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Can Drake Recover After His Battle With Kendrick Lamar?

After a hellacious heavyweight feud between two of rap’s top superstars, Kendrick Lamar and Drake, the court of public opinion seems poised to announce the Compton MC as the victor. For now, Kendrick can rejoice and hold his head high after issuing the knockout blow of the battle on Saturday (May 4) with “Not Like Us,” topping streaming charts on Spotify and Apple and already making its way into the heart of pop culture. Meanwhile, his adversary Drake is left to ponder his next move, after seemingly dismissing the lyrical combat in what was likely his last song of the battle, Sunday’s “The Heart Pt. 6.” 

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Though Drake can proudly hoist his laundry list of accolades, spanning from his 13 No. 1 albums on the Billboard 200 to his all-time record number of Hot 100 entries, there’s no denying that this loss against hip-hop’s cerebral assassin will certainly muddy his standing in the rap world. Though he fought tooth-and-nail with Lamar throughout the weeks-long back-and-forth, you don’t get brownie points for coming in second place in hip-hop. Despite his glossy Hall of Fame resume, the question remains: Can Drake reclaim his glory and recover? Or did Kendrick deliver his fatality?

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From a mainstream standpoint, Drake’s legacy won’t be affected. For 15 years, he has shattered records by putting up video game numbers. He’s second to Jay-Z regarding rappers with the most Billboard 200 No. 1 albums, while being fourth overall (also behind Taylor Swift and The Beatles). Even after his 2023 For All the Dogs left fans and critics mostly underwhelmed, he still topped the Billboard 200 during the set’s opening week with 402,000 equivalent album units moved, while also notching two Hot 100 chart-toppers with the SZA-assisted “Slime You Out” and “First Person Shooter” with J. Cole.

Drake’s ability to weave in and out of the pop world whenever he chooses has enabled him to have a fanbase outside of rap. But while this beef has crossed over into pop culture, the reality is the feud was strictly for hip-hop culture and not really anyone else. The people who adored Drake for making “Hotline Bling” or “One Dance” won’t care too much about his loss to Kendrick as opposed to The Culture and will continue to champion him. 

When Drake sparred against Pusha T in 2018, he was in the midst of the best commercial run of his career. He had released back to back smashes in “God’s Plan” and “Nice for What,” ultimately topping the Hot 100 for a combined 19 weeks between them. But then, Pusha temporarily toppled Drake with “The Story of Adidon,” leaving the 6 God stunned and under duress. Though Drake didn’t respond to the scathing diss track, he pushed forward with his fifth studio album, Scorpion, and ultimately won the summer with his meme-ready, dance-challenge-inspiring single “In My Feelings,” which became his third No. 1 hit during that run. While The Culture buried Drake after his disappointing loss, the pop world never abandoned him.

In 2018, Drake survived Pusha’s avalanche onslaught by shifting attention away from the beef and towards the thing he still does best: making anthems. Though hip-hop listeners have long memories, mainstream America can be a little more prone to amnesia – and ultimately, who doesn’t love a comeback story? 

In addition, now that the battle is nearing its end, by taking a well-deserved break, Drake will allow not only hip-hop but, ultimately, fans to miss what he brought to the table essentially nonstop over the last 15 years. Absence makes the heart grow fonder, and the genre needs to see what life looks like without Drake for the next year or two, as he reimagines what he wants the next phase of his career to look like. The juggling act between attempting to be both the ultimate pop star and hip-hop’s most revered MC is a tall order for anyone to handle, including Drake. While his resume on the former half is unquestionable, he’s never fully accomplished the rap half of it – there have always been peers, including Kendrick, that demand more innate respect from the streets than Drake. 

As he weighs his future, Drake may have to decide which route he wants to go when finishing his story. After receiving harsh criticism for For All the Dogs, he dashed into the studio because The Culture demanded more rap songs. That birthed the project’s Scary Hours Edition, featuring some of his best rapping to date. Though hip-hop purists applauded his efforts, not everyone clapped for him, as they awaited his demise and later rebuked him after Kendrick’s demolition derby.

