Music News

Donald Glover Shares ‘Atavista’ Album and Wild Choreo in ‘Little Foot Big Foot’ Video

Donald Glover shared some new old music on Monday morning (May 13) when he unleashed his new Childish Gambino project Atavista (3.15.20 reimagined versions). “New” is a relative term for the 11-track collection, which the actor/rapper explained the “finished version of 3.15.20, the album I put out four years ago.”

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Indeed, Atavista is a refresh of the 2020 Gambino album 3.15.20, which was originally uploaded in an unfinished state to donaldgloverpresents.com before it was removed and then re-uploaded to streaming sites a week later under it final title. A number of songs on Atavista appear to be very similar, if not exactly the same as those on the previous release, including “Algorhythm,” the Ariana Grande-featuring “Time” and others with guest spots from 21 Savage, Ink and Kadhja Bonet (“Psilocybae”) and Summer Walker (“Sweet Thang”); the 50-minute project does feature the new futuristic title track, which opens with chaotic synth squiggles before settling into a classic Gambino soul serenade, as well as the fresh robotic funk track “Human Sacrifice.”

Though fan favorite dreamy single “Feels Like Summer” is off the roster, Atavista is being fronted by hot jazz hop burner “Little Foot Big Foot” featuring Young Nudy (formerly known as “35.21” on the 3.15.20 album). In addition to a new title, the song gets its own video as well, a black-and-white narrative directed by Glover’s frequent collaborator, Hiro Murai, featuring a cameo from Quinta Brunson (Abbott Elementary).

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The six-minute clip opens with Gambino and his crew showing up to a Cotton Club-style nightclub as doo wop trio Johnny and the Pipes, with a warning from Brunson to not make eye contact with anyone in the front row. Playing to an unimpressed room, Gambino busts into the song’s irresistible chorus as he and his compatriots tear up the floor with moves that borrow inspiration from everyone from Beyoncé to Cab Calloway.

In typical Glover fashion, things go dramatically awry, as the trio win the room over in the most unexpected way and the scene shifts to a shot of Nudy dropping his verses in the dark under the desert stars.

In a statement, Glover said most of the songs on Atavista are spruced-up versions of the same songs from the previous album, noting that there’s also a “special vinyl coming soon w/visuals for each song.”

Last month Glover announced that he was preparing the final two Gambino projects, with Atavista to be followed by the soundtrack to his upcoming movie, Bando Stone & the New World.

Listen to Atavista and watching the “Little Foot Big Foot” video below.



Fans Choose RM’s ‘Come Back to Me’ as This Week’s Favorite New Music in All-Genre Poll

RM‘s “Come Back to Me” has topped this week’s new music poll that features artists in various genres of music.

Music fans voted in a poll published Friday (May 10) on Billboard, choosing the BTS singer’s new solo song as their favorite new music release of the past week.

RM’s latest track brought in 91% of the vote on the poll, securing a notable edge ahead of new releases from Gunna (One of Wun), Post Malone featuring Morgan Wallen (“I Had Some Help”), Camila Cabello fearuing Lil Nas X (“He Knows”), Megan Thee Stallion (“Boa”), and more.

“Come Back to Me” is the first single from RM’s upcoming 11-track second solo album, Right Place, Wrong Person. The new set is due May 24.

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“Come back to me/ Like you used to/ Now, I could see/ What a life is about/ I told you I’m fine tonight/ Staying good/ Spring always been here/ I will sleep in her eyes,” the 29-year-old K-pop star sleepily croons over acoustic guitar and whistling.

The song was first performed last August during a surprise appearance at BTS bandmate Suga’s Seoul concert on his SUGA | Agust D Tour ‘D-DAY’ The Final outing.

RM’s first solo LP, Indigo, was released in Dec. 2022, and peaked at No. 3 on the all-genre Billboard 200 and featured guests including Anderson .Paak, Erykah Badu and others.

Trailing behind “Come Back to Me” on this week’s poll is Gunna’s fifth studio album, One of Wun, with nearly 3% of the vote. The 20-track project includes collaborations with Offset (“Prada Dem”), Normani (“$$$”), Leon Bridges (“Clear My Rain”) and Roddy Ricch (“Let It Breathe”).

