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Taylor Swift Makes Historic Debut at No. 1 on Billboard 200 With ‘The Tortured Poets Department’

The Tortured Poets Department sold 1.914 million copies in traditional album sales in its first week (purchases of digital downloads, CDs, vinyl LPs and cassette tapes). That marks the third-largest sales week for an album in the modern era — since Luminate began electronically tracking music sales in 1991.

The Tortured Poets Department’s sales were bolstered by its availability across 19 different physical configurations (nine CDs, six vinyl LPs and four cassettes, with four of the physical configurations exclusively sold by Target stores) and two digital download offerings (the standard 16-song album, and a surprise deluxe 31-song edition that was released two hours after the original album bowed). All of the variants are itemized later in this story.

Of The Tortured Poets Department’s first-week sales of 1.914 million, physical sales comprise 1.64 million (859,000 vinyl LPs — a modern-era single week record for an album on vinyl, 759,500 CDs and a little over 21,500 cassettes) and digital downloads comprise 274,000.

The Tortured Poets Department is the seventh Swift album to have sold at least 1 million copies in a single week, following the debuts of 1989 (Taylor’s Version), Midnights, reputation, the original 1989, Red and Speak Now. She is the only act with seven different albums to each sell at least 1 million copies in a single week in the modern era. In total, there have been 26 instances — by 24 different albums — in which an album has sold at least 1 million copies in a week in the modern era. One of those albums, Adele’s 25, sold more than 1 million in three separate weeks.

Six of the top 10 million-selling weeks occurred in the early 2000s, in the pre-digital and pre-streaming heyday of the CD — when essentially the only way to listen to music on-demand was by purchasing an album. The year 2000 was the high-water mark in the modern era for album sales, when 785 million albums were sold in the U.S. Comparably, in 2023, there were 105.32 million albums sold, and Swift sold the most of any act — accounting for 6% of all U.S. album sales in 2023. (Popular streaming services Spotify and Apple Music did not launch in the U.S. until 2011 and 2015, respectively.)

Here’s a recap of the top 10 biggest-selling weeks by albums in the modern era (1991-present), ranked in order by sales volume.

Rank, Artist, Title, Sales, Chart Date
1, Adele, 25, 3.378 million, Dec. 12, 2015
2, *NSYNC, No Strings Attached, 2.416 million, April 8, 2000
3, Taylor Swift, The Tortured Poets Department, 1.914 million, May 4, 2024
4, *NSYNC, Celebrity, 1.88 million, Aug. 11, 2001
5, Eminem, The Marshall Mathers LP, 1.76 million, June 10, 2000
6, Backstreet Boys, Black & Blue, 1.591 million, Dec. 9, 2000
7, Taylor Swift, 1989 (Taylor’s Version), 1.359 million, Nov. 11, 2023
8, Eminem, The Eminem Show, 1.322 million, June 15, 2002*
9, Britney Spears, Oops! …I Did It Again, 1.319 million, June 3, 2000
10, Taylor Swift, 1989, 1.287 million, Nov. 15, 2014
(Sales source: Luminate. *All weeks are debuts, except for The Eminem Show, which debuted on the chart dated June 8, 2002, from a partial week of sales due to an off-cycle early release. The June 15, 2002, chart reflected the album’s first week of availability.)

Rihanna Says New Music Should Be ‘Amazing’ and ‘Show Growth’

Rihanna talked music, makeup, motherhood and the Met Gala at the launch of her new Fenty Beauty Soft’lit Foundation in Los Angeles on Friday (April 26), a celebration ringing in what she called “a new era in foundation for the brand.”

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The singer and businesswoman talked up the new cosmetics product’s “soft, luminescent finish, like a nice, glowy, natural-skin look” inspired by what sounds like very lovely golden hours in Barbados.

But this is what you came for: a music update! Rihanna seems aware everyone has long been pining for R9, which would be the long-awaited follow-up her 2016 album Anti, and humored some questions about her next album in an interview with Extra on the carpet at Friday’s event.

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In a nutshell, Rihanna is firm on making a new album worth the wait.

“It’s gonna be amazing,” she said of what’s to come from her as an artist. “It has to be — that is the only reason it’s not out yet. If I’m not feeling it and I’m not feeling like it represents the evolution, the time I spent away …There should be a show of growth, right?”

“I want to play, and I feel like music is a playground, and I want to have fun with it and show truly where I am at,” Rihanna said, adding that she only intends to collaborate with another artist if it’s “very intentional. I’ll know when I have the record.”