Drake also needs to decide if chasing love and admiration in hip-hop, a genre where some of the biggest stars collided with him during his “20 V 1” showdown, is worth the pursuit. If so, he should focus his efforts on proving himself with a hard-nosed rap album, considering that’s the one thing he hasn’t really done since If You’re Reading This It’s Too Late. If he’s indifferent to that idea, then he could fully embrace the pop star image and whip up radio anthems that would continue to chart and dominate. But he should pick one of the two lanes, because trying to operate in both is virtually impossible for him at this juncture of his career. And either way, the goal for Drake should remain the same: to put out the best music of his life, the kind that instantly changes the conversation and leaves the biggest L of his career another distant memory.

Hot 100 First-Timers: Tommy Richman Cashes In With ‘Million Dollar Baby’

Tommy Richman scores his first appearance on the Billboard Hot 100 chart (dated May 11), as his new single, “Million Dollar Baby,” soars in at No. 2.

Released April 26 on ISO Supremacy/PULSE Records, the song debuts with 38 million official U.S. streams, 302,000 in early radio airplay audience and 4,000 downloads sold in its first week of release (April 26-May 2), according to Luminate.

Since the Hot 100 began in 1958, only five other acts have debuted in the top two with no prior history on the chart. Lauryn Hill first achieved the feat on the Nov. 14, 1998 survey, when “Doo Wop (That Thing)” launched at No. 1; before that, though, Fugees charted three songs with her as a member. Fantasia was second, with a No. 1 start for “I Believe” after she won American Idol in 2004. In 2013, Baauer opened at No. 1 with his viral hit “Harlem Shake.” Zayn followed in 2016, when his debut solo single “Pillowtalk” arrived at No. 1; similar to Hill, One Direction had charted 29 songs with him as a member. Most recently prior to Richman, last August Oliver Anthony Music became the first act to premiere atop the Hot 100 with no prior chart history on any ranking when “Rich Men North of Richmond” debuted at No. 1.

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(Also notably, Artists for Haiti debuted at No. 2 in 2010 with its charity single “We Are the World 25: For Haiti.” The supergroup featured dozens of A-list artists and chart veterans, including Justin Bieber, Miley Cyrus, Celine Dion, P!nk and Usher.)

Before this week, Richman had notched one chart appearance: Brent Faiyaz’s “Upset,” featuring Richman and Felix!, reached No. 12 on Hot R&B Songs and No. 33 on Hot R&B/Hip-Hop Songs last November.

“Million Dollar Baby” has benefitted from attention on TikTok, where it has soundtracked over 150,000 clips on the platform to date.

Richman hails from Woodbridge, Va., and was the first artist signed to Faiyaz’s ISO Supremacy imprint, in partnership with PULSE Records. Richman also opened for Faiyaz on his F*ck the World, It’s a Wasteland Tour. “I’m grateful and amazed at the support from Brent, ISO Supremacy and the team at PULSE Records, which motivates me,” Richman said at the time. “To have the opportunity to open for Brent on his sold-out tour is an absolute honor and to sign to PULSE Records, a creative community that really understands music and supports artists, I couldn’t ask for more.”

In a 2023 interview with the Miami New Times, Richman discussed the difficulties of breaking into the music industry as a Virginia-based artist. “There’s a lot of passion through the scene back home, and I feel like it’s because a lot of people don’t get a fair shake,” he said. “It’s really hard to have your voice heard there. That’s probably why a lot of people from Virginia left, like Pharrell and Timbaland. It’s kind of key for an artist to leave their nest. That way, you can appreciate where you come from.”

Richman released his debut album, Alligator, in 2022 on Boom.Records. In September, he dropped the five-track The Rush, via ISO Supremacy.

Richman Rules Streaming Songs

Richman lands his first No. 1 on Billboard’s Streaming Songs chart via the chart-topping entrance for “Million Dollar Baby.” He’s the second act to land a first Streaming Songs ruler with an initial entry in 2024, following Benson Boone, whose “Beautiful Things” led for a week in February.

Unlike “Million Dollar Baby,” “Beautiful Things” rose to No. 1 in its third week on the chart. The last act before Richman to debut atop the list with a first charting song? Kim Petras, whose “Unholy,” with Sam Smith, started at the summit in October 2022. Splitting the accomplishment one level further: Since Petras was a co-lead on “Unholy,” the last act, like Richman, to launch a first entry atop Streaming Songs with no billed collaborators before this week was Olivia Rodrigo, with “Drivers License” in January 2021.