See the final results of this week’s poll below. Check out Billboard‘s Friday Music Guide to catch up with more must-hear releases from this week.

Taylor Swift Rules Billboard 200 for Third Week With ‘The Tortured Poets Department’

Taylor Swift’s The Tortured Poets Department spends a third straight week at No. 1 on the Billboard 200 chart (dated May 18), marking her first title to spend its first three weeks atop the chart since 2020’s Folklore spent its first six weeks at No. 1. (Between Folklore and the new album, Swift earned six No. 1 albums.) The Tortured Poets Department is the first album to spend its first three weeks in the pole position since Travis Scott’s Utopia led in its first four weeks last summer (Aug. 12-Sept. 2, 2023).

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The Tortured Poets Department earned 282,000 equivalent album units in the U.S. in the week ending May 9 (down 36%), according to Luminate. That marks the largest third-week for any album since Swift’s own Midnights clocked 299,000 units in its third frame (Nov. 19, 2022-dated chart).

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Also in the top 10 of the new Billboard 200, Dua Lipa achieves her highest-charting album yet, as Radical Optimism debuts at No 2. Plus, SEVENTEEN logs its fifth top 10-charting effort with the No. 5 arrival of SEVENTEEN Best Album ’17 Is Right Here.’

The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. The new May 18, 2024-dated chart will be posted in full on Billboard‘s website on May 14. For all chart news, follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.

Of The Tortured Poets Department’s third-week unit sum of 282,000, SEA units comprise 229,500 (down 30%, equaling 298.33 million on-demand official streams of the set’s songs), traditional album sales comprise 51,000 (down 53%) and TEA units comprise 1,500 (down 43%).

Swift adds her 72nd career week at No. 1 on the Billboard 200, extending her record among soloists (Elvis Presley has the second-most among soloists, with 67). The total encompasses her 14 leaders. (She’s tied with Jay-Z for the most No. 1s among soloists.)

Dua Lipa scores her highest-charting album yet on the Billboard 200 as her third studio effort, Radical Optimism, bows at No. 2. It enters with 83,000 equivalent album units earned — a personal best for the singer-songwriter. Of its starting sum, album sales comprise 51,500 (it’s the top-selling album of the week, and it’s Lipa’s best sales week ever), SEA units comprise 30,500 (equaling 39.7 million on-demand official streams of the album’s songs) and TEA units comprise 1,000.

The album’s sales were bolstered by its availability across 20 physical variants, all with the same 11 songs. There were 11 vinyl editions in assorted colors (one of which was signed, and most variants were exclusive to specific retailers) and two cassette tapes. In terms of CDs, there was a widely available standard CD with a lenticular cover, and then multiple CD iterations sold exclusively in Lipa’s webstore (a signed standard CD, a zine CD package, and four deluxe CD boxed sets — each containing a branded T-shirt and a CD, and two of the boxes also included a signed art card).

In addition, the album was issued as a widely available standard 11-song digital download and a deluxe digital album with two live bonus tracks sold exclusively in Lipa’s webstore.

Radical Optimism is Lipa’s second top 10-charting effort, following her sophomore set, 2020’s Future Nostalgia, which peaked at No. 3.

The new 11-song album was announced on March 13 following two previously-released singles “Houdini” and “Training Season.” The former dropped last November and peaked at No. 11 on the Billboard Hot 100 that month, while the latter topped out at No. 27 in March. A third single, “Illusion,” bowed at No. 43 on the chart dated April 27.

On the promotional front, Lipa opened both the Brit Awards (March 2) and the Grammy Awards (Feb. 4). On the former, she performed “Training Season,” while on the latter she presented a medley of “Training Season,” the Grammy-nominated Barbie soundtrack hit “Dance the Night” and “Houdini.” On May 4, a day after the album’s release, Lipa hosted and performed on NBC’s Saturday Night Live, performing “Illusion” and the album’s “Happy for You.” Further, the entertainer was named to Time 100 list of the most influential people of 2024 (and appeared on the magazine’s April 29 cover), graced the covers of both Rolling Stone (for its February issue) and Elle (May issue), sat down with Apple Music’s Zane Lowe for an hour-long interview (May 1) and even went day drinking with Seth Meyers (Dec. 11, 2023).

