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How would it look for an acclaimed drag superstar to take over the lead role in one of Broadway‘s buzziest plays? In the words Cole Escola’s interpretation Mary Todd Lincoln: “Sensational!” Explore Explore See latest videos, charts and news See latest videos, charts and news On Wednesday (June 18), Jinkx Monsoon announced that she will […]
NIVA ‘25 — the fourth annual conference for the National Independent Venue Association, slated to take place June 22-25 in Milwaukee — is happening against the backdrop of some of the fiercest ticketing battles heating up around the country. According to NIVA executive director Stephen Parker, this year alone throughout the U.S., there have been nearly 70 bills introduced in almost 30 states pertaining to ticketing, and the conference is set to address the good, bad and the ugly amid the fight.
“Ticketing continues to be the singular focus,” Parker tells Billboard. “Ticketing is turning into the proxy battle in legislatures — federal, state and local — for the future of live performance.”
The conference will include panels such as “Battling Scalping Goes to Washington, D.C.”; “Turn the Tables: Make the Ticket Resale Market Work For You”; “How We Solve a Problem Like Chargebacks”; and ticketing network sessions, all of which will focus on different ticketing issues facing independent venues. The subject of ticketing will also be part of conversations about local and federal regulations and be weaved into various other panels.
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“This conference is an opportunity and a catalyst for us to come together, assess what’s happened this year — our wins and losses in states fighting against predatory resellers,” Parker continues, “and come out of this conference with a plan to make sure that any sort of anti-consumer policy that’s being pushed by predatory resale platforms and brokers, we have a renewed strategy to address it and make sure that the freedom that fans should have from deception and fraud continues to reign supreme.”
Poor ticket buying experiences are impacting fans’ desire to attend more shows and hiking prices so high that many can only afford a limited number of shows each year. And on the venue side, credit card chargebacks have become a major issue.
One of the conference discussions will be “what can we do to make sure that that credit card chargebacks don’t take us down,” Parker says. “Especially given that most of those chargebacks, it seems, are coming from predatory resellers that have sold the tickets and are just trying to maximize their profits that they’re making off the backs of small venues and independent artists.”
While the subject of ticketing will take center stage at the conference — which is being held across the city at different independent venues — the conversations will touch on many other topics. After every conference, NIVA reaches out to its 1,500 members and asks them what subjects they would like to see represented at the following year’s gathering — and the organization, through programming director Jamie Loeb, has managed work more than 100 issues that affect independent venue owners into this year’s program. Among them, NIVA ‘25’s programming will also address declining alcohol sales, the purpose of middle agents, the performing rights and licensing landscape, marketing, and breaking through in the attention economy.
“If I were to say what the theme of this conference [is], it’s ‘How do we break through?’” says Parker.
One of the key methods for breaking through is telling the story of independent venues and the impact they have on local communities, as well as globally. During the conference, NIVA plans to unveil extensive data on the economics of independent venues, which the association hopes will help tell that story.
“I can tell you that it’s a mixed bag,” Parker says of the data. “There’s such promise and optimism and potential growth for the sector, but that growth and optimism is suppressed by the continued threats of predatory resale and monopolies and inflation. We’re going to talk about what we do moving forward in terms of how we address those monopolies.”
Attendees will be able to learn about best practices for dealing with government entities, from city councils to state legislatures, as well as hear about how other countries are moving to save their own cultural spaces.
The association will also use the conference to detail the expansion of its collective bargaining agreements. While NIVA introduced its collective bargaining program nearly 18 months ago, its efforts are continuing to expand.
“At least a quarter of our members have taken advantage of this program, either for discounts for food, discounts for equipment, discounts for sound and lighting. We’re thinking beyond just the physical and going to services and fees and things that every venue has to pay every day,” says Parker. “We will be announcing some exciting new opportunities for our members on that front to try to make the cost of doing business lighter for them.”
NIVA ‘25 kicks off this Sunday with an opening keynote from My Morning Jacket’s Jim James. Other discussions will include producer Jimmy Jam, former Capitol Music Group CEO Michelle Jubelirer and High Road Touring founder Frank Riley. For more information on NIVA ‘25, head here.
