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There was nothing ordinary about Alex Warren‘s star-studded experience at Stagecoach 2025, especially a moment during which Lana Del Rey sang his own song back to him backstage.
In a video posted to TikTok Sunday (April 27) — the same day the TikToker performed at the festival during Jelly Roll‘s headlining set — Warren hangs out with the “Summertime Sadness” singer and “Son of a Sinner” musician in a special lounge area. As Warren smiles incredulously, Del Rey sings a lyric to his chart-climbing breakout hit, “Ordinary”: “You’re takin’ me out of the ordinary …”
“Every time I hear it, I think, ‘Why can’t we hear more like this?’” the alt-pop star gushes of the track as Jelly nods. “Because it takes you to church.”
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In footage seemingly filmed just moments after, a shocked Warren marvels, “Lana Del Rey was singing my song? To me?”
“Your song now,” he adds breathlessly. “Not my song, that’s your song. Oh my god.”
The recognition from Del Rey is just one of many pinch-me moments Warren has experienced since “Ordinary” has propelled him to new heights, with the track reaching a new peak of No. 5 on the Billboard Hot 100 dated April 26. He also sang the song with Ed Sheeran at the British pop star’s Coachella pop-up April 20, and at Stagecoach, the social media star performed it alongside Jelly for thousands of fans in Indio, Calif.
The duo also debuted their upcoming collaboration, “Bloodline,” during the “Need a Favor” musician’s set. On Instagram, Warren further teased the track by posting a video of himself and Jelly singing the lyrics, writing, “this album is about to be CRAZYYY.”
In addition to playing her own Stagecoach set — during which Del Rey raised eyebrows by singing about supposedly kissing Morgan Wallen — the “Snow on the Beach” musician, like Warren, made a cameo during Jelly’s performance. Subbing in for Lainey Wilson, she and the country star belted out his finale number, “Save Me.”
About a month after officially announcing Jackboys 2, Travis Scott is teasing a release date for his Cactus Jack label compilation sequel. La Flame essentially confirmed the project was done on Monday (April 28) when he wished his mother, Wanda, a happy birthday on Instagram, where Scott revealed that he played JB2 in full for […]
Katy Perry loves sharing her woman’s world with Lady Gaga. In the crowd at Mother Monster’s ¡Viva La Mayhem! concert in Mexico City Saturday (April 26), the “Firework” singer was one of tens of thousands of fans cheering on Gaga, whom she later praised in a sweet message on Instagram.
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In a clip posted to her Story two days after the show, Perry and a friend passionately sing along with Gaga as the latter performs Mayhem single “Abracadabra” on stage at GNP Seguros Stadium. The former American Idol judge — who arrived with her team to witness the locally dubbed “¡Viva la MAYHEM!” show — also shared a video of Gaga singing “Perfect Celebrity.”
“Show was MAGINIFCA!” Perry wrote. “The dress! The sand! Every moment was theee moment.”
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“So proud of you and grateful to grow up together @ladygaga,” the singer also gushed. “Love u.”
Gaga’s performance in Mexico’s capital came just three days after Perry kicked off her own Lifetimes Tour in the city, performing a mix of past hits and selections from 2024 album 143 at Arena CDMX Wednesday (April 23). Much of the show featured space-themed outfits and visuals, matching the “California Gurls” musician’s recent trip above the Earth’s atmosphere – about 62 miles up to the Kármán line, which is the internationally recognized boundary of space — on Blue Origin’s first all-woman space flight April 14.
At one point, Perry invited two fans dressed as astronauts to join her on stage. “You guys look so good,” she gasped at the time. “I want these gentlemen to come on stage, because they are dressed like my most current timeline.”
The Haus Labs founder first premiered her Mayhem live show at this year’s Coachella, headlining the festival April 11 and 18. She’ll next perform in Rio de Janeiro for a special Mayhem on the Beach performance May 3, after which she’ll set up shop for four nights in Singapore before embarking on her Mayhem Ball tour through North America, Europe and Australia.
“To all my beautiful little monsters who are here tonight, it is an honor for me to be here, in your beautiful country, performing for you,” Gaga told her fans in Mexico City Saturday. “It’s been 13 years since the last time I was here. I hope you see how hard I’ve worked on stage tonight to show you how much I admire and respect you. I sincerely thank you for choosing to spend the night with me.”
Mariah Carey tops the pop-forward line-up for Capital’s Summertime Ball with Barclaycard 2025 show slated to take place at Wembley Stadium on June 15. In addition to Carey, the show will also feature sets from Benson Boone, Lola Young and KSI. Explore See latest videos, charts and news See latest videos, charts and news The […]

Kim Thayil says that even before Chris Cornell‘s death in 2017, the members of Soundgarden would have conversations about the band being inducted into the Rock and Roll Hall of Fame.