Two former No. 1s are up next on the Billboard 200, as Morgan Wallen’s One Thing at a Time is pushed down 2-3 despite a 3% gain (to 71,000 equivalent album units) and Future and Metro Boomin’s We Don’t Trust You falls 3-4 (down 1% to 61,000 units).

SEVENTEEN collects its fifth top 10 on the Billboard 200, all consecutive, as SEVENTEEN Best Album ‘17 Is Right Here’ debuts at No. 5. The retrospective compilation earned 53,000 equivalent album units in its first week. Of that sum, album sales comprise 49,000, SEA units comprise 4,000 (equaling 5.5 million on-demand official streams of the set’s songs) and TEA units comprise a negligible sum. The set’s sales were supported by its availability across a dozen CD variants, all containing branded paper merchandise like posters and photocards (some randomized). Exclusive iterations were sold by Barnes & Noble and Target, while signed editions were also available.

Ye (formerly Kanye West) and Ty Dolla $ign’s chart-topping Vultures 1 flies back into the top 10, as it wings 52-6 following the set’s arrival on vinyl. The effort earned 45,000 equivalent album units in the tracking week (up 173%), while album sales comprising 31,000 of that sum (up 37,841%). Essentially all of its sales were from vinyl — nearly 31,000, which marks the biggest sales week on vinyl for both Ye and Ty Dolla $ign. The vinyl edition of the album was exclusively sold via Ye’s official webstore, and was initially sold as a pre-order when the album was first released on Feb. 10 (as a paid download and via streaming services). At that time, when customers pre-ordered the vinyl, the webstore stated the vinyl would ship in “2024.”

Wallen’s former No. 1 Dangerous: The Double Album is squeezed 6-7 on the new Billboard 200, though with a 4% gain (to 42,000 equivalent album units). Beyoncé’s chart-topping Cowboy Carter falls 4-8 with 41,000 units (down 21%), Noah Kahan’s Stick Season slips 5-9 with 40,000 units (down 2%) and SZA’s former leader SOS falls 9-10 with 39,000 (down 1%).

Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.

Maya Rudolph Channels Madonna & Beyonce While Embracing ‘Mother’ Status in ‘SNL’ Monologue: Watch

Maya Rudolph has officially achieved “Mother” status on Saturday Night Live.

During her opening monologue on the Mother’s Day episode on May 11, the former SNL cast member gave a show-stopping musical performance that channeled Madonna‘s hit song “Vogue” and Beyonce‘s Renaissance aesthetics.

The glitzy monologue opened with the actress-comedian mentioning to the audience that she’s a four-time mother. SNL cast member Bowen Yang quickly chimed in to remind her, “But Maya, look — you’re not just a mom. You’re Mother,” adding, “You were the first to slay the house down boots, queen!”

Rudolph takes a liking to the new title and celebrates with a throbbing dance number while sporting a reflective black bodysuit and strutting through Studio 8H — aka the “House of Rockefeller” — surrounded by elaborately dressed backup dancers.

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“I’m your mother/ I’m your mother,” she repeats in a Madonna-esque fashion. “I’m your… Oops, I’ve made you dance/ Remember that movie when I pooped my pants?/ When you were a baby, you pooped your pants and I changed your diaper/ I’m your mother.”

SNL‘s Chloe Fineman and her adorable dog interrupt the party by asking Rudolph if “dog moms” should also be honored on Mother’s Day. “What about them?” she replies. “And honey, that’s not a dog, that’s a b—-.”

Saturday’s SNL marked Rudolph’s third time hosting the long-running sketch comedy show since leaving the program as a cast member 17 years ago.

Elsewhere during the episode, Rudolph reprised her role as Beyonce for a hilarious parody of the chicken wing-themed YouTube series Hot Ones. In the sketch, a follow-up to her parody from 2021, the comedian dons a cowboy hat and red, white and blue getup similar to the outfit Queen Bey sports on the cover of her latest album, Cowboy Carter, which debuted at No. 1 on the Billboard 200 in early April.