Kenshi Yonezu’s “Plazma” returns to No. 1 on the Billboard Japan Hot 100, on the chart released June 18.
The track is the theme song for the latest Mobile Suit Gundam installment called GQuuuuuuX -Beginning- and dropped digitally on Jan. 20. The track debuted at No. 1 on the chart released Jan. 29, and returns atop the tally after the double-A side single “Plazma / BOW AND ARROW” went on sale June 11.
With 310,981 copies sold in its first week, the single marks the highest first-week sales for a solo artist among all releases during the 2025 chart year so far. The CD release also led to significant growth in other metrics, with downloads gaining 108% over the previous week, karaoke 106%, video 198%, and radio airplay a whopping 745%.
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HANA’s “Burning Flower” debuts at No. 2. The new song by the recently formed girl group dropped digitally on June 9 and hits No. 1 for downloads, No. 3 for streaming, and No. 22 for radio. HANA currently have three songs charting on the Japan Hot 100, with “ROSE” at No. 7, “Drop” at No. 16, and “Tiger” at No. 23. The group is set to digitally drop another song called “Blue Jeans” on July 14, followed by the “Blue Jeans” CD single that includes “Burning Flower” on July 16.
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Mrs. GREEN APPLE’s “breakfast” slips a notch to No. 3, but is still going strong in various metrics, with streaming up to 120% and radio to 140% week-over-week.
Bowing at No. 4 is “Blue Hawaii Lemon” by ≒JOY (“Nearly Equal Joy”). The girl group’s third single launched with 207,790 CDs, a personal best for the group, and hits No. 2 for the metric.
Mrs. GREEN APPLE’s “KUSUSHIKI” is at No. 5. While the The Apothecary Diaries Season 2 Part 2 opener drops two notches from last week, overall points for the track remains mostly unchanged for the past four weeks, indicating a steady stream of listeners.
Elsewhere on the Japan Hot 100, Fujii Kaze’s lead single “Hachikō” (released June 13) off his upcoming new album Prema debuts at No. 29. The track comes in at No. 2 for downloads, No. 88 for streaming, No. 10 for radio, and No. 12 for video.
The Billboard Japan Hot 100 combines physical and digital sales, audio streams, radio airplay, video views and karaoke data.
See the full Billboard Japan Hot 100 chart, tallying the week from June 9 to June 15, here. For more on Japanese music and charts, visit Billboard Japan’s English X account.
Billboard’s rock album charts dated June 21 are topped by a pair of full-length releases new to No. 1 – though one is brand new while the other recently celebrated its 21st birthday.
My Chemical Romance’s Three Cheers for Sweet Revenge, the act’s 2004 breakthrough LP, returns to the Top Rock & Alternative Albums, Top Rock Albums and Top Alternative Albums charts at No. 1, while Turnstile’s newly released Never Enough debuts at No. 1 on Top Hard Rock Albums.
Three Cheers for Sweet Revenge earned 44,000 equivalent album units (up 809%) in the United States in the week ending June 12, according to Luminate. That sum includes 37,000 album sales, spurred by the release of its 20th anniversary deluxe edition on June 6. For the reissue, the album’s 13-song original tracklist was remastered and remixed, while four live versions of the songs from BBC Radio 1’s punk show The Lock Up in 2005 were added. (All versions of the album are combined for tracking and charting purposes.)
Although the bulk of the album’s coronation was driven by album sales, Three Cheers for Sweet Revenge nonetheless tallied a 77% increase to 8.9 million official U.S. streams in the tracking week.
Three Cheers for Sweet Revenge logged previous history on all three charts (in fact, it ranked at No. 14 on the inaugural Top Rock Albums tally in 2006), but its original release preceded the inceptions of those rankings. The set debuted at No. 103 on the Billboard 200 dated June 26, 2004, but had never risen higher than No. 28 (Sept. 24, 2005) prior to its reissue, which sends it to No. 6, as previously reported. The LP generated a trio of Billboard Hot 100 entries, paced by the No. 33-peaking “Helena (So Long & Goodnight).”
As for Turnstile, Never Enough launches at No. 1 on Top Hard Rock Albums with 38,000 units, including 28,000 from album sales. It’s the band’s first ruler on the chart, exceeding the No. 2 peak of Glow On in 2021.