Notably, “Million Dollar Baby” represents the sixth No. 1 debut on Streaming Songs in 2024. Comparatively, nine songs debuted atop the ranking in all of 2023.

Richman Banks First R&B/Hip-Hop No. 1

Richman also storms onto the Hot R&B/Hip-Hop Songs and Hot R&B Songs charts at No. 1 with “Million Dollar Baby.”

Meanwhile, Faiyaz’s “Upset,” featuring Richman and Felix!, returns to Hot R&B/Hip-Hop Songs at No. 40, spurred by 4.2 million streams, up 94% from the prior week.

Similarly, after “Upset” originally hit No. 12 in Richman’s sole prior visit to Hot R&B Songs in November, he simultaneously ups his top 10 count to two as, concurrent with “Million Dollar Baby” bowing at No. 1, “Upset” reenters at No. 7.

Kevin Rutherford and Trevor Anderson contributed to this report

Billie Eilish Announces In-Person & Remote Movie Theater Listening Parties for New Album

Billie Eilish has something special planned for fans counting down the seconds until her third studio album Hit Me Hard and Soft arrives May 17.

To couple with her recently announced listening parties scheduled for May 15 and 16 in New York City and Los Angeles, the singer revealed Tuesday (May 7) that fans who weren’t able to score a ticket to the in-person events can still get the full experience with HIT ME HARD AND SOFT – A Listening Event Presented by Apple Music, which is coming to Dolby Cinema at AMC Theatres locations across North America on May 16 and 17. According to a release, the event will give listeners “the chance to be one of the first to hear the new album with a visual accompaniment.”

“[Something] special for those of u who can’t make it to la or ny,” Eilish wrote on Instagram Stories, sharing a poster for the visual project.

Tickets for the film’s two-day run cost $5 each and are available for purchase online. A portion of the proceeds will go to AMC Cares Charitable Fund, which disperses financial aid to qualified nonprofit organizations.

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The news comes one day after Eilish told followers via social media that she’d be coming to Brooklyn’s Barclays Center and LA’s Kia Forum for a pair of bicoastal first-look Hit Me Hard and Soft listening parties on the 15th and 16th, respectively. Fans were able to request up to two free tickets each on Ticketmaster once the announcement went live; the portal is still accessible, although Rolling Stone reports that the in-person shows are sold out.

Described by the two-time Oscar winner as a return to form — à la her debut record When We All Fall Asleep, Where Do We Go?Hit Me Hard and Soft features 10 tracks. The AMC and in-person listening events will mark the public’s first time hearing any of the songs on the record, as Eilish previously explained that she won’t be releasing any singles ahead of the project’s arrival.

Last week, the “Bad Guy” musician unveiled dates for her upcoming world tour, which kicks off Sept. 29 in Quebec and will take the singer across North America through late December.

Charli XCX Confirms She Did Write Music for Britney Spears (But It Was Never Recorded)

Charli XCX confirmed longtime rumors that she worked on new music for Britney Spears.

During a recent appearance on Watch What Happens Live, the “Von Dutch” singer clarified that she did write music for the pop princess, but Spears never recorded the tracks. “It leaked to the press. Britney then did this post where she was like, ‘I don’t have random people write for me.’ And I was like, ‘Oh. OK. Go off.’ So I don’t know that she was a part of the process,” Charli explained. “The team were present… But she didn’t record it. She obviously didn’t.”

However, Charli called the idea of Spears recording any of her songs “a dream come true.”

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Back in January, Spears slammed the rumors circulating about collaborating with Charli and Julia Michaels in an Instagram post. “Just so we’re clear most of the news is trash,” she wrote in a lengthy caption. “They keep saying I’m turning to random people to do a new album … I will never return to the music industry !!!”

