filing from the woman he considered a friend, and whom he said became emotionally attached to him during what he described as the year-long affair he considered to be more physical in nature that unfolded as he was preparing to get married. “No matter how I felt about anything I made a commitment to her [estranged wife Alexis Gale],” Allen said. “For the longest time in my head I remember thinking, ‘well, as long as I’m providing for my wife and for my children I have the freedom to do whatever I want,’” said Allen, a father of six. “That’s wrong, I made a commitment and I should have either stuck with it or ended it.”

He also admitted “I knew I was not ready to be a husband” when he got married. “I was at this point in my life where it felt like I should do that,” he added of his marriage to Gale; Allen recently confirmed that he had twins with an unnamed woman in the midst of his divorce from Gale. “I wasn’t in a place for faithfulness either,” he said.

He also described being in that hotel room on May 11 — the day before his planned commencement speech — feeling “the whole world collapsed” and placing the final bullet in his gun when a text from his friend Chuck Adams came through even though he had text alerts turned off. “He said, ‘Ending it isn’t the answer.’ And when I read those words that he texted me, I read them again. I just stopped,” Allen said, sobbing and dabbing at tears with a handkerchief. “I remember I called one of my buddies that lived in lower Delaware. He came up. I gave him my gun. I said, ‘Take it. I don’t need it.’”

“Every single day I remember battling, ‘Do I want to live? Do I not want to live?’ I’m like, ‘Man, my family would have X amount of dollars if I would’ve [taken] care of something,” Allen recalled thinking at the time. “But I realized that’s not the way to do it.”

Then his mother, friends, fellow musicians and A-list, Oscar-winning actors he’d never met reached out — though some “top execs” at his label he thought had love for him never rang — and he was able to get through that difficult time with the help of therapy. He also told Gifford that while on tour with one of his favorite artist, Carrie Underwood, he briefly “turned to drugs” including Percocet, sleeping pills and marijuana, to help him deal with the intense stress of the situation, noting that he is now sober.

“I am healing and growing for me and my children,” he said of son Aadyn, 9 (from a previous relationship), daughters Naomi, 4, Zara, 2 and son Cohen, 6 months, with estranged wife Alexis, and one-year-old twins Amari and Aria 2023 with a friend.

Elsewhere in the chat, Allen described his struggles in the music industry, detailing a time when an unnamed producer of an awards show asked his label to send a picture of what the singer planned to wear on the program because of what he described as his desire to buck the “costume” typically worn by mainstream country singers.

Watch Allen’s interview with Gifford below.


https://youtube.com/watch?v=1JmvM8G355Y&version=3&rel=1&showsearch=0&showinfo=1&iv_load_policy=1&fs=1&hl=en-US&autohide=2&wmode=transparent

If you or someone you know is struggling or in crisis call or text 988 or chat at 988lifeline.org.

Travis Kelce Says He’s ‘Gotta Ask’ Taylor Swift About Her 2012 ‘Punk’d’ Episode With Justin Bieber

Taylor Swift‘s Punk’d episode was over a decade ago, but fans are still laughing — even Travis Kelce.

On the Wednesday (April 24) episode of his and brother Jason Kelce’s New Heights podcast, the Kansas City Chiefs tight end spoke about the pop star’s 2012 appearance on Ashton Kutcher’s prank show with guest comedian Andrew Santino. The Ricky Stanicky star was one of the writers and actors who helped pull off an elaborate joke on Swift, which found the “Anti-Hero” singer’s former friend Justin Bieber tricking her into setting off fake fireworks that appeared to destroy a private wedding ceremony in Malibu.

Travis couldn’t stop laughing as Santino recalled the sequence of events that left Swift in tears before she realized Bieber had been pranking her the whole time. “So good,” the three-time Super Bowl champion said. “I gotta ask Taylor about that one.”

Santino, who played the fake groom in the Punk’d scenario, explained to the Kelces how he’d yelled at Swift for “ruining” his wedding as the then 22-year-old star tried to assure the fake bride that the incident hadn’t been a “sign” to call their nuptials off. “I’d set the boat on fire, and there was a wedding party on the boat … and we blamed her for ruining our wedding,” he explained. “[Bieber] was like, ‘I have these fireworks from Japan … Let’s set them off.’ And Taylor, obviously, to her credit, who’s always on point, was like, ‘I don’t know if I wanna do that.’”