Never Enough also bows at No. 2, behind Three Cheers for Sweet Revenge, on Top Rock & Alternative Albums, Top Rock Albums and Top Alternative Albums and arrives as the band’s first top 10 on the Billboard 200 at No. 9.
The albums hold the top two spots on Vinyl Albums, too. Three Cheers for Sweet Revenge leads with 31,000 vinyl copies sold, followed by Never Enough (21,000).
Two songs from Never Enough concurrently debut on the Hot Rock & Alternative Songs chart. The title track leads at No. 42 via 1.5 million streams and 1.4 million radio audience impressions, with “I Care” at No. 49 (1.4 million streams). They mark Turnstile’s first appearances on the tally.
Eight songs from Never Enough also rank on Hot Hard Rock Songs, fronted by “Never Enough” at No. 7.
Lead radio single “Never Enough” hits a new No. 11 high on Alternative Airplay. Turnstile is seeking its third top 10 on the chart in as many tries, following “Mystery” and “Holiday,” which reached Nos. 8 and 10, respectively, in 2022.
Bruce Springsteen isn’t backing down when it comes to his thoughts on President Donald Trump.
In a wide-reaching interview with The New York Times published Wednesday (June 18), the rock star criticized everything from the politician’s leadership to his effect on the social fabric of the United States. Springsteen is currently on his Land of Hope & Dreams Tour, on which he performs a setlist every night that he says “addresses our current situation” under Trump’s administration.
And how would Springsteen describe the current situation? “It’s an American tragedy,” he told the publication. “I think that it was the combination of the deindustrialization of the country and then the incredible increase in wealth disparity that left so many people behind. It was ripe for a demagogue. And while I can’t believe it was this moron that came along, he fit the bill for some people.”
Reflecting on Trump’s first few months in office since winning a second term, Springsteen added that “what we’ve been living through in the last 70 days is things that we all said, ‘This can’t happen here. This will never happen in America.’ And here we are.”
The Boss has long been vocal in his opposition to Trump, endorsing Kamala Harris in the 2024 election and telling The Atlantic four years prior that the twice-impeached POTUS was a “threat to our democracy.” Trump, however, hit back at Springsteen a few weeks ago after the rocker slammed his administration as “corrupt, incompetent and treasonous” during a May concert in Manchester, England.
“I see that Highly Overrated Bruce Springsteen goes to a Foreign Country to speak badly about the President of the United States,” Trump wrote on Truth Social shortly after the show. “Never liked him, never liked his music, or his Radical Left Politics and, importantly, he’s not a talented guy — Just a pushy, obnoxious JERK … This dried out ‘prune’ of a rocker (his skin is all atrophied!) ought to KEEP HIS MOUTH SHUT.”
The insults didn’t phase Springsteen, who has since continued to voice his dismay with the current state of affairs in his home country on stage. In late May, he released an EP featuring a recording of the speech that ticked Trump off.
And in his NYT interview, the Rock & Roll Hall of Famer didn’t shy away from criticizing Trump’s immigration policies, which in recent weeks have manifested in widely criticized ICE raids in places like Los Angeles. “There’s a large migrant population that lives and has altered Freehold in a very vibrant way,” Springsteen said of his hometown in New Jersey.
“There are communities all across America now that have taken in immigrants and migrant workers,” Springsteen continued. “So what’s going on at the moment to me is disgusting, and a terrible tragedy.”
Despite everything, though, the musician says he still has a lot of hope for the future of the country he’s spent his career writing about in his songs. Why? “Because we have a long democratic history,” Springsteen said. “We don’t have an autocratic history as a nation. It’s fundamentally democratic, and I believe that at some point that’s going to rear its head and things will swing back.”
He added, “Let’s knock on wood.”
A beverage startup that once planned to work with Rihanna’s brother will pay the Securities and Exchange Commission (SEC) more than $1 million for allegedly lying about nonexistent talks to develop an alcohol brand called “RiRi Rum” with the music icon.
Long Island-based beverage company The3rdBevco and its founder, Peter Scalise III, agreed to a $1.1 million SEC fine, according to court documents filed Tuesday (June 17). The settlement states that Scalise and The3rdBevco neither admit nor deny the allegations made by the federal investments regulator in a civil complaint docketed the same day.