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She continued, “When I write, I write for fun or I write for other people !!! For those of you who have read my book, there’s loads that you don’t know about me … I’ve written over 20 songs for other people the past two years !!! I’m a ghostwriter and I honestly enjoy it that way !!! People are also saying MY BOOK WAS RELEASED WITHOUT MY APPROVAL ILLEGALLY and that’s far from the truth … have you read the news these days ??? I’m so LOVED and blessed !!!”

Watch Charli’s full Watch What Happens Live interview below.



Giddyap! Musicians on Horseback

With many people opting to enjoy a Western aesthetic in 2024, from fringed jackets to cowboy hats to shimmering boots — and a plethora of artists offering up country-influenced music — it’s no surprise that all things equestrian have re-entered the spotlight as of late. Plus, there is the longtail, massive influence of the hit television series Yellowstone over the past half-decade in inspiring many to kick up their boots and trade the city for the country for a while.

Horses have long represented grace and strength, and have featured prominently in artists’ creative scopes, including on the covers of Beyoncé’s Renaissance and Cowboy Carter, as well as Missy Elliott’s Respect M.E., Bob Seger and the Silver Bullet Band’s Against the Wind, and Bruce Springsteen’s Western Stars. Of course, numerous country albums have featured horses, such as Shania Twain’s Queen of Me and Willie Nelson’s A Horse Called Music.

Given artists’ hectic and on-the-go touring schedules, often spending hours upon hours in buses, aboard planes and inside music venues, it’s no surprise that horses and the open spaces of the outdoors would be a timeless draw for musicians. Their four-legged equine friends make no demands for new music, endless social media content or various event appearances, representing a slower-paced companionship.

Beyond the expected cascade of country artists who have long professed their love for horses, we rounded up photos of several artists — including purveyors of pop, country, rap and more — to highlight stars’ passion for horses.

This collection features artists including Beyoncé, Bad Bunny, Andrea Bocelli and more.

See Exclusive Images From the New Chemical Brothers Book ‘Paused in Cosmic Reflection’

35 years ago, the trajectory of electronic music history shifted when Ed Simons met Tom Rowlands at the University of Manchester. Then students, the pair would go on to comprise one of the most celebrated electronic acts in the history of the then-nascent genre, after they united as The Chemical Brothers.

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The three and a half decades of shows, albums and block-rockin’ beats that have ensued since are under the microscope in the latest Chemical Brothers offering, Paused in Cosmic Reflection. Out today (May 7) via Mobius publishing, the retrospective book unpacks, in often granular detail, the Brothers’ mythology from the earliest days as students to rising U.K. stars to genre trendsetters and worldwide heroes.

Along with extensive interviews with the duo themselves, the book feature new interviews with friends and collaborators, including Noel Gallagher, Wayne Coyne, Beth Orton, Michel Gondry and Beck. The 300-plus-page Paused In Cosmic Reflection also includes many rare and and never-before-seen photographs. Assembled by Robin Turner, the book is dedicated to Stuart “Jammer” James, the group’s longtime tour manager, who died in 2015.

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Speaking to Billboard about the book last September, Simons offered, “I guess there’s no end date, but we are nearer to the end of The Chemical Brothers than we are the beginning… It has been good to reflect and remember some history. I guess you’ve got to do it before you start forgetting everything, and I’ve got a really good memory.”

“He remembers, like, every small gig above a barber shop we ever did,” added Rowlands. “Then someone would produce a photograph of it and I’d be like, ‘Oh, gotcha. Maybe we did do that…’ But one of the things about our band is, we don’t like stopping and reflecting. I always want to move on to the next thing. This book really felt like stopping and reflecting.”

See exclusive images from the book below.

Paused Cosmic

Paused in Cosmic Reflection

live show visual Show directors Adam Smith & Marcus Lyall

“Early on, Oasis was accepted as part of that culture,” Noel Gallagher says in the book. “Mixmag gave Definitely Maybe full marks and an incredible review when it came out. When I picked up the guitar and started to write again, the inclusiveness of the lyrics in house music showed up in my songs and became a big part of it. A song like ‘Live Forever’ would never have existed and wouldn’t have been called that before acid house. It would have been melancholy. The euphoria of acid house was so engrained in me, I was so into it and what I loved about it was the inclusivity. Songs were about us, they weren’t personal, they were about the collective. I adopted that and put it into my music.”