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On the new episode, Travis also spoke about his post-Chiefs game ritual. “I thoroughly enjoy going up to the suite after football games and seeing all the friends and family,” he gushed. “Being so grateful for getting to where you are in this world and being able to share that excitement and success with the people that you grew up with, man, and the people that you’re with now, man, it’s just the absolute best.”

During the 2023-24 season, Swift was a mainstay in the Kelce family suite at Arrowhead Stadium. She was also at Las Vegas’ Allegiant Stadium to help Travis celebrate after his third Super Bowl win in February, joining the team on the field and kissing the Ohio native.

The scenario sounds a lot like the one described by Swift in her new song “The Alchemy,” which appears on her April 19-released album The Tortured Poets Department. With lyrics such as “When I touch down, call the amateurs and cut ’em from the team” and “Where’s the trophy? He just comes running over to me,” Swifties are convinced the 14-time Grammy winner penned the triumphant track about Travis.

Watch the new episode of New Heights above, and check out Swift’s 2012 Punk’d episode below.



Here’s Why Fans Think Beyoncé Is Bringing ‘Cowboy Carter’ to Stagecoach

With her landmark 2018 headlining performance, Beyoncé has already dominated Coachella and effectively reshaped the iconic festival in her image. Could Stagecoach be next? Fans think so!

A sister event to Coachella, this year’s Stagecoach Festival will be held at the Empire Polo Club in Indio, Calif., April 26-28, the weekend after Coachella wraps. This year marks the 16th edition of the festival (the COVID-19 pandemic put it on pause in 2020), and headliners include country music superstars Miranda Lambert, Eric Church and Morgan Wallen.

Of course, Queen Bey recently dropped her Billboard 200-topping Cowboy Carter album (March 29), which pulled heavily from country and Americana, propelling it to simultaneous No. 1 debuts on Top Country Albums and Top Americana/Folk Albums. Introduced by the historic Billboard Hot 100-topping “Texas Hold ‘Em,” the album features appearances by myriad country music icons and ascendant stars, several of which are currently scheduled to perform at Stagecoach this weekend.

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A quick browse through the “lineup” tab on the official Stagecoach website reveals forthcoming sets from Cowboy Carter collaborators such as Brittney Spencer, Post Malone (performing a special set of country covers), Tanner Adell, Willie Jones and Willie Nelson. Even Brandi Cyrus, sister of Miley Cyrus, who’s featured of Cowboy Carter’s latest radio single “II Most Wanted,” is slated to hit the stage. But there’s one performer in particular that has piqued fans’ curiosity: Backwoods Barbie.

Every performer listed on the Stagecoach website received a feature that links all of their social media accounts. For Backwoods Barbie, only one Instagram account is linked. On that Instagram account (@djbackwoodsbarbie) currently lies 15 pictures — plenty of which directly reference Beyoncé and Cowboy Carter.

The account’s very first post — a graphic of the Stagecoach lineup captioned “Giddy Up,” a possible reference to “Tyrant” — arrived the same day that Cowboy Carter hit DSPs. Later posts include a major emphasis on the disco balls and sliver sequins (after all, Cowboy Carter and 2022’s Renaissance are connected), images of Beyoncé in her most Western attire, pictures of Dolly Parton and Grace Jones (who were featured on Cowboy Carter and Renaissance, respectively), and one post cheekily captioned “Disco cowgirls report for duty.” The Backwoods Barbie Instagram account also follows just six people: Beyoncé, Parton, Wallen, Diplo, the Stagecoach Festival and, curiously, restauranteur and television personality Guy Fieri.

The Backwoods Barbie moniker is seemingly sourced from the title of Parton’s 42nd solo studio album of the same name, which reached No. 17 on the Billboard 200 back in 2008 and marked both her first release on her own label and her first mainstream country record in a decade. Coincidentally, Beyoncé celebrated her 42nd birthday last fall (Sept. 4) during her record-breaking Renaissance World Tour.