“Sometimes ideas have been tossed out — sometimes as a lark, just general chatter among buddies, and sometimes as a more serious, sincere thing,” the guitarist tells Billboard. “We would joke around like, ‘Hey, if we ever got in the Rock Hall, what special thing would we do? Who would we want to induct us?’ We’d throw out all sorts of things; some of it was bulls–t clowning around, some of it was serious.
“So we’ve given a little bit of thought to it.”
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Thayil and company are definitely thinking more seriously about it now that, after two previous nominations, Soundgarden has been named as part of the Rock Hall’s class of 2025, which will be inducted on Nov. 8 in Los Angeles. First and foremost, he’s happy the Seattle band’s time has finally come.
“I felt fairly confident that there was absolutely no reason why we wouldn’t qualify for induction — from how I appraised the work we did and from what I received over the years from our peers and the music industry,” Thayil says. “I’m much more appreciative now, especially when I saw the response people have given me when they learn about the nominations.”
Nevertheless, he acknowledges, his own enthusiasm for the Rock Hall honor took some time to evolve.“I kinda came from a subculture of rock that didn’t quite get what all the fuss is about,” Thayil tells Billboard. “Back in the ’80s, ’90s, when the Hall started, I probably was not alone in being part of a punk rock or indie metal scene that had an aversion to the idea. It was kind of hard to wrap my head around both a qualitative appraisal and a quantitative assessment.”
His view changed first after Cornell inducted Seattle rock precursors Heart into the Rock Hall in 2013, and then later after friends from Nirvana and Pearl Jam (including Soundgarden drummer Matt Cameron) were inducted during 2014 and 2017, respectively.
“Chris lived the experience and said the enthusiasm of the fans was eye-opening for him, and understanding how important that was — and Matt seconded it,” Thayil explains. “In so many ways the fans got some kind of validation by having a band that was important to their heart and that they championed get (the honor). I know I felt that way about bands I believed in, whether the MC5 or the Ramones or Kiss.
“Chris explained that to me, and that kind of changed things. Plus I heard this from the Nirvana guys, the Pearl Jam guys, other friends and other bands. So it really changed my perspective.”
And Thayil is confident that Cornell — who died by suicide in May of 2017 following a concert in Detroit — would “definitely be stoked” about Soundgarden being inducted.
“He’s the one who convinced me how appreciative the fans and our peers and the Soundgarden community — that includes the people that we work with and work for us — would be about it,” Thayil says. “He realized how important that was, and he understood that would be important to us because it’s important to people who cared about us and helped us and supported us all along.
“That’s how I believe Chris would respond to this. I think he’d be very appreciative and thankful to all the people who have believed in him and believed in the work he did and the work that we all did, collectively.”
Thayil says Cameron and bassist Ben Shepherd are both “very happy” about the induction news, and the guitarist is also pleased that original bassist Hiro Yamamoto — who was with Soundgarden from 1984 to 1989 and played on its first two EPs and first two albums — is being included in the induction.
“It’s the classic lineup and the foundational lineup,” Thayil says. “[Yamamoto] was really enthused, too. You have to reflect upon our formation and all the hard work, just the weird things we went through — walking miles and stapling posters to telephone poles for a gig 40, 50 people will be at, the van tours — not just of the U.S. but in Europe — sleeping on floors in Motel 6. It’s a long way, and I enjoy sharing and seeing enthusiasm from my bandmates and our people in the Soundgarden community — management, crew, everybody. It’s great.”
During its 34-year run, Soundgarden released six studio albums, including the six-times platinum Superunknown in 1994, and won two Grammy Awards. The group was the first of the so-called Northwest grunge bands to sign with a major label (A&M Records in 1989) and spearheaded a movement out of Seattle. The late Cornell also released five studio albums and joined members of Rage Against the Machine in the band Audioslave during Soundgarden’s 1997-2010 hiatus. Its final release to date was King Animal in 2012.
Thayil, Cameron and Shepherd have played together only a handful of times since Cornell’s death, including at a charity tribute concert for him during January 2019 and as part of the Taylor Hawkins Tribute Concert in September of 2022, both at the Kia Forum in Inglewood, Calif.
Soundgarden’s previous Rock Hall nominations came in 2020 and 2023, and Thayil says Cornell’s absence has always been top of mind when the honor has been broached.
“It’s a high bar, not just technically, but emotionally,” he acknowledges. “There has to be a reverence for the missing brother and founder, and there also has to be reverence for the legacy — both for Chris’ work and Chris’ creativity, as well as the regard and reverence we have for ourselves collectively and for each other. Some suggestions have come out; I’m not prepared to share that, but I’ll just say it’s a higher bar than the usual composite of guitarists and drummers or singers.”