Watch Rudolph’s SNL monologue below. For those without cable, the broadcast streams on Peacock, which you can sign up for at the link here. Having a Peacock account also gives fans access to previous SNL episodes.



Brandon Lake, Anne Wilson, Elevation Worship Lead K-LOVE Fan Awards Nominees

“Praise You Anywhere” hitmaker Brandon Lake, CCM and country musician Anne Wilson and music collective Elevation Worship are among the artists topping the list of nominees for the fan-voted, 11th annual K-LOVE Fan Awards, which is set to return to the Grand Ole Opry House on Sunday, May 26, Billboard can exclusively reveal.

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Fan voting for the awards opens at 6 p.m. CT on Monday (May 13) and runs through 6 p.m. CT on May 24 at klovefanawards.com.

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Lake leads this year’s nominees with four nominations, including nods for artist of the year, male artist of the year, song of the year (“Praise You Anywhere”). Wilson, Elevation Worship, Phil Wickham, Matthew West and TobyMac each earned three nominations. Wilson is up for artist of the year, female artist of the year, and song of the year (“Strong”).

Among Elevation Worship’s nominations are group of the year and worship song of the year (“Praise”), while Wickham picked up nominations in categories including artist of the year and worship song of the year (“I Believe”). West, a 12-time Billboard Christian Airplay chart-topper, has nominations in categories including artist of the year and song of the year (“Don’t Stop Praying”) while 13-time Billboard Christian Airplay chart-topper TobyMac’s nominations include song of the year (“Faithfully”) and artist of the year.

Among those with first-time nominations in various categories are Stephen McWhirter (“Come Jesus Come”), Housefires featuring JWLKRS and Ryan Ellis (“I Thank God”), “Counting My Blessings” singer Seph Schlueter, “Good Day” hitmaker Forrest Frank, Caleb & John (“Hallelujah Feeling”) and Josiah Queen (“The Prodigal”), as well as Terrian, who earned her first nomination as female artist of the year, as well as a nomination for breakout single, for “Big God.”

The awards ceremony, hosted by Lake and Sadie Robertson Huff, will broadcast on TBN on May 31. In addition to music-related categories, the awards highlight impactful films, television series, books, and podcasts.

The awards ceremony, sponsored by Coca-Cola Consolidated, will conclude the K-LOVE Fan Awards weekend, which launches with a Friday evening (May 24) kickoff concert, a Worship in the Round event, emerging artist showcase, songwriter’s showcase and a Sunday morning worship service.

See the full list of 2024 K-LOVE Fan Awards nominees below:

Artist of the year

Anne Wilson 

Brandon Lake 

Casting Crowns 

for King & Country 

Lauren Daigle 

Matthew West 

Phil Wickham 

TobyMac 

Song of the year

“Come Jesus Come” – Stephen McWhirter 

“Don’t Stop Praying” – Matthew West 

“Faithfully” – TobyMac 

“I Thank God” – Housefires f/JWLKRS & Ryan Ellis 

“Praise” – Elevation Worship 

“Praise You Anywhere” – Brandon Lake 

“Somebody To You” – Rachael Lampa f/Andrew Ripp 

“Strong” – Anne Wilson 

Male artist of the year

Brandon Lake 

Chris Tomlin 

Crowder 

Jeremy Camp 

Matthew West 

Phil Wickham 

Tauren Wells 

TobyMac 

Female artist of the year

Anne Wilson

CeCe Winans

Katy Nichole

Lauren Daigle

Natalie Grant

Rachael Lampa

Tasha Layton

Terrian 

Worship song of the year

“Fear is Not My Future” – Maverick City Music 

“Firm Foundation” – Cody Carnes 

“Holy Forever” – Chris Tomlin 

“I Believe” – Phil Wickham 

“I Thank God” – Housefires f/JWLKRS & Ryan Ellis 

“Praise” – Elevation Worship 

“Praise You Anywhere” – Brandon Lake 

Breakout single

“Big God”- Terrian 

“Come Jesus Come” – Stephen McWhirter 

“Counting My Blessings” – Seph Schlueter 

“Good Day” – Forrest Frank 

“Hallelujah Feeling” – Caleb & John 

“The Prodigal” – Josiah Queen 

Group of the year

CAIN 

Casting Crowns 

Big Daddy Weave 

Elevation Worship 

Maverick City Music 

MercyMe 

We Are Messengers 

We The Kingdom 

Film impact

Sound of Freedom 

The Shift

After Death 

The Chosen Season 4 (Theatrical Release)