Just a week and a half ago, it should be noted, Rihanna stated, “I already got stuff that I feel like I could make hits out of.” She referring to her work in progress as “so good.”

While Rihanna’s new music master plan remains unknown, she did confirm plans to attend the Met Gala, and revealed right now she’s got two options for her dress on the big night — but don’t expect anything too wild.

“I’m actually just keeping it real simple this year,” said Rihanna of what she’s got in mind for the prestigious May 6 event. “Very simple. I think it’s gonna come to what my makeup and what my hair is going to do. We wanna play with that, but I have no idea what I’m gonna do with that.”

“Very simple-ish, compared to everything I’ve ever done,” she said of her idea to arrive in an understated look. “I’m showing up for dinner! Shout out to Anna Wintour.”

The star, who’s a mother to an almost two-year-old (son RZA turns two in May) with A$AP Rocky, explained her experience with fashion since entering parenthood.

“When you become a mom, your style goes from like ‘blah’ to ‘let’s see what fits’ to ‘I’m gonna be a bad bitch today,’” said Rihanna. “You’ve got to remind yourself a little bit sometimes, you know, bad bitch is still in there somewhere.”

Fans Choose Belinda and Natanael Cano’s ‘300 Noches’ as This Week’s Favorite New Music Latin

Belinda and Natanael Cano‘s corrido coquette “300 Noches” has topped this week’s new music Latin poll

In a poll published on Friday (April 26) — in support of the weekly New Music Latin roundup and playlist, curated by Billboard‘s Latin and Billboard Español editors — music fans voted for Belinda and Cano’s new single as their favorite music release of the past week. Coming in closely behind was Anitta’s new album, Funk Generation, which had 41 percent of the vote.

“300 Noches” garnered more than 44 percent of the vote, beating out other new releases such as Yuridia and Los Ángeles Azules’ “Felicítalo”; Rels B and Junior H’s “Un Desperdicio”; Bruses and Humbe’s “Bestia”; Aitana and Sebastián Yatra’s “Akureyri”; Danny Ocean’s “Ley Universal” and Marc Anthony’s new album, Muevense

Belinda and Cano teamed up for “300 Noches,” Belinda’s second música mexicana single this year, following “Cactus,” which was released in January. The heartbreak track — produced by Marcelo Rivera Levy, Mr. Naisgai and Ángel Sandoval — starts off with a soft piano tune and Belinda’s evocative delivery, setting the tone for this truly heartbreaking song. “I waited so long for you to realize you had left me behind/ What do I do now to forget?” Belinda sings.

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“I loved being able to collaborate with Beli for this song,” Cano said about the collaboration. “I’m a fan of hers and I’m excited to see more female artists raising the flag of corridos tumbados. Belinda put her ‘coquette’ touch on it and it was magical.” 

See the results of this week’s Latin new music release poll below. 

Travis Kelce Calls Taylor Swift ‘My Significant Other’ in Eras Ticket Auction at Patrick Mahomes’ Charity Gala

Taylor Swift and Travis Kelce arrived hand-in-hand to their friend Patrick Mahomes’ charity gala Saturday night (April 27) in Las Vegas, where Swift offered a surprise donation to go up for auction.

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The couple, seen in clips posted online by gala attendees, showed up to support Mahomes’ 15 and The Mahomies Foundation. Their appearance quickly made the rounds on social media, with fans particularly charmed to hear Kelce sweetly refer to Swift as “my significant other.”

The pop icon, who’s been busy with the release of her 11th studio album, The Tortured Poets Department, this week, appeared happy to be there with Kelce. She was in a green evening gown and wore her hair styled down, looking effortlessly elegant for their night out together.

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Auctioneer Harry Santa posted a selfie with Swift on Instagram Stories, followed by videos of Kelce helping him get bids for an unannounced package of Eras Tour tickets the star put up for auction for the foundation.

“I was just talking to my significant other,” Kelce said in a coy voice in one of the clips, “and we might have one other auction item that wasn’t on the docket. Has anybody heard of The Eras Tour?”

Santa made the first bid of $5,000 himself, saying they’d be moving forward in $5,000 increments. He joked that the winning bidder could go big for 15 and The Mahomies, then still profit by selling the in-demand tickets online for $200,000 straight after the gala.

“Taylor Swift is actually cheering you on as you’re winning four of her tickets,” he pointed out as Swift, seated next to Patrick and Brittany Mahomes, waved a red napkin. Kelce threw his head back, laughing.