Also lurking, of course, is the specter of seven unreleased Soundgarden recordings that were the subject of legalities between the band and Cornell’s widow, Vicki Cornell. The matters were settled during the spring of 2023, but there’s no word about plans to release that material. “Certainly the catalog will continue to be addressed,” Thayil promises. “It’s been kinda shelved for a few years, but it will be addressed.”
In the meantime, Cameron is currently on tour with Pearl Jam, and work with Thayil in the band 3rd Secret — which also Nirvana bassist Krist Novoselic and others — has so far released two albums. Thayil also guests on albums for a variety of other artists, which he’ll continue as Soundgarden prepares for November’s festivities.
“We always wanted to be the kind of band for our fans that we looked up to and inspired us — that’s always been a context in which Soundgarden understood its own work,” Thayil says. “We wanted to be that kind of band would make decisions with regard to that community that had supported us or that we had worked to build, and I think we did a great job of that.”
For Leslie Fram, the highly respected former senior vp of music and talent for CMT, launching her own company that continues her work advocating and amplifying artists’ voices is a natural move.
Fram, Billboard’s 2021 Country Power Players executive of the year, has founded FEMco (Fram Entertainment & Music), a consulting company with divisions focused on artist development, talent booking and production, as well as a B2B arm that will connect outside businesses to Nashville companies.
“I’ve always wanted to start my own company, leveraging my three decades of accumulated experience and opportunities to intentionally design a purpose-driven business that aligns with my personal and professional aspirations,” Fram tells Billboard. “Through my time in radio and television, I’ve gained a wealth of knowledge, skills and insights from various roles, industries and projects that are not just a collection of past events but a foundation for future endeavors with FEMco. Starting my own company, doing what I enjoy most, was the best choice for me.”
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The new company will allow Fram to use her estimable mentoring, community-building and networking skills that she put into practice during her 13-year tenure at CMT, which she left in September. While there, Fram launched a number of programs, including CMT’s Next Women of Country, which gave a platform to nascent female country artists. She also created the Next Women of Country Tour, which paired Next Women of Country participants with established headlining acts. She was also a fierce advocate for equity, pushing CMT to institute its Equal Play initiative, with a commitment to 50/50 video airplay for female artists on the TV network and CMT Music channels.
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While at CMT, Fram executive-produced the annual CMT Music Awards, CMT Crossroads and Storytellers. In January, she served as talent producer on CBS Presents Ringo & Friends at the Ryman. Prior to CMT, she had an illustrious background in rock and alternative radio, serving as program director and on-air talent at influential Atlanta alternative rock station 99X before becoming program director and morning show co-host with Matt Pinfield at New York rock station WRXP. She moved to Nashville in 2011.
While FEMco’s other divisions focus on all genders, keeping with her groundbreaking work with female country artists at CMT, Fram has already launched FEMco Presents, “the company’s music-focused production arm that will create multiple opportunities for female artists to increase their visibility and reach via events, sponsorships and more,” Fram says. The first franchise under FEMco Presents is FEMcountry, which will work with women country artists as “a continuation of my work in creating programs like ‘Next Women of Country’ and my passion for elevating female voices in country,” she adds.
FEMcountry soft-launched in March with a singer-songwriter event at Reynolds Lake Oconee in Georgia. “Moving forward, FEMcountry will include writer’s rounds, showcases, listening events both in Nashville and nationwide, along with curating festivals,” Fram says. “The goal is to support female artists in all aspects of their career, finding a stage to play on and to get paid.”
Fram sees her new venture as a through-line in her decades-long work supporting artists. “FEMco will absolutely represent the work I did at CMT in elevating women in country music via FEMcountry,” she says. “A program like ‘Next Women of Country’ is still as relevant today as it was when I launched it over 10 years ago — women are still criminally underrepresented in the country music format.”
Fram also plans to launch FEMpop and FEMrock.
The B2B element will connect companies and brands looking to establish a presence in Nashville with the local music and entertainment market. “Through our extensive industry relationships, we are able to help navigate the city’s unique blend of creativity and commerce with relationships to build authenticity and visibility,” Fram says.
Through FEMco, Fram will also continue working with mtheory CEO Cameo Carlson on another former CMT program, Equal Access, which helps artists and management professionals break into the country music industry.
FEMco will work with artists and companies on an a la carte basis depending upon their individual needs, Fram says.
It’s a story as old as time: no matter who cool you think you are — even if you’re one of the biggest pop idols on the planet — there are plenty of times your kids are just not interested in what you have to offer. That’s why it was helpful that Rihanna shared the […]
Mike Van has been elevated to the role of CEO of Billboard — the first time anyone has held the role.