Big George Foreman 

The Blind 

Journey to Bethlehem 

Ordinary Angels 

TV/streaming impact

Jonathan & Jesus

Chasing CAIN

Eleanor’s Bench

Going Home (Season 2)

The Wingfeather Saga

Book impact

Mostly What God Does – Savannah Guthrie

Like A River – Granger Smith

Untangle Your Emotions – Jennie Allen

Practicing the Way – John Mark Comer

Rescue Story – Zach Williams

The Digital Fast – Dr. Darren Whitehead

Upon Waking – Jackie Hill Perry

The Awe of God – John Bevere

Podcast impact

Cooper Stuff – John Cooper

WHOA That’s Good – Sadie Robertson Huff

That Sounds Fun – Annie F. Downs

Made for This – Jennie Allen

The Candace Cameron Bure Podcast – Candace Cameron Bure

Back Porch Theology – Lisa Harper

Vampire Weekend Rocks ‘SNL’ With Performances of ‘Gen-X Cops’ and ‘Capricorn’: Watch

Vampire Weekend returned to Studio 8H to perform songs from their latest album.

During the May 11 episode of Saturday Night Live, hosted by former cast member Maya Rudolph, the Ezra Koenig-led rock quartet delivered a pair of tracks from their fifth studio album, Only God Was Above Us, which debuted at No. 27 on the Billboard 200 albums chart in late April.

The Columbia-bred rock outfit opened their SNL musical guest gig with “Gen-X Cops” and closed with “Capricorn.” Both tracks appear on the group’s new set, the follow-up to 2019’s Father of the Bride, which took home a Grammy Award for best alternative music album.

Saturday’s episode marked the “A-Punk” band’s fourth time on SNL, after making their first appearance in March 2008, not even two months after the release of the self-titled debut album that put them on the map.

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Elsewhere during the episode, Rudolph reprised her role as Beyonce for a hilarious parody of the chicken wing-themed YouTube series Hot Ones. In the sketch, a follow-up to her parody from 2021, the comedian dons a cowboy hat and red, white and blue getup similar to the outfit Queen Bey sports on the cover of her latest album, Cowboy Carter, which debuted at No. 1 on the Billboard 200 in early April.

Rudolph also performed a glitzy Madonna-inspired song during her monologue in honor of Mother’s Day on May 12.

Saturday Night Live‘s season 49 finale on May 18 will be hosted by actor Jake Gyllenhaal and musical guest Sabrina Carpenter.

Watch Vampire Weekend’s SNL performances below. For those without cable, the broadcast streams on Peacock, which you can sign up for at the link here. Having a Peacock account also gives fans access to previous SNL episodes.


https://youtube.com/watch?v=wHUomKhdEuQ&version=3&rel=1&showsearch=0&showinfo=1&iv_load_policy=1&fs=1&hl=en-US&autohide=2&wmode=transparent


https://youtube.com/watch?v=ksQqpyBJC_E&version=3&rel=1&showsearch=0&showinfo=1&iv_load_policy=1&fs=1&hl=en-US&autohide=2&wmode=transparent

Maya Rudolph’s Beyonce Returns for More Spicy Wings in ‘Hot Ones’ Parody on ‘SNL’: Watch

Maya Rudolph‘s Beyonce is back for some more spicy wings.

The former Saturday Night Live cast member returned to the long-running sketch comedy show as host on May 11, reprising her role as the superstar singer in a parody of the chicken wings-themed YouTube series Hot Ones.