Santa’s last update reported the four-ticket package sold for $80,000.

15 and The Mahomies is “dedicated to improving the lives of children,” Mahomes’ foundation, which he founded in 2019, states on its website. “The Foundation supports initiatives that focus on health, wellness, communities in need of resources and other charitable causes.”

Swift’s Tortured Poets Department, which turned out to have a staggering 31-song Anthology edition, has been shattering records in its first week, doing unprecedented numbers in streaming, sales and vinyl before even making its official debut on the Billboard charts.

She returns to tour in less than a fortnight, resuming her hours-long, career-spanning live show — presumably with at least some new material from the TTPD era — in Paris on May 9.

See clips of Kelce and Swift captured at the gala below.

Madonna Joined by Salma Hayek for ‘Vogue’ in Mexico City as Celebration Tour Wraps

Salma Hayek helped Madonna bring her career-spanning Celebration Tour to a close in Mexico City, where the actress appeared on the Queen of Pop‘s stage during her performance of “Vogue” at the Palacio De Los Deportes Friday night (April 26).

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The number had Hayek, dressed in an ensemble inspired by Frida Kahlo, joining in to guest judge the tour dancers’ vogueing. (Hayek portrayed the iconic painter in the 2002 biopic Frida, for which she received an Oscar nomination for best actress.)

Hayek reacted to her experience with Madonna on Instagram in a post on Saturday, writing, “Thank you so much @madonna for letting me be a part of your iconic celebration tour. This unforgettable night goes in my bag of precious treasures.”

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Madonna has just one show left on her current itinerary, a free concert on May 4 at Copacabana Beach in Rio de Janeiro, Brazil, that Visit Rio officials said is forecast to bring in two million fans. Entrance to the show, sponsored by Itaú Bank, is on a first-come, first-served basis on the day of the event. Fans who can’t attend will be able to watch the show broadcast live on TV Globo.

Mexico City hosted Madonna for a series of five concerts at the Palacio De Los Deportes. Last weekend, on Saturday, April 20, the singer spoke of her love of Mexican culture and Kahlo, telling the audience how she discovered the painter’s art as a young girl.

“As you know, I have a great history, a long history with Mexico,” said Madonna, who reportedly met with the Kahlo family at their home in the city neighborhood of El Pedregal.

“When I was a girl,” she said, “I discovered Frida Kahlo. I went to the only museum that existed in Detroit, and there were Diego Rivera murals everywhere, but to be honest, I was more interested in a small picture in a corner, of a beautiful woman with her hair gathered in braids and intense eyes.”

The Celebration Tour kicked off in the fall, after a delayed start due to Madonna’s hospitalization for a serious bacterial infection over the summer.

See a clip of Hayek’s visit to Madonna’s “Vogue” set in Mexico City below.

Lana Del Rey Sings ‘Unchained Melody’ With Paul Cauthen in Surprise Stagecoach Duet

California got a little bit more of Lana Del Rey this weekend, with her making an unannounced appearance at Stagecoach following two weekends of headlining Coachella. Paul Cauthen welcomed the Did You Know That There’s a Tunnel Under Ocean Blvd songstress to the stage for a stirring rendition of “Unchained Melody” on Friday (April 27).

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Del Rey and Cauthen crooned the classic that became a hit recording for the Righteous Brothers in 1965 — and was also famously performed by Elvis Presley in 1977, just two months before his death — during Cauthen’s set at the first night of the Indio, California, festival.

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“He decided he wanted me to do a nice slow one to finish it off,” Del Rey, who joined Cauthen at the end of his set, said to the crowd.

Stagecoach shared the video below of the pair’s performance Friday night.

And on Saturday, Del Rey uploaded a short video of their duet.

“Just lovin life with @paulcauthen,” she captioned the post. She also uploaded photos from their day.

Cauthen posted pictures and a clip from their performance on Instagram as well, writing, “Thank you @stagecoach! Y’all were electric this year. Thank you @honeymoon for sharing the stage with me for this special moment. Thank you to my team for your support through this whole process. Y’all, we are just getting started!”

Del Rey, who has a country album called Lasso in the works, sang “Unchained Melody” last year for Christmas at Graceland, NBC’s holiday special celebrating the legacy of Elvis Presley. Cauthen previously covered the classic with Orville Peck, with the pair performing as their act The Unrighteous Brothers.

See Lana hitting a heavenly note on the Stagecoach stage with Cauthen.