In 2022, The3rdBevco publicly announced that it planned to bring on Rihanna’s brother, Rorrey Fenty, as a “senior strategic consultant” to develop a new alcohol brand called RiRi Rum in collaboration with the superstar singer and business mogul (born Robyn Rihanna Fenty).
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The SEC says that while it’s true that The3rdBevco did sign a letter of intent to hire Rorrey as a consultant, “there was never any deal, negotiation discussion or any other contact” with Rihanna or her management team for this supposed rum collaboration.
According to the complaint, The3rdBevco and Scalise repeatedly lied to investors throughout 2022 and 2023 that they were actively working with Rihanna on the rum product. Along the way, says the SEC, they used Rihanna’s “RiRi” trademark without her permission and included unauthorized Rihanna songs, images and even a fake signature attributed to the artist in investor presentations.
Neither Rihanna nor Rorrey is accused of participating in this illegal activity. While Rorrey did say he would try to facilitate a meeting between The3rdBevco and Rihanna if brought on as a consultant, the partnership agreement was never finalized, and Rorrey’s letter of intent was ultimately voided without him ever actually working for the company.
The SEC notes that Rorrey complained multiple times to Scalise that The3rdBevco should not have been using Rihanna’s images without authorization or touting the RiRi Rum brand without a deal in place.
In addition to claims about the fake Rihanna partnership, the SEC complaint also accuses The3rdBevco and Scalise of selling unregistered company shares and misusing nearly $900,000 worth of investor funds on personal expenses like tuition, mortgage payments and landscaping.
Mark David Hunter, a lawyer representing The3rdBevco and Scalise, told Billboard on Wednesday (June 18) that his clients “are pleased to have the matter resolved and behind them.”
Rorrey Fenty and reps for Rihanna did not immediately return requests for comment.
The original Broadway cast recording of Hamilton: An American Musical, jumps 31-15 on the Billboard 200 albums chart (dated June 21) – its highest rank in four-and-a-half years – thanks to a buzzy performance at the 2025 Tony Awards. The original Broadway cast reunited for the June 8 ceremony (broadcast on CBS, Paramount+ and PlutoTV) […]
Burna Boy is already planning to take his upcoming album, No Sign of Weakness, on the road this winter with a headlining North American tour, he announced Wednesday (June 18).
The 17-date trek kicks off on Nov. 12 at the Red Rocks Amphitheatre in Morrison, Colo., becoming the first Nigerian artist to headline the iconic venue. The tour will also go through major cities including Los Angeles, Houston, Chicago, Boston and Atlanta before wrapping up with two dates at the Scotiabank Arena in Toronto, Ontario, on Dec. 17 and 18. With the exception of his history-making opening show at Red Rocks Amphitheatre, the No Sign of Weakness Tour will feature the African Giant performing on a 360-degree stage in the middle of the floor.
Burna is releasing his eighth studio album on July 11 via Spaceship, Bad Habit and Atlantic Records. So far, he’s released four singles ahead of the project: “Bundle by Bundle,” “Update,” “Sweet Love” and “TaTaTa” featuring Travis Scott.
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No Sign of Weakness will arrive two years after the Afro-fusion superstar’s last album, I Told Them…. The 15-track LP reached No. 31 on the Billboard 200 and No. 2 on World Albums, and earned a 2024 Grammy nomination for best global music album. Singles “Sittin’ on Top of the World,” featuring 21 Savage on the remix, and “City Boys” were also up for Grammys, for best melodic rap performance and best African music performance, respectively.
Fans can sign up for artist presale, which continues through Sunday, June 22, at 11:59 p.m. ET. Artist presales and VIP packages are available Tuesday, June 24, from 10 a.m. to 10 p.m. local time via Ticketmaster. General onsale starts next Friday, June 27, at 10 a.m. local time. Visit Burna Boy’s website for more details and ticket information.
See the dates for Burna Boy’s No Sign of Weakness Tour below.
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Four-time Grammy-winning CCM band Third Day is set to launch its 30th anniversary headlining tour in 2026. The 30-date tour will mark the first time in 11 years that the band’s original four members — Mac Powell, Mark Lee, David Carr and Tai Anderson — will reunite on stage.