Paused Cosmic

Paused in Cosmic Reflection

Jake Chessum

Paused Cosmic

Paused in Cosmic Reflection

Adam Smith

“There were a few electronic bands playing live in the early nineties,” Simons says of the group’s early days. “We’d gone to see Kraftwerk when we were at university in 1991 and Tom had been in [prior dance act] Ariel, so we knew it was something that could happen, but initially we just DJed. We got offered to do [the club night] Sabresonic very early on; we’d only done a handful of remixes and [Chemical Brothers EP] Fourteenth Century Sky was just out. From the very start, we knew we didn’t want to be in the spotlight on stage. We decided that we wanted to have visuals projected right on top of us. And lots of strobes. That ethos has been the same for every gig we’ve played in the 30-odd years since.”

Paused Cosmic

Paused in Cosmic Reflection

Peter J. Walsh

Paused Cosmic

Paused in Cosmic Reflection

Mark Benney

“Ultimately, I think The Chemical Brothers have a great predilection for exploration,” says Beck, who worked with the duo on 2015’s “Wide Open” and 2023’s “Skipping Like a Stone.” “Their records always seem to take you to different places. They kind of sit in an unusual place between different eras of electronic music and DJ culture. It’s like they have one foot in multiple decades at the same time in a way that is utterly unique among their peers.”

Paused Cosmic

Paused in Cosmic Reflection

Mark Benney

“[1997 sophomore album] Dig Your Own Hole was us giving free rein to all of the different influences that were feeding into us from all around the world,” says Simons. “It was the most extreme expression of that, one where you could have a track like ‘It Doesn’t Matter’ sitting alongside ‘The Private Psychedelic Reel’. They’re completely different forms of music but they each evolved from everything that was channelled in, that fed into the making of Dig Your Own Hole. For us, our sound was entirely natural. It wasn’t something we sat down and pondered, tried to perfect. We had no intention of making a pure electronic dance record; we always wanted all of those external forces to be reflected.”

Paused Cosmic

Paused in Cosmic Reflection

Mark Benney

Met Gala 2024: Photos From the Star-Studded Afterparties

The annual Met Gala took over New York City’s Metropolitan Museum of Art on Monday night (May 6), with some of today’s biggest stars ascending the iconic white staircase in creative and jaw-dropping looks to capture the “Garden in Time” dress code.

While the Met Gala looked like a blast itself, the real fun happens after hours, when celebrities hit the town to party the night away in celebration. Among the hottest afterparties was the Après Met 2 Met Gala Afterparty hosted by Carlos Nazario, Emily Ratajkowski, Francesco Risso, Paloma Elsesser, Raul Lopez and Renell Medra — which was notably attended by reported exes Kendall Jenner and Bad Bunny, who looked cozy as they smiled and chatted on one of the couches together. 

Richie Akiva hosted his 10th Annual “The After” Met Gala Afterparty held at Casa Cipriani, which was attended by another pair of reported exes, Cardi B and Offset, who have been spotted together often recently despite the “Bodak Yellow” rapper declaring that she’s single back in December.

Usher also held his own Secret Garden Met Gala Afterparty at The Times Square Edition, while The Boom Boom Room also hosted an event celebrating the Met Gala.

We’ve compiled some of the best photos from all the Met Gala afterparties for you to check out below.

Berlin Philharmonic Brings the Annual Europakonzert to Georgia

There are times when a performance gains power not only from who’s playing what music and how, but also from when and where it’s played. So it was with the Berlin Philharmonic’s 2024 Europakonzert, which took place on May 1 at the historic Tsinandali Estate in Georgia.

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As Georgians protested in the streets of the capital city of Tbilisi against a law that would regulate NGOs and foreign media companies in a way that many people there believe would benefit Russia – or at least follow its illiberal path — one of the most accomplished orchestras in Europe delivered a majestic performance of pieces by Schubert, Brahms and Beethoven, as if to culturally anchor the country in the heart of Europe.

The concert at the Tsinandali Estate was gorgeous – an afternoon show, performed outdoors on a sunny day, with birds chirping in the background. (Conductor Daniel Harding stepped in for Daniel Barenboim.) The prominent violinist Lisa Batiashvili, who comes from Georgia and is now an artist in residence at the Berlin Philharmonic, performed the solos in Brahms’ Violin Concerto in D Major with power and exquisite sensitivity.