Diddy Files Motion to Dismiss Some Claims in a Sexual Assault Lawsuit

Lawyers for Sean “Diddy” Combs pushed back against a woman’s lawsuit that accused him of sexual assault, filing a motion on Friday (April 26) to dismiss some claims that were not under law when the alleged incident occurred.

The motion filed in a New York court claims Combs cannot be sued because certain laws didn’t exist when Joi Dickerson-Deal made the allegations against him in 1991.

The music mogul’s lawyers want certain statues from Dickerson-Deal’s claims such as revenge porn and human trafficking to be dismissed with prejudice.

In a filing last year, she said Combs “intentionally drugged” her then brought her home and sexually assaulted her after a date in Harlem when she was a 19-year-old college student.

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Without her knowledge, Combs videotaped the assault and later shared it with several friends in the music industry, the suit alleges. He denied the allegations, accusing her of seeking to exploit the New York law that temporarily extended the statute of limitations.

Dickerson-Deal’s claim came nearly three decades after his alleged misconduct and the New York State Revenge Porn Law was not codified until 2019, Combs’ lawyers said.

His attorneys also pointed out a few others including the New York Services for Victims of Human Trafficking Law, which came into effect in 2007.

The Associated Press does not typically name people who say they have been sexually abused unless they come forward publicly, as Dickerson has done.

Last month, Combs’ properties in Los Angeles and Miami were raided by federal authorities in a sex trafficking investigation. The criminal investigation is a major escalation in the scrutiny of Combs, who has been the defendant in several recent sexual abuse lawsuits.

In a lawsuit Combs settled the day after it was filed in November, his former protege and girlfriend, the R&B singer Cassie, sued him alleging years of sexual abuse, including rape. The lawsuit said he forced her to have sex with male prostitutes while he filmed them.

In February, a music producer filed a lawsuit alleging Combs coerced him to solicit prostitutes and pressured him to have sex with them.

Another of Combs’ accusers was a woman who said he raped her two decades ago when she was 17.

Combs and his attorneys have denied all of the allegations in the lawsuits.

Ariana Grande Shares ‘We Can’t Be Friends’ Behind-the-Scenes Footage, Teases Next Single

Ariana Grande is offering up some behind-the-scenes footage as fans eagerly await her next single.

On Saturday (April 27), the 30-year-old pop superstar shared black-and-white footage from early recordings of her Billboard Hot 100 hit “We Can’t Be Friends (Wait for Your Love),” which blasted to No. 1 on the chart in mid-March.

“found some more behind the scenes of We Can’t Be Friends and couldn’t wait to share with you…,” the Wicked star wrote alongside the video on Instagram.

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In the clip, Grande is seen “piecing together the first two melody passes, resulting in the bridge you know today” with the assistance of co-writer and producer Max Martin. Also heard is the “first voicenote I texted to [songwriter Ilya Salmanzadeh] after he sent me the original beat,” she wrote in the post.

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The R.E.M. Beauty founder added, “this song holds such a special place in my heart and i can’t thank you enough for all of the love you’ve shown (and continue to show) it.”

“We Can’t Be Friends” is the second single from Grande’s seventh album, Eternal Sunshine, which launched at No. 1 on the Billboard 200 chart. “Yes, And?,” the lead single from the set, released on Republic Records, premiered at the summit in January.

Grande concluded her IG post by teasing the next single from Eternal Sunshine.

“i know everyone is antsy and excited for the next single (so am i — literally typing this to you while working on …a something…) but i appreciate your patience, allowing wcbf to continue doing her thing. i promise, i’ll do my best to make it worth the wait,” she wrote.

Grande’s mother, Joan Grande, took to the comments section to show her support for her daughter. “I love hearing you in the studio… pure magic! Pure genius!! Incredible… magnificent song, singer!!” she wrote. The singer’s brother, Frankie, added, “We know it’s going to be worth the wait and I’m so happy to continue celebrating WCBF! It’s a triumph!”

Salmanzadeh, who co-wrote “We Can’t Be Friends,” noted that the recording showed “Magic in the making. Such a special record. We are lucky to know and work with U my incredibly brilliant friend!”

In early April, exactly one month after dropped Eternal Sunshine, Grande shared additional behind-the-scenes video of her in the studio and revealed that she’s just getting started on promoting the project.

“i cannot wait for everything that has yet to come within this eternal sunshine cycle (that has only just begun & may it never end),” she wrote. “thank you for your love.”

See Grande’s “We Can’t Be Friends” behind-the-scenes footage post on Instagram below.

Future’s 25 Biggest Hits on the Billboard Hot 100

Future has evolved into one of rap’s dignitaries in the 2010s as he’s put up seven straight No. 1 albums on the Billboard 200.

Pluto broke out with a syrupy assist on YC’s “Racks” and earned an early Hot 100 hit in October 2012 with “Turn On the Lights.”

DJ Khaled has repeatedly recruited Future for anthems throughout his decorated career and the Atlanta rapper now calls the Billboard Hot 100 home since his epic mid-2010s mixtape run elevated him into a commercial superstar.

Metro Boomin and Future have connected for anthems like “Mask Off” in 2017, but the rapper-producer finally locked in for a pair of joint projects to set the tone for a scintillating 2024.

We Don’t Trust You topped the Billboard 200 with 251,000 total album-equivalent units in the week ending March 28, per Luminate. Future occupied half of the Hot 100’s top 10 in its debut on the chart.

One LP wasn’t enough as Future and Young Metro spun the block to unleash another 25 tracks packaged as We Still Don’t Trust You three weeks later in April.

The sequel debuted at No. 1 on the Billboard 200 chart (dated April 27), with 127,500 equivalent album units earned in the U.S. in the week ending April 18, according to Luminate. 

Future boasts 199 Hot 100 entries along with 15 top 10 entries of which three have reached the chart’s apex. With well over a decade of churning out anthems, check out Pluto’s 25 biggest Hot 100 hits below.

Future’s Biggest Billboard Hot 100 Hits ranking is based on weekly performance on the Hot 100 through the charts dated April 27, 2024. Songs are ranked based on an inverse point system, with weeks at No. 1 earning the greatest value and weeks at lower spots earning the least. Due to changes in chart methodology over the years, eras are weighted differently to account for chart turnover rates during various periods.

Jelly Roll Covers Toby Keith’s ‘Should’ve Been a Cowboy’ With T-Pain at Stagecoach 2024

Jelly Roll was full of surprises at Stagecoach 2024.

During his wild evening set on the country music festival‘s opening day Friday (April 26), the “Need a Favor” singer welcomed numerous unexpected guests onto the stage, including T-Pain, Ernest and Maddie & Tae.

Jelly Roll’s performance took place on the T-Mobile Mane Stage at Empire Polo Field in Indio, Calif., shortly before Eric Church’s headlining slot.

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Halfway through his 50-minute set, Jelly Roll was joined by T-Pain for their cover of Toby Keith‘s hit song “Should’ve Been a Cowboy.” The pair dropped a recorded version of the cover for Amazon Music a day earlier. The country star shared his thoughts on the classic track leading up to the music fest.

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“I had been covering ‘Should’ve Been a Cowboy’ for about a year now at most of my shows, just kind of honoring Toby as he was getting sick before he passed away,” Jelly Roll told Variety. “Then I really started chewing on, man, what better place to honor Toby than Stagecoach? Plus, Toby Keith was one of the artists that from afar, even though he would never have known it, encouraged me to do country music.”

Funds raised from the “Should’ve Been a Cowboy” cover will go toward the Toby Keith Foundation, which aids pediatric cancer patients. Keith died earlier this year following a battle with stomach cancer.

Elsewhere during his Stagecoach set, Jelly Roll welcomed collaborator Ernest for a performance of “Son of a Sinner,” which reached No. 1 on Billboard‘s Country Airplay chart in 2022. Jelly Roll was also joined by Maddie & Tae on what he called a brand new song titled “Liar.” The country duo will perform their own set on Saturday (April 27).

Jelly Roll ended his performance by bringing out his wife, Bunnie XO, and daughter, Bailee Ann, is turning 16 years old. To celebrate her birthday next week, the country star asked the thousands of fans to join him in singing happy birthday.

Earlier in the day, Jelly Roll visited celebrity chef Guy Fieri at the Smokehouse Cooking Demo stage for a cooking lesson.

Stagecoach continues with headlining performances by Miranda Lambert and Morgan Wallen, as well as sets by Elle King, Post Malone, Willie Nelson, Hardy and Bailey Zimmerman, among many others. The festival is streaming live on Prime Video or Amazon Music’s Twitch channel.

Fans have been speculating that Beyoncé could be making a surprise appearance at Stagecoach under the name “DJ Backwoods Barbie,” an unknown performer listed on the roster. Backwoods Barbie happens to be the name of a Dolly Parton album and Bey collaborated with Parton on Cowboy Carter.