In the sketch, a follow-up to her parody from 2020, Rudolph dons a cowboy hat and red, white and blue getup similar to the outfit Queen Bey sports on the cover of her latest album, Cowboy Carter, which debuted at No. 1 on the Billboard 200 in early April.

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“This is the only thing that I attempted that I did not slay, and that bothered both me and my husband, my husband is Jay-Z,” Rudolph’s Beyonce tells host Sean Evans (played by SNL‘s Mikey Day), referring to the original skit.

Things start off mild as Rudolph’s Bey samples her first wing while answering a question about her new country-themed album.

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“I just thought who gets to define country music, why not me?” she says. “This is a tasty wing, not that spicy. I’m from Texas baby, your girl likes it caliente. Let’s do the next one.”

As she begins to sample more hot wings, “Beyonce” becomes increasingly more uncomfortable with the rising temperatures.

“This wing is stomping my a–. Damn, my bones are hot,” she says after sampling sauces, including “Satan’s Taint Charred Chili” and “Sergeant Sphincter’s Volcanopeno.”

Similar to the 2020 parody, Bey’s handler eventually takes control of the situation and demands that all footage be destroyed.

This isn’t the first time Rudolph has portrayed the beloved music star. In addition to her Hot Ones sketches, the comedian played Bey in 2012 during a skit where other artists visited her and Jay-Z (portrayed by Jay Pharoah) following the birth of their daughter Blue Ivy.

Watch SNL‘s “Hot Ones with Beyoncé 2” sketch below. For those without cable, the broadcast streams on Peacock, which you can sign up for at the link here. Having a Peacock account also gives fans access to previous SNL episodes.



Fans Choose Peso Pluma, Junior H & Eslabon Armado’s ‘La Durango’ as This Week’s Favorite New Music Latin

Peso Pluma, Junior H and Eslabon Armado’s new song, “La Durango,” has topped this week’s new music Latin poll.

In a poll published on Friday (May 10) — in support of the weekly New Music Latin roundup and playlist, curated by Billboard’s Latin and Billboard Español editors — music fans voted for the Mexican artists’ latest collaboration as their favorite music release of the past week.

“La Durango” garnered nearly 70% of the votes, beating out other new songs that also dropped in the week, including Gaby Moreno’s “Alma Florecida,” Gian Marco’s “Dicen En Mi Barrio” and Black Eyed Peas’ “Tonight” with Becky G.

Grupo Frontera landed in second place with its new album, Jugando A Que No Pasa Nada, and Ryan Castro arrived in third place with his new set, El Cantante del Ghetto.

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“The title itself hints at the rugged Dodge Durango, perhaps symbolizing the artists’ robust ascent in the regional Mexican music scene,” wrote Billboard Español‘s Isabela Raygoza, spotlighting the track for New Music Latin. “This música mexicana trinity demonstrates that their combined force is not just a fleeting alignment, but a formidable fusion of talents that sets the bar high for genre contemporaries.”

The collab comes after Peso and Eslabon Armado’s wildly successful team-up “Ella Baila Sola,” which made history last year when it peaked at No. 4 on the Hot 100, the highest ranking for a Mexican music song on the tally.

See the final results of this week’s new music release poll below.

Moms In Music Founder Talks Supporting Women in Music Through Journey of Motherhood

Instead of annually, Mother’s Day is a year-round celebration for Brittney Brock and Moms In Music.

Founded by Brock in 2023, the community-fostering organization is dedicated to empowering, supporting and advocating “for women in music who are mothers, in mothering roles or on the journey to motherhood.” Its mission statement further notes, “We are a community of female music creators and music professionals who have come together to connect and empower one another to fulfill our true potential in an industry where motherhood has traditionally been viewed as taboo and where women are often marginalized.”

It was while working as president of operations for record label 10K Projects that Brock began envisioning the need for an organization like Moms In Music. “The reasons came from my personal experience as a woman and a woman of color in the business,” Brock recalls. Her industry background includes serving as Usher’s day-to-day manager and as an A&R executive at Def Jam.