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The next night, the orchestra performed the same show at the Tbilisi Opera and Ballet State Theater – not far from where some of the protests took place – followed by considerable applause and the unfurling of a couple of European Union flags. It was hard to miss the symbolism – not nationalism but something more open-hearted. The politics never overshadowed the music, which was powerful in its own right, but it was clear how much the music, and the idea of Europe, meant to the Georgian audience. Sometimes concerts are the continuation of policy by other means.

Georgia sits a crossroads between Europe and Asia – always geographically and now politically as well. Culturally, the country has always faced West – it’s mostly Eastern Orthodox, and it was part of the Soviet Union before it gained independence. In December, under the current government, Georgia officially received candidate status to join the European Union, which the majority of people there seem to favor and would place the country firmly in the West. And although the overlap of the Europakonzert and the debate about the proposed law is just coincidental, it seemed to hint at two possible paths forward for the country: A kind of international optimism or a narrower nationalism.

The Tsinandali Estate, which was leased from the government and renovated by the Silk Road Group, a Georgian company, has its own particularly European cultural history. The estate, which fell into disrepair during the Soviet era, is identified with Prince Alexander Chavchavadze, a Georgian aristocrat, who used it in the 1800s to bring to Georgia European-style wine, formal gardens and classical music. Silk Road, which has restored the estate to its former glory with an eye toward historic preservation, now operates two hotels there, as well as nearby vineyard and a fall classical music festival that features young performers from across the Caucasus region. This, too, is profoundly optimistic.

“We thought, ‘How can we bring life to’” the estate, says George Ramishvili, the Silk Road Group’s founder and chairman. “And we chose classical music because it’s related to history.”

Europakonzert

Europakonzert

Stephan Rabold

Years ago, Ramishvili connected with the Berlin Philharmonic through Batiashvili, and they started discussing brining the annual Europakonzert to Georgia. “It’s the perfect music but also the message for peace – we’re both about a united Europe,” Ramishvili says. “Europe is Georgia and Georgia is Europe.”

Everything about the concerts brought that idea home. At both shows, the audience seemed to be mostly middle-class Georgians, probably a few years older and a bit more fortunate than most of the protesters, who skewed younger. But they both want more engagement with a Europe that has put aside its conflicts. The European Union has its share of problems, but it represents a more compelling vision of the future than anything coming out of Russia.

None of this hung over the concerts, though. The annual Europakonzert, which is usually but not always performed in an EU member state, is symbolic, for a variety of reasons, including where it happens and the role of Berlin, which has become the cultural capital of Europe. But anyone who didn’t understand the politics, or simply wanted to forget them, would have found the shows just as compelling without that context. At Tsinandali, the stone walls of the amphitheater seemed to magnify the sound, as birdsong broke through the quiet parts of Schubert’s The Magic Harp. Batiashvili brought a richness of tonal color to Brahms’ Violin Concerto in D Major, especially in the Tbilisi Opera and Ballet State Theater, where Harding brought out the orchestra’s power.

Music diplomacy has been a tradition since at least the 1950s, when the U.S. State Department arranged for “Jazz Ambassadors,” most famously Louis Armstrong, to tour the world. Musicians seldom solve international disagreements, and it’s not their job to do so, but shows like this bring countries closer together in a way that shows what they have to offer one another. These two shows made a powerful case for both the value of the European idea and its potential for expansion.

Europakonzert

Europakonzert

Stephan Rabold

Here Are the 2024 Met Gala Musician Looks Ranked

The first Monday in May means it’s one of the biggest fashion days of the year, the Met Gala. Some of the biggest stars walked the red — or white, rather — carpet on Monday night (May 6), showing off some of the most creative looks to capture the evening’s theme.

This year’s theme, Sleeping Beauties: Reawakening Fashion, is set to feature 250 items from the Costume Institute’s permanent collection, according to an Instagram post announcing the theme back in November. “From a 17th century English Elizabethan-era bodice and Christian Dior’s famous Junon and Venus ballgowns, to 21st century acquisitions by designers including Phillip Lim, Stella McCartney, and Conner Ives, the core exhibit will span 400 years of history,” the caption reads. See the full post here.