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The tour will celebrate the three-decade anniversary of their self-titled, major label debut album, which released in 1996 on Reunion Records. That project reached No. 11 on Billboard‘s Christian Albums chart, and spurred hits including “Forever,” “Blackbird” and “Nothing at All.”
Third Day previously embarked on its farewell tour in 2018.
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The trek launches March 19 at Vystar Veterans Memorial Arena in Jacksonville, Fla., and will conclude in the band’s hometown of Atlanta at the Gas South Arena on May 10. Along the way, the tour will make stops at Nashville’s Bridgestone Arena (April 12), Los Angeles’ Kia Forum (April 24), Chicago’s Credit Union 1 Arena (April 10) and Orlando’s Kia Center (March 22), among other show dates. Zach Williams, known for songs including “Chain Breaker,” will open shows on the tour.
Powell said in a statement, “I’ve been getting asked the question for many years, ‘When is Third Day going to do a tour again?’ and I’ve always said, ‘One day soon I hope!’ I’m so excited that we finally get the chance to play music together again on stage and give our fans what they’ve been waiting for.”
Lee added, “Third Day has always been, first and foremost, a live band. The best wayto celebrate 30 years is to get back together for a tour. I can’t wait to get back out on the road with these guys and put on a big show for our fans.”
Dan Fife, CEO of Awakening Events, added, “Celebrating 30 years of Third Day is a true honor, and bringing Mac, Mark, David and Tai back to the stage is something fans have been waiting for. Adding Zach Williams as a very special guest make this tour even more powerful. This is going to be a once-in-a-lifetime night of live music and celebration for all generations to experience.”
Tickets go on sale Friday, June 27, at 10 a.m. local time. To see a full list of tour dates, visit Third Day’s website.
Rod Stewart and Donald Trump may live close to one another, but that doesn’t mean the rock star feels any sort of neighborly way about the President of the United States.
In an interview with Radio Times published Tuesday (June 17) ahead of his upcoming Glastonbury performance, Stewart didn’t hold back when asked about the mogule-turned-politician, with whom he used to be friends. “I’m not a great fan of Trump,” he told the publication. “I knew him very, very well. I used to go to his house.”
“I live literally half a mile away,” continued Stewart, who has a residence in Palm Beach, Fla. “We’re both on the beach. I used to go to his Christmas parties. He’s always been a bit of a man’s man. I liked him for that. But he didn’t, as far as I’m concerned, treat women very well.”
Stewart added that he thinks becoming the leader of the country changed his former pal for the worse. “Since he became president, he became another guy,” the musician said. “Somebody I didn’t know.”
Trump and Stewart were friends for many years. Even leading up to the 2016 election — which the billionaire ended up winning, securing his first of two nonconsecutive White House terms — the Grammy winner stood by his fellow Floridian, telling Billboard when asked about the election in 2015, “I have strong political beliefs, [but] I don’t want to get into it … Donald Trump happens to be a friend of mine.”
Now, Stewart says he definitely doesn’t consider Trump a friend, citing one policy issue in particular as unforgivable. “No, I can’t anymore,” the artist said. “As long as he’s selling arms to the Israelis — and he still is. How’s that war ever gonna stop?”
Stewart joins a number of musicians who have criticized Trump’s administration, with many of them similarly taking issue with the U.S. government’s involvement in Israel’s ongoing war against Hamas — a conflict that has resulted in the deaths of more than 50,000 Palestinians since Oct. 7, 2023, when the terrorist group incited retaliation after killing 1,200 Israeli civilians and took 251 hostages.
“Someone’s gotta do something,” added Stewart. “What [Israeli President] Netanyahu is doing to the Palestinians is exactly what happened to the Jews. It’s annihilation, and that’s all he wants to do — get rid of them all. I don’t know how they sleep at night.”
The Rock & Roll Hall of Famer is set to headline Glastonbury later in June, with The 1975, Neil Young and Olivia Rodrigo also leading the four-day festival’s bill. Charli xcx, Doechii, Gracie Abrams, Noah Kahan, Wolf Alice and Busta Rhymes will perform as well.
Stewart’s set will take place after he was forced to postpone a handful of U.S. concert dates due to illness.
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