“When I became pregnant in 2019,” Brock continues, “I was looking for other women who had been down the path that I was about to go down. I wanted to be able to ask questions and find resources. But I couldn’t really find anything or anyone that felt like a safe space to talk about it. I began talking with other women in the industry who shared the same sentiment: we needed a community; we needed to be able to build our own table.”

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Welcoming new members on a quarterly basis, Moms In Music stands at just under 200 members having just announced its Q2 class. Encompassing all genres and facets of the industry  as well as including artists and executives, the organization counts notable members such as former Capitol Music Group chairwoman/CEO Michelle Jubelirer, Grammy-winning artist Melanie Fiona, Grammy-nominated songwriter Makeba Riddick, background vocalist Rachel Beauregard (Maren Morris, Hozier) and trumpeter Crystal Torres, who played on Beyoncé’s Renaissance tour accompanied by a very visible baby bump.

In tandem with its launch last year, the organization hosted its inaugural Moms In Music brunch. Sponsored by the Recording Academy and Songwriters of North America (SONA), the event honored Grammy-winning artist Faith Evans, creative director/choreographer Jamaica Craft (Ciara, Usher) and Grammy-nominated singer-songwriter Dionne Farris. Plans are underway for a second annual brunch again in September.

During the day, Brock doubles as CEO of King Creative Group, which she established after leaving 10K Projects. The Atlanta-based firm provides talent management and operations consulting. Among the clients in its admin division: Quality Control Music. 

By no means, however, is Brock’s day job sacrificing the passion and determination that sparked her vision for Moms In Music. “Another of our goals is to be a source of inspiration for the generations that will come after us,” she declares. “It’s something I wish that I would have had.”

In the wake of the call for more diversity, equity and inclusion over the last several years, what positive changes have you witnessed for women in music?

Transparency is starting to happen a bit more just in terms of how the business operates. That’s because artists are becoming smarter about the business; wanting to maintain a level of independence. But with it also has to come a level of education in terms of how you do it and how you do it successfully. I’m inspired when I hear about artists going the independent route or choosing to be creative in how they structure their deals because they understand the mutual value that’s coming to the table. When it comes to moms specifically, we’ve seen a change in the last five to 10 years with artists being more vocal about being proud to be a mom; that family is a priority. Artists like Beyoncé, Rihanna, Ciara and others who are succeeding in their careers while shattering the misconception that a woman has to sacrifice or give something up. The more that we’re able to have spaces like Moms In Music and other organizations such as FAM [Family Alliance in Music] with which we’re partnered. The big picture goal is to be part of the disruption that we already see happening. You can’t be what you can’t see.

Speaking of which, what about women executives and the challenges they’re still facing?

The more faith we have in women and moms in the C-suite, the more they can advocate. The industry overall has a lot of work to do in terms of building better leaders who are delegating; who are managing in a way that is supportive for their team. Look at organizations that have great leaders. For instance, Jacqueline Saturn [Virgin Music Group president, North America/exec. vp of global artist relations]. I worked with Jacqueline when I was 10K. Literally everyone who’s on Jacqueline’s staff doesn’t want to go anywhere because she leads from a place of support. She’s created a safe space for her team where they feel comfortable coming to her or her executives as a team and say, “This is what I need.” And they support that. The more that we’re able to build better leaders at the top, there’s no choice but for that to trickle down to the rest of the organization. 

What kind of support does Moms In Music provide?

We focus on the personal and the professional. All of our support and programming are built around our four core pillars: physical wellness, financial wellness, professional development and spiritual/mental health. For example, a few days ago we brought in a financial wellness specialist from an organization called Moms with Benefits. And the specialist did a full presentation on topics like how long you can ask for extended maternity leaves and what you can do in terms of taxes and other matters that most of us didn’t have a clue about. We also recently presented a panel built around a series we’re launching called “More Than a Mom” that talks about how to reclaim your identity in motherhood.

Once you become a member, you have access to our members-only portal, our own mini-Facebook featuring whatever information you’d like to have available to other members so you’re able to network with each other. We also have a forum that lists our events plus recaps, videos, various resources and member feedback. Our virtual events, at least one per month, are generally open to anyone who wants to join. But our recaps and video replays are for members only. Next Monday [May 13], we’re doing a mixer in Nashville during Music Biz 2024 that’s open to anyone who wants to learn more about Moms In Music because we’re looking to further build our brand awareness. Leading into Mother’s Day, we presented three programs earlier this week. We’re also doing free giveaways to members each week this month.