The most recent Backwoods Barbie post features a map of the Stagecoach Festival Grounds with the caption, “Catch me on Saturday night at 7pm out in Diplo’s Honky Tonk!” Should Queen Bey make an appearance at Diplo’s set, it would make sense given that the two Grammy-winning artists have collaborated several times before, including 2012’s “End of Time” and 2016’s “Hold Up” and “All Night.”

With a Cowboy Carter promotional banner flying over the Coachella grounds during Weekend One and a massive promotional hauler on the ground during Weekend Two, the coincidences are certainly starting to pile up.

All of the Beyhive’s questions will be answered on Saturday (April 27), but for now, check out some more reactions to the Backwoods Barbie theory.

Ashley Judd, Aloe Blacc Help White House Unveil National Suicide Prevention Strategy: ‘There’s No Such Thing As Too Much Love’

Editor’s note: The following story includes discussions of suicide and sexual abuse.

Ashley Judd and Aloe Blacc, who’ve both been touched by the suicide of a loved one, visited the White House on Tuesday (April 23) to help the White House unveil its new national strategy to prevent suicide.

“As we all know, suicide affects everyone, it doesn’t matter your age, race, gender or where you live, it impacts all of us and sadly suicide and suicidal thoughts and actions have really increased over the past several years,” said Vice President Kamala Harris’ husband, Doug Emhoff, who hosted the event.

Emhoff began his remarks by acknowledging Judd, whose mother country star Naomi Judd died almost two years ago by suicide and Blacc, whose close friend and collaborator EDM star Tim Bergling (aka Avicii) died by suicide in 2018. Emhoff noted that 132 people die by suicide every day and that “we’re here today because we know that we can and will change this. Suicide is preventable and the president and vice president have been hard at work taking action, action to mitigate and prevent suicide.”

Among the actions Emhoff said the administration is taking is mobile crisis response teams, more youth suicide prevention activities, as well as increased suicide prevention efforts in schools.

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Judd honored her beloved mother and described the Judds singers’ battle with mental illness, which she said was “lying to her and with great terror convinced her that it would never get better” during the discussion moderated by Surgeon General Dr. Vivek Murthy that also featured Shelby Rowe, executive director of the Suicide Prevention Research Center. Judd spoke lovingly of her mother’s sense of humor and discovery of music as a child, but also noted that Naomi, 76, was a survivor of childhood and adult sexual violence who became a nurse and then a Grammy-winning country icon.

“She also lived most of her life with an untreated and undiagnosed mental illness that lied to her and stole from her and it stole from our family and she deserved better,” said Judd, who noted that she suffered from childhood depression and suicidal ideation after being molested when she was seven-years-old. “But I had a different experience because I went to treatment in 2006 for unresolved childhood grief and sexual trauma and I’ve been in good recovery for 18 years and I’ve had a different outcome than my mother.”

What Ashley Judd said she carries with her now is a message of hope and recovery.

Blacc said he was on the dais because he has a strong belief in the “tremendous power of music to amplify these important messages” and because he’s learned to stand up for friends who self-harmed and lived as well as those who’ve not survived. “It’s important for all of us to recognize the power that we have,” he said. “So in knowing someone who may be going through a traumatic time and just being a stand for them could make the big difference.”

He encouraged everyone in the room and watching to recognize the positive role we can play in other people’s lives. “The more we can recognize and see and offer our friends and our family members that moment to say, ‘I need your help’ and you know it makes me think about those moments where you get the phone call and a friend of yours has committed self-harm and you think, ‘when was the last time I called? When was the last time I texted?’”

The singer urged everyone to search for a “moment of joy” when they reach out to friends in crisis, including memories that spark laughter or a song, as well as to remind people that they are “the light.” Blacc said, “there’s no such thing as too much love. Let’s give as much as we can,” he added, leading the assembled guests in the chorus from “This Little Light of Mine.”

The administration’s new 2024 National Strategy for Suicide Prevention — accompanied by the first-ever federal action plan — identifies 200 different actions that will be implemented and evaluated over the next three years. Among those actions are: identifying ways to address substance use and suicide risk together in the clinical setting, funding a mobile crisis locator for use by 988 crisis centers, increasing support for survivors of suicide loss and others whose lives have been impacted by suicide, and evaluating promising community-based suicide prevention strategies.

Watch a video of the event below.



If you or someone you know is struggling or in crisis call or text 988 or chat at 988lifeline.org.