In this position, Van will oversee Billboard’s global brand footprint in 15 countries, along with all aspects of strategy, revenue, business operations, live experiences, international licensing and brand partnerships. Van will oversee both the business and editorial teams, with Billboard editor-in-chief Hannah Karp now reporting to him directly.
Van has served as the president of Billboard since 2022, driving double-digit revenue growth and expanding the brand’s global presence. Van has also driven Billboard‘s digital transformation and continued to develop cutting-edge live experiences, including Latin Music Week, the Billboard Latin Music Awards, THE STAGE at SXSW, the Billboard Music Awards and Billboard Women in Music.
Van will report to Jay Penske, chairman and CEO, Penske Media Corporation.
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“Mike is a one-of-a-kind leader, visionary and partner,” Penske said. “His passion for the Billboard brand and clear vision for its future has always set him apart. Mike has fostered a collaborative environment with a team committed to building a formidable global business – innovating and trailblazing at every level. It has been inspiring to watch Billboard’s seismic growth over the last several years and I look forward to seeing the brand continue to thrive under Mike’s leadership.”
“It is the honor of a lifetime to lead Billboard and the team,” Van said. “Together, we have cultivated a culture of excellence. What we’ve built over the last several years has been nothing short of extraordinary, particularly in a media landscape marked by contraction and consolidation. I am deeply proud to carry this legacy forward as we shape the next 125 years by continuing to celebrate artist and executive achievements through our charts, content, global IP expansion and evolving our signature live experiences, cementing our position as the definitive voice of music business and culture.”
Van’s career has spanned media, entertainment and business transformation. He has held leadership positions at Billboard for the last seven years before serving as president. In addition to his time with Billboard, Van brings more than 25 years of marketing and monetization experience, including leadership roles at Pandora, Electronic Arts and Complex.
A day before the kick-off of her anticipated Cowboy Carter and the Rodeo Chitlin’ Circuit Tour, Beyoncé gave the Beyhive a preview of the outings massive set. In a dramatic 16-second greyscale video titled “SHE COMING” the camera slowly pans from the darkness inside the concourse of Los Angeles’ SoFi Stadium into the light of […]

Noel and Liam Gallagher are just 67 days from kicking off their first tour in more than 16 years. And while the formerly battling brothers have kept a tight lid on what fans can expect from Oasis 2.0, according to reports from the U.K., they recently took the stage together for the first time in nearly two decades and, as you might expect, the neighbors complained about the noise.
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According to The Guardian, the Gallaghers were pictured arriving at the Mildmay club in North London on Thursday, where they were reportedly filming a promo video for their sold-out summer reunion tour. They reportedly spent an hour at the club and made such a racket that the neighbors lodged a noise complaint. At press time a spokesperson for the group had not returned Billboard‘s request for additional information on the shoot.
Though a London tabloid reported that the pair performed and/or rehearsed during their visit to the club, singer Liam Gallagher threw cold water on that when the Oasis Podcast Twitter feed wrote, “The S*n reporting Noel and Liam actually performed on Thursday and there were noise complaints from local residents … knowing them could be rubbish but very interesting to see what comes out of it even if it is just an Adidas advert!”
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In response, Liam wrote “there was no performance.” As usual, though, Liam also had some cheeky answers to fan questions in the wake of the reports, writing on Saturday, “It’s all good can’t wait to get rehearsing.” When another fan wrote, “Noel says you’re on tip top form. How would u say Noel is??,” Liam responded of his guitarist/songwriter and occasional singer older brother, “He’s the same we’re locked in.”
Oasis have booked 41 dates for their long-awaited reunion tour, which is slated to kick off on July 4 with the first of two dates at Principality Stadium in Cardiff, U.K. Following a run of shows in their hometown of Manchester, as well as London, Edinburgh and Dublin they will move on to North America with August shows in Toronto and Chicago and September gigs in East Rutherford, N.J., Los Angeles and Mexico City.
The rest of the year will have the group — whose other touring members have not yet been revealed — returning to London before wrapping things up in Japan, Australia, Argentina and Chile before winding down with two shows at Estadio MorumBIS in São Paulo, Brazil on Nov. 22 and 23.
As they gear up to get back on the road, Oasis is also prepping a return to the charts in England, with their single “Some Might Say” expected to be back on the singles tally 30 years after its initial April 1995 release. According to NME, the song that earned the band their first U.K. No. 1 from their second album, (What’s the Story) Morning Glory? looks to climb to No. 2 on the U.K. Official Singles Chart after the release last week of a 30th anniversary vinyl re-release of the single.