How has establishing Moms In Music shaped your own journey as a business executive and mother?

To be very honest, I didn’t want kids. I was so career-focused, trying to climb the corporate ladder. That was literally all I could think about. Then everything changed. Now I’m so glad that God knew what I needed more than I knew. Because it’s changed my whole perspective on life. It’s given me purpose in a way I didn’t know that I needed. It’s also helped me tap into my strengths, my superpowers. I’m a way better executive since becoming a mom because I understand how to delegate. I understand how to prioritize like during the little window of time that you get after [school] drop off. I get so much done because I’m laser-focused. And being a mom has also helped me realize how much time I was wasting before. Just kind of chasing my tail, right? It’s helped me to understand purpose in a way that I’ve never understood before. Motherhood is definitely the hardest job I’ve ever had, from the minute I open my eyes at 5:15 a.m. and don’t stop moving untii 9:30 p.m. But it’s also the most amazing and fulfilling.

Moms in Music

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Eurovision 2024: Switzerland Defies the Odds to Win With Nemo’s ‘The Code’

Defying the odds, Switzerland won the 68th Eurovision Song Contest with “The Code” by Nemo on Saturday (May 11) at the Malmö Arena in Sweden. It’s the perfect bookend as Switzerland won the very first competition in 1956 with “Refrain” by Lys Assia. This is the European nation’s third win and the first since Celine Dion claimed victory with “Ne Partez Pas Sans Moi” in 1988.

Croatia was tipped to take the 2024 crown, and in the end, it did come down to the two countries vying for first place. Switzerland took a commanding lead with the jury vote, which is always announced first. Adding in the audience votes at the end usually provides for a dramatic ending, and it could have gone either way, but Switzerland collected enough points from the public to maintain its lead. It would have been Croatia’s first win out of 29 tries; it is the country’s best result to date, after three top five finishes — in 1996, 1998 and 1999.

Nemo, who identifies as non-binary, received the microphone-shaped glass trophy from the hands of Loreen, who won Eurovision in 2023 for Sweden with “Tattoo.” Nemo has been releasing music in Switzerland since 2015. They competed on Switzerland’s version of The Masked Singer in 2021-22 and was unveiled as the Panda in fifth place.

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It was a Eurovision Song Contest with more drama than in recent memory. Joost Klein from the Netherlands was disqualified after the semi-finals because of an alleged backstage incident. Alanna Mele, designated to be the spokesperson to give Norway’s jury points on air, withdrew the day of the final with a statement that ended with “Free Palestine.” Slimane from France unexpectedly stopped his performance during Saturday afternoon’s (May 11) dress rehearsal for a message of love and peace. Bambie Thug from Ireland protested to the European Broadcasting Union about remarks from the Israeli commentator and missed one of her rehearsals.

One of the biggest questions of the night was whether would ABBA appear, 50 years after giving Sweden its first Eurovision victory with “Waterloo.” While the four members did not appear in person in Malmö, they were represented by their avatars in London, where the virtual show Voyage has been playing for two years. While most of their dialog about their Eurovision win was directly from the show, they did add comments wishing everyone well in Malmö.

Nemo’s win means that Switzerland will host Eurovision in 2025. Cities in that nation can vie to host. Switzerland previously hosted Eurovision in Lugano and Lausanne.

The top 10 countries for Eurovision 2024 and their combined points from the jury and public votes are:

  • Switzerland, 591
  • Croatia, 547
  • Ukraine, 453
  • France, 445
  • Israel, 375
  • Ireland, 278
  • Italy, 268
  • Armenia, 183
  • Sweden, 174
  • Portugal, 152

Norway finished last with 16 points. The U.K. entry “Dizzy” by Ollie Alexander, did not fare well with the juries, receiving 46 points, but completely failed with the public, being the only nation to receive zero points from viewers voting by telephone, website, SMS and the Eurovision app.