Additionally, the event’s dress code was “The Garden of Time,” inspired by a 1962 J.G. Ballard short story of the same name.

Bad Bunny and Jennifer Lopez served as co-chairs of the 2024 Met Gala on Monday (May 6) as will Zendaya, Chris Hemsworth and, as usual, Vogue’s editor-in-chief Anna Wintour.

Many artists embodied the dress code by utilizing texture, color and, of course, floral accents, but others completely missed the mark. See below for our full ranking of the 2024 Met Gala looks worn by musicians specifically, judged primarily on how well they followed this year’s dress code.

Macklemore Supports College Campus Protests, Rips Biden on Pro-Palestinian Song ‘Hind’s Hall’

Macklemore hasn’t been one to mince words in the past when speaking up for a cause he believes in. Now, the Seattle native is throwing his support behind Gaza and college student protests across America on the politically charged song “Hind’s Hall.”

The “Thrift Shop” rapper uploaded the fiery track to social media on Monday evening (May 6), and promised once the song makes it onto streaming services, all proceeds will go toward the United Nations Relief and Works Agency (UNRWA), which offers assistance and protection to Palestinian refugees.

“Hind’s Hall” is the new name student protestors have given to the Columbia University residence Hamilton Hall, in tribute to six-year-old Hind Rajab, who was killed in Gaza.

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The jarring visual accompanying the track shows footage of police getting violent with students protesting at college campuses, as well as deadly explosions taking place in Gaza City.

Macklemore kicks off with a salute to N.W.A and the group’s explicit 1988 anti-police anthem. “When I was seven, I learned a lesson from Cube and Eazy-E/ What was it again? Oh yeah, f–k the police,” he raps.

The Billboard Hot 100-topping artist goes on to call out President Joe Biden and America’s diplomatic support for Israel while revealing he won’t be voting for the incumbent again this fall.

“Where does genocide land in your definition, huh/ Destroyin’ every college in Gaza and every mosque/ Pushin’ everyone into Rafah and droppin’ bombs/ The blood is on your hands, Biden, we can see it all/ And f–k no, I’m not votin’ for you in the fall,” Macklemore declares.

The 40-year-old rapper also challenges those equating anti-Zionism with antisemitism, pointing out that he sees Jewish people standing in solidarity with the Palestinian people as well. “We see the lies in ’em/ Claimin’ it’s antisemitic to be anti-Zionist/ I’ve seen Jewish brothers and sisters out there and ridin’ in/ Solidarity and screamin’ Free Palestine with them,” he raps.

With the hip-hop world distracted by the Drake and Kendrick Lamar feud, Macklemore wants to shift the focus to ceasefire talks rather than hearing what the 6 God has to say next. “What happened to the artist? What d’you got to say/ If I was on a label, you could drop me today/ I’d be fine with it ’cause the heart fed my page/ I want a ceasefire, f–k a response from Drake/ What you willin’ to risk? What you willin’ to give,” he asks.

More than 2,000 students have been arrested across the country in pro-Palestinian protests, according to The Guardian. More than 100 of those were booked by New York police officers during protests at Columbia University last week.

On Oct. 7, 2023, Hamas terrorists invaded Israel, killing around 1,200 people and taking about 250 hostages, many of whom remain in Gaza, according to The Associated Press. Israel and Hamas have been entrenched in a deadly war since that has decimated Gaza; more than 34,500 Palestinians have been killed, per the AP, and more than 1,700 people in Israel have been killed, per ABC News. Ceasefire talks involving the release of hostages remain ongoing.

Earlier in 2024, Israel accused 12 UNRWA employees of being part of Hamas and helping coordinate the attacks against them; the organization immediately terminated or suspended the accused individuals, but lost much of its international funding as a result of the claims. Since then, an independent study concluded that no evidence was found connecting the UNRWA to the Oct. 7 attacks, according to NPR. Many nations have resumed funding to UNRWA since then.

Watch Macklemore’s “Hind’s Hall